Overview of the (non)conceptualism debate in Kant studies.

In the recent debate between conceptualists and nonconceptualists about perceptual content, Kant’s notion of intuition has been invoked on both sides. Conceptualists claim Kant as a forerunner of their position, arguing that Kantian intuitions have the same kind of content as conceptual thought. On the other hand, nonconceptualists claim Kant as a forerunner of their own position, contending that Kantian intuitions have a distinctly nonconceptual kind of content. In this paper, I argue first, that both sides are wrong (...) about Kant, secondly, that neither side can properly account for the epistemic function of intuition, and thirdly, that Kant’s own notion of intuition contains the resources for a third alternative. The epistemic function of an intuition for Kant is to furnish the sensory representation of an object of cognition. Conceptualism cannot account for this function because it construes perception as a species of thought. As a proper appreciation of Kant’s reasons for insisting upon the heterogeneity of thought and perception puts one in a position to see, any view that does this will fail to do justice to the distinctly sensory nature of intuition. Nonconceptualism, on the other hand, cannot account for the epistemic function of intuition because it views intuition as self-standing, and thus as completely independent from thought. As a consequence, nonconceptualism is not entitled to claim that an intuition is itself a cognitive state. I show that Kant’s actual view avoids both these extremes because it involves a different way of conceiving how perception is informed by conceptual thought. Building on this conception, Kant is able to preserve the distinctly sensory nature of intuition, while also securing proper cognitive standing for it. As a result, Kant’s notion of intuition provides the resources for an alternative account of how thought relates to the senses – one that avoids the shortcomings of the positions staked out in the contemporary debate. (shrink)

This paper reconstructs the major transformations in the Marburg neo-Kantian account of experience. By focusing on the problem of ‘conceptualism’, it traces connections between four issues that are central to the transcendental projects of the Marburg philosophers: the interpretation of Kant, the critique of experiential givenness, the account of objective cognition in science, and the relation between scientific and pre-scientific experience. My historical narrative identifies two shifts. The first is from Cohen's conceptualist answer to the threat of subjectivism (...) to Cassirer's functionalist answer to empiricism. The second is from Cassirer's conceptualism about scientific experience to his symbolic non-conceptualism about everyday perception. My reconstruction reveals the fate of neo-Kantian conceptualism to be linked to the fate of pre-scientific perception and suggests that the continuing significance of the Marburg philosophers lies in their responses to the coming apart of the manifest and the scientific image. (shrink)

A recent debate in Kant scholarship concerns the role of concepts in Kant's theory of perception. Roughly, proponents of a conceptualist interpretation argue that for Kant, the possession of concepts is a prior condition for perception, while nonconceptualist interpreters deny this. The debate has two parts. One part concerns whether possessing empirical concepts is a prior condition for having empirical intuitions. A second part concerns whether Kant allows empirical intuitions without a priori concepts. Outside of Kant interpretation, the contemporary debate (...) about conceptualism concerns whether perception requires empirical concepts. But, as I argue, the debate about whether Kant allows intuitions without empirical concepts does not show whether Kant is a conceptualist. Even if Kant allows intuitions without empirical concepts, it could still be that a priori concepts are required. While the debate could show that Kant is a conceptualist, I argue it does not. Finally, I sketch a novel way that the conceptualist interpreter might win the debate—roughly, by arguing that possessing a priori concepts is a prior condition for having appearances. (shrink)

There are perceptual states whose representational content cannot even in principle be conceptual. If that claim is true, then at least some perceptual states have content whose semantic structure and psychological function are essentially distinct from the structure and function of conceptual content. Furthermore the intrinsically “orientable” spatial character of essentially non-conceptual content entails not only that all perceptual states contain non-conceptual content in this essentially distinct sense, but also that consciousness goes all the way down into so-called unconscious or (...) subpersonal mental states. Both my argument for the existence of essentially non-conceptual content and my theory of its structure and function have a Kantian provenance. (shrink)

One of the central debates in contemporary Kant scholarship concerns whether Kant endorses a “conceptualist” account of the nature of sensory experience. Understanding the debate is crucial for getting a full grasp of Kant's theory of mind, cognition, perception, and epistemology. This paper situates the debate in the context of Kant's broader theory of cognition and surveys some of the major arguments for conceptualist and non-conceptualist interpretations of his critical philosophy.

Hanna proposes a version of non-conceptualism he closely associates with Kant. This paper takes issue with his proposal on two fronts. First, there are reasons to dispute whether any version of non-conceptualism can be rightly attributed to Kant. In addition to pointing out passages that conflict with Hanna's interpretation, I also suggest ways in which the Kant of the Opus Postumum could integrate key insights of non-conceptualism into a basically conceptualist framework. In Part Two of the paper, (...) I turn to a more systematically oriented critique of Hanna's nonconceptualism. Drawing on work by Gareth Evans, John McDowell, Sonia Sedivy, and Alva Noë, I argue that conceptualism is in a position to integrate the points which are taken by Hanna to speak most strongly in favor of non-conceptualism. In particular, I argue for the deep compatibility of conceptualism and direct realism. At the same time, I point to what I see as weaknesses in Hanna's defence of non-conceptualism. (shrink)

Abstract Robert Hanna has recently advanced a theory of non-conceptual content, the central claim of which is that "it is perfectly possible for there to be directly referential intuitions without concepts". Hanna bases this claim in Kant's account of intuition in the Critique of Pure Reason, and so extends his Kantian non-conceptualism beyond the epistemology of empirical knowledge into the realm of mathematics. Thus, Hanna has proposed a Kantian non-conceptualist solution to a well-known dilemma set out by (...) Paul Benacerraf in his 1973 paper, "Mathematical Truth". I argue that Hanna is right about Kant's non-conceptualism, but mistaken in its application to Benacerraf's Dilemma. (shrink)

ABSTRACT This paper deals with the problem of characterizing the content of experience as either conceptual or non-conceptual in -/- Kant’s transcendenta -/- l philosophy, a topic widely debated in contemporary philosophy. I start out with -/- Kant’s pre -/- -critical discussions of space and time in which he develops a specific notion of non-conceptual content. Secondly, I show that this notion of non-conceptual intuitional content does not seem to match well with the Transcendental Deduction. This incongruity results in three (...) interrelated problems that are -/- inherent to Kant’s -/- Transcendental Deduction in the -/- Critique -/- 1 -/- : the ‘Independency Disagreement’, the ‘Conceptualism Contradiction’ and the ‘Intuition Inconsistency’. -/- These three problems derive from apparently contradictory claims concerning the possibility of non-conceptual content. Contemporary Kantian conceptualists and non-conceptualists tend to take a stance at either side of the dilemma rather than trying to dissolve these tensions. In response to this, I propose a new solution to these difficulties based on a distinction between two kinds of conceptualism. This will reveal why Kant is a non-conceptualist in one significant sense, but also why he is still better regarded a conceptualist. -/- . (shrink)

I argue that in his aesthetics, Kant puts forward arguments that help to answer the question of whether he is a conceptualist or a non-conceptualist. The current debate on Kantian conceptualism and non-conceptualism has completely overlooked the importance of Kant’s aesthetics. There are two candidates for non-conceptuality in Kant’s aesthetics. First, non-conceptual content plays a crucial role in aesthetic evaluation. Second, non-conceptual content has a systematic explanatory function in the theory of aesthetic creation of the genius of (...) art. Accordingly, my argument proceeds in two steps: In first analyse the role of non-conceptual content in aesthetic evaluation, i.e., Kant’s claim that aesthetic experience is cognition of a special kind that does not bear on conceptual activities. In then look at the role of non-conceptual content in the genius’s creation of artwork. I argue that art production does not imply conceptual activity and therefore seems to count as a second systematic instance of Kantian non-conceptualism. If my argument is correct, then Kant’s aesthetics implies non-conceptualism with respect to aesthetic evaluation but does not in any objective sense with respect to aesthetic creation. (shrink)

In this paper I argue that Kant’s theory of spatial representation supports a Moderate Conceptualist view of his theory of intuition, according to which Kantian intuitions depend for their objective purport on actualizations of spontaneity in a particular kind of synthesis. In making the case for this I focus on three aspects of the theory of spatial representation: the distinction Kant draws between what he calls the original representation of space and the representations of determinate spaces; the doctrine of (...) the productive imagination; and the related doctrine of the a priori determination of sensibility by understanding. I introduce Moderate Conceptualism, explain why these three aspects support it, and consider a number of objections. (shrink)

Lucy Allais’s Manifest Reality presents a systematic discussion of the role that Kant assigns to concepts in making knowledge of objects possible. In this paper, I ascribe to Allais a version of non-conceptualism, according to which knowledge is a ‘hybrid’ or loose unity of concept and intuition; concept relates to intuition as form relates to matter in an artefact. I will show how this view has trouble accommodating the distinction between knowledge and accidentally true belief, and how it leads (...) to objectionable forms of idealism. (shrink)

In recent years non-conceptual content theorists have taken Kant as a reference point on account of his notion of intuition (§§ 1-2). The present work aims at exploring several complementary issues intertwined with the notion of non-conceptual content: of these, the first concerns the role of the intuition as an indexical representation (§ 3), whereas the second applies to the presence of a few epistemic features articulated according to the distinction between knowledge by acquaintance and knowledge by description (§ 4). (...) This work intends to dismiss the possibility that intuition may have an autonomous function of de re knowledge in support of an interpretative reading which can be labelled as weak conceptualism. To this end, the exploration will be conducted from a strictly transcendental perspective – i.e., by referring to the so called theory of the “concept of a transcendental object”. (shrink)

In this paper, I discuss the debate on Kant and nonconceptual content. Inspired by Kant’s account of the intimate relation between intuition and concepts, McDowell (1996) has forcefully argued that the relation between sensible content and concepts is such that sensible content does not severally contribute to cognition but always only in conjunction with concepts. This view is known as conceptualism. Recently, Kantians Robert Hanna and Lucy Allais, among others, have brought against this view the charge that it neglects (...) the possibility of the existence of essentially nonconceptual content that is not conceptualised or subject to conceptualisation. Their critique of McDowell amounts to nonconceptualism. However, both views, conceptualist and nonconceptualist, share the assumption that intuition is synthesised content in Kant’s sense. My interest is not in the validity of the philosophical positions of conceptualism or nonconceptualism per se. I am particularly interested in the extent to which the views that McDowell and Hanna and Allais respectively advance are true to Kant, or can validly be seen as Kantian positions. I argue that although McDowell is right that intuition is only epistemically relevant in conjunction with concepts, Hanna and Allais are right with regard to the existence of essentially nonconceptual content (intuitions) independently of the functions of the understanding, but that they are wrong with regard to non-conceptualised intuition being synthesised content in Kant’s sense. Kantian conceptualists (Bowman 2011; Griffith 2012; Gomes 2014) have responded to the recent nonconceptualist offensive, with reference to A89ff./B122ff. (§13)—which, confusingly, the nonconceptualists also cite as evidence for their contrary reading—by arguing that the nonconceptualist view conflicts with the central goal of the Transcendental Deduction, namely, to argue that all intuitions are subject to the categories. I contend that the conceptualist reading of A89ff./B122ff. is unfounded, but also that the nonconceptualists are wrong to believe that intuitions as such refer strictly to objects independently of the functions of the understanding, and that they are mistaken about the relation between figurative synthesis and intellectual synthesis. I argue that Kant is a conceptualist, albeit not in the sense that standard conceptualists assume. Perceptual knowledge is always judgemental, though without this resulting in the standard conceptualist claim that, necessarily, all intuitions or all perceptions per se stand under the categories (strong conceptualism). I endorse the nonconceptualist view that, for Kant, perception per se, i.e. any mere or ‘blind’ intuition of objects (i.e. objects as indeterminate appearances) short of perceptual knowledge, does not necessarily stand under the categories. Perception is not yet perceptual knowledge. In this context, I point out the common failure in the literature on the Transcendental Deduction, both of the conceptualist and nonconceptualist stripe, to take account of the modal nature of Kant’s argument for the relation between intuition and concept insofar as cognition should arise from it. (shrink)

In this paper we (i) identify the notion of ‘essentially non-conceptual content’ by critically analyzing the recent and contemporary debate about non-conceptual content, (ii) work out the basics of broadly Kantian theory of essentially non-conceptual content in relation to a corresponding theory of conceptual content, and then (iii) demonstrate one effective application of the Kantian theory of essentially non-conceptual content by using this theory to provide a ‘minimalist’ solution to the problem of perceptual self-knowledge which is raised by (...) Strong Externalism. (shrink)

In this article I respond to objections that Matías Oroño, Silvia del Luján di Saanza, Pedro Stepanenko and Luciana Martínez have raised against my non-conceptualist reading of Kant’s aesthetics. The objections are both, substantial and instructive. I first sketch my non-conceptualist reading of Kant’s doctrine of judgments of taste and then turn to what I take to be the most important criticisms that these authors have put forward. Two difficulties with a non-conceptualist reading of Kant’s aesthetics seem to be central: (...) the cognitive status of judgments of taste and the representationalist capacity of aesthetic feeling as non-conceptual mental content. I respond to these and additional objections and defend my overall non-conceptualist interpretation of Kant’s aesthetics against my critics. I argue that Kant’s aesthetics is highly relevant for the debate over whether or not Kant is a conceptualist. (shrink)

This article advances a new account of Kant’s views on conceptualism. On the one hand, I argue that Kant was a nonconceptualist. On the other hand, my approach accommodates many motivations underlying the conceptualist reading of his work: for example, it is fully compatible with the success of the Transcendental Deduction. I motivate my view by providing a new analysis of both Kant’s theory of perception and of the role of categorical synthesis: I look in particular at the categories (...) of quantity. Locating my interpretation in relation to recent research by Allais, Ginsborg, Tolley and others, I argue that it offers an attractive compromise on this important theoretical and exegetical issue. (shrink)

This book offers an array of important perspectives on Kant and nonconceptualism from some of the leading scholars in current Kant studies. As well as discussing the various arguments surrounding Kantian nonconceptualism, the book provides broad insight into the theory of perception, philosophy of mind, philosophy of mathematics, epistemology, and aesthetics. His idealism aside, Kantian nonconceptualism is the most topical contemporary issue in Kant’s theoretical philosophy. In this collection of specially commissioned essays, major players in the current debate, (...) including Robert Hanna and Lucy Allais, engage with each other and with the broader literature in the field addressing all the important aspects of Kantian nonconceptualism. Among other topics, the authors analyse the notion of intuition and the conditions of its generation, Kant’s theory of space, including his pre-Critical view of space, the relation between nonconceptualism and the Transcendental Deduction, and various challenges to both conceptualist and nonconceptualist interpretations of Kant. Two further chapters explore a prominent Hegelian conceptualist reading of Kant and Kant’s nonconceptualist position in the Third Critique. The volume also contains a helpful survey of the recent literature on Kant and nonconceptual content. Kantian Nonconceptualism provides a comprehensive overview of recent perspectives on Kant and nonconceptual content, and will be a key resource for Kant scholars and philosophers interested in the topic of nonconceptualism. (shrink)

Early twentieth-century philosophers of perception presented their naïve realist views of perceptual experience in anti-Kantian terms. For they took naïve realism about perceptual experience to be incompatible with Kant’s claims about the way the understanding is necessarily involved in perceptual consciousness. This essay seeks to situate a naïve realist account of visual experience within a recognisably Kantian framework by arguing that a naïve realist account of visual experience is compatible with the claim that the understanding is necessarily involved (...) in the perceptual experience of those rational beings with discursive intellects. The resultant view is middle way between recent conceptualist and non-conceptualist interpretations of Kant, holding that the understanding is necessarily involved in the kind of perceptual consciousness that we, as rational beings, enjoy whilst allowing that the relations of apprehension which constitute perceptual consciousness are independent of acts of the understanding. (shrink)

In recent years, nonconceptual content theories have seen Kant as a reference point for his notion of intuition (§§ 1-3). This work aims to dismiss the possibility that intuition is provided with an autonomous function of de re knowledge. To this end, it will explore certain epistemological points that emerge from Garroni’s reading of the Third Critique in the conviction that they provide a suitable context to verify the presence of autonomous, epistemically nonconceptual content in the transcendental system (§§ 4-5). (...) It is here, in fact, that Kant discusses those cases where intuition is given without bringing into play the conceptual component. As Garroni posits, in this frame of reference, such content cannot subsist without the interplay between aesthetic and conceptual dimensions (§§ 6-7). Long before the development of the debate on Kantian nonconceptualism, and during the period in which the Kantian debate on the epistemic considerations contained in the Third Critique was developing deeply for the first time, Garroni had already identified a theoretical position on these issues, which can be labelled aesthetic conceptualism, thanks to his fundamentally epistemological reading of the Third Critique. (shrink)

The subject of this article is a powerful objection to the non-conceptualist interpretation of Kant’s transcendental deduction of the categories. Part of the purpose of the deduction is to refute the sort of scepticism according to which there are no objects of empirical intuition that instantiate the categories. But if the non-conceptualist interpretation is correct, it does not follow from what Kant is arguing in the transcendental deduction that this sort of scepticism is false. This article explains and assesses a (...) number of possible responses to this objection. (shrink)

In this chapter I advance a moderately conceptualist interpretation of Kant’s account of the threefold synthesis in the A-Deduction. Often the first version of TD, the A-Deduction, is thought to be less conceptualist than the later B-version from 1787 (e.g. Heidegger 1991, 1995). Certainly, it seems that in the B-Deduction Kant puts more emphasis on the role of the understanding in determining the manifold of representations in intuition than he does in the A-Deduction. It also appears that in the A-Deduction (...) the seemingly pre-conceptual aspects of a priori synthesis, namely those of the synthesis of apprehension and the imagination, are more prominently featured than in the B-Deduction. And the fact that in the A-Deduction judgement does not appear to play any significant role reinforces the view that the A-Deduction is less strongly conceptualist. I believe that Kant is a conceptualist also in the A-Deduction (as much as in the B-Deduction) in the sense that all syntheses, which are expounded in the second section of the A-Deduction, must be seen as involving the categories or the understanding as the seat of the categories. However, despite some apparent strong modal claims regarding apperception in the A-Deduction, I argue that Kant is a moderate conceptualist in the sense that he allows for the real possibility that some representations are apprehended that are not subsumed or subsumable under the categories, or determined or determinable by the understanding as the seat of the categories. Not all representations must be synthesised and hence be conceptualised (by means of the categories), nor are all representations necessarily conceptualisable (by means of the categories). Often it is argued that the application of the categories must be seen as separate from or prior to conceptualisation (that is, employment of concepts in a judgement), so that the categories must be considered to apply to representations at least to the extent that the productive imagination or recognitive synthesis is involved, even if no empirical concepts are applied in an actual judgement. But it is difficult to see how categories can apply outside the context of an actual judgement in which ipso facto empirical concepts are employed, because, after all, categories are nothing but logical functions of judgement (e.g. B143). More in particular, I shall argue for the claims that (1) appearances to the contrary, all three levels of syntheses in the A-Deduction, including the synthesis of recognition, are interdependent and are not to be seen as operating singly or independently of each other, and hence of the categories; (2) ‘mere’ apprehension, or ‘mere’ intuition, is not dependent on the understanding and the application or possible application of the categories; and that (3) ‘mere’ apprehension does not even invoke a priori synthesis of apprehension and hence is as such fully lawless in terms of Kantian a priori laws. In this context, I also address Kant’s argument in the A-Deduction about the role of the imagination in the production of spatial objects and explain his apt use of the example of cinnabar to show that the kind of association that is at issue here concerns the possibility of knowledge, not the possibility of mere association, as is often assumed. (shrink)

Kant's readers have disagreed about whether, according to his account of cognition, concepts, representations of the understanding, are involved in intuitions, representations of sensibility. But proponents of the affirmative 'conceptualist' answer and those of the negative 'non-conceptualist' answer have alike presupposed that such involvement should be construed in a particular way: i.e., as the involvement of particular concepts in particular exercises of sensibility. I argue, on the contrary, that it should not be: that though, for Kant, no concepts are applied (...) in exercises of sensibility, nonetheless the understanding, the faculty of concepts, is teleologically internal to sensibility and, therefore, to its exercises. That is, those exercises are per se directed towards the provision to the understanding of objects to which its fundamental concepts, the categories, are applicable, though no act of categorical application is internal to them. This conception of sensibility, available only in light of a careful distinction between capacities and acts, is demanded, I argue, by Kant's conception of a priori knowledge as elaborated in his Transcendental Deduction. (shrink)

This article addresses three questions concerning Kant’s views on non-rational animals: do they intuit spatio-temporal particulars, do they perceive objects, and do they have intentional states? My aim is to explore the relationship between these questions and to clarify certain pervasive ambiguities in how they have been understood. I first disambiguate various nonequivalent notions of objecthood and intentionality: I then look closely at several models of objectivity present in Kant’s work, and at recent discussions of representational and relational theories of (...) intentionality. I argue ultimately that, given the relevant disambiguations, the answers to all three questions will likely be positive. These results both support what has become known as the nonconceptualist reading of Kant, and make clearer the price the conceptualist must pay to sustain her position. (shrink)

In this essay I argue that a broadly Kantian strategy for demonstrating and explaining the existence, semantic structure, and psychological function of essentially non-conceptual content can also provide an intelligible and defensible bottom-up theory of the foundations of rationality in minded animals. Otherwise put, if I am correct, then essentially non-conceptual content constitutes the semantic and psychological substructure, or matrix, out of which the categorically normative a priori superstructure of epistemic rationality and practical rationality - Sellars's "logical space of (...) reasons" - grows. (shrink)

Is Kant a conceptualist or a nonconceptualist? Very roughly, this amounts to the following question: Do intuitions depend on concepts in order to represent objects? Much recent Kant scholarship is devoted to answering this question, which is of interest not only for its connection to contemporary debates in philosophy of mind and perception, but also because the answer one provides has important implications for how one understands crucial features of Kant’s account of cognition. In this extended review essay, I examine (...) how the authors in this volume, most of whom adopt some version of nonconceptualism, approach the following three questions: (1) Is the unity of the pure intuition of space as an all-encompassing whole independent of the understanding, and if so, what follows with respect to the unity of empirical intuitions? (2) When Kant says that all objects of the senses stand under the categories, does this mean that the categories play a role in generating intuitions, or is there a way of understanding this claim that is compatible with nonconceptualism (according to which intuitions do not depend on concepts in order to be intuitions)? And finally, (3) Are intuitions representational or relational states and what implications does this have for how we understand the role of intuitions in establishing real possibility? (shrink)

The debate about Kantian conceptualism and non-conceptualism has completely overlooked the importance of Kant’s aesthetics. I show how this debate can be significantly advanced by exploring Kant’s aesthetics, that is, the theory of judgments of taste and the doctrine of the aesthetic genius of the third Critique. The analysis of judgments of taste demonstrates that non-conceptual mental content is a condition of the possibility of aesthetic experience. The subsequent discussion of the doctrine of the aesthetic genius reveals (...) that aesthetic ideas must also be conceived in terms of non-conceptual mental content. I finally restrict Kant’s aesthetic non-conceptualism to the way aesthetic perceivers cognitively evaluate artwork, while the doctrine of the genius cannot count as a viable form of aesthetic non-conceptualism. (shrink)

:Recently, Allais, Hanna and others have argued that Kant is a nonconceptualist about intuition and that intuitions refer objectively, independently of the functions of the understanding. Kantian conceptualists have responded, which the nonconceptualists also cite as textual evidence for their reading) that this view conflicts with the central goal of Kant’s Transcendental Deduction: to argue that all intuitions are subject to the categories. I argue that the conceptualist reading of KrV, A 89 ff./B 122 ff. is unfounded. Further, I (...) argue that the nonconceptualists are wrong to believe that intuitions as such refer objectively and that they are mistaken about the relation between figurative synthesis and intellectual synthesis. (shrink)

The contemporary debate that discusses whether the content of perceptual experience is or not conceptual claims I. Kant as its precursor. Surprisingly, both contenders in this debate do so. The Kantian non conceptualists, R. Hanna and L. Allais, among others, have support their arguments on Kant´s insistence on clearly separating intuitions and concepts and the faculties that make them possible, sensibility and understanding in order to emphasize that, once divided according to their functions, it makes sense to think that (...) experience emerges from the collaboration between those two faculties. In this paper I want to make an argument in favor of the non-conceptualist interpretation of Kant. In a nutshell, my argument goes as follows: If, as the Kantian conceptualists say, concepts already operate in sensibility, why would it be necessary to postulate an independent device that helps close the bridge between sensibility and understanding? Why is there a need for schematism? I will defend the legitimacy of that tertium as a mediator element that resolves the problem of the subsumption of particulars under concepts, and with that I will make an argument for the separability between intuitions and concepts. (shrink)

The issue of the nature of cognitive experience has been a subject of lively debate in recent works on epistemology, and the philosophy of mind. During this debate, the relevance of Kant to contemporary theories of cognition has been re-discovered. However, participants in this debate disagree whether Kant was a conceptualist or a non-conceptualist, with regard to the character of intuitions. The central point of controversy concerns whether or not Kant’s sensible intuitions involve understanding and have a conceptual content. In (...) this paper, I show that, despite their disagreements, both sides share a number of common presuppositions, which have determined a biased framework for the reading of Kant. My principal aim in this article is to reconcile the case for conceptualism with those interpretations which argue that intentionality and conceptuality can be separated. To achieve it, I present my own reconstruction of Kant’s theory of cognition, relying essentially on Kantian considerations found in the B-version of the Transcendental Deduction, and offer a new interpretation of Kantian conceptualism. (shrink)

In recent debates about the nature of non-conceptual content, the Kantian account of intuition in the first Critique has been seen as a sort of founding doctrine for both conceptualist and non-conceptualist positions. In this paper, I begin by examining recent representative versions of the Kantian conceptualist (John McDowell) and Kantian non-conceptualist (Robert Hanna) positions, and suggest that the way the debate is commonly construed by those on both sides misses a much broader and more important conception (...) of non-conceptual content, one for which resources can be found in Husserl’s later thought. Husserl’s account of the object as “transcendental clue” [Transzendentaler Leitfaden] in the context of his later genetic phenomenology suggests a less reductive account of non-conceptual aspects of experience that respects central insights of Kant’s transcendental idealism but does not reduce the role of the non-conceptual to a mere formally-determined, not-yet-conceptualized “fodder.”. (shrink)

William James declared a moral war, Charles Peirce a metaphysical one: "fall into the ranks then" was his battle cry, follow your colonel. Keep your one purpose steadily and alone in view, and you may promise yourself the attainment of your sole desire, which is to hasten the chariot wheels of redeeming love. (6.448:1893) Peirce's was a war not against war, but against the metaphysical equivalent of war, individuation. In the field of social philosophy, Peirce's enemy appeared under the alias (...) of Darwinism, which Peirce fought with Christian Love. In the field of metaphysics, it appeared under the alias of nominalism, which Peirce fought with his special brand of pragmatic realism. But most challenging of all, the enemy appeared within Peirce's own thought under the alias of what I call Kantian conceptualism, and it took Peirce most of his career to win the battle. (shrink)

There is today much debate about the contents of perceptual experience relative to our capacity to make them figure in judgments. There is considerably less interest, however, in how we subsume perceptual contents in judgments, that is, what judging about a perception is like for us. For Kant and Husserl, this second question is as important as the first. Whereas Kant tries to answer it in the schematism section of the first Critique, Husserl addresses it at length in Experience and (...) Judgment. This paper draws new attention to this ‘forgotten’ transcendental problem by comparing both accounts of it. I will first discuss Kantian conceptualism in section two and schematization in section three. In section four I then turn to the Husserlian notion of type, which is today often juxtaposed to Kant’s schema. After rejecting one commonly held view that they are functionally identical, I turn to Husserl’s work on active synthesis, where I distinguish three different acts of judgment and their respective contents. (shrink)

In "Beyond the Myth of the Myth: A Kantian Theory of Non-Conceptual Content", Robert Hanna argues for a very strong kind of non-conceptualism, and claims that this kind of non-conceptualism originally has been developed by Kant. But according to "Kant's Non-Conceptualism, Rogue Objects and the Gap in the B Deduction", Kant's non-conceptualism poses a serious problem for his argument for the objective validity of the categories, namely the problem that there is a gap in the (...) B Deduction. This gap is that the B Deduction goes through only if conceptualism is true, but Kant is a non-conceptualist. In this paper I argue, contrary to what Hanna claims, that there is not a gap in the B Deduction. (shrink)

In this paper I compare McDowell′s conceptualism to Husserl′s later philosophy. I aim to argue against the picture provided by recent phenomenologists according to which both agree on the conceptual nature of experience. I start by discussing McDowell′s reading of Kant and some of the recent Kantian and phenomenological non-conceptualist criticisms thereof. By separating two kinds of conceptualism, I argue that these criticisms largely fail to trouble McDowell. I then move to Husserl’s later phenomenological analyses of types (...) and of passive synthesis. Although Husserl appropriates McDowell’s idea of conceptually ‘saddled’ intuitions as a ‘secondary passivity’, I argue that he also provides a strong case for non-conceptual synthesis. (shrink)

This paper aims to contribute to an ongoing and controversial debate about non-conceptuality in Kantian aesthetics. It is a replica on a paper of Dietmar Heidemann in Con-Textos Kantianos N.° 12, to which I do consent, but I’d like to give some additional comments on a specific issue: I show in this paper that the problem about whether or not the understanding contributes to aesthetic judgment can be elucidated by means of a revaluation of the imagination’s capacity of formal (...) representation and the subsuming activity of the power of reflective judgment. I argue that the understanding is considered by the power of reflective judgment merely in his lawfulness in order to find a universal under which the imagination’s particular, the formal representation of the beautiful shape, can be subsumed. (shrink)

In this paper I argue that the Sellarsian Myth of the Given does not apply to all forms of Non-Conceptualism; that Kant is in fact a non-conceptualist of the right-thinking kind and not a Conceptualist, as most Kant-interpreters think; and that an intelligible and defensible Kantian Non-Conceptualism can be developed which supports the thesis that true perceptual beliefs are non-inferentially justified and also normatively funded by direct, embodied, intentional interactions with the manifest world (a.k.a. the Grip of (...) the Given). (shrink)

Hans-Johann Glock develops a capacity-based alternative to the currently widespread view that concepts and experiences are mental representations. He claims that experiences must be explained by way of perceptual and sensory capacities and that concepts must be explained by way of intellectual ones, in particular, by way of capacities for classification and reasoning. Glock does not, however, identify concepts with intellectual capacities. He rather conceives of them as rules that guide the application of capacities. He defines the relationship between perceptions (...) and concepts by coupling rationalistic, Aristotelian, and Kantian motifs: perceptions are to be strictly distinguished from concepts; perceptual capacities genetically, causally, and conceptually precede conceptual ones; and conceptual capacities must, in principle, be applicable to objects of experience. Glock's “capacity approach” can accordingly be understood as a variant of non-conceptualism. (shrink)

Episodic memory is usually regarded in a Conceptualist light, in the sense of its being dependent upon the grasp of concepts directly relevant to the act of episodic recollection itself, such as a concept of past times and of the self as an experiencer. Given this view, its development is typically timed as being in the early school-age years. We present a minimalist, Non-Conceptualist approach in opposition to this view, but one that also exists in clear contrast to the kind (...) of minimalism espoused by Clayton and Dickinson with regard to memory in food-caching birds. While emphasising the nonconceptual elements of episodic memory we also insist on the essentially phenomenological nature of the memory. We propose the third year of life as a plausible onset period. Our view is rooted in Kantian assumptions about the spatiotemporal content of experience and about the synthetic unity of experience—and thus of re-experience. We answer two objections to this position. (shrink)

The main purpose of this article is to offer an interpretation of the Kantian notion of formal intuition, which admits an analytical distinction from the concept of form of intuition. I hold that formal intuition is the result of the intersection between sensibility and understanding as mutually irreducible faculties. In this way, the necessary cooperation between faculties is emphasized. The radical heterogeneity between the sensible contribution and the intellectual contribution is also indicated. This interpretation allows to take distance from (...) strongly conceptualist interpretations and from non-conceptualist readings. (shrink)

The paper focuses on a discussion about McDowell’s "conceptualist" interpretation of Kant’s theory of experience, as one in which all representational content is identified with conceptual content. Both in Mind and WorldM and in his Woodbridge Lectures, McDowell furthers a reading on which the "picture of visual experiences as conceptual shapings of visual consciousness is already deeply Kantian", supporting it with Kant’s famous claim from the A51/ B75 passage of the Critique of Pure Reason, which can be called a (...) Cooperation Thesis. However, much indicates that McDowell’s reading is, if not altogether false, then at least one-sided. In the "Transcendental Aesthetic", as well as in some of the pre-Critical writings , Kant presented a range of arguments for a subjective, non-discursive character of space and time, i.e. the forms of sensible intuition and pure intuitions themselves, underlying all conceptual cognition, and providing a non-conceptual basis for a special kind of synthetic a priori cognition . This allows us to conclude that he would rather take the side of the contemporary “nonconceptualists”, and could be regarded as their predecessor, to use R. Hanna’s formulation. On this reading of the Kantian theory of empirical cognition, intentionality is independent of and prior to any application of concepts to the objects of experience. (shrink)

How does perception give us access to external reality? This book critically engages with John McDowell's conceptualist answer to this question, by offering a new exploration of his views on perception and reality in relation to those of Immanuel Kant and Edmund Husserl. In six chapters, the book examines these thinkers' respective theories of perception, lucidly describing how they fit within their larger philosophical views on mind and reality. It thereby not only reveals the continuity of a tradition that underlies (...) today's fragmented scholarly landscape, but also yields a new critique of McDowell's conceptualist theory. In doing so, the book contributes to the ongoing bridging of traditions, by combining analytic philosophy, Kantian philosophy, and phenomenology. Perception and Reality in Kant, Husserl, and McDowell will appeal to scholars and students working in the history of philosophy, phenomenology, Kantian philosophy, and in particular the philosophy of perception. (shrink)

Modes-of-being figure centrally in Heidegger's masterwork Being and Time. Testimony to this is Heidegger's characterisation of two of his most celebrated enquiries—the Existential analytic and the Zeug analysis—as investigations into the respective modes-of-being of the entities concerned. Yet despite the importance of this concept, commentators disagree widely about what a mode-of-being is. In this paper, I systematically outline and defend a novel and exegetically grounded interpretation of this concept. Strongly opposed to Kantian readings, such as those advocated by Taylor (...) Carman and Cristina Lafont, I interpret a mode-of-being as a universal that defines a district —that is, a natural class of entities that ought to be conceptualised in a special way. As such, every mode-of-being plays an important metaphysical and epistemic role: serving both to unify a natural class of a high degree of generality and as the interpretandum of an act yielding the basic-concepts pertaining to the entities therein. In explicating and arguing for this interpretation, I attribute a characteristically Aristotelian philosophical position to the early Heidegger, encompassing both metaphysical and epistemological realism and a conceptualist theory of universals. (shrink)

In this paper, I show that Nietzsche is a Kantian, and what being Kantian means. He accepts the idea that our perception is configured by concepts which unify and inform the world around us, and which result from a biological evolution of the human species. His Kantianism is thus biological and mainly influenced by Friedrich Albert Lange’s reading of Kant. But this Nietzschean conceptualism must be inscribed in his thought of the will to power, where the perceptive (...) fixation of the world is the result of a degeneration caused by the biological, psychological and historical recovery of the will to power. Thus, I show that Nietzsche’s Kantianism is as biological as it is axiological. (shrink)

Review of Anna Tomaszewska's _The Contents of Perceptual Experience: A Kantian Perspective_, De Gruyter Open, Warsaw/Berlin 2014.

One of the strongest motivations for conceptualist readings of Kant is the belief that the Transcendental Deduction is incompatible with nonconceptualism. In this article, I argue that this belief is simply false: the Deduction and nonconceptualism are compatible at both an exegetical and a philosophical level. Placing particular emphasis on the case of non-human animals, I discuss in detail how and why my reading diverges from those of Ginsborg, Allais, Gomes and others. I suggest ultimately that it is only by (...) embracing nonconceptualism that we can fully recognise the delicate calibration of the trap which the Critique sets for Hume. (shrink)

The issue of whether logic has an ontological base—rests, ultimately, on the principles or nature of reality—is constantly with us. In this paper I revisit it, drawing on a piece I wrote back in 1969, for the early incarnation of Reason magazine. I conclude that the Aristotelian idea that logic tracks reality is sound and those opposed—conventionalists, pragmatists, conceptualists, Kantians, et al.—have it wrong.

Kant rejects Leibniz’s Principle of the Identity of Indiscernibles. In quantum mechanics, Leibniz’s principle is also apparently violated. However, both ways of rejecting the PII differ significantly. In particular, Kant denies that spatiotemporal objects are unique individuals and establishes appearances as merely singular ones. The distinction between ‘unique’ and ‘singular’ individuals is crucial for the role that intuition plays in cognition: it will be shown that Kant’s way of rejecting the PII goes against the standard versions of conceptualism and (...) non-conceptualism which, in turn, points out the relevance of this issue for the understanding of transcendental idealism. Finally, the systematic relevance will be checked by defending a Kantian interpretation of quantum individuality. (shrink)

Kant’s views on animals have received much attention in recent years. According to some, Kant attributed the capacity for objective perceptual awareness to non-human animals, even though he denied that they have concepts. This position is difficult to square with a conceptualist reading of Kant, according to which objective perceptual awareness requires concepts. Others take Kant’s views on animals to imply that the mental life of animals is a blooming, buzzing confusion. In this article I provide a historical reconstruction of (...) Kant’s views on animals, relating them to eighteenth-century debates on animal cognition. I reconstruct the views of Buffon and Reimarus and show that (i) both Buffon and Reimarus adopted a conceptualist position, according to which concepts structure the cognitive experience of adult humans, and (ii) that both described the mental life of animals as a blooming, buzzing confusion. Kant’s position, I argue, is virtually identical to that of Reimarus. Hence Kant’s views on animals support a conceptualist reading of Kant. The article further articulates the historical antecedents of the Kantian idea that concepts structure human cognitive experience and provides a novel account of how the ideas of similarity and difference were conceptualized in eighteenth-century debates on animal cognition. (shrink)

Vor dem Hintergrund der Debatte um nichtbegriffliche Vorstellungsinhalte sucht diese Arbeit ein adäquates Verständnis von Kants Lehre der Erkenntnisquellen, Sinnlichkeit und Verstand, und der Ungleichartigkeit der anschaulichen und begrifflichen Vorstellungsweise, speziell bezüglich der Transzendentalen Ästhetik, der Lehre der transzendentalen Synthesis der Einbildungskraft (Selbstaffektion) und der Theorie des transzendentalen Schematismus. -/- Engaging in the Kantian debate on the existence of non-conceptual content, this work attempts to provide an adequate understanding of Kant’s doctrine of the two sources of human knowledge, sensibility (...) and understanding, and of their heterogeneous ways of representing, through intuitions and concepts. It elaborates on a consistent reading of this dualism in relation to the Transcendental Aesthetic, the synthesis of imagination, and the schematism. (shrink)