When the Romans adopted Greek literary genres and artistic techniques, they did not slavishly imitate their models but created vibrant and original works of literature and art in their own right. The same is true for philosophy, notwithstanding the fact that the rich Roman philosophical tradition is still all too often treated as a mere footnote to the history of Greek philosophy. This volume aims to reassert the significance of Roman philosophy and to explore the "Romanness" of philosophical writings and (...) practices in the Roman world, endeavoring to show that the Romans in their creative adaptation of Greek modes of thought developed sophisticated forms of philosophical discourse shaped by their own history and institutions, concepts, and values--and last--but not least--by the Latin language, which nearly all Roman philosophers used to express their ideas.This volume of thirteen chapters by an international group of specialists in ancient philosophy, Latin literature, and Roman social and intellectual history moves from Roman attitudes to and practices of philosophy to the great late Republican writers Cicero and Lucretius, then onwards to the early Empire and the work of Seneca the Younger, and finally to Epictetus, Apuleius, and Augustine. Using a variety of approaches, the essays demonstrate the diversity and originality of Roman philosophical discourse over the centuries. (shrink)

abstract Ancient writers, including philosophers such as Aristotle, often depict friendship as a source of pleasure; by contrast, in his Laelius de amicitia, Cicero describes such relationships as sweet and delightful, but never connects them with uoluptas, which for him is a largely negative term reserved for Epicurean doctrine. This paper argues that there is more to this pointed use of language than Cicero’s well-known dislike of Epicureanism. Considering first the Latin philosophical vocabulary of pleasure and then the vexed question (...) of what exactly qualifies as pleasure according to the Epicurean system, the paper makes the case that Cicero believed (probably correctly) that the pleasures of friendship as conceived of by himself and many ordinary language-users would not in fact qualify as instances of Epicurean uoluptas. If, as Epicurus appears to have held, all pleasures are either bodily or mental, and all mental pleasures are derived from bodily ones, then many activities experienced as pleasurable in and of themselves—including many traditional elements of friendship—are not in fact Epicurean pleasures. (shrink)

Aratus' Phaenomena describes the constellations as a sign system devised by Zeus for the benefit of human beings. This article argues that Aratus figuratively depicts these signs as though they were "letters in the sky," a veritable text inscribed in nature. Through a cumulative argument that considers, among other things, the hermeneutics of Aratean sign-reading, the myth of Dike, Aratus' acrostic and other forms of letter play, and the reception of the Phaenomena, the article arrives at the conclusion that the (...) writing metaphor is indeed pervasive in Aratus' poem. The Phaenomena thus presents an important early instance of a pervasive trope in the history of ideas, the concept of the "readability" of the world. (shrink)

One of the most famous scenes in classical literature is theDichterweiheat the beginning of theTheogony: when Hesiod was tending his sheep below Mount Helicon, the Muses approached him, provided him with a staff and a divine voice, and told him to sing of the blessed, everlasting gods.

Cedant arma togae, ‘let arms yield to the toga’. Thus begins the famous verse from Cicero's poem on his consulship that highlights the protagonist's suppression of the Catilinarian conspiracy by favourably contrasting this political achievement with success on the battlefield. But how does the line continue? Its conclusion is transmitted in two different versions,concedat laurea laudiandconcedat laurea linguae, and scholars have long been divided over which one is Cicero's original text. In this paper, we revisit the issue and not only (...) propose an answer to the question of what Cicero actually wrote, but also examine those attestations of the verse that date to the author's own lifetime, elucidating the contexts that account for the quotation of one variant rather than the other. (shrink)

This volume contains ten essays on Seneca the Younger. Approaching the Roman writer from various angles, the authors endeavor both to illuminate individual aspects of Seneca's enormous output and to discern common themes among the different genres practiced by him.