Results for 'Kenʾichi Gōhara'

965 found
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  1.  14
    21-seiki no hō fukushi iryō: sono kadai to tenbō: Yamagami Kenʾichi Hakushi koki kinen ronbunshū.Kenʾichi Yamagami (ed.) - 2002 - Tōkyō: Chūō Keizaisha.
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  2.  39
    SBSOM: Self-Organizing Map For Visualizing Structure In The Time Series Of Hot Topics.Ken-Ichi Fukui, Kazumi Saito, Masahiro Kimura & Masayuki Numao - forthcoming - Joint Workshop of Vietnamese Society of Ai, Sigkbs-Jsai, Ics-Ipsj, and Ieice-Sigai on Active Mining.
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  3.  10
    The Role of Art in History and the Art of the Future.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):158-167.
  4. Chūsei buke no sahō.Kenʾichi Futaki - 1999 - Tōkyō: Yoshikawa kōbunkan.
  5.  15
    CLIP: concept learning from inference patterns.Ken'ichi Yoshida & Hiroshi Motoda - 1995 - Artificial Intelligence 75 (1):63-92.
  6. "Okinawa kaku mitsuyaku" o seotte: Wakaizumi Kei no shōgai.Kenʼichi Gotō - 2010 - Tōkyō: Iwanami Shoten.
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  7. Sean Richey.Ken'ichi Ikeda - 2006 - Japanese Journal of Political Science 7 (1-3):273.
     
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  8.  66
    A Silent Rhetoric: The Mechanism of Propaganda as Persuasion.Ken-Ichi Sasaki - 2008 - Contemporary Aesthetics 6.
  9.  74
    Politics of Beauty.Ken-Ichi Sasaki - 2012 - Journal of Philosophical Research 37 (9999):55-60.
    This article looks at the past, present, and future of the study of aesthetics. The early modern period, during which aesthetics came into being, was a great historical turning point for civilization. So, too, is our own day. Looked at this way, aesthetics should show a different face than the one we are used to. Aesthetics is generally considered to be the philosophy of art, yet, with art regarded as an autonomous cultural field, aesthetics commonly gives the impression of being (...)
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  10.  12
    Nihon dōtoku kyōiku no rekishi: kindai kara gendai made.Ken'ichi Eshima - 2016 - Kyōto-shi: Mineruva Shobō.
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  11.  7
    Esunikku no jigen: sōshi no tame ni.Ken'ichi Sasaki - 1998 - Tōkyō: Keisō Shobō.
    「西欧」と「近代」を相対化し、今、エスニックの次元から『日本哲学』を創始すること=「われわれの問題に発して思索する」スタイルを提唱。.
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  12.  24
    Contemporary Meaning of European Landscape.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):73-83.
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  13.  16
    Masukomi wa nani o tsutaenai ka: media shakai no kashikoi ikikata.Kenʼichi Shimomura - 2010 - Tōkyō: Iwanami Shoten.
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  14. Proceedings of the KEK Summer Institute on High Energy Phenomenology: KEK, Tsukuba, Japan, August 21-25, 1990.Kenʾichi Hikasa (ed.) - 1990 - Tsukuba-shi, Ibaraki-ken, Japan: National Laboratory for High Energy Physics.
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  15.  15
    The Sense of Earthiness: Everyday Aesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):138-147.
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  16. Bigaku jiten =.Ken'ichi Sasaki - 1995 - Tōkyō: Tōkyō Daigaku Shuppankai.
     
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  17.  16
    Art and Aesthetics: From Modern to Contemporary.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):148-157.
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  18. Sōtairon.Ken'ichi Gotō - 1972
     
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  19. Nīche.Ken'ichi Mishima - 1987 - Tōkyō: Iwanami Shoten.
     
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  20.  6
    Nīche to sono kage: geijutsu to hihan no aida.Ken'ichi Mishima - 1990 - Tōkyō: Miraisha.
    近代の哲学的思潮の中でニーチェへの再評価は目覚ましい。本書はドイツ現代思想の第一人者による本格的ニーチェ論であり、その影響力を今日に問い直す。.
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  21.  16
    Detection of surface orientation and motion from texture by a stereological technique.Ken-Ichi Kanatani - 1984 - Artificial Intelligence 23 (2):213-237.
  22. Il mondo come superficie.Ken-Ichi Sasaki - 2003 - Ágalma: Rivista di studi culturali e di estetica 6.
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  23.  17
    On the Origin of Indeterminancy.Ken-Ichi Ono - 1975 - In J. T. Fraser & Nathaniel M. Lawrence (eds.), The Study of Time II: Proceedings of the Second Conference of the International Society for the Study of Time Lake Yamanaka-Japan. Springer Verlag. pp. 249--257.
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  24.  9
    Kojēvu no hōtetsugaku: fuhen tōshitsu kokka ni okeru seigi.Ken'ichi Katada - 2019 - Tōkyō-to Shinjuku-ku: Seibundō.
    公平の正義の道筋を明らかにする試み!普遍等質国家における人間のあり方および人間世界の統治のあり方を提示する!
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  25.  11
    Hayashi Razan: sho o yomite imada umazu.Ken'ichi Suzuki - 2012 - Kyōto-shi: Mineruva Shobō.
  26.  26
    The So-Called "Third"-Person Possessive Pronoun jue 氒 in Classical ChineseThe So-Called "Third"-Person Possessive Pronoun jue in Classical Chinese.Ken-Ichi Takashima - 1999 - Journal of the American Oriental Society 119 (3):404.
  27. Hayashi Razan nenpu kō.Kenʾichi Suzuki - 1999 - Tōkyō: Perikansha.
  28. Jitsuzon tetsugaku no ayumi.Kenʾichi Ikeo - 1983 - Tōkyō: Hanawa Shobō.
     
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  29. A Viewpoint of Painting? On a Problematic Theory of Computational Psychology.Ken'ichi Iwaki - 2007 - Filozofski Vestnik 28 (2):217 - +.
    The general understanding of pictorial representation as constructed through the viewpoint of the artist outside the picture space is mediated through our present-day familiarity with geometric perspective and photography. This presumes the existence of an external viewpoint. This understanding of painting has become common sense. In this way a 'historical product' has been taken as an 'a-historical essence' of our understanding. Even now, many theories on painting seem to remain caught in such a essentialist thinking. In this paper I discuss (...)
     
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  30.  24
    Aesthetics Tomorrow: Re-Contextualizations?Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):118-126.
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  31.  66
    Eros, Beauty, and Ugliness.Ken-Ichi Sasaki - 2008 - Nordic Journal of Aesthetics 19 (35).
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  32.  11
    Philosophy and Art: Changing Landscapes for Aesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):84-100.
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  33.  42
    (1 other version)L'« Esprit » en japonais ancien.Ken-Ichi Sasaki - 2009 - Diogène 227 (3):3-.
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  34.  63
    LTP plays a distinct role in various brain structures.Ken-Ichi Hara & Tatsuo Kitajima - 1997 - Behavioral and Brain Sciences 20 (4):620-620.
    LTP is thought to be an experimental model for studying the cellular mechanism of learning and memory. Shors & Matzel review some contradictory data concerning the linkage between LTP and memory and suggest that LTP does not underlie learning and memory. LTP is a cellular and synaptic process and cannot be a memory mechanism. In fact, it is a cellular information storage mechanism.
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  35.  50
    “Mind” in ancient Japanese: The primitive perception of its existence.Ken-Ichi Sasaki - 2010 - Diogenes 57 (3):3-19.
  36. Kyōiku to rinri.Kenʾichi Ikeo - 1965
     
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  37. Tetsugaku no ayumi.Kenʾichi Ikeo - 1968 - Hanawa Shobo.
  38.  19
    Shape from texture: General principle.Ken-Ichi Kanatani & Tsai-Chia Chou - 1989 - Artificial Intelligence 38 (1):1-48.
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  39.  33
    Should/Can Philosophy be Ethnic? Varieties of Internationalism in Philosophy.Ken-Ichi Sasaki - 1997 - Metaphilosophy 28 (4):351-358.
    This paper describes the situation of philosophy in Japan with respect to the question of internationalism. For more than a hundred years, Japan took Western culture as its model and European philosophy as the authentic philosophy. This tendency was paradoxically strengthened by the post‐war humanism. It gave us Japanese philosophers a clear discipline to work in but cut us off from our own native culture, history, and philosophical traditions. In wishing to recover this loss, I argue that it is necessary (...)
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  40.  14
    Landscape as atmosphere. An aspect of japanese sensibility.Ken-Ichi Sasaki - 2006 - Rivista di Estetica 33 (33):85-94.
    0 From Sansui to Keshiki My subject here is the nature of landscape. The word “landscape” is to be understood in what follows in the aesthetic sense: I wish to clarify what we experience in landscape as a typical scene of natural beauty. For most people, the nature of this experience may be so transparent that its analysis is superfluous. I don’t, however, find the matter so straightforward. The fact that “a landscape” can also signify a landscape painting would seem (...)
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  41. The Faculty of Feeling.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):21-31.
  42.  20
    Body, Brain, and Beauty: The Place of Aesthetics in the World of the Mind.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):41-51.
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  43.  28
    Detective Novel as a Modernism.Ken-Ichi Sasaki - 2019 - Sztuka I Filozofia (Art and Philosophy) 55 (2).
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  44.  9
    エスニックの次元: 『日本哲学』創始のために.Ken'ichi Sasaki - 1998 - Tōkyō: Keisō Shobō.
    「西欧」と「近代」を相対化し、今、エスニックの次元から『日本哲学』を創始すること=「われわれの問題に発して思索する」スタイルを提唱。.
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  45.  17
    Głębsza retoryka - mechanizm propagandy jako perswazji (tł. M. Bokiniec).Ken-Ichi Saski - 2003 - Estetyka I Krytyka 4 (4):115-134.
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  46.  29
    Le feeling, ou la faculté de sentir.Ken-Ichi Sasaki & Brigitte Rollet - 2011 - Diogène 233 (1):30.
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  47.  12
    (1 other version)Living the Ageing.Ken-Ichi Sasaki - 2023 - Espes 12 (2):24-32.
    Ageing is basically a natural or physical phenomenon. For a human being, it belongs to the body. When this fact is noticed, a drama of oldness and life/death begins: ageing is a problem of experience. There are losses and gains in this experience. Indeed, a particular respect was paid to a rhapsodist/bard and a hermit because of their memory power and deep wisdom respectively. Since we recognize in these cases accumulation and maturation, the core subject in the experience of ageing (...)
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  48. Sakuhin no tetsugaku.Ken'ichi Sasaki - 1985 - Tōkyō: Tōkyō Daigaku Shuppankai.
     
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  49.  14
    The Wheel of Fortune vs. the Mustard Seed: A Comparative Study of European and Chinese Painting.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):101-117.
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  50. Chiteki yasei kyōiku.Ken'ichi Takemura - 1978 - Edited by Yōko Kirishima.
     
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1 — 50 / 965