A History of Women Philosophers, Volume I: Ancient Women Philoophers, 600 B.C. - 500 A.D., edited by Mary Ellen Waithe, is an important but somewhat frustrating book. It is filled with tantalizing glimpses into the lives and thoughts of some of our earliest philosophical foremothers. Yet it lacks a clear unifying theme, and the abrupt transitions from one philosopher and period to the next are sometimes disconcerting. The overall effect is not unlike that of viewing an expansive landscape, illuminated (...) only by a few tiny spotlights. (shrink)

The Archaeology of Semiotics and the social order of things is edited by George Nash and George Children and brings together 15 thought-provoking chapters from contributors around the world. A sequel to an earlier volume published in 1997, it tackles the problem of understanding how complex communities interact with landscape and shows how the rules concerning landscape constitute a recognised and readable grammar. The mechanisms underlying landscape grammar are both physical and mental, being based in part (...) on the mindset of the individual; the same landscape can thus evoke different meanings for different people and at different times. People's perception has greatly influenced the construction of landscapes over millennia but, until recently, the potential of this area has been largely untapped. Apart from chapters focusing solely upon human interaction with landscape, there are several which skilfully integrate artefacts and place with landscape (e.g. Gheorghiu and Sognnes). Other chapters look at the way people have marked the landscape through such mechanisms as rock-art (e.g. Clegg, Devereux, Estévez, Fossati, Kelleher and Skier). Rock-art establishes personal and communal identity in relation to landscape and it is clear that other forms of visual expression were in place which distinctively created special places within the landscape. Landscape constructs can bind cultures together; bringing the old ways of reading the landscape into contemporary life (e.g. Smiseth). Defining early and late prehistoric landscapes and segregating these into, say, mundane domestic and ritualised spaces rely on both clear and subtle archaeologies and in this volume distinct monument clustering and ritualised linearity are considered (e.g. Mason and Nash). A volume such as this cannot escape the influence of New World approaches, such as anthropology, and in many respects chapters by Bender, Muller and Merritt give context to other chapters within the book. Finally, one must consider text as a means of constructing landscape and this is considered by Heyd, who eloquently deconstructs the travel diary of a 17th century Japanese poet. This will be an important volume for archaeologists, landscape scholars and students. The many approaches used are tried and tested, forming an invaluable resource and not just another edited book. (shrink)

This book tackles how and why 'landscape' (farms, gardens, countryside) set the scene in the first centuries BCE and CE for Romans keen to talk up and about (but also to scrutinize and understand) what it meant to be a citizen. It investigates what 'landscape' means now and reflects upon how contemporary approaches to 'landscape' can enrich our understanding of ancient experience of the interface between natural and artificial space. It encourages examination of 'landscape' from a (...) range of angles, suggesting alternative ways of thinking about what landscape represents. These methodological approaches (presented initially via a set of key terms and definitions and then deployed thematically across four chapters), combined with a detailed interdisciplinary bibliography and a series of case studies of literary texts and material sites, enable readers to use this survey as a starting point for developing their own in-depth study. (shrink)

Material evidence: learning from archaeological practice / Alison Wylie and Robert Chapman -- Part I. Fieldwork and recording conventions -- Repeating the unrepeatable experiment / Richard Bradley -- Experimental archaeology at the cross roads: a contribution to interpretation or evidence of xeroxing / Martin Bell -- Proportional representation: multiple voices in archaeological interpretation at çatalhöyük / Shahina Farid -- Integrating database design and use into recording methodologies / Michael J. Rains -- The tyranny of typologies: evidential reasoning in romano-egyptian (...) domestic archaeology / Anna Lucille Boozer -- Part II. Cross-field trade: archaeological applications of external expertise and technologies -- The archaeological bazaar: scientific methods for sale? or: putting the "arch" back into archaeometry / A. M. Pollard and P. Bray -- Radiocarbon dating and archaeology: history, progress and present status / Sturt W. Manning -- Using evidence from natural sciences in archaeology / David Killick -- Working the digital: some thoughts from landscape archaeology / Marcos Llobera -- Crafting knowledge with (digital) visual media in archaeology / Sara Perry -- Part III. Multiple working hypotheses, strategies of elimination, and triangulation -- Uncertain on principle: combining lines of archaeological evidence to create chronologies / Alex Bayliss and Alasdair Whittle -- Lessons from modelling neolithic farming practice: methods of elimination / Amy Bogaard -- Evidence, archaeology and law: an initial exploration / Roger M. Thomas -- Law and archaeology: modified wigmorean analysis / Terence Anderson and William Twining -- Traditional knowledge, archaeological evidence, and other ways of knowing / George Nicholas and Nola Markey -- Part IV. Broader perspectives: material culture as object and evidence -- Evidence of what? on the possibilities of archaeological interpretation / Gavin Lucas -- Meeting pasts halfway: a consideration of the ontology of material evidence in archaeology / Andrew Meirion Jones -- Matter and facts: material culture and the history of science / Simon Werrett. (shrink)

Debating Archaeological Empiricism examines the current intellectual turn in archaeology, primarily in its prehistoric and classical branches, characterized by a return to the archaeological evidence. Each chapter in the book approaches the empirical from a different angle, illuminating contemporary views and uses of the archaeological material in interpretations and theory building. The inclusion of differing perspectives in this collection mirrors the conceptual landscape that characterizes the discipline, contributing to the theoretical debate in archaeology and classical studies. As (...) well as giving an important snapshot of the practical as well as theoretical uses of materiality in archaeologies today, this volume looks to the future of archaeology as an empirical discipline. (shrink)

Incomplete Archaeologies takes a familiar archaeological concept--assemblages--and reconsiders such groupings, collections and sets of things from the perspective of the work required to assemble them. The discussions presented here engage with the practices of collection, construction, performance and creation in the past (and present) which constitute the things and groups of things studied by archaeologists--and examine as well how these things and thing-groups are dismantled, rearranged, and even destroyed, only to be rebuilt and recreated. The ultimate aim is to reassert (...) an awareness of the incompleteness of assemblage, and thus the importance of practices of assembling (whether they seem at first creative or destructive) for understanding social life in the past as well as the present. The individual chapters represent critical engagements with this aim by archaeologists presenting a broad scope of case studies from Eurasia and the Mediterranean. Case studies include discussions of mortuary practice from numerous angles, the sociopolitics of metallurgy, human-animal relationships, landscape and memory, the assembly of political subjectivity and the curation of sovereignty. These studies emphasise the incomplete and ongoing nature of social action in the past, and stress the critical significance of a deeper understanding of formation processes as well as contextual archaeologies to practices of archaeology, museology, art history, and other related disciplines. Contributors challenge archaeologists and others to think past the objects in the assemblage to the practices of assembling, enabling us to consider not only plural modes of interacting with and perceiving things, spaces, human bodies and temporalities in the past, but also to perhaps discover alternate modes of framing these interactions and relationships in our analyses. Ultimately then, Incomplete Archaeologies takes aim at the perceived totality not only of assemblages of artefacts on shelves and desks, but also that of some of archaeology's seeming-seamless epistemological objects"--From publisher's website. (shrink)

Since archaeology is fundamentally the study of the human past, which is what the word “archaeology” connotes according to its Greek etymology, it is part of the humanities. However, archaeologists work in teams with scientists and employ quantitative techniques and comparative methods of the social sciences; archaeologists are thus an academic hybrid and are pleased to live in the interstices of many disciplines. In this article we review the history of archaeology in the humanities and explore some (...) new directions in archaeological research. We discuss the enduring questions of origins of the antiquity of humanity, religion and art, the first agricultural villages, and the earliest cities, states, and civilizations. We also consider new agendas in archaeology: historical archaeology, landscapes in the past and present, material studies of the present, and how archaeologists are engaged in modern politics. (shrink)

Forensic archaeology, the application of archaeological methods in a criminal framework, has undergone a rapid process of acceptance and development. From the initial occasional involvement of archaeologists in the search for and recovery of murder victims in the late 1970s, to the general acceptance of archaeological methods, such as shallow level geophysics, this chapter provides a brief history of forensic archaeology in the United Kingdom and beyond. It outlines the ways in which an archaeologist’s understanding of formation processes (...) and skills in the interpretation of human behaviour from physical alterations to the landscape can be of benefit to different stages and types of investigation. Discussing the way in which the archaeologist can usefully contribute to the investigation of a crime, the chapter looks at the methods which have been successfully applied in a number of high-profile cases and the considerations which the forensic archaeologist must make which are not an issue for ‘traditional’ archaeology. In a discipline which has reached a critical point in its development with the acknowledgement that archaeological skills should regularly form an integral part of crime scene investigation and an increase in professional training, the authors explain how forensic archaeology is now moving to increased standardization and attempts at quality assurance. (shrink)

The concept of cultural landscape was first put to use by the German geographer Friedrich Ratzel in 1895. The American geographer Carl Sauer was probably the first to use the concept in the English language in 1925. In recent years, the concept of cultural landscape has become significant in social and political decision-making, and in environmental management and preservation. Cultural landscape has also become the object of extensive consideration and discussion within diverse academic disciplines and areas of (...) research, such as human geography, cultural anthropology, history, archaeology, biology, and ecology. Depending on the discipline or area of research, focus is directed towards specific features in the landscape that have come about as a result of human activity. This collection of essays is predicated on the view that considerations regarding the cultural landscape have underlying philosophical presuppositions. The authors propose that the cultural landscape be made the focus of environmental philosophy, ethics, and aesthetics. (shrink)

Since land is older than the borders which humans have drawn and redrawn upon its surface, it may seem that, unlike the artefacts which people make with materials taken from the landscapes around them, land itself is endlessly open for new waves of migrants to embrace as part of their own heritage. Yet humans do mark landscapes, sometimes in lasting ways: not only roads and buildings but agriculture, forestry, dams and diverted rivers, quarrying and mining and more. It is (...) class='Hi'>landscape archaeologists who are most able to trace the material evidence of how landscapes were used and by whom; and so when interests in land are contested, archaeological evidence may be cited in order to distinguish the long-established community from the geographical Johnny-come-lately, or to cast doubt on whether this can meaningfully be done. (An example is litigation concerning forests in southern Belize, once logging had made them profitable: the ethnographic and archaeological question of whether peoples inhabiting the area were descended from the ancient Maya, or whether from more recent immigrants, became a point of legal disputation.) This chapter assesses the ethical use of scientific knowledge when settlement, and the traces of settlement which archaeology can uncover, can leave newer immigrants finding that the very ground beneath their feet already looks like someone else’s cultural artefact. (shrink)

Poseidon has recently benefited from renewed scholarly attention, contributing to re-evaluate his role in ancient Greek imaginary. By opening the research previously limited to literary evidence to the archaeological and topographical evidence, new perspectives on “Poseidonian landscapes” have emerged. Arcadia, a land-locked region where Poseidon Hippios is celebrated with fervour, is here taken as a case study to try and go further in identifying the god’s realm of action. Areas with floods seem to be his preferred worship places, while in (...) other areas he plays a crucial part in myths but is hardly worshipped alone. There also seems to be a connection between his patronage over freshwater and horses. Overall, natural observation seems to have been instrumental in choosing the location of his worship places. (shrink)

A wide range of archaeological finds is rapidly expanding our knowledge of the pre-Islamic cultural milieu and the political structures of the Arabian Peninsula during Late Antiquity, and thereby of the Qurʾān’s cultural context. This material can offer a complementary reading to the literary accounts on pre-Islamic Arabia, which were mostly composed outside of Arabia or long after the late antique period. There is a growing need to make the recent exciting discoveries of scholars working on the Qurʾān and Arabia (...) more widely accessible to historians who may not have a solid background in archaeology and epigraphy. As such, the ERC project “The Qur'an as a Source for Late Antiquity” (QaSLA) organized a conference, titled “Epigraphy, the Qur'an, and the Religious Landscape of Arabia”, which took place in Tübingen on 8 – 10 September 2022. The three-day international conference brought together specialists in epigraphy as well as scholars of the Qurʾān to explore how recent epigraphic and archaeological findings and research have been changing our understanding of the Qurʾān and the Arabian religious, cultural, and political landscape. Accordingly, the conference sought to integrate new archaeological finds with ongoing studies on the genesis of the Qurʾān, its Arabian background, and the broader cultural milieu of pre-Islamic Arabia with a special focus on the dawn of Islam. The conference also featured an important contribution by Peter Webb on pre-Islamic poetry, another neglected corpus of inquiry into the history of pre-Islamic Arabia. Aiming to foster discussion between scholars, each panel was paired with a specialist on the Qurʾān or the wider history of Arabia. (shrink)

It is expected that industrial heritage actually tells the story of the emerging capitalism highlighting the dynamic social relationship between the “workers” and the owners of the “production means”. In current times of economic crisis, it may even involve a painful past with lost social, civil, gender and/or class struggles, a depressing present with abandoned, fragmented, degraded landscapes and ravaged factories, and a hopeless future for the former workers of the local (not only) society; or just a conquerable ground for (...) controversial investments. This is certainly an emotionally charged subject matter, with multiple readings and interpretations. However, this view is only partial when facing landscape during its historical evolution process. A diachronic study, thus, embraces all resources that probably gave rise to a variety of human activities; all of them embody heritage values -“subjectively” or “objectively” perceived- their evaluation, though, is a matter of an on-going process of the civil society. Greece's landscape accommodates a diversity of diachronic productive practices that may overlap historical periods, technological evolutions and social transformations. Pre-, early and industrial exploitation of resources does not remain firm but vary according to time and the needs of each society. The comparative scale of certain resource exploitation is highlighted as the key for the assessment methodology in close relation to the specific frame of a local landscape and a historical period. Even though archaeological evidence may possibly reveal and document continuity in a range of sustainable productive processes without conflicts, great controversies emerge when new investments are “offered” as an antidote to economic crisis -not harmonized to the local scale, traumatizing thus the “spirit” of the landscape. Suggestions for incompatible productive use and investment planning imply irreversible and irreparable effects on the environment, society and economy of a region and are only faced through social awareness. Case studies of passive and/or active involvement of local communities, in synthesizing and enhance landscape’s “spirit”, its diachronic industrial heritage and the embedded tangible and intangible values, will support a pragmatic -not a suspended- step towards a sustainable future. Quoting Neil Cossons (TICCIH Congress 2012) “Industrial imperialism ensures its position and protects its future not by the conquest of distant lands as by the securing of its sources of raw materials ... The modern world is as much under the control of the major industrial powers as it ever was during the colonial era”; if such a case can the industrial heritage sector remain apolitical? (shrink)

The proceedings of the Seventh Theoretical Roman Archaeology Conference at the University of Nottinghamin April 1997. Contents: Material culture abd the question of social continuity in Roman Britain ( M. Grahame ); Motivation and ideologies of Romanization ( R. Haussler ); The Romanization of Italy: global accluaturation or cultural bricolage? ( N. Terrenato ); Social change and architectural diversity in Roman period Britain ( S. Clarke ); Reflections in the archaeological record of social developements of Lepcis Magna, Tripolitania ( (...) F. Condron ); Theoretical influences on two reports of Romano-British land division ( J. W. M. Peterson ); Phenoemological perspectives on roads in the landscape ( P. Rush ); The ancient monument in Romano-British ritual practices ( C. Forcey ); The sequence of ritual in cremation burials of the Roman period ( J. Pearce ); Burial and gender in alte and sub-Roman Britain ( D. Petts ); Brooches and identity in 1st century AD Britain ( S. Jundi and J. D. Hill ); A persional view of archaeology and equal opportunities' ( E. Scott ); Clavus annalis, defixiones and minski ( D. Dungworth ); Pottery and paradigms in the early western empire ( J. W. J. Hawthorne ). (shrink)

This article reconsiders the early hominid ‘‘lithic niche’’ by examining the social implications of stone artifact making. I reject the idea that making tools for use is an adequate explanation of the elaborate artifact forms of the Lower Palaeolithic, or a sufficient cause for long-term trends in hominid technology. I then advance an alternative mechanism founded on the claim that competency in making stone artifacts requires extended learning, and that excellence in artifact making is attained only by highly skilled individuals (...) who have been taught and practiced for extensive periods. Consequently both competency and expertise in knapping comes at a high learning cost for both the individual learner and the social group to which they belong. Those high intrinsic costs of learning created contexts in which groups selected cost-reducing forms of social learning and teaching, and in which specialization could develop. Artifacts and their manufacturing processes probably acquired functions as social signals—as honest signals of valuable capacities. The magnification of these signals, through competition between knappers and through inspiring later craftspeople, may account for a substantial amount of the accumulated elaboration visible in the archaeological record. Consequently lithic artifacts operated as material symbols from an early time in hominid evolution. (shrink)

How important is the influence of spatial acoustics on our mental processes related to sound perception and cognition? There is a large body of research in fields encompassing architecture, musicology, and psychology that analyzes human response, both subjective and objective, to different soundscapes. But what if we want to understand how acoustic environments influenced the human experience of sound in sacred ritual practices in premodern societies? Archaeoacoustics is the research field that investigates sound in the past. One of its branches (...) delves into how sound was used in specific landscapes and at sites with rock art, and why past societies endowed a special significance to places with specific acoustical properties. Taking advantage of the advances made in sound recording and reproduction technologies, researchers are now exploring how ancient social and sacred ceremonies and practices related to the acoustic properties of their sound environment. Here, we advocate for the emergence of a new and innovative discipline, experimental psychoarchaeoacoustics. We also review underlying methodological approaches and discuss the limitations, challenges, and future directions for this new field. (shrink)

This collection of essays is based on the 2005 Society for American Archaeology symposium and presents research that epitomizes Richard I. Ford’s approach of engaged anthropology. This transdisciplinary approach integrates archaeological research with perspectives from ethnography, history, and ecology, and engages the anthropologist with Native partners and with socio-natural landscapes. Research papers largely focus on the U.S. Southwest, but also consider other areas of North America, issues related to museums collections, and indigenous approaches to materials research.

This lecture presents the text of the speech about the continuity and change in the Wessex landscape delivered by the author at the 2008 Albert Reckitt Archaeological Lecture held at the British Academy. It describes the Wessex landscape as an area of chalkland situated in the centre of the chalk uplands of southern Britain, highlights the results of archaeological excavations in Wessex, and describes the principal types of settlement in the area.

This chapter examines the slave trade in north-western Ghana during the final decades of the nineteenth century and, more specifically, the history and archaeology of the defensive site of Yalingbong occupied by the community of Kpan/Dolbizan during a time known as the ‘Babatunik Wars’, when the Zaberma leader, Babatu, and his band of raiders waged war upon the region. Here, the documents produced by the colonial officers in the final years of the nineteenth century, and the traditions preserved in (...) the village today, speak to the complexity of the social, political, and economic relationships that existed between networks of sedentary agricultural communities, the bands of slave raiders, and the French and German officers. (shrink)

The major part of India’s architectural heritage is to be found in its towns. This paper will, after an historical survey, look at the various agencies that over the last two decades have been concerned with urban heritage, to examine their agenda, and the pressures they face. ‘Heritage cities’ is a term which appears not only in documents of the Archaeological Survey of India and of the Indian National Trust but also, more recently, in statements made by the Ministry of (...) Urban Development, the Government of Delhi in the context of the Commonwealth Games, and the Ministry of Tourism. The paper will discuss ‘preservation’ of facades/interiors of individual buildings, or of precincts, the use/reuse of historic areas/buildings, and the references to history, through commemoration, naming/renaming, erasing. It argues that conservation should be part of a holistic and humane town-planning policy. (shrink)

Persia’s Imperial Power in Late Antiquity: The Great Wall of Gorgān and Frontier Landscapes of Sasanian Iran. By Eberhard W. Sauer; Hamid Omrani Rekavandi; Tony J. Wilkinson; and Jebrael Nokandeh. British Institute of Persian Studies Archaeological Monographs. Oxford: Oxbow Books, 2013. Pp. xvi + 711, illus. $150. [Distributed by the David Brown Book Co., Oakville, CT.].

The screen is not a pre established object: it becomes a screen—and that screen—when it interacts with a group of elements and relates to a set of practices that produce it as a screen. In this process of becoming screen, a crucial step is played by the space in which the screen is located and where spectators gather. The confluence of screen and space changes our perception of both: the screen displays the situatedness of its action, and the space its (...) nature of medium. The landscape becomes a screenscape, in which individuals access images through which they negotiate with reality and others. Eventually, the insistence on becoming screen highlights the role of contingency and conjuncture in the process of mediation: screenscapes emerge according opportunities, conflicts, and potentialities. Hence a media archeology that, far from being linear and teleological, follows unpredicted paths and creates surprising links—a rhizomatic media archeology. (shrink)

As the post-digital organic landscape evolves through the rapid hybridization of ­practices, from genetic engineering to the creative use of nano technologies and syncretic approaches that are made easier by an always growing number of ­planetary connected telematic networks, and as we face, as a species, increasing environmental problems that more and more people and organizations plan to fix through geoengineering and terraforming solutions, the divide between the engineered and the organic tends to blur… At the same time various (...) contemporary intellectual trends and path of research in philosophy, anthropology, or even archeology and geology lead to reconsider the place of human in the Universe, the anthropocentred perspective or even the concept of Nature itself. Be it through concepts as diverse as Next nature, Anthropocene, Spaceship Earth, the Laboratory Planet or symmetrical archeology. Through the democratization of access to various tools like 3D printers, bio experiment kits or free software communities, the number of transdisciplinary experiments and research projects is growing, which by feedback is accelerating the processes of merging between disciplines. Those different factors are accelerating the hybridization of disciplines and intellectual trends the same way the re-engineering of nature from the nano to the geno level are blending the border between natural and artificial. How are those technoetic approaches and their interconnection a game changer of the geo-eco-nano-politico-philosophico-spiritual landscape on Earth in the twenty-first century? I will discuss these questions in this article while showing the differences and similarities between some of the main philosophical concepts that are currently applied to those questions. By recontextualizing those various philosophical approaches maybe we can draw a map of the future evolutions and mutations that will influence learning, research and creativity in the coming years and decades. (shrink)

Among one of the main inspirations for the research behind this Special Issue is Jussi Parikka’s 2010 book Insect Media: An Archeology of Animals and Technology. In this interview, the guest editors, Nina Mangalanayagam and Louise Wolthers, ask Professor Parikka to revisit some of the book’s core issues in relation to digital photography and the current media landscape in general. The conversation also revolves around artificial intelligence (AI), bugs, mimicry, contemporary art as well as scale and operational images, which (...) reflect Parikka’s recent research. (shrink)

In attending to surfaces, as they wrap, layer and grow within sentient bodies, material formations and cosmological sates, this volume presents a series of ten anthropological studies stretching across five continents and in observation of earthly practices of making, knowing, living and dying. Through theoretically reflecting on time spent with Aymara and Mapuche Andean cultures, the Malagasy people of Madagascar, craftspeople and designers across Europe and Oceania, amongst the architectures of Australia and South Korea, and within the folds of books, (...) screens, landscape and the sea, the anthropologists in this volume communicate diverse ways of considering, working with and knowing surfaces. Together, these writings advance a knowledge of the world which resists any definitive settlement of existential categories and rather seeks to know the world in its emergence and transformation, as entities grow, cohere, shift, dissolve, decay and rebirth through the contact and exchange of surfaces, persisting with varying time, power and effect. The book principally invites readers from anthropology, the creative arts and environmental studies, but also across the wider humanities and social sciences as well as those in neighbouring scientific fields of archeology, biology, geography, geoscience, material science, neurology and psychology interested in the intersections of mind, body, materials and world. (shrink)

Since archaeology is fundamentally the study of the human past, which is what the word “archaeology” connotes according to its Greek etymology, it is part of the humanities. However, archaeologists work in teams with scientists and employ quantitative techniques and comparative methods of the social sciences; archaeologists are thus an academic hybrid and are pleased to live in the interstices of many disciplines. In this article we review the history of archaeology in the humanities and explore some (...) new directions in archaeological research. We discuss the enduring questions of origins of the antiquity of humanity, religion and art, the first agricultural villages, and the earliest cities, states, and civilizations. We also consider new agendas in archaeology: historical archaeology, landscapes in the past and present, material studies of the present, and how archaeologists are engaged in modern politics. (shrink)

How do archaeologists make effective use of physical traces and material culture as repositories of evidence? Material Evidence is a collection of 19 essays that take a resolutely case-based approach to this question, exploring key instances of exemplary practice, instructive failures, and innovative developments in the use of archaeological data as evidence. The goal is to bring to the surface the wisdom of practice, teasing out norms of archaeological reasoning from evidence. -/- Archaeologists make compelling use of an enormously diverse (...) range of material evidence, from garbage dumps to monuments, from finely crafted artifacts rich with cultural significance to the inadvertent transformation of landscapes over the long term. Each contributor to Material Evidence identifies a particular type of evidence with which they grapple and considers, with reference to concrete examples, how archaeologists construct evidential claims, critically assess them, and bring them to bear on pivotal questions about the cultural past. -/- Historians, cultural anthropologists, philosophers, and science studies scholars are increasingly interested in working with material "things" as objects of inquiry and as evidence – and they acknowledge on all sides just how challenging this is. One of the central messages of the book is that close analysis of archaeological best practice can yield constructive guidelines for practice that have much to offer practitioners within archaeology and well beyond. (shrink)

In 1583, Edward Kelley claimed to have made a number of archaeological discoveries on Northwick Hill in Worcestershire, including a forged document, the “Northwick scroll”, purportedly giving the location of treasure hidden by the Danes. The scroll was subsequently deciphered by Kelley’s employer, John Dee. Kelley’s hoax, which had to fool one of the country’s most learned men, was carefully constructed and drew on recent antiquarian work. However, Kelley also relied on older traditions of magical treasure hunting, thereby combining two (...) apparently antithetical approaches to the past. The article uses the example of Kelley’s hoax to argue that hoaxes served a useful and illuminating function in the early development of archaeology by testing the boundaries of plausibility. Furthermore, Kelley’s synthesis of learned antiquarianism and treasure hunting challenges the view that Elizabethan antiquaries were unwilling to excavate. Kelley’s methodologies in constructing the hoax echoed those of William Camden and others by linking excavated objects with chronicles and landscape features to create an integrated account of an imagined past. However, the hoax’s success also rested on Dee’s willingness to become a treasure hunter, demonstrating that elite learned antiquarian endeavours were not always distant from the aims of traditional “hill diggers”. (shrink)

Neo-picturesque landscapes are former industrial sites redeveloped as parks in a way that preserves, maintains, and shapes memory of the materials, mechanics, and scale of the industrial age. This paper presents case studies of Duisburg Nord, the High Line, and Evergreen Brick Works. It distinguishes neo-picturesque ruins from archaeological ruins on the one hand and mere redevelopment projects on the other hand; traces a continuity between the eighteenth-century picturesque and the neo-picturesque; pinpoints the distinctive form of memory that the neo-picturesque (...) engages; and defends the importance of the neo-picturesque in contemporary life. (shrink)

After Discourse is an interdisciplinary response to the recent trend away from linguistic and textual approaches and towards things and their affects. The new millennium brought about serious changes to the intellectual landscape. Favoured approaches associated with the linguistic and the textual lost some of their steam, and were followed by a new curiosity and concern for things and their natures. Gathering contributions from archaeology, heritage studies, history, geography, literature and philosophy, After Discourse offers a range of reflections (...) on what things are, how we become affected by them, and the ethical concerns they give rise to. Through a varied constellation of case studies, it explores ways of dealing with matters which fall outside, become othered from, or simply cannot be grasped through perspectives derived solely from language and writing. After Discourse provides a new perspective for archaeologists, anthropologists and historians interested in the way objects can shed light on areas where textual evidence falls short. (shrink)

After Discourse is an interdisciplinary response to the recent trend away from linguistic and textual approaches and towards things and their affects. The new millennium brought about serious changes to the intellectual landscape. Favoured approaches associated with the linguistic and the textual lost some of their steam, and were followed by a new curiosity and concern for things and their natures. Gathering contributions from archaeology, heritage studies, history, geography, literature and philosophy, After Discourse offers a range of reflections (...) on what things are, how we become affected by them, and the ethical concerns they give rise to. Through a varied constellation of case studies, it explores ways of dealing with matters which fall outside, become othered from, or simply cannot be grasped through perspectives derived solely from language and writing. After Discourse provides a new perspective for archaeologists, anthropologists and historians interested in the way objects can shed light on areas where textual evidence falls short. (shrink)

This deep presence of Foucault’s influence across contemporary theoretical landscapes signals a need for self-reflectiveness that has largely (though not entirely) been missing in contemporary uses of Foucault. While scholarship in a Foucauldian vein is obviously alive and well, scholarship on Foucauldian methodology is not. This paper develops a distinction between two methodological features of Foucault’s work that deserve to be disentangled: I parse the methods (e.g., genealogy, archaeology) and concepts (e.g., discipline, biopower) featured in Foucault’s texts. Following this, (...) I use the terms of this distinction to develop a detailed survey of two quite different contemporary uses of Foucault. My two test cases for comparison are the works of Giorgio Agamben and Ian Hacking, two contemporary theorists who demonstrate a productive engagement with central features of Foucault’s work. (shrink)

Inscriptions of Assyrian kings disclose that these rulers maintained and improved the land near the palace. This paper brings together the pictorial versions of what may be described as the “Assyrian royal landscape,” that is, outdoor scenery designed for royal purposes and represented on the stone panels that lined the walls of the palaces at Nimrud, Nineveh, and Dur-Sharrukin. The royal landscapes differ from reign to reign, since they each reflect some aspect of the particular king’s rule. The description (...) and discussion of the individual scenes also take into account the rationale behind their creation. Textual and archaeological data are supportive additions, and the previous studies of other scholars are also considered. The discussion of scenes carved on the stone panels follows in chronological sequence the reigns of four Assyrian kings: Ashurnasirpal II, Sargon II, Sennacherib, and Ashurbanipal. The chronological presentation demonstrates that royal landscape imagery in the sculptural arts progressed as a method of documentation by the Assyrian kings. (shrink)

Le livre de Dragoş Duicu présente l’oeuvre de Patočka comme une phénoménologie du mouvement dont il opère l’archéologie conceptuelle en effectuant un retour à Aristote, ce qui permet aussi de situer Patočka dans le paysage phénoménologique. Il est établi tout au long de l’ouvrage que le mouvement est le sens d’être de l’être, dès lors compris comme physis, et de l’existence elle-même qui est mouvement de part en part, force voyante. Ce qui pour la tradition philosophique échappe au mouvrement est (...) en vérité toujours une extase du mouvement, déposé par lui, et s’avère dès lors secondaire, dérivé, car sédimenté. La philosophie de Patočka se donne donc indissociablement comme une ontologie et une phénoménologie du mouvement, l’auteur proposant un approfondissement cosmologique de la phénoménologie largement étayé sur une théorie de la sédimentation. Le livre offre une interprétation aussi érudite qu’originale de la cosmologie et de l’anthropophénoménologie patočkiennes.The book of Dragoş Duicu, presents the work of Patočka as a phenomenology of movement wherein he operates a conceptual archaeology by returning to Aristotle, and which allows him to situate Patočka in the phenomenological landscape. It is established throughout the work that movement is the meaning of being, therefore understood as physis, and that existence itself is all-around movement, force voyante. That which in the philosophical tradition escapes from movement is always in truth an ecstasy of movement, laid by the movement, which happens to be secondary and derivative, for it is ‘sedimented.’ The philosophy of Patočka presents itself therefore inseparably as an ontology and phenomenology of movement, as the author proposes a cosmological deepening of phenomenology largely supported by a theory of sedimentation. The book offers an interpretation as scholarly as it is original of the Patočkian cosmology and anthropo-phenomenology.Il libro di Dragoş Duicu presenta l’opera di Jan Patočka come una fenomenologia del movimento di cui l’autore svolge un’archeologia concettuale, che risale fino ad Aristotele, e al tempo stesso una ricollocazione all’interno del paesaggio fenomenologico. Il libro è attraversato da un filo rosso: il movimento è il senso d’essere dell’essere, in quanto physis, e dell’esistenza stessa, in quanto movimento anch’essa da cima a fondo, movimento o forza veggente. In questa prospettiva, ciò che per la tradizione filosofica si sottrae al movimento è sempre in verità un’estasi del movimento, depositata dal movimento stesso e proprio perciò secondaria, derivata, sedimentata. La filosofia di Patočka si offre, indissociabilmente, come un’ontologia e come una fenomenologia del movimento, come mostra Duicu sulla base di un approfondimento cosmologico della fenomenologia patockiana largamente incentrato su una teoria della sedimentazione. Il libro offre quindi un’interpretazione tanto erudita quanto originale della cosmologia e dell’antropologia patočkiane. (shrink)