The Collective Unconscious in the Age of Neuroscience brings the connection between C.G. Jung's theory of a collective unconscious, neuroscience, and personal experiences of severe mental illness to life. Hallie B. Durchslag uses narrative analysis to examine four autobiographical accounts of mental illness, including her own, and illuminate the interplay between psychic material and human physiology that Jung intuited to exist. Durchslag's unique study considers the links between expressions of the collective unconscious, such as (...) myth, fairy tales, folk tales, and 'big dreams', and the experiences of those diagnosed with severe mental illnesses, such as schizophrenia and bipolar disorder. The author's personal narrative account of a psychotic episode is at its heart, bringing both an intimate foundation and exceptional insight to the book. With reference to neuroscientific and genetic research throughout, The Collective Unconscious in the Age of Neuroscience highlights the gap between depth psychological notions of etiology and treatment, highlights patterns of collective material in the qualitative experience of these genetic and biological disorders, and explores how the efficacy of pharmacological treatment sheds light on Jung's theoretical model. The Collective Unconscious in the Age of Neuroscience will be essential reading for academics and students of Jungian and post-Jungian studies, consciousness, neuroscience and mental health. It will also provide unique insight for analytical psychologists interested in severe mental illness and the collective unconscious. (shrink)

This interdisciplinary exploration discusses the intricate conceptual linkages among Buddhism’s Eighth State of Consciousness, Quantum Holography, and the Jungian Collective Unconscious. Central to this study is examining the Eighth Consciousness in Buddhist thought—a realm that transcends the conventional sensory and mental states to connect with a more universal and profound awareness. Drawing parallels, Quantum Holography posits that every part of the universe retains information about the whole, much like a hologram. This notion seemingly mirrors the Jungian (...) concept of the Collective Unconscious, which postulates a shared reservoir of memories and ideas across humanity. The paper contends that the intricate dance of photons, oscillating between particle and wave states, mediates perception through resonance and hints at a multi-layered consciousness stratum that mirrors the vast, enigmatic quantum reality expanse. The study illuminates the intersections and divergences among these frameworks through meticulous comparative analysis, positing that an integrative understanding of quantum theories and Buddhist wisdom can unravel the human psyche’s profound depths. By weaving Eastern philosophies with Western psychological and quantum theoretical tapestry, the discourse unveils a multifaceted consciousness comprehension, championing integrative approaches as invaluable tools for decoding the mind and universe's enigmatic interplay from a quantum viewpoint. (shrink)

This book seeks to re-examine the period, to unravel some of the confusion by setting out the historical background of Jung’s ideas, and provide a fresh debate on Jung and his collective theory.

The making of music has been sufficiently deep and widespread diachronically and geographically to suggest a genetic imperative. C.G. Jung's 'Collective Unconscious' and the accompanying archetypes suggest that music is a psychic necessity because it is part of the brain structure. Therefore, the present view of aesthetics may need drastic revision, particularly on views of music as pleasure, ideas of disinterest, differences between so-called high and low art, cultural identity, cultural conditioning, and art-for-art's sake.All cultures, past and present, (...) show evidence of music making. Music qua music has been a part of human expression for at least some forty-thousand years and it could well be speculated that the making of music accompanied the arrival of the first human beings. As Curt Sachs states, "However far back we tracemankind, we fail to see the springing-up of music. Even the most primitive tribes are musically beyond the first attempts".Why do humans continuahy create music and include it as an integral part of culture? What is music's driving force? Why do cultures endow music with extraordinary powers? Why do human beings, individuahy and as societies, exercise preferences for specific works and genres of music? In probing these questions, I chose one aspect of Jungian psychology, that of the Collective Unconscious with its accompanying archetypes, as the basis upon which to speculate a world aesthetics of music. Once we dispense with the mechanistic and designer idea of human origins, we have only the investigations of the human psyche to mine for data that could explain the myriad forms of artistic activity found the world over. An examination of human beings, I believe, must lead one ultimately to the study of human behavior and motivations, in short, to the psychology of human ethos. This study wih take the following course: first, a discussion of consciousness and the Collective Unconscious, plus a discussion of archetypes; then, a description of musical archetypal substance; and finally, what I beheve is implied to form a world aesthetics of music.By comparison to Jung, Freud gives us little in the way of understanding artistic substance because for him, all artistic subject matter stems purely from the personal experiences of the artist. In comparing Freud and Jung, Stephen Larsen states that "Where Freud was deterministic, Jung was teleological; where Freud was historical, Jung was mythological". Jung drew on a much wider cross-cultural experiential and intellectual base than Freud. His interests in so-cahed primitive peoples led him to Tunis, the Saharan Desert, sub-Saharan Africa, and New Mexico in the United States to visit the Pueblo Indians; visits to India and Ceylon and studies of Chinese culture all contributed to his vast knowledge of human experience. Jung constructed the cohective unconscious as a major part of the psyche with the deepest sense of tradition and myth from around the world. He was criticized because of his interests in alchemy, astrology, divination, telepathy and clairvoyance, yoga, spiritualism, mediums and seances, fortunetelling, flying saucers, religious symbolism, visions, and dreams. But he approached these subjects as a scientist, investigating the human psyche and what these subjects revealed about mental process, particularly what might be learned about the collective unconsciousness. Jung's ideation, in my view, is sufficiently comprehensive to support the probe of a world aesthetics of music. (shrink)

This paper offers both a phenomenologically psychological and a phenomenologically transcendental account of the constitution of the unconscious. Its phenomenologically psychological portion was published in the previous volume of this journal as Part I, while its phenomenologically transcendental portion is published here as Part II. Part I first clarified the issues involved in Husserl's differentiation of the respective contents and methodologies of psychological and transcendental phenomenology. On the basis of this clarification it showed that, in marked contrast to the (...) prevailing approach to the unconscious in the phenomenological literature, an approach that focuses on the emotive and aesthetic factors (rooted in Freud's theory of repression) in the descriptive account of the constitution of an unconscious, there are cognitive factors (rooted in Jung's theory of apperception) that have yet to be descriptively accounted for by phenomenological psychology. Part I concluded with a phenomenologically psychological account of the role these cognitive factors play in the constitution of an unconscious. Part II shows how Jung's claims regarding a dimension of unconscious contents that lacks genealogical links to consciousness proper, i. e., the so-called "collective unconscious," can be phenomenologically accounted for if: (1) Jung's methodological differentiation of empirical and interpretative (hermeneutically phenomenological) approaches to the unconscious is attended to and; (2) such attention is guided by the phenomenologically transcendental critique of the emotive and aesthetic limitations of both the Freudian and heretofore Husserlian accounts of the descriptive genesis of something like an unconscious. (shrink)

Purpose. Without claiming to explain the meaning and purpose of the Cycladic figurines of the canonical type in the context of the culture that created them, the author attempts to investigate the phenomenon of these ancient images and their impact on contemporary humans through the lens of Carl Gustav Jung’s theory of the collective unconscious and the archetypes. Theoretical basis. The primary meanings and purposes of the Cycladic figurines are ambiguous and incomprehensible to us. We cannot understand them (...) in the context of their original culture. But we are able to create our own meanings: unfinished images generate an opportunity to bypass our conscious mind and to contact the unconscious. The Cycladic figurines may resonate with female archetypes in the male and female psyche, as well as symbolize the ontological primacy of creative unity of opposites, the integrity of consciousness and the unconscious. Originality. The author outlined the possible unconscious meanings generated by the Cycladic figurines for human psyche. The Cycladic figurines actualize the archetypes of the collective unconscious, such as the Great Mother, the Anima, and the Self. These ancient images can be used for introspection, art therapy, active imagination, meditation, mindfulness. Conclusions. The results show that the Cycladic figurines have had a huge impact on the artists of the 20 th century and continue to influence our contemporaries due to the emotional response they evoke in the unconscious, which conceals the primordial features of the ancient mind. Laconic ancient images provide a vast space of options for human imagination. In an attempt to interpret them, we are suddenly seized and carried away into unknown depths. Archetypal images are manifested in any form – from sublime and beautiful to terrible, but they create a single space full of numinous awe and beauty. Engaging with the archetypes and revealing their hidden messages, we establish a connection between consciousness and the unconscious, between the personal and collective unconscious to achieve a deep self-awareness and inner growth. (shrink)

In 1925, while transcribing and painting in his Red Book, C. G. Jung presented a series of seminars in English in which he spoke for the first time in public about his early spiritualistic experiences, his encounter with Freud, the genesis of his psychology, and the self-experimentation he called his "confrontation with the unconscious," describing in detail a number of pivotal dreams and fantasies. He then presented an introductory overview of his ideas about psychological typology and the archetypes of (...) the collective unconscious, illustrated with case material and discussions concerning contemporary art. He focused particularly on the contra-sexual elements of the personality, the anima and the animus, which he discussed with the participants through psychological analyses of popular novels, such as Rider Haggard's She. The notes from these seminars form the only reliable published autobiographical account by Jung and the clearest and most important account of the development of his work. This revised edition features additional annotations, information from the Red Book, and an introduction by Sonu Shamdasani, Philemon Professor of Jung History at University College London. (shrink)

In this work, we compare two global approaches which are usually considered as completely unconnected one with the other. The former is Thom’s topology and the latter is Jung’s psychology. More precisely, it seemed to us interesting to adapt some morphologies of Thom’s catastrophe theory to some Jung’s notions. Thus, we showed that the swallowtail, which is one of these morphologies, was able to describe geometrically the structural organisation of the psyche according to Jung, with its collective unconscious, (...) personal unconscious and conscious. Moreover, we have correlated this morphology with Jung’s evolutive processes like individualisation and individuation. These comparisons incited us to think that some morphologies of Thom’s catastrophe theory are the geometrical dealing of Jung’s archetypes. (shrink)

In this paper, I attempt to find a middle ground between the formalist critic, Vladimir Propp, and the psychoanalytic critic, Carl Jung. I argue that, instead of regarding Russian formalism and psychoanalysis as irreconcilable adversaries, the theories of the two figures can (and should) be unified; the result of which can be devised to establish a theory of what I call an ‘‘archetypal narrative’’. To be more explicit, Propp’s Morphology and Jung’s archetypal psychoanalysis are reconciled to bring about an archetypal (...) narrative theory, in which the underlying structure of narratives lies in the collective unconscious of humanity. (shrink)

_Why is the moving image so important in our lives? What is the link between the psychology of Jung, Freud and films? How do film and psychology address the problems of modernity? _ _Visible Mind_ is a book about why film is so important to contemporary life, how film affects us psychologically as individuals, and how it affects us culturally as collective social beings. Since its inception, film has been both responsive to historical cultural conditions and reflective of changes (...) in psychological and emotional needs. Arising at the same moment over a century ago, both film and psychoanalysis helped to frame the fragmented experience of modern life in a way that is still with us today. Visible Mind pays attention to the historical context of film for what it can tell us about our inner lives, past and present. _Christopher Hauke_ discusses a range of themes from the perspective of film and analytical psychology, these include: The Face, The Shadow, Narrative and Story, Reality in Film, Cinema and the American Psyche, the use of Movies in the Psychotherapy Session and Archetypal themes in popular film. Unique to Visible Mind, six interviews with top film professionals from different departments both unlocks the door on the role of the unconscious in their creative process, and brings alive the reflexive critical thinking on modernity, postmodernity and Jungian psychology found throughout Visible Mind. _Visible Mind_ is written for academics, filmmakers and students who want to understand what Jung and Freud's psychology can offer on the subject of filmmaking and the creative process, for therapists of any background who want to know more about the significance of movies in their work and for film lovers in general who are curious about what makes movies work. (shrink)

Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} Review of Ritske Rensma, The Innateness of Myth: A New Interpretation of Joseph Campbell’s Reception of C. G. Jung (New York/London: Continuum International Publishing Group, 2009).

The symbolism of Jacob and Esau -- On the collective symbolism of the brother motif -- Layers of the unconscious: the interpretation of mythology.

This book philosophically and creatively examines ways in which independent filmmakers may explore, through practice, the discovery and development of a personal voice in the making of their films. Filmmaker and academic, Professor Erik Knudsen, uses a combination of autoethnographic experience derived from his own filmmaking practice and new insights gained from a series of ethnomediaological StoryLab workshops with independent filmmakers in Malaysia, Ghana and Colombia to drive this innovative examination. The book contextualises this practice exploration within an eclectic pschological (...) and philosophical framework that ranges from Jungian psychological theories of the collective unconscious to Sheldrakian scientific theories of morphic resonance, from Christian mystical ideas about creative motivation to structuralist theories that underpin our linguistic understanding of story and narrative. Why should we create? What is a creative act? This in-depth study tackles these questions by examining the early ideation stages of cinematic expression and ultimately seeks to understand the practical ways in which ideas are shaped into stories and narratives"--Back cover. (shrink)

Jung's explanation of the religious tendency of the psyche addresses many sides of the contemporary debate on religion and the role that it has in individual and social life. This book discusses the emergence of a new mythic consciousness and details ways in which this consciousness supersedes traditional concepts of religion to provide a spirituality of more universal inclusion. _On Behalf of the Mystical Fool_ examines Jung's critique of traditional western religion, demonstrating the negative consequences of religious and political (...) class='Hi'>collective unconsciousness, and their consequent social irresponsibility in today's culture. The book concludes by suggesting that a new religiosity and spirituality is currently emerging in the West based on the individual’s access to the sense of ultimacy residual in the psyche, and seeking expression in a myth of a much wider compass. This book will be of interest to scholars and students at all levels who are engaged in the expanding field of Jungian studies. It will also be key reading for anyone interested in the theoretical and therapeutic connections between the psyche and religious experience. (shrink)

The Jungian concept of archetypes is of immense value for critically distinguishing what is potentially of universal practical value in religious and other cultural traditions, and separating this from the dogmatic elements. However, Jung encumbered the concept of archetypes with debatable constructions like the 'collective unconscious' that are unnecessary for understanding their practical function. This book puts forward a far-reaching new theory of archetypes that is functional without being reductive. At the centre of this is the idea (...) that archetypes are adaptations to help us maintain inspiration over time. Humans are such distractable beings that they need constant reminders to maintain integration with their most sustainable intentions: reminders using the profound power of symbol linked to embodied experience. This multi-disciplinary book weaves together religious studies, ethical philosophy, the psychology of bias, the neuroscience of brain lateralisation, the linguistics of embodied meaning, the feedback loops of systems theory, with a lifetime's experience of Buddhist practice and appreciation of symbolism in the arts: all with the aim of producing a fresh understanding of the role of archetypes in religion and beyond, that can also be directly applied in practice. (shrink)

Bafomé, a mais duradoura criação do escritor Éliphas Lévi, é um ícone do universo esotérico: é a imagem “satânica” mais conhecida da história. Na tentativa de desvendar a sua rica composição simbólica, uma exegese iconográfica será conduzida por intermédio da psicologia analítica, fundada pelo psiquiatra suíço Carl Gustav Jung. As origens de Bafomé na alquimia, na cabala e no gnosticismo serão perscrutadas e os conceitos Junguianos do inconsciente coletivo e dos arquétipos irão, em grande parte, balizar a interpretação proposta neste (...) trabalho. Tal análise será dividida em oito subáreas, entre elas: o significado do seu aspecto animalesco na escatologia cristã, o hermafroditismo na psicologia e nas ciências arcanas, as qualidades mágicas do pentagrama e a importância hermética do caduceu. Por fim, conclui-se que o Bafomé é um símbolo de self, o arquétipo da totalidade psíquica. Bafomé tem por finalidade ser uma alternativa à imagem primordial cristã de autorrealização, mais integradora e menos repressora que esta. Palavras-chave: Alquimia. Cristianismo. Magia. Psicologia junguiana. Religião e psicologia.Baphomet, the lasting creation of the French writer Éliphas Lévi, is an icon of the esoteric universe: it is the history’s best-known “satanic” image. In an attempt to unravel its rich symbolic composite, an iconographic exegesis will be conducted through the use of analytical psychology, founded by the Swiss psychiatrist Carl Gustav Jung. The origins of Baphomet in alchemy, Kabbalah and Gnosticism will investigated mostly through the application of Jungian concepts such as the collective unconscious and the archetypes. Such analysis will be divided into eight sub-areas, including: the significance of his animal appearance in Christian eschatology, hermaphroditism in psychology and the arcane sciences, the magical qualities of the pentagram and the importance of the caduceus in hermetism. Finally, we conclude that Baphomet is a symbol of the self, the archetype of psychic wholeness. Baphomet aims to be an alternative to the Christian primordial image of self-realization, more inclusive and less repressive than the latter. Keywords: Alchemy. Christianity. Jungian psychology. Magic. Religion and psychology. (shrink)

Sigmund Freud’s psychoanalysis and Carl Gustav Jung’s analytical psychology are different in many ways and some of their differences are extremely crucial. It is widely believed that one of the most obvious examples of this intellectual confrontation is the difference between Freud’s and Jung’s views on mythology. Proponents of this view believe that Jung was much more interested in mythological issues and his theory of myth became much deeper and more developed than Freud’s one. In particular, it is believed that (...) Freud focused exclusively on the individual’s psyche, while Jung allegedly reached the true origins of mythmaking in the collective unconscious, which is the sediment of the vast historical experience of mankind. The article shows that such statements do not reflect the real situation but just the point of view, which Jung began to spread after his break-up with Freud. In fact, the founder of psychoanalysis had a steady and deep interest in mythology. The manifestation of this interest was the formation of “psycho-analytics” of myth – a specific area of research, which in the early years of the psychoanalytic movement was joined by several first psychoanalysts, including Franz Riklin, Karl Abraham, Otto Rank, Ernest Jones, and Jung himself. It is essential that both Freud and Jung, before and after the break-up in 1913, have been and remain the supporters of the consideration of a man and culture through the prism of certain biological concepts of that time. Those are the principle of inheritance of acquired properties (Lamarckism) and the idea that ontogenesis recapitulates phylogeny (“biogenetic law”). Based on Lamarckian-biogenetic assumptions, both Freud and Jung saw the origins of mythology in the collective historical experience of mankind. The article demonstrates that the image of Oedipus and the associated motives of incest and parricide play almost the same role in Freud’s (and Freudian) model of mythmaking as the archetypes of the collective unconscious in Jung’s (and Jungian) concept of myth. (shrink)

he enigmatic films of David Lynch have been interpreted from a variety of perspectives. Among these we can find Lynch the postmodernist ironist, Lynch the transgressive neoconservative, and Lynch the visionary explorer of the unconscious. Martha P. Nochimson's recent study, for example, presents an eloquent case for regarding Lynch as a Jungian 'surfer of the waves of the collective unconscious', whose films combine the intuitive embracing of subconscious Life Energy with a celebration of the creative power (...) of Hollywood mythology. [1] For Nochimson, Lynch's transformation of the masculine action hero into intuitive 'boundary crosser' shows the redemptive quality of his cinematic vision, which we experience sensuously rather than comprehend rationally. (shrink)

This article analyses 2001 in terms of what I term paleofuturism. Fusing deep future and deep past, this cyclical figure reconciles rational machinic intelligence with diverse repressed temporal layers: archaic cultures, the embryonic state of individuals, and bygone biological and geological eras. In 2001, paleofuturism is nourished by Nietzsche’s Übermensch of the future, reborn as a child, and by Jungian ideas of individuation, the reconciliation with the shadow of the collective unconscious that leads to the black cosmos (...) itself. Further paleofuturist contexts for 2001 are explored in the so-called “ancient astronaut thesis” of science fiction, speculative science, and pseudo-science. Finally, in minimalism and earth art of the late 1960s we meet a structural parallel to 2001’s bypassing of the organic human body, one that bridges the inorganic entropic realities of deep future and deep past. (shrink)

This book provides a very accessible general introduction to the Jungian concept of ego development and Jung's theory of personality structure--the collective unconscious, anima, animus, shadow, archetypes.

The concept of 'Archteypes' and the hypothesis of 'A Collective Unconscious' are two of Jung's better known and most exciting ideas. In this volume - taken from the Collected Works and appearing in paperback for the first time - Jung describes and elaborates the two concepts. Three essays establish the theoretical basis which are then followed by essays on specific archetypes. The relation of these to the process of individuation is examined in the last section. _The Archetypes and (...) the Collective Unconscious_ is one of Jung's central works. There are many illustrations in full colour. (shrink)

Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 Based on an experiential dream series this consciousness study shapes a theory that the fragmentary nature of dreams seeks wholeness deriving from the Collective Unconscious. As dreams evolve from a microscopic-personal worldview to a macroscopic-transpersonal dimension, concern for survival of self is augmented with concern for survival of the species. Entangled dream imagery provides cues to quantum functions actualized through the tutelage of departed scientific luminaries. The intentionality, specificity, and (...) information input experienced in the communications imply that the collective unconscious and quantum cognition are an integrated structure revealing an underlying methodology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Buddhist Phenomenology: A Philosophical Investigation of Yogacara Buddhism and the Ch'eng Wei-shih LunCharles MullerBuddhist Phenomenology: A Philosophical Investigation of Yogacara Buddhism and the Ch'eng Wei-shih Lun. By Dan Lusthaus. Curzon Critical Studies in Buddhism Series. London: Routledge, 2002. Pp. xii + 611. Hardcover $65.00.Western students of Yogācāra Buddhism have long been in need of a full-length work that analyzes the key Yogācāra problematic concepts in a comprehensive manner. (...) Due to the lack of such a text, many nonspecialists have been forced to rely on the accounts provided in reference and survey works, which have tended to offer vague and confusing interpretations of what the tradition actually represents. In writing Buddhist Phenomenology, Dan Lusthaus has provided us with the most comprehensive and coherent response to these needs seen in recent years. After decades spent reading descriptions of the school written by both classical and modern scholars that he considers to have missed the point in one way or another, his aim in writing Buddhist Phenomenology is to set the meaning of Yogācāra straight. In so doing, he provides a re-articulation of Yogācāra that amounts to a must-read for anyone with an interest in this seminal Buddhist system.The core thread in this work lies in treating what Lusthaus takes to be the foremost of the misunderstandings of Yogācāra-the meaning of vijñapti-mātra, commonly rendered as "consciousness-only" or "mind-only." Standard introductions to Yogācāra for several decades now have tended to explain vijñapti-mātra as either a Buddhist form of "idealism" or a Jungian psychologism wherein the store consciousness is equated with a collective unconscious. Most introductions to "consciousness-only" continue to explain it as a "kind of happy realization and valorizing affirmation of consciousness as a reality, meaning something like 'true cognition' or 'consciousness is real'" (p. 435). Lusthaus argues that Vasubandhu and his colleagues never intended such a valorizing signification, but in fact used the term vijñapti-mātra with "the intent of laying out an indictment of the problems that the activities of consciousness engender" (p. 435). The explanation of exactly how and why this is so necessitates a reexamination of a wide array of arcane Yogācāra concepts. But in a more fundamental sense—at least for Lusthaus (and, we would suppose, for Vasubandhu and Xuanzang)—it implies a reevaluation of one's understanding of the most basic concepts of Buddhism itself, including karma, dependent origination, and selflessness. Lusthaus' main vehicle for carrying out this project is Xuanzang's Ch'eng Wei-shih Lun (CWSL), which Xuanzang composed for the express purpose of clarifying the meaning of Yogācāra in his own time. Lusthaus has been working on the CWSL for decades, and so this book also represents a culmination of his studies on that text.We should not misunderstand, based on the title, that Lusthaus is attempting to write a work of East-West comparative philosophy that directly correlates Husserlian phenomenology and Buddhism. The reason for the reference to phenomenology, as explained in the first two chapters, is that despite the numerous fundamental differences that lie between Buddhism and Western philosophy, when we attempt to translate the discourse of a Buddhist tradition such as Yogācāra, which is epistemological [End Page 135] in character (and not ontological or metaphysical, as it is often construed to be), the branch of Western philosophy that has the language most applicable to the task is that of phenomenology, with such hallmark concepts as noesis/noema and hyle.In these first two chapters Lusthaus gives a welcome review of the various permutations and usages of the term "idealism," as understood by different branches of philosophy, so that we may, later in the book, see exactly why the term is not applicable to what is going on in Yogācāra. In the second part of the book (starting from chapter 3), Lusthaus shows how Yogācāra fleshes out the fundamental components of the Buddha's teaching by examining the terms and concepts located within the discourse of... (shrink)

(1997). The dynamical mind: Process and the collective unconscious. World Futures: Vol. 48, The Concept of Collective Consiousness: Research Perspectives, pp. 127-139.

Although in modern times and clinical settings, we rarely see the old characteristics of tribal shamanism such as deep trances, out-of-body experiences, and soul retrieval, the archetypal dreams, waking visions and active imagination of modern depth psychology represents a liminal zone where ancient and modern shamanism overlaps with analytical psychology. These essays explore the contributors' excursions as healers and therapists into this zone. The contributors describe the many facets shamanism and depth psychology have in common: animal symbolism; recognition of the (...) reality of the collective unconscious; and healing rituals that put therapist and patient in touch with transpersonal powers. By reintroducing the core of shamanism in contemporary form, these essays shape a powerful means of healing that combines the direct contact with the inner psyche one finds in shamanism with the self-reflection and critical awareness of modern consciousness. The essays draw from the contributors' experiences both inside and outside the consulting room, and with cultures that include the Lakota Sioux, and those of the Peruvian Andes and the Hawaiian Islands. The focus is on those aspects of shamanism most useful and relevant to the modern practice of depth psychology. As a result, these explorations bring the young practice of analytical psychology into perspective as part of a much more ancient heritage of shamanistic healing. Contributors: Margaret Laurel Allen, Norma Churchill, Arthur Colman, Lori Cromer, Patricia Damery, C. Jess Groesbeck, Pansy Hawk Wing, June Kounin, Carol McRae, Pilar Montero, Jeffrey A. Raff, Janet S. Robinson, Meredith Sabini, Dyane N. Sherwood, Sara Spaulding-Phillips, Bradley A. Te Paske and Louis M. Vuksinick. (shrink)

This chapter contains sections titled: References.

In this novel re-examination of the archetype construct, philosopher Jon Mills and psychiatrist Erik Goodwyn engage in spirited dialogue on the origins, nature, and scope of what archetypes actually constitute, their relation to the greater questions of psyche and worldhood, and their relevance for Jungian studies and analytical psychology today. Arguably the most definitive feature of Jung's metapsychology is his theory of archetypes. It is the fulcrum on which his analytical depth psychology rests. With recent trends in post-Jungian (...) and neo-Jungian perspectives that have embraced developmental, relational, social justice, and postmodern paradigms, classical archetype theory has largely become a drowning genre. Despite the archetypal school of James Hillman and his contemporaries and the archetype debates that captured our attention over two decades ago, contemporary Jungians are preoccupied with the lived reality of the existential subject and the personal unconscious over the collective transpersonal forces derived from archaic ontology. Archetypal Ontology will be of interest to psychoanalysts, philosophers, transpersonal psychologists, cultural theorists, anthropologists, religious scholars, and many disciplines in the arts and humanities, analytical psychology, and post-Jungian studies. (shrink)

This book explores the causes behind Trump's victory in the 2016 US Presidential election and asks how a psychoanalytic understanding of the social unconscious can help us plot a new direction for the future in US politics and beyond. It first describes the social/psychological threads that are the now of American culture. Seeds of hope are discovered through an in-depth examination of the American idea of excess as represented by Trump, its archetypal figure. Essential psychoanalytic ideas such as, the (...) fundamental human condition of living with both individual and social unconscious, the psychic feminine principal, the notion of psychic valence and more are illustrated as psychic integrations necessary for America to move towards a redemptive positive social change. This book combines feminist exploration with playful illustrative imagery and mythic story-aiming to awaken minds across generations. America's Psychological Now is key reading for psychoanalysis, psychologists, political theorists, and anyone wishing to understand better how the social and political systems could be changed for the future. (shrink)

C. G. Jung, Opere complete. Arhetipurile si inconstientul colectiv Ed. Trei, Bucuresti, 2003.

This book charts Carl Gustav Jung’s 33-year correspondence with James Kirsch, adding depth and complexity to the previously published record of the early Jungian movement. Kirsch was a German-Jewish psychiatrist, a first-generation follower of Jung, who founded Jungian communities in Berlin, Tel Aviv, London, and Los Angeles. Their letters tell of heroic survival, brilliant creativity, and the building of generative institutions, but these themes are darkened by personal and collective shadows. The Nazi era looms over the first (...) half of the book, shaping the story in ways that were fateful not only for Kirsch and his career but also for Jung and his. Kirsch trained with Jung and acted as a tutor in Jewish psychology and culture to him. In 1934, fearing that anti-Semitism had seized his teacher, Kirsch challenged Jung to explain some of his publications for the Nazi-dominated Medical Society for Psychotherapy. Jung’s answer convinced Kirsch of his sincerity, and from then on Kirsch defended him fiercely against any allegation of anti-Semitism. We also witness Kirsch’s lifelong struggle with states of archetypal possession: his identification with the interior God-image on the one hand, and with unconscious feminine aspects of his psyche on the other. These complexes were expressed, for Kirsch, in physical symptoms and emotional dilemmas, and they led him into clinical boundary violations which were costly to his analysands, his family and himself. The text of these historical documents is translated with great attention to style and accuracy, and generous editorial scaffolding gives glimpses into the writers’ world. Four appendices are included: two essays by Kirsch, a series of letters between Hilde Kirsch and Jung, and a brief, incisive essay on the Medical Society for Psychotherapy. This revised edition includes primary material that was unavailable when the book was first published, as well as updated footnotes and minor corrections to the translated letters. (shrink)

At least three major questions can be asked of myth: what is its subject matter? What is its origin? What is its function? Theories of myth may differ in the answers they give to any of these questions, but more basically they may also differ on which of the questions they ask. C.G. Jung's theory is one of the few that purports to answer fully all three questions. This volume collects and organizes the key passages on myth by Jung himself (...) and by some of the most prominent Jungian writers after him: Erich Neumann, Marie-Louise von Franz and James Hillman. The book synthesizes the discovery of myth as a way of thinking, where it becomes a therapeutic tool providing an entrance to the unconscious. (shrink)

The current interest in Jung shows no sign of abating, with international controversy surrounding the origins of analytical psychology. _Jung in Contexts_ is a unique collection of the most important essays on Jung and analytical psychology over the past two decades. A comprehensive introduction traces the growth and development of analytical psychology and its institutions. The nine essays which follow place Jung, the man and his work, in three important contexts: historical, literary and intellectual. In historical context, Jung's visions during (...) his confrontation with the unconscious, his attitude towards National Socialism, and the composition of his so-called autobiography are examined. Next, in literary context, two essays investigate Jung's reading of E.T.A. Hoffman, and Thomas Mann's reception of Jungian ideas. Finally, in intellectual context, Jung's work is viewed in terms of the traditions of German and French thought from which it drew so many impulses: Schopenhauer, Nietzsche, Bergson. (shrink)

Resumen: El presente artículo tiene como propósito abordar de modo crítico y comprensivo el concepto de Memoria Colectiva de Halbwachs, con el objeto de reconocer: i) la pertinencia actual de este concepto respecto de problemáticas sociales contemporáneas, en donde se conjugan vivencias y memorias dominantes y subalternas dentro de procesos complejos de individuación, transmisión transgeneracional y constitución normativa de las sociedades, ii) cotejar el tratamiento del concepto de memoria colectiva desde las teorizaciones presentes en Halbwachs, Freud y Canguilhem, a fin (...) de identificar posibles líneas de discusión entre estas perspectivas. Para dicho efecto, se establecen como principales coordenadas de discusión fuentes primarias de los autores principales del estudio, las que se complementan y discuten con las apropiaciones contemporáneas de estas obras. Abstract: The purpose of this article is to critically and comprehensively approach Halbwachs' concept of Collective Memory, with the aim of recognising: i) the current relevance of this concept concerning contemporary social issues, where dominant and subaltern experiences and memories are combined within complex processes of individuation, transgenerational transmission and normative constitution of societies, ii) to compare the treatment of the concept of collective memory from the theorisations present in Halbwachs, Freud, and Canguilhem, to identify possible lines of discussion between these perspectives. For this purpose, primary sources of the main authors of the study are established as main discussion coordinates, which are complemented and discussed with contemporary appropriations of these works. (shrink)

This collection of 20 original chapters by leading researchers examines the cognitive unconscious from social, cognitive, and neuroscientific viewpoints, presenting some of the most important developments at the heart of the new picture of the unconscious.

This book contains a series of essays that explore the concept of unconsciousness as it is situated between phenomenology and psychoanalysis. A leading goal of the collection is to carve out phenomenological dimensions within psychoanalysis and, equally, to carve out psychoanalytical dimensions within phenomenology. The book examines the nature of unconsciousness and the role it plays in structuring our sense of self. It also looks at the extent to which the unconscious marks the body as it functions outside of (...) experience as well as manifests itself in experience. In addition, the book explores the relationship between unconsciousness and language, particularly if unconsciousness exists prior to language or if the concept can only be understood through speech. The collection includes contributions from leading scholars, each of whom grounds their investigations in a nuanced mastery of the traditional voices of their fields. These contributors provide diverse viewpoints that challenge both the phenomenological and psychoanalytical traditions in their relation to unconsciousness. (shrink)

Preface to the second edition -- Preface to the first edition -- Psycho-mythology : meschugge? -- Dreams and fantasies : manifestations 0f the mythological unconscious -- African-American dreaming and the "lion in the path" : racism and the cultural unconscious -- "Hapless" the Centaur : an archetypal image, amplification, and active imagination -- Pegasus and visionary experience : from the white winged horse to the "flying red horse" -- The bull, the labyrinth, and the Minotaur : from archaeology (...) to "archetypology" (with an apology to Ariadne) -- Griffins, gold, and dinosaurs : mythology and "fantastic paleontology" -- Dreaming of a unicorn : a comparison of Lacanian and Jungian interpretation -- "Destiny" and the call to heroism : a dream of vocation and individuation -- List of publications by Michael Vannoy Adams. (shrink)

It could be argued that mythology dramatizes aspects of our relationship with potent forces of which we have little understanding and over which we have little control. Moreover, many of these forces are less concrete than the forces of nature and arise from an apprehension of our existential predicaments, our interpersonal vulnerability and the intensity of our own psychological pain. This paper argues that in many contemporary discourses this territory is referred to more neutrally as ‘the unconscious'. Within this (...) framework, the Freudian interpretation of the unconscious is explored, as is the use of mythology to disguise deep, fear inducing aspects of the unconscious by expressing them in ways that are less threatening. In particular, the myth of Oedipus and its Freudian interpretation is examined together with the divergent opinions of Freud, Adler and Jung regarding the unconscious. The paper continues to examine the difficulty that modern ‘science' has had in reconciling contemporary and past views on the unconscious, viewing the unconscious as more of an information processing system. The paper proceeds to discuss different ways of how meaning is encoded into language and how it can affect people on an unconscious level. Jung's concept of the collective unconscious is briefly examined, particularly the notion that the collective unconscious is "a separate reality with its own autonomous existence". The use of psychedelic substances by various psychological professionals is briefly commented on, as well as their use in shamanism.Also discussed is how the unconscious serves as a mythic entity in contemporary psychology, with the ability to invoke feelings of fascination at the implication of "something powerful, mysterious and beyond our control". Within this context, Bynum's work on "the African unconscious" is examined through the lens of paleoanthropological data, healing rituals and Jung's experiences in Africa, and how these contribute to a uniquely African viewpoint on the subject of the unconscious. The paper concludes that although the unconscious has been conceptualised differently by many different scholars across time, it continues to point "to profound existential truths about the nature of human life". (shrink)

Multiple drug resistant strains of HIV and continuing difficulties with vaccine development highlight the importance of psychologi- cal interventions which aim to in uence the psychosocial and emo- tional factors empirically demonstrated to be significant predictors of immunity, illness progression and AIDS mortality in seropositive persons. Such data have profound implications for psychological interventions designed to modify psychosocial factors predictive of enhanced risk of exposure to HIV as well as the neuroendocrine and immune mechanisms mediating the impact of such factors (...) on disease progression. Many of these factors can be construed as unconscious mental ones, and psychoanalytic self-psychology may be a useful framework for conceptualizing psychic and immune de- fence as well as bodily and self-integration in HIV infection. Al- though further prospective studies and cross-cultural validation of research are necessary, existing data suggest that psychoanalytic insights may be useful both in therapeutic interventions and evaluative research which would require an underlying epistemology of the complementarity of mind and matter. (shrink)

융의 심리학은 프로이트 심리학과 함께 의식 중심의 심리학의 관점을 벗어난다. 이러한 융의 심리학은 무의식 개념을 통해 근대적 주체인 데카르트의 단일한 의식적 주체, 칸트의 선험적 주체, 흄의 판단의 주체 개념을 해체시킨다. 또한 그의 심리학은 무의식 개념을 통해 이성주의를 비판한다. 융의 심층 심리학은 개인 심리의 충동으로 보는 프로이트의 무의식을 넘어서 신화적 상징을 구성하는 집단 무의식의 원형을 제시한다. 이러한 융의 원형심리학은 ‘정신=의식’ 이라는 주관 정신의 영역을 벗어나 경험적으로 객관정신(집단 무의식)을 수용하려는 관점을 반영하고 있다. 지금까지의 ‘정신=의식’으로서 정신은 주관적 정신인 한에서 두 가지 한계를 드러냈다. (...) 첫 번째는 주관정신이 오성 영역이상으로 넘어서지 못한다는 점이다. 이러한 주관 정신은 고대로부터 내려오는 객관정신(집단 무의식)을 배제하게 된다. 두번째로 헤겔식의 주관정신은 오성으로 우주적 가치로 확장시켜 객관정신(집단무의식)으로 나아가고자 시도하지만 주관정신이 객관정신을 수용하지 못한 채로 확장시킴으로서 내용 없는 의식의 팽창만이 발생하게 된다는 점이다. 이것은 많은 문제점들을 야기한다.BR 의식의 형태로는 지향성으로서의 의식, 선별로서의 의식, 종합으로서의 의식으로 구분된다. 그러나 우리의 마음 또는 정신이 지향적이며 선별적으로 주의를 기울이며 종합적인 능력을 발휘하는 의식의 영역만으로는 설명되지 않는 것들이 존재한다. 따라서 우리의 마음을 전체적으로 파악하기 위해서는 무의식에 대한 연구가 필요하다. 정신분석이란 우리 자신도 시인하기를 거부하는 무의식적인 관심사 즉 우리가 억압하고 있는 무의식적인 관심사를 밝혀내려는 심리학적인 탐구 방법이다. 이 정신분석은 프로이트와 융에 의해서 개발되고 발전되었다. 이 글에서 연구자는 이런 문제 의식을 가지고 프로이트와 융이 어떤 방식으로 무의식의 탐구를 개시하고 어떤 방식으로 전개시키고 있는지를 살펴보고 있다. 특별히 융의 집단 무의식 개념이 어떻게 탄생하고 어떤 방식으로 객관정신을 보완하고 있는지를 살펴보고 있다. (shrink)

Unconscious Incarnations considers the status of the body in psychoanalytic theory and practice, bringing Freud and Lacan into conversation with continental philosophy to explore the heterogeneity of embodied life. By doing so, the body is no longer merely an object of scientific inquiry but also a lived body, a source of excessive intuition and affectivity, and a raw animality distinct from mere materiality. The contributors to this volume consist of philosophers, psychoanalytic scholars, and practitioners whose interdisciplinary explorations reformulate traditional (...) psychoanalytic concepts such as trauma, healing, desire, subjectivity, and the unconscious. Collectively, they build toward the conclusion that phenomenologies of embodiment move psychoanalytic theory and practice away from representationalist models and toward an incarnational approach to psychic life. Under such a carnal horizon, trauma manifests as wounds and scars, therapy as touch, subjectivity as bodily boundedness, and the unconscious 'real' as an excessive remainder of flesh. Unconscious incarnations signal events where the unsignifiable appears among signifiers, the invisible within the visible, and absence within presence. In sum: where the flesh becomes word and the word retains its flesh. Unconscious Incarnations seeks to evoke this incarnational approach in order to break through tacit taboos toward the body in psychology and psychoanalysis. This interdisciplinary work will appeal greatly to psychoanalysts and psychoanalytic psychotherapists as well as philosophy scholars and clinical psychologists. (shrink)