Let me repeat one of my main points of my article: that "all three subjects of tragedy—plot, character, and thought—are reciprocal and correlative concretizations of a particular action and that thought bears this relation and makes its appearance with respect to each . . . in a definite way."1 This would be "understanding the interdependence or reciprocity of the three objects of imitation as functioning dynamically within an organic unity" . Thus, in one of the instances to which Ford refers, (...) the question I raise as to disjunction of the three subjects of tragedy is not a question for me at all, except rhetorically, since it is based upon the suggestion of Jones, a view which I reject, but the mention of which allowed me to consider its possibilities first. In the other instance, and again with respect to Jones, the "double awkwardness" to which Jones originally refers is alleviated through clarification and interpretation by Jones himself, whose position in this matter I expand upon and interpret more widely. Thus, there is no "disjunction," and there is no "doubleness" of plot and action, nor, as I myself went on to show, any tripleness and quadrupleness either in relation of action, plot, character, and thought. Really, what we have here are different ontological orders of the subject of tragedy, a relation between the general and specific, the abstract and concrete, the concept and its instance, a relation like that of energy to the incandescent light . · 1. "On Aristotle and Thought in the Drama," Critical Inquiry 3 : 561. Leon Rosenstein is an associate professor of philosophy at San Diego State University. (shrink)

The first view I shall investigate holds that the art form of tragedy expresses or contains certain eternal, acultural, and ahistorical facts which are "tragic" and present as such in the real or extra-artistic worlds; these facts are merely composed in tragedy as its content such that tragedy may be said to embody some perennial statement or thought about the things that are. The assumption here is that "tragedy" is a noun which can literally be applied to describe certain facts (...) or events we encounter in the everyday world. This term has been more specifically understood to refer to the fact of death , to a way of existence or human existence generally, or to a relationship existing between man and the world, or man and other men, or man and himself . Though tragedy certainly has its preferred topics, and these have sources in a world outside any given world which the particular tragedy constructs, there is surely a distinction between the world in general, with its facts, relationships, significances, and interpretations, and the particular world created by a given tragedy. This purely aesthetical creation of its own facts, relationships, significances, and interpretations is what I shall henceforth call the worked world of tragedy. Leon Rosenstein is currently working on "Hegelian Sources of Freud's Social and Political Philosophy," a four-article series to appear during 1977. He is an associate professor of philosophy at San Diego State University. (shrink)

Scholarly dissatisfaction with Aristotle’s fallacy of accident has traditionally focused on his examples, whose compatibility with the fallacy’s definition has been doubted time and again. Besides a unified account of the fallacy of accident itself, the paper provides a formalized analysis of its several examples in Aristotle’s Sophistici elenchi. The most problematic instances are dealt with by means of an internal reconstruction of their features as conveyed by Aristotle’s text and an extensive survey of their interpretation in (...) the Byzantine and Latin exegetical tradition. Carefully handled a doxographical approach, as opposed to rapid results oriented practices, proves to be most effective in that it supplies both useful albeit ordinarily overlooked insights and a comprehensive framework of reference for further investigations. (shrink)

Regularization may be used as an alternative to dimensionality reduction when the number of variables in a model is much larger than the number of available observations. In a recent study from our group regularized regression was employed to quantify brain functional connectivity in a sample of healthy controls using a brain parcellation and resting state fMRI images. Here regularization is applied to evaluate resting state connectivity abnormalities at the voxel level in a sample of patients with schizophrenia. Specifically, ridge (...) regression is implemented with different degrees of regularization. Results are compared to those delivered by the weighted global brain connectivity method, which is based on averaged bivariate correlations and from the non-redundant connectivity method, a dimensionality reduction approach that applies supervised principal component regressions. Ridge regression is able to detect a larger set of abnormally connected regions than both GBC and NRC methods, including schizophrenia related connectivity reductions in fronto-medial, somatosensory and occipital structures. Due to its multivariate nature, the proposed method is much more sensitive to group abnormalities than the GBC, but it also outperforms the NRC, which is multivariate too. Voxel based regularized regression is a simple and sensitive alternative for quantifying brain functional connectivity. (shrink)

Excerpt from La Théorie Platonicienne des Idées Et des Nombres d'Après Aristote: Étude Historique Et Critique La théorie phtonioionno de l'amour. Vol. Ia-8 de la Collection historique des grands philosophes 3 fr. 75. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the (...) aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Do Ideas exist and can we prove it ? Do proofs of their existence have all the same value or not ? Aristotle addresses these issues in two famous documents of the controversy that pitted supporters of the theory of Forms against its opponents within Plato’s Academy : his lost work, quoted by Alexander of Aphrodisias by the title of Peri Ideon, and the lengthy thrust against Ideas that can be read, with some minor variations, in books A, chapter (...) 9, and M, chapter 4, of his Metaphysics. As we only have fragments of the first, the second being laconic and little more than a summary, there has been much speculation about the exact number and nature of the arguments for and against the Forms. Since the pioneering works of Léon Robin, Paul Wilpert et Harold Cherniss, one problem in particular has attracted the attention of specialists : what arguments does Aristotle accuse of either producing Ideas on relatives for one or of dragging in the « Third Man » for another ? Why does he consider these arguments to be more rigorous than the others ? If we are not dealing with the same arguments, how can these be more or better argued than those mentioned by Aristotle in the same breath, namely the arguments Plato’s followers took from the sciences, the one over many and the thought about things that have perished ? Through detailed analysis of texts from the Corpus Aristotelicum and Alexander’s commentary on Aristotle’s Metaphysics, Rationes ex machina develops a new interpretation of the controversial file of the akribesteroi tôn logôn as well as a micrological solution to the puzzle that has come to be a sort of compulsory figure of the exegesis of the Aristotelian criticism of « Plato’s Ideas ». (shrink)

Even if somebody considers inappropriate any geographic adjective for Bioethics, nevertheless we think that there are some specific features of “Mediterranean” Bioethics that could distinguish it from a “Northern-European and Northern-American” one. First of all we must consider that medical ethics was born and grew in Mediterranean area. First by the thought of great Greek philosophers as Aristotle (that analyse what ethics is), then by Hippocrates, the “father” of medical ethics. The ethical pattern of Aristotle was based on (...) “virtues” and their practice. In this perspective we can already note a strong difference with actual North-European or American principialist ethics. But a second consideration concerns the role that great Mediterranean religions (Judaism, Christianity and Islam) had in the construction of the ethical thought especially on the matter of life and its respect. So, in our pluralistic and multicultural society is absolutely necessary to rescue an approach that considers both “lungs” of ethical thought (Mediterranean and Northern one) and highlights the role that Mediterranean Ethics still has in this way. (shrink)

Two seemingly contradictory aspects have marked art’s appreciation – and aesthetic appreciation in general. While an experience of pleasure seems to ground judgments of aesthetic value, some artworks seem to gain our praise by the very negative – unpleasant – experience they provoke. Known as the paradox of negative emotions, aestheticians have, at least since Aristotle, tried to deal with these cases and offer different explanations of the phenomenon. In this article, María José Alcaraz León does not directly offer (...) an alternative explanation; rather she focuses on the apparent tension between an understanding of aesthetic experience in terms of a certain kind of pleasure and the negative aspect that is necessarily involved in our appreciation of painful art. The purpose of her article is to show that cases of artistic appreciation that involve negative emotions do not need to give up on the idea that aesthetic value is ultimately grounded upon an experience of pleasure. (shrink)

The prologue of the Sophistici elenchi is as close an Aristotelian text gets to dealing with language as a subject matter in its own right, only in reverse. Language and its features bear consideration to the extent that they account for some major predicaments discursive reasoning is prone to, both as a separate and as a common endeavour. That being said, the linguistic pitfalls that trick us into thinking that whatever is the case for words and word-compounds is also the (...) case for the things and facts linguistic items stand for reveal as much about good linguistic habits and sound argumentation as they themselves are revealed by the principles and rules our argumentation goes by. In this connection, Aristotle resorted to a curious (or not so curious) analogy between words and counters which played a major role in explaining why language is such a powerful source of illusion and deception. As it happens, Aristotle accounting analogy is a case in point for showcasing the level of sophistication medieval Latin literature on fallacies achieved as early as the first half of the twelfth century. As a matter of fact, Western commentators managed to build compelling cases both in favour of and against the understanding that was to become and still is the standard story – which, of course, speaks volumes about their exegetical proficiency and technical expertise. On the one hand, trusting implicitly Boethius’ translation and well aware of his views on disputational hazards as opposed to computational reliability, they usually understood Aristotle’s comparison as if it was an analogy in name only. On the other hand, despite Boethius’ translation put them at a considerable disadvantage, Latin commentators were able to construe Aristotle’s analogy as bringing together two sets of symbolic variables (words and counters) that are neither entirely free nor entirely bound – which expose them to subtle but critical shifts in value and meaning. (shrink)

This article argues that Aristotle depicts the soul as a detectable aspect of one’s being, is in the form of properties, and is discernable by cognition. Thus, he proposed that it is possible to discern the complementary connection between one’s being and the first cause of creation. Aristotle, like Kant, recognised that the age-old problem of scepticism posed a challenge to epistemological, ontological, and ethical claims. However, Kant did not develop his ideas regarding bridging the gap between what (...) is demonstrable and the first cause of creation – which resulted in perpetuating problems with scepticism and dualism. Consequently, in the effort to resolve the problems of scepticism and dualism, to promote self-actualisation, holistic well-being and, to help individuals realise their full potential there is a resurgence of Aristotle’s explanation of the relationship between self-knowledge and knowledge of the first cause of creation. This article contributes to the philosophy of science, the philosophy of the social sciences, the philosophy of religion, to contemporary literature on social psychology, and to literature addressing the interface between the sciences and perennial philosophy by demonstrating that Aristotle’s perennial wisdom and his epistemic approach – based on logical positivism – resolve problems related to scepticism, materialism, and dualism. (shrink)

Y a-t-il des Idées et peut-on démontrer qu’elles existent ? Parmi les protagonistes anciens de la controverse qui a opposé partisans et adversaires des Idées, Aristote mérite une attention toute particulière. De fait, si – au moment où Aristote intervient dans le débat autour de l’hypothèse des Idées – ce débat a déjà une histoire, c’est avec lui que cette histoire atteint une maturité qui est à la fois d’ordre doctrinal et doxographique. De fait, non seulement Aristote est le premier (...) à avoir défini certaines au moins des propriétés de ce qui est et se dit en commun de plusieurs, mais encore a-t-il pris soin d’inscrire ces définitions dans la continuité de l’héritage socratique dont il s’est explicitement revendiqué tout en dénonçant sa dérive aux mains des successeurs de Socrate. L’objectif principal du cycle de conférences a été d’étudier les objections qu’Aristote a formulées à l’encontre des partisans des Idées en prenant comme fil conducteur la notion de substance que sa discussion des Formes platoniciennes tantôt présuppose, tantôt mobilise explicitement. Pour ce faire, nous avons procédé à une lecture détaillée d’un certain nombre de documents, tirés aussi bien de ses écrits d’école que des vestiges de ses traités perdus, où Aristote rejette la notion d’un universel substantiel (autant dire, en l’occurrence, séparé) et s’efforce de mettre à mal les arguments que ses partisans avançaient pour prouver son existence. (shrink)

In the Introduction to her recent translation of the Poetics, Miss Hubbard astutely recognizes the intellectual orientation of Aristotle's aesthetic theory. She observes that for Aristotle the concept of mimesis is intimately connected with that of mathesis and thus that the basic pleasure of art is the intellectual pleasure involved in learning. She then correctly identifies two levels of the learning process involved in mimesis: on a lower level it signifies the way in which children learn their first (...) lessons but on a much more sophisticated plane it denotes a process by which our understanding of ‘moral facts and moral possibilities’ is deepened. She perceptively concludes that if art is to achieve the goal set for it by Aristotle, it must have a significant relationship to ultimate truth. (shrink)

Latin commentators came across the « Third Man » in Aristotle’s Sophistici elenchi. The way they dealt with the argument is a fair illustration of how they were both faithful to the text and innovative in their understanding of its most challenging issues. Besides providing a detailed survey of all manuscript sources, the introductory essay shows that Latin interpretation originates from a mistake in Boethius’ translation which radically transformed the argument. The edition makes available for the first time a (...) considerable amount of new documentary evidence which made it possible to solve the riddle of the Latin « Third Man ». (shrink)

Celebrated as the equal to the great philosophers of old, namely Plato and Aristotle, whom – as Cassiodorus put it – he taught to speak Latin better than they spoke Greek, Boethius aspired to fully emancipate Roman culture from its Greek models through translations and exegesis so faithful they would leave nothing more to be desired from the original. The essay focuses on Boethius philhellenism, without complexes insofar as it had little to do either with the mixed feelings of (...) his Roman predecessors or with the plundering agenda of his Christian contemporaries. Special attention is paid to the close relationship Boethius established between word for word translations and multi-layered commentaries which he thought of and – albeit partially – carried out as part of the same scholarly endeavour. Devoid of literary pretentions as well as free from aspirations to autonomy, Boethius literal rendering and scrupulous interpretation were meant to be completely self-sufficient. Together they stand out as both the most innovative and the most conservative features of his ambitious cultural project. -/- Célébré comme l’égal des grands philosophes du passé, auxquels il aurait appris à parler Latin mieux qu’ils ne parlaient Grec, Boèce a caressé le rêve d’une émancipation radicale de la culture romaine vis-à-vis des modèles grecs qu’il se proposait de traduire et interpréter assez fidèlement pour que la comparaison avec les sources ne soit plus nécessaire. De son effort de livrer un Aristote et un Platon latins à la hauteur des originaux grecs, nous étudions l’étroite solidarité qui relie la traduction mot-à-mot des textes grecs et la restitution scrupuleuse de leur sens. Cette double tâche, que Boèce a conçue et menée d’un seul tenant, nous est dès lors apparue comme le reflet d’un philhellénisme sans complexes, tout aussi éloigné des sentiments ambivalents que nourrissaient vis-à-vis des hellènes ses devanciers romains que des efforts visant à domestiquer l’héritage classique auxquels se livraient certains de ses contemporains de même confession que lui. Affranchis de tout rêve d’autonomie, les traductions et les commentaires de Boèce se conçoivent comme parfaitement autosuffisants. Ensemble ils constituent ce qu’il y a à la fois de franchement novateur et de profondément conservateur dans son projet de faire parler Latin les sources grecques. (shrink)

Aux prises avec une archive en pleine expansion et une littérature secondaire dont la masse a atteint et, notamment depuis son tournant numérique, largement dépassé un seuil critique, l’archéologie philosophique a fait le deuil du rêve micrologique de « tout lire, tout étudier » que Michel Foucault s’était pourtant donné pour idéal régulateur en s’interdisant d’effectuer un tri en amont des « choses dites dans une culture, conservées, valorisées, réutilisées, répétées et transformées ». Il importe désormais moins de décrire la (...) totalité d’un champ que de tracer et de croiser des itinéraires. En gros, il s’agit de « raconter des intrigues », selon la formule bien connue de Paul Veyne. Arrimée à la philologie et à l’histoire des corpus, cette théâtralisation du travail philosophique n’est cependant pas arbitraire. Comme l’explique Alain de Libera dans l’un des rares propos métarchéologiques qu’il a livrés en marge de son œuvre canonique, face à l’« accumulation folle de connaissances et d’informations » qui caractérise l’environnement actuel de la recherche, « le rôle de l’historien-archéologue est d’identifier les bonnes structures ». Comment s’y prend-il ? « Il y a pour ce faire – poursuit Alain de Libera au cours du même « Grand entretien d’Actu-Philosophia » – un critère d’identification heuristique : la simplicité. La force d’une hypothèse de travail se mesure au nombre d’éléments qu’elle est capable d’intégrer et d’unifier, en un mot : de “simplifier” ». Parmi les intrigues qui ont marqué l’histoire récente de l’archéologie à vocation philosophique il y a sans doute l’« ἐπιστήμη alexandrinienne » qu’Alain de Libera a identifiée en étudiant les doctrines anciennes et médiévales de l’abstraction et qu’il a baptisée de la sorte pour souligner le rôle qu’Alexandre d’Aphrodise a joué dans sa genèse. Pour peu qu’il soit convaincu de son intérêt intrinsèque, le lecteur, surtout s’il se trouve être un antiquisant ou un médiéviste, résistera difficilement à la tentation de se demander s’il est possible de procéder à une extension – même ponctuelle – du « réseau aphrodisien » : peut-on élargir avec le même succès son domaine d’application en testant son pouvoir d’inclusion dans d’autres cas que celui de la filière qu’il était initialement destiné à synchroniser ? C’est une ébauche de simplification de cet ordre que mon hommage voudrait esquisser à partit de quelques textes qu’Alain de Libera a lui-même étudiés et selon une trajectoire parallèle à celle qu’il a lui-même tracée. (shrink)

Relying on evidence from fifteen epigraphic collections and sixty-odd ancient sources as well as discussing a literature of over five hundred titles, the essay’s highly unorthodox conclusions are a case in point of the micrological ideal of achieving novelty on any given subject by way of transcribing and studying first-hand all relevant materials – edited and unedited alike. The paper’s ambition was to shed new light on one of the most intriguing analogies of the whole Aristotelian corpus, namely the comparison (...) between words and pebbles. A review of all material evidence and virtually all extant sources made short work of two related, albeit mutually exclusive, misconception about ancient reckoning boards and their workings: (1) the idea that – for all practical purposes – the abacus’ arrangement mirrored the decimal system, its columns and rows conveniently matching units, tens, hundreds, thousands, etc. (2) the idea that the inscriptions on several surviving counting boards were a nuisance to the extent that, being inconsistent to a fault with the decimal system itself, they made actual calculations harder than they already were (as opposed to making them easier, as one would expect). The paper demonstrated that the first assumption – the « decimal » bias – is simply mistaken and betrays little or no awareness of the epigraphic and archaeological evidence. The paper also demonstrated that the second assumption – the « abacus riddled with complications » bias – simply defeats the purpose of resorting to the abacus in the first place and betrays a poor understanding of its practical vocation which, most assuredly, was not to add to the very problem it was meant to solve. After bulldozing its way through both misunderstandings, the essay focused on the abacus most distinctive features, that is positionality (i.e. the abacus being a positional system through and through) and hybridity (i.e. the abacus’ place value system being monetary in nature and purpose, as opposed to it being abstract and homogeneous). The final result is an interpretation that moves away from the received views by showing that the prologue of the Sophistici elenchi offers no support to the notion that, when Aristotle referred to counters, he was leaning on a kinship of sorts – or any kinship, for that matter – between abstract calculation and speech. Once we turns the pebble’s simile on its head and set it back upon its feet (Aristotle’s pebble analogy is about pebbles, what else?), it becomes clear that it presupposed numeracy all right, but it was not about numeracy itself. Moreover its goal was not to explain why computational and linguistic symbolisms succeed, but to explain how they fail – failure being the whole point; in this particular instance, failure to detect and prevent abusive value shifts affecting words and counters alike. (shrink)

One of the singularities of Latin exegesis of Aristotle’s Sophistici elenchi, is that it arbitrarily brought together two families of fallacies, the «figure of speech» and the «accident», despite the fact that they are on either side of the divide between sophisms related to expression and sophisms independent of expression, a divide that lays at the heart of Aristotle’s taxonomy of sophistic arguments. What is behind this surprising identification? The talk is meant to show that it actually originates (...) from a curious mistake in Boethius’ translation of Aristotle’s Sophistici elenchi, 22, 178b 36-37 which radically transformed the nature of the argument at stake. While it was originally an example of the fallacies related to the «figure of speech», Boethius’ translation wrongly brings about two arguments instead of one, both related to the «accident». This explains why authors from the Latin tradition came to think that fallacies of «figure of speech» were linked to fallacies of «accident» closely enough to ask whether they actually fell outside expression, even though it does not at first glance appear that such a possibility was allowed or even suggested by Aristotle’s text. This odd question illustrates some of the remarkable features of the medieval archive and how some of its most peculiar problems came to be. It specifically allows us to reconstruct the mechanisms through which a minor disturbance in the letter of the text leads to a whole new way of organising its exegetical material. (shrink)

Few arguments from the past have stirred up as much interest as Aristotle’s “Third man” and not so many texts have received as much attention as its account in chapter 22 of the Sophistici elenchi. And yet, several issues about both remain highly controversial, starting from the very nature of the argument at stake and the exact signification of some of its features. The essay provides a close commentary of the text, dealing with its main difficulties and suggesting an (...) overall interpretation of Aristotle’s discussion of the “Third Man” argument. (shrink)

Pour des raisons essentiellement liées à la vocation des textes où la notion de présupposition a fait son apparition, c’est la présupposition d’existence qui s’est imposée la première à l’attention des philosophes du langage. Elle a également déterminé l’orientation des débats en les focalisant sur quelques problèmes traditionnels, au premier chef desquels le problème de l’absence de référence de certaines expressions et celui des imperfections du langage naturel. Contrairement aux noms propres et aux descriptions définies, les termes qui signifient des (...) universaux ont joué un rôle très marginal dans la discussion de ce qui est présupposé par les énoncés que nous échangeons. Ce sont pourtant les noms d’espèces et de genres qui ont été associés les tout premiers à des phénomènes qui relèvent de la présupposition. Afin de montrer que cette association n’a rien perdu de son intérêt, nous avons étudié le traitement qu’Aristote réserve à la famille de paralogismes qui exploitent la similarité morphologique entre noms propres et noms communs pour rattacher la même présupposition d’existence aux uns et aux autres, alors même que cette présupposition est légitime dans un cas (celui des expressions qui désignent des choses particulières), abusive dans l’autre cas (celui des expressions qui signifient des universaux). (shrink)

Les commentateurs latins ont rencontré pour la première fois le « Troisième homme » d’Aristote dans le chapitre vingt-deux des Sophistici elenchi. Cette rencontre illustre bien à la fois leur respect de la lettre et la radicalité de certaines de leurs innovations. Influencée par la traduction de Boèce, leur exégèse de l’argument a tenu compte de l’ensemble des indications du texte tout en lui conférant une tournure inédite.

Few arguments from the past have stirred up as much interest as Aristotle’s “Third man” and not so many texts have received as much attention as its account in chapter 22 of the Sophistici elenchi. And yet, several issues about both remain highly controversial, starting from the very nature of the argument at stake and the exact signification of some of its features. The essay provides a close commentary of the text, dealing with its main difficulties and suggesting an (...) overall interpretation of Aristotle’s discussion of the “Third Man” argument. (shrink)

Quelque nombreuses et quelque influentes qu'elles soient par ailleurs, les vues d'Aristote sur le langage se caractérisent à la fois par leur hétérogénéité et par leur marginalité. Sans faire nulle part du langage et de la signification l'objet d'une investigation autonome et méthodique, Aristote multiplie les remarques et les digressions à leur sujet, que ce soit dans ses écrits d'éthique et de politique ou dans ses traités d'histoire et de philosophie naturelle, ou encore dans ses manuels de dialectique, de poétique (...) et de rhétorique. Face à l'abondance de ces matériaux et aux difficultés qu'ils présentent du fait de s'offrir au lecteur en ordre quelque peu dispersé, «Le langage. Lectures d'Aristote» fait le choix d'indexer l'étude du langage chez Aristote sur des passages précis du corpus en ne posant aux textes aristotéliciens d'intérêt linguistique que les questions auxquelles ces mêmes textes - tantôt pris isolément, tantôt mis en relation les uns avec les autres - apportent une réponse. (shrink)

Aristotle, in his Metaphysics, not only tries to establish a relationship that is direct, coherent, inter-operational and "precise" between this science, its name as a science, and its object of study, but also begins an indignation that tries to set a science — materially adequate and formally correct — to study τὸ ὂν ᾗ ὂν. In order to complete this task, Aristotle does an in-focus strategy that consists on the diffusion of τὸ ὄν in its categories, that allows (...) Aristotle the possibility of formulate a science ἐπιστήμη to study τὸ ὂν ᾗ ὂν at the same time that supports the diffusion of τὸ ὄν in the "different categories or supreme genres" of τὸ ὄν. Due to this argumentation, Aristotle distinguishes the ἐπιστήμη σοφία of any other type of knowledge: the former is fundamentally an enquiry "about the first causes (πρῶτα αἴτια) and the principles (ἀρχὰς)". With this conception in mind, Aristotle was able to characterize several related forms of the ἐπιστήμη σοφία which, as a whole, eventually allow him to establish a science of the principles and causes "maximally universal and referred to…everything real", and in consequence, to "that that is, as long as something is". In this work, I will try to reconstruct such arguments, and offer some observations and conjectures referred to these notions that plausibly incline the scale in favor of an ontological reading of Aristotle’s Metaphysics, in order to contribute to clarify the confusion that exists between the aim of the discipline with the justification to establish the existence of its own object. (shrink)

While Classical Logic (CL) used to be the gold standard for evaluating the rationality of human reasoning, certain non-theorems of CL—like Aristotle’s and Boethius’ theses—appear intuitively rational and plausible. Connexive logics have been developed to capture the underlying intuition that conditionals whose antecedents contradict their consequents, should be false. We present results of two experiments (total n = 72), the first to investigate connexive principles and related formulae systematically. Our data suggest that connexive logics provide more plausible rationality frameworks (...) for human reasoning compared to CL. Moreover, we experimentally investigate two approaches for validating connexive principles within the framework of coherence-based probability logic (Pfeifer & Sanfilippo, 2021). Overall, we observed good agreement between our predictions and the data, but especially for Approach 2. (shrink)

Nearly fifteen years ago Nicev published a study entitled L'Enigme de La Catharsis Tragique dans Aristote, in which he argued for a new interpretation of the Aristotelian doctrine of tragic catharsis. This interpretation has, I believe, an important kernel of truth in it, although it is based on an eccentric and unpersuasive interpretation of Poetics 1452a1-11. It suggests that for Aristotle catharsis is the act of purging the audience of a false opinion concerning the apparent innocence of the hero (...) and of purging that audience of a directly related false opinion concerning the apparently arbitrarily unjust action of the divine forces which bring the hero to ruin. (shrink)

Aristotle's Physics is one of the least studied "great books"--physics has come to mean something entirely different than Aristotle's inquiry into nature, and stereotyped Medieval interpretations have buried the original text. Sach's translation is really the only one that I know of that attempts to take the reader back to the text itself. -- Leon Cass, University of Chicago.

An adequate approach to any of Aristotle's qualitative parts of tragedy must be grounded in an understanding of their hierarchical ranking within the Poetics. Any "whole" must present "a certain order in its arrangement of parts" ,1 and in a drama each part is "for the sake of" the one "above" it. Contrary to Rosenstein's formulation, for instance, the Aristotelian view is that character as a form "concretizes" and individualizes thought as matter. Rosenstein's question as to whether "these . (...) . . indeed form a genuine disjunction" should not even arise. By ignoring the hierarchy, and therefore collapsing it, Rosenstein weakens his otherwise sound assertion that tragedy is not philosophy. Such is the result, whether intended or not, of holding that "thought must also be some form or concretization of action, just as plot and character are" . This vocabulary seems to suggest in the end that a tragic work is organized by philosophical "themes." "To understand spoken thought as an object of imitation in this manner is to understand it not merely as a content or object being imitated . . . but as the supposedly valid expression of an interpretation of the doings of the aesthetically worked world generally. . . . Thought in this sense becomes theme" . · 1. Unless otherwise noted, all quotations of Aristotle are from The Basic Works of Aristotle, ed. Richard McKeon . James E. Ford responds in this essay to Leon Rosenstein's "On Aristotle and Thought in the Drama" . An assistant professor of English at Brigham Young University—Hawaii Campus, he is currently writing on interpretative theory. See also: "Metaphor and Transcendence" by Karsten Harries in Vol. 5, No. 1. (shrink)

Les érudits byzantins ont composé, principalement à des fins éducatives, des paraphrases et des commentaires sur la logique aristotélicienne et, en particulier, sur le De interpretatione. Certaines de ces œuvres trahissent clairement leur origine ancienne et d'autres témoignent soit de traditions anciennes perdues, soit des tentatives des Byzantins d'expliquer le texte d'Aristote. Mon but est de présenter les commentaires byzantins sur les premiers chapitres du De interpretatione, dans lesquels nous trouvons des traces de la théorie de la signification d'Aristote. Je (...) commence par rassembler le matériel textuel pertinent du XIe au XVe siècle, ensuite, je discute des points de vue byzantins sur quatre sujets qui ont un intérêt philosophique et historique : les mêmes pensées sont-elles partagées par tous? En quoi les ressemblances, les symboles et les signes diffèrent-ils? Les noms sont-ils par nature ou par convention? Les parties des noms composés signifient-elles? (shrink)

The sense of wonder and admiration experienced by individuals who witness a striking sight, whether natural or man-made, has long been regarded as playing a role in the acquisition of knowledge. Both Aristotle and plato regarded wonder and admiration (θαύμα), sparked by something seen, as the origin of philosophical thinking. In the Middle Ages, theological writers considered the way in which admiration and, specifically, the state of rapture it engendered, helped the Christian experience devotion to God. What happened when (...) a beholder was filled with admiration upon encountering a magnificent building was addressed in discussions of magnificent patronage from at least the thirteenth century. The present Note investigates how Alberti’s reflections on magnificence and admiration informed his theory of aesthetic design in De re aedificatoria, completed in the 1450s. It proposes that Alberti redefined what makes a building admirable or ‘magnificent’ and also understood ‘beholding in admiration’ to be an active mode of looking. Therefore, his views on magnificent architecture were subtly different from those of Pope Nicolas V, in particular. By considering Alberti’s theory of aesthetic design as a reflection on magnificence and admiration, additional light is also shed on his confidence in the protective power of beauty and his design recommendations for the temple. (shrink)

Die Quellen der Aristoteles-Rezeption bzw. der aristotelischen Logik im byzantinischen Mittelalter sind nur teilweise oder gering erforscht. Eine der wichtigen Autoritäten dieser Tradition stellt Leon Magentenos (12. Jh.?) dar. Magentenos war Metropolit von Mytilene sowie ein Gelehrter, der Kommentare zu allen sechs Traktaten des aristotelischen Organon (Categoriae, De Interpretatione, Analytica Priora, Analytica Posteriora, Topica, Sophistici Elenchi) verfasst hat. Hier wird die kritische Edition des Kommentars zum zweiten Buch der Ersten Analytik zusammen mit seiner Übersetzung ins Englische vorgelegt. Untersucht werden (...) auch die dem Kommentar angehängten syllogistischen Diagramme. Kommentare zu Analytica Priora II nach der Spätantike und vor Magentenos waren eher eine Rarität, daher ist sein Kommentar eine wichtige Quelle für alle Forscher, die sich mit der Geschichte der byzantinischen Logik und der aristotelischen Kommentierung befassen. (shrink)

There are many authors who consider the so-called “moral nose” a valid epistemological tool in the field of morality. The expression was used by George Orwell, following in Friedrich Nietzsche’s footsteps and was very clearly described by Leo Tolstoy. It has also been employed by authors such as Elisabeth Anscombe, Bernard Williams, Noam Chomsky, Stuart Hampshire, Mary Warnock, and Leon Kass. This article examines John Harris’ detailed criticism of what he ironically calls the “olfactory school of moral philosophy.” Harris’ (...) criticism is contrasted with Jonathan Glover’s defense of the moral nose. Glover draws some useful distinctions between the various meanings that the notion of moral nose can assume. Finally, the notion of moral nose is compared with classic notions such as Aristotelian phronesis, Heideggerian aletheia, and the concept of “sentiment” proposed by the philosopher Thomas Reid. The conclusion reached is that morality cannot be based only on reason, or—as David Hume would have it—only on feelings. (shrink)

Deictic (or pointing) gestures are traditionally known to have a simple function: to supply something as the referent of a demonstrative linguistic expression. I argue that deixis can have a more complex function. A deictic gesture can be used to _say something_ in conversation and can thereby become a full discourse move in its own right. To capture this phenomenon, which I call _rich demonstration_, I present an update semantics on which deictic gestures can indicate situations from a conversation’s context (...) and those situations coherently connect to prior discourse to generate information. (shrink)

Given any finite graph, which transitive graphs approximate it most closely and how fast can we find them? The answer to this question depends on the concept of “closest approximation” involved. In [8,9] a qualitative concept of best approximation is formulated. Roughly, a qualitatively best transitive approximation of a graph is a transitive graph which cannot be “improved” without also going against the original graph. A quantitative concept of best approximation goes back at least to [10]. A quantitatively best transitive (...) approximation is a transitive graph that makes the minimal number of mistakes against the original graph. In other words, the sum of the edges that are removed from and are added to the original graph is minimal. (shrink)