Active at the time when the social sciences were founded, Max Weber's social theory contributed significantly to a wide range of fields and disciplines. Considering his prominence, it makes sense to take stock of the Weberian heritage and to explore the ways in which Weber's work and ideas have contributed to our understanding of the modern world. Using his work as a point of departure, The Oxford Handbook of Max Weber investigates the Weberian legacy today, identifying the enduring problems and (...) themes associated with his thought that have contemporary significance: the nature of modern capitalism, neo-liberal global economic policy, nationalism, religion and secularization, threats to legality, the culture of modernity, bureaucratic rule and leadership, politics and ethics, the value of science, power and inequality. These problems are global in scope, and the Weberian approach has been used to address them in very different societies. Thus, the Handbook also features chapters on Europe, Turkey, Islam, Judaism, China, India, and international politics. The Handbook emphasizes the use and application of Weber's ideas. It offers a journey through the intellectual terrain that scholars continue to explore using the tools and perspectives of Weberian analysis. The essays explore how Weber's concepts, hypotheses, and perspectives have been applied in practice, and how they can be applied in the future in social inquiry, not only in Europe and North America, but globally. The volume is divided into six parts exploring, in turn: Capitalism in a Globalized World, Society and Social Structure, Politics and the State, Religion, Culture, and Science and Knowledge. (shrink)

Max Weber is noted for his diagnosis of the rationalization of life under capitalism. But in his social thought he also developed a powerful theory of the process of 'sociation' and associational life. This paper investigates the latter aspect of his thought in the context of his and Marianne Weber's American journey. Their observations about the religious sects, the African-American community, educational insti tutions, and the position of women reveal an understanding of democ ratization as a process of voluntaristic sociation, (...) whose original model is the sect. In these institutional settings and through their interactions with figures like William James, W. E. B. Du Bois, and M. Carey Thomas, the Webers develop a view of American social life that empha sizes the contribution of associative activity to the moral and political education of individuals, and to the creation of a distinctively modern form of democratic culture. (shrink)

Weber and his work functioned in two ways: both as a bridge to the new, to the world of capitalist modernity, as well as a road to an acceptable cosmopolitan ‘liberal’ historical past. It was Weber the cosmopolitan and outsider who could give legitimacy and weight to the intellectual orientations and problems thought to be significant for the community in exile. It was this Weber who could cushion the ‘negative shock’ of what was often perceived as America’s ‘intellectual and cultural (...) provincialism’ and establish for the emigre scholar and intellectual the historical task of assisting in the development of American intellectual and cultural life. At the same time, the presence of a different Weber in America, already an established interest of several scholars emerging into prominence, such as Talcott Parsons and Edward Shils, created difficulties as well as opportunities for the emigre scholars. Because of such variety the field for the transmission, reception, and influence of Weber’s work must be approached as a complicated, multilayered, and contested patchwork of disparate and sometimes partially overlapping social and professional networks. (shrink)

Max Weber’s contribution to cultural sociology has received insufficient attention, due to the unfinished character of his work and its reception. This paper investigates aspects of his contribution in relation to the field of art, broadly conceived, and in terms of the uses of his ideas by historians of art and design, such as T. J. Clark. Weber’s social theory considers art from two perspectives: the relative autonomy of cultural and artistic forms and modes of expression, and the social construction (...) of works of art and culture. From the latter point of view technics and the technical become important factors in a double sense: The technologies of modern civilization external to art shape the “spirit” of art and its contents, and development in art proceeds as an effort to solve technical problems internal to the art form itself. Examples from painting, architecture and music illustrate the relationships. It is these perspectives that characterize the Weberian approach to art and invite further investigation as contributions to cultural sociology and social theory. (shrink)