This book discusses the elusive centrality of silence in modern literature and philosophy, focusing on the writing and theory of Jean-Luc Nancy and Roland Barthes, the prose of Samuel Beckett, and the poetry of Wallace Stevens. It suggests that silence is best understood according to two categories: apophasis and reticence. Apophasis is associated with theology, and relates to a silence of ineffability and transcendence; reticence is associated with phenomenology, and relates to a silence of listenership and speechlessness. In a (...) series of diverse though interrelated readings, the study examines figures of broken silence and silent voice in the prose of Samuel Beckett, the notion of shared silence in Jean-Luc Nancy and Roland Barthes, and ways in which the poetry of Wallace Stevens mounts lyrical negotiations with forms of unsayability and speechlessness. (shrink)

This book analyzes such symbolic designs of the modern troubled imagination as the conspiracy theory of society, deterministic concepts of identity and order, antisemitic obsessions, self-hatred, and the myth of the loss of roots. It offers, among other things, the unique East-Central European materials incorporated in a broad, imaginative synthesis and critique of contemporary social analysis.

Engaging existentialism: transformative possibilities and local agendas -- The Mexican existentialist ethos -- The seminal Mexican existentialism of Rodolfo Usigli's theater -- Excavating Comala: the existentialist Juan Rulfo, the Grupo Hiperión, and lo mexicano in Pedro Páramo -- "Christs for all passions": José Revuelta's El luto humano [Human mourning] -- Rosario Castellanos's freedom.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:A Latin American Existentialist Ethos: Modern Mexican Literature and Philosophy by Stephanie MerrimTadd RuetenikA Latin American Existentialist Ethos: Modern Mexican Literature and Philosophy Stephanie Merrim. SUNY Series in Latin American and Iberian Thought and Culture. State U of New York P, 2023.If it seems like there is more turmoil in the world than usual, then existentialism seems more relevant than usual. Wars and rumors of wars (...) threaten to shift political boundaries and unsettle moral attitudes. Perhaps this is an opportunity for new philosophical investment in places not previously considered to be philosophically relevant. In the Western Hemisphere, this would mean directing attention south of the US border. [End Page 86]Stephanie Merrim's A Latin American Existentialist Ethos: Modern Mexican Literature and Philosophy encourages us to make this kind of redirection. I think the most valuable part of the book is Merrim's explanation of how Jean-Paul Sartre and Albert Camus influenced Mexican philosophy, creating along with Catholicism a new philosophical situation. This signals an opportunity for those of us becoming productively bored with a traditional American philosophy centered on US philosophers. Merrim's work describes the birth, ascendance, and recession of the Grupo Hiperión, a creative friendship that led to the development of Mexico's philosophical and literary signature. "Hiperión's capacious existentialism sees no disjunction between freedom and advocating particular values" (58), Merrim concludes, adding later that its Latin American context produces a "theologically informed communitarianism" (59). This involves considering Sartre rather than, say, Peirce, James, and Dewey. It involves filling in "the gaps in ethics that eventuate from the French philosopher's commitment to ontology as well as from the aporias in his ethical thinking." In short, she says, "Hiperión supplements Sartre" (58).This is inspiring. The more standard view of American philosophy is that it has origins in European empiricism. Jonathan Edwards, for example, can be interpreted as one who adapts John Locke to a Puritan theological context. After this, there is a gradual dropping of the theological context. The focus remains on the United States, its development as a world power, and its leadership in advanced technology. The correlative philosophical development is thought to culminate in pragmatism, and then there seems to be an attempt to preserve it for a while by adding a "neo-" prefix.It's not that pragmatism and neo-pragmatism are bad. But their development correlates with the US domination of Latin America. As Merrim implies early in the work, existentialism is used to "shake us out of a mechanical existence, to destabilize us, awaken and prime us for happiness" (3). It is not that existentialism is used to destabilize; it's just that it appears on the scene whenever instability is present. Essence is always in creation, and all that can be said at this point is that the United States should not prescribe itself as the model for the creation of a Latin American ethos.It is on this point that I begin a small criticism of a book that is otherwise valuable in pointing many of us toward new scholarship and new interests. The problem is first evident in the translation notes, which indicate that "in order to engage a host of constituencies, this book translates into English all non-English material." This attempt by the author "to reach a broad readership" (ix) is an unnecessary accommodation. People in the United States [End Page 87] should have no less of an obligation to learn Spanish as the rest of the Hemisphere has had to learn English.When we move from language to philosophy, we see a similar over-accommodation. The author tries, but seems to have difficulty incorporating pragmatism into this new philosophical and literary movement. One example of this is the author's use of pragmatism in reference to a part of Rosario Castellanos's novel Rito de iniciación (Aguilar, 1997). One of the characters proposes a marriage of convenience that Merrim says would provide "a net pragmatism but not pragmatic authenticity" (175). If one has to contrast an authentic from a non-authentic version of a philosophy, it seems better to say that authenticity itself is... (shrink)

This timely book argues that the institutionalisation of literary theory, particularly within American and British academic circles, has led to a sterility of thought which ignores the special character of literary art. Mark Edmundson traces the origins of this tendency to the ancient quarrel between philosophy and poetry, in which Plato took the side of philosophy; and he shows how the work of modern theorists - Foucault, Derrida, de Man and Bloom - exhibits similar drives to subsume poetic art (...) into some 'higher' kind of thought. Challenging and controversial, this book should be read by all teachers of literature and of theory, and by anyone concerned about the future of institutionalised literary studies. (shrink)

Although the works of the authors of the Golden Age of Latin Literature play an important formative role for Early Modern philosophers, their influence in Early Modern thought is, nowadays, rarely studied. Trying to bring this topic to light once again and following the seminal works of Kajanto (1979), Proietti (1985) and Akkerman (1985), I will target Spinoza’s Latin sources in order to analyze their place in his philosophy. On those grounds, I will offer an overview of the (...) problems of the reception of classical literature in Early Modernity and then dwell on the particular case of Ovid and Spinoza. The present paper will argue that although Spinoza’s references to Ovid fill a rhetorical purpose as suggested by the existing literature, these mentions have a prior philosophical motivation. That is, the references in the Ethics are not merely illustrative; instead, they indicate that Spinoza acknowledges Ovid’s beliefs about human experiences and deliberately elaborates on Ovid’s view to construct and defend his own theses. To this end, the paper will analyze some citations mapped by Proietti (1985) and add a new one in an attempt to enlarge the list of places and topics that merit further investigation. To conclude, I will point out how the references to Ovid are part of Spinoza’s own defense of the powers of imagination. (shrink)

The Doppelgänger or Double presents literature as the “double” of philosophy. There are historical reasons for this. The genesis of the Doppelgänger is literature’s response to the philosophical focus on subjectivity. The Doppelgänger was coined by the German author Jean Paul in 1796 as a critique of Idealism’s assertion of subjective autonomy, individuality and human agency. This critique prefigures post-War extrapolations of the subject as decentred. From this perspective, the Doppelgänger has a “family resemblance” to current conceptualizations of subjectivity. It (...) becomes the emblematic subject of modernity. This is the first significant study on the Doppelgänger’s influence on philosophical thought. The Doppelgänger emerges as a hidden and unexplored element both in conceptions of subjectivity and in philosophy’s relation to literature. Vardoulakis demonstrates this by employing the Doppelgänger to read literature philosophically and to read philosophy as literature. The Doppelgänger then appears instrumental in the self-conception of both literature and philosophy. (shrink)

Machine generated contents note: Images of Chaos: An Introduction * Tactic I: Desertion (chaotic movement) * First Annihilation: Fall of Being, Burial of the Real * Tactic II: Contagion (chaotic transmission) * Second Annihilation: Betrayal, Fracture, and the Poetic Edge * Tactic III: Shadow-Becoming (chaotic appearance) * Chaos-Consciousness: Towards Blindness * Tactic IV: The Inhuman (chaotic incantation) * Epilogue: Corollaries of Emergence.

Das Heilige hat Konjunktur: Im Zuge des religious turn der Kulturwissenschaften erscheint es nicht mehr als Gegensatz zu einer säkularisierten Moderne, sondern als eines ihrer konstitutiven Momente. Die Beiträge dieses Bandes untersuchen Denkfiguren des Sakralen im 20. Jahrhundert - von Nietzsches Diagnose des ”Todes Gottes“ über geschichtsphilosophische Aneignungen jüdisch-christlicher Glaubensinhalte bis hin zu sprachphilosophischen Reflexionen über das Heilige. Sie arbeiten heraus, wie sich die ästhetische Moderne in Auseinandersetzung mit dem Traditionsbestand sakraler Erfahrungen bildet.

This volume brings together modernity as a Western project. From the early, via the classic and high to the late modern period, each chapter reveals a marked interdisciplinary approach to the various aspects of this century-old process.

Depuis l'entrée dans l'âge moderne de l'émancipation, c'est-à-dire depuis l'époque des Lumières et de la Révolution française, on admet en général que les juifs ont brisé un carcan qui les confinait dans des communautés fermées pour participer à la modernité européenne sans se renier et tout en restant juifs. Comment ce cheminement a-t-il eu lieu? Qu'a-t-il réellement impliqué, à la fois pour les juifs et pour les sociétés auxquelles ils s'intégraient? Bruno Karsenti reprend le fil de ce récit. Sous l'angle (...) philosophique, il examine les opérations intellectuelles par lesquelles certaines figures d'exception écrivain (Heine), sociologue (Durkheim), historiens (Salvador, Bloch), philosophe (Strauss) et linguiste (Benveniste) sont entrées dans cette modernité, au prix de quelles tensions et de quels efforts : comment ces hommes ont-ils pensé les liens entre judaïsme et modernité, et comment par là ont-ils éclairé les principes des sociétés démocratiques qui sont aujourd'hui les nôtres? À l'heure où les juifs d'Europe sont inquiets de leur avenir jusqu'à être parfois poussés au départ, à l'heure aussi où théologie et politique, loin de régler leurs rapports, se conjuguent en menace pour les démocraties elles-mêmes, ce livre cherche à redonner tout son sens à l'émancipation sociale et politique qui est notre héritage."--Page 4 of cover. (shrink)

Presents an original theoretical system to explain and contrast modernism and postmodernism.

This is an edited collection of original essays that combine philosophy, phenomenology, and literature to reflect on modern ideas about orientation and disorientation, grounds and groundlessness.

It is considerably easier to say that modern philosophy began with Descartes than it is to define the modernity and philosophy to which Descartes gave rise. In _Lines of Thought_, Claudia Brodsky Lacour describes the double origin of modern philosophy in Descartes’s _Discours de la méthode_ and _Géométrie_, works whose interrelation, she argues, reveals the specific nature of the modern in his thought. Her study examines the roles of discourse and writing in Cartesian method and intuition, and (...) the significance of graphic architectonic form in the genealogy of modern philosophy. While Cartesianism has long served as a synonym for rationalism, the contents of Descartes’s method and _cogito_ have remained infamously resistant to rational analysis. Similarly, although modern phenomenological analyses descend from Descartes’s notion of intuition, the “things” Cartesian intuitions represent bear no resemblance to phenomena. By returning to what Descartes calls the construction of his “foundation” in the _Discours_, Brodsky Lacour identifies the conceptual problems at the root of Descartes’s literary and aesthetic theory as well as epistemology. If, for Descartes, linear extension and “I” are the only “things” we can know exist, the Cartesian subject of thought, she shows, derives first from the intersection of discourse and drawing, representation and matter. The crux of that intersection, Brodsky Lacour concludes, is and must be the _cogito_, Descartes’s theoretical extension of thinking into material being. Describable in accordance with the _Géométrie_ as a freely constructed line of thought, the _cogito_, she argues, extends historically to link philosophy with theories of discursive representation and graphic delineation after Descartes. In conclusion, Brodsky Lacour analyzes such a link in the writings of Claude Perrault, the architectural theorist whose reflections on beauty helped shape the seventeenth-century dispute between “the ancients and the moderns.” Part of a growing body of literary and interdisciplinary considerations of philosophical texts, _Lines of Thought_ will appeal to theorists and historians of literature, architecture, art, and philosophy, and those concerned with the origin and identity of the modern. (shrink)

The debate among American evangelicals over scriptural inerrancy has received less attention in recent literature than it did during its height in the 1970s and 1980s. Nonetheless the issue itself remains unresolved; indeed, many consider it beyond hope of resolution. Recent work by certain philosophers, however, suggests that there is a way out-not by resolving the debate but by dissolving it. In particular, a model developed by Nancey Murphy for understanding the history of the split between Protestant liberals and conservatives (...) can be appropriated for understanding the history of the inerrancy debate. Examining the history of this debate through the postmodern lens of Murphy's model reveals that certain shortcomings of modern philosophy fed into the debate, forcing theologians to overstate the significance of certain claims. As the debate progressed, there was a steadily increasing concern that Scripture be considered accurate in all matters, including the precise recording of detailed historical events and matters of science. For some conservatives this eventually became a test of orthodoxy; that theologians such as Martin Luther and John Calvin did not share this view reveals the force of modernity's influence. Looking beyond the current evangelical view of Scripture, a postmodern world provides room for an even stronger commitment to the Bible's authority, though one that does challenge certain evangelical assumptions. (shrink)

The 'death of man', the 'end of history' and even philosophy are strong and troubling currents running through contemporary debates. Yet since Nietzsche's heralding of the 'death of god', philosophy has been unable to explain the question of finitude. Very Little...Almost Nothing goes to the heart of this problem through an exploration of Blanchot's theory of literature, Stanley Cavell's interpretations of romanticism and the importance of death in the work of Samuel Beckett. Simon Critchley links these themes to the philosophy (...) of Emmanuel Levinas to present a powerful new picture of how we must approach the importance of death in philosophy. A compelling reading of the convergence of literature and philosophy, Very Little...Almost Nothing opens up new ways of understanding finitude, modernity and the nature of the imagination. (shrink)

Encounters in the Arts, Literature, and Philosophy focuses on chance and scripted encounters as sites of tensions and alliances where new forms, ideas, meanings, interpretations, and theories can emerge. By moving beyond the realm of traditional hermeneutics, Jérôme Brillaud and Virginie Greene have compiled a volume that vitally illustrates how reading encounters represented in artefacts, texts, and films is a vibrant and dynamic mode of encountering and interpreting. With contributions from esteemed academics such as Christie McDonald, Pierre Saint-Amand, Susan Suleiman, (...) and Jean-Jacques Nattiez, this book is a multidisciplinary collaboration between scholars from a range of disciplines including philosophy, literature, musicology and film studies. It uses examples chiefly from French culture and covers the Early Modern era to the twentieth century while providing a thorough and representative array of theoretical and hermeneutical approaches. (shrink)

The authors investigate the contemporary idea of noosphere (the conceptual and ideological basis for considering the coming ecological crisis). The authors arrive at the conclusion that the concept of human plays the central role in ecology as all the ecological problems rest upon the problem of mankind’s moral imperative. Therefore the authors claim, applying among others Vernadsky’s views, that the idea of human in the field of ecology should be today revised.

What is the moral, spiritual, and educative function of philosophy and literature in modern lives? Such a large question is rarely posed by philosophers or literary theorists these days, but one philosopher who has put it at the top of his agenda is Richard Rorty. His general answer is that both literature and philosophy serve distinct ends: the private end of personal fulfilment through the redescription of experiences and the possibility of self-creation, and the public end of expanded horizons (...) of moral imagination and spheres of solidarity. In what follows I will take a closer look at Rorty’s proposal. I begin by situating it as a contribution to philosophical discussions of the ‘problems of modernity’. Second, I draw attention to an important but sometimes neglected thought that underscores Rorty’s proposal: the alliance of philosophy and literature in making sense of modern lives. With this background in place, in the third section I consider the distinctive version of the private/public split that Rorty invokes, which can be regarded as his version of worldmaking in modernity. I argue that Rorty’s version of the distinction has more going for it than some critics have been prepared to grant, and that it at least provides a basis for further reflection on the important question it helps to answer. (shrink)

Quentin Meillassoux’s speculative materialism rests on the historical claim that European philosophy since Kant is “correlationist” in its denial that thought can know being as it is in itself rather than merely for us. But though the claim is central to Meillassoux, it has not been much explored in the literature on his work. This paper argues that Nietzsche does not fit so easily into Meillassoux’s story. Though there are certain superficially correlationist elements in Nietzsche’s thought, part of his core (...) project is an ethically motivated rejection of the issues with respect to which realism and correlationism are alternatives. Thus, rather than denying that thought can access being in itself, Nietzsche aims to leave behind ways of thinking within which the question of thought’s access or lack of access matters. This means that Meillassoux loses some of the motivation for his positive position. (shrink)

In the twelfth and thirteenth centuries, new ways of storytelling and inventing fictions appeared in the French-speaking areas of Europe. This new art still influences our global culture of fiction. Virginie Greene explores the relationship between fiction and the development of neo-Aristotelian logic during this period through a close examination of seminal literary and philosophical texts by major medieval authors, such as Anselm of Canterbury, Abélard, and Chrétien de Troyes. This study of Old French logical fictions encourages a broader theoretical (...) reflection about fiction as a universal human trait and a defining element of the history of Western philosophy and literature. Additional close readings of classical Greek philosophers Plato and Aristotle, and modern analytic philosophy including the work of Bertrand Russell and Rudolf Carnap, demonstrate peculiar traits of Western rationalism and expose its ambivalent relationship to fiction. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Literature Against Philosophy, Plato to Derrida: A Defense of PoetryPaul M. HedeenLiterature Against Philosophy, Plato to Derrida: A Defense of Poetry, by Mark Edmundson; 239 pp. New York: Cambridge University Press, 1995, $59.95 cloth, $17.95 paper.In this age of suspicion, it is refreshing to meet a believer like Mark Edmundson, someone merging “versions of freedom and fate” (p. 235). To many, such an accommodation is automatically suspect; to (...) many, a voice as sweet and civil as his is enough to make the molars ache. Not that Edmundson always makes believing look easy, but he dances rather gracefully with the “descendental” (p. 236) as he sings a late-millennial tribute to “the poems we love” (p. 237). His analysis of sophisticated doubters is impressive for its respectful tone. Edmundson models how a traditional literary intellectual uses, rather than bests, not only what important philosophers promise, but also what literature delivers.Edmundson’s discussion begins with Plato’s dismissal of literature as “a harmful diversion” (p. 7). This establishes the classical sources of philosophy’s antipathy to literature’s “pleasure and vitality” (p. 237) and sets the tone for an analysis of “descendentalism,” the various modern and postmodern searches for “ultimate truths” in “the bedrock” of experience (p. 22).To Edmundson’s mind, Freud’s general hypothesis that there are analyzable forces in the unconscious legitimizes various contemporary attempts to subordinate literature to philosophy. For example, de Man’s metaphor of blindness and insight follows Freud as “a figure for [the] dramatic irony... that arises when speakers say more than they know, and... where the surplus of meaning is taken in by some third party” (p. 42).Power issues are in the foreground as the critic becomes an analyst/interpreter of meanings that would otherwise be latent or repressed (p. 43). As Edmundson shows, de Man can transform symbol and allegory into instances of repression, tropes “that record... how they will be misunderstood...” (p. 49). Such pre-Derridean insights still allow de Man to offer an approximate defense of highly allegorical texts that “proffer images for their own correct deconstruction” (p. 49). Only these, finally, are “worthy of being called literature” (p. 49).In short, “de Man succeeded in transferring the Freudian model of repression from the sphere of analytic therapy to that of rhetorical analysis” (p. 53) thus initiating “a self-perpetuating order” (p. 55). Does Edmundson decry such orders? Generally, yes, but gently. One of the strengths of this book is Edmundson’s desire not to compete with his subjects; predominantly, he avoids for himself the authoritarian positions he suspects, choosing instead to stir up the “trouble between poets and philosophers... that keeps them in productive dialogue and competition” (p. 63).Derrida’s chief role in this competition, his polemic against presence, and “his proffered alternative” (p. 79), différance, remind Edmundson of de Man’s [End Page 538] analysis of repression. “Derrida seems to think,” Edmundson writes, that “the texts of Western metaphysics surrender their secret holdings when one simply listens...” (p. 80). Like Freud and de Man, then, Derrida is out to unlock what is repressed: “we might think of différance as... a name for those powers that Derrida’s deconstruction strives to release” (p. 81).For Edmundson, however, Derrida’s chief insight—that “philosophy is a tissue of words, manifold [not unified] in their associations”—contradicts philosophy’s self-described superiority to and dominance over literature (p. 84). For if both literature and philosophy are merely made of words, “how,” Edmundson asks, “can philosophy conceivably function as a stable template to discipline and delimit literary range, to disenfranchise poetry” (p. 84)? Walking this tightrope, Derrida dramatizes “the struggle between poetry and philosophy... [on] a level of extraordinary and unprecedented refinement” (p. 84). Edmundson’s purpose—as it was with de Man—is not to debunk Derrida, but to redescribe him: no longer metaphysics’ “fearsome terminator,” he is a philosopher “within” this tradition (p. 96). Because Derrida continues Freud’s idea of authority, his analyses are “disturbingly mistake-proof,” risking little themselves but asking of literature great sacrifices of “vital force” (p. 112).Edmundson then takes on historicism. After a... (shrink)

In this provocative new examination of the philosophical, moral and religious significance of literature, Michael Weston explores the role of literature in both analytic and continental traditions. He initiates a dialogue between them and investigates the growing importance of these issues for major contemporary thinkers. Each chapter explores a philosopher or literary figure who has written on the relation between literature and the good life, such as Derrida, Kierkegaard, Murdoch and Blanchot. Challenging and insightful, Philosophy, Literature and the Human Good (...) is ideal for all students of philosophy and literature. (shrink)

This forward-thinking, non-traditional reference work uniquely maps out how new developments in 21st century philosophy are entering into dialogue with the study of literature. Going beyond the familiar methods of analytic philosophy, and with a breadth greater than traditional literary theory, this collection looks at the profound consequences of the interaction between philosophy and literature for questions of ethics, politics, subjectivity, materiality, reality and the nature of the contemporary itself.

Part of the greatness of great literature consists in the profound, philosophic ideas the works contain. These ideas may not be unknown to philosophy but, when rendered in literary form, they gain an aesthetic force often lacking in the philosophic treatise with its careful train of reasoning.In this insightful study, Burton Porter explores the philosophic content of some outstanding literary works, analyzing and evaluating the ideas that drive the narrative.Porter first examines the concept of free will and determinism in Melville's (...) Moby Dick, placing the quest for the white whale within the context of foreordination, hubris, prophecy, and defiance of divine power. Connections are also drawn to Euripides' Medea and Shakespeare's King Lear as well as the Old Testament.The good and the right are traced in Anouilh's Antigone and Tolstoy's Anna Karenina, showing the philosophic antagonisms in the literature and in the conflicted minds of the authors.Voltaire' Candide and Dostoevsky's The Brothers Karamazov are then explored insofar as they express the problem of evil--the tension between human suffering on earth and belief in a benevolent, wise, almighty God.Finally, the nature of the self is investigated in Rilke's The Notebooks of Malte Laurids Brigge and Kafka's The Metamorphosis, focusing on identity and the mind-body problem.Porter makes philosophy come alive by showing its expression in art and revealing the depth of ideas that make literature compelling.Burton Porter (Springfield, MA) is currently professor of philosophy at Western New England College and a visiting professor of philosophy at Mt. Holyoke College. He is the author or editor of numerous books including Philosophy Through Fiction and Film, The Voice of Reason, and Reasons For Living. (shrink)

Nach Euklid: Raumgeschichten in Philosophie, Wissenschaft und Literatur der Moderne. Dieser Band rekonstruiert Raumentwürfe aus der Philosophie Husserls und Cassirers, der Gestaltpsychologie, der Kunstgeschichte Riegls und Einsteins, schließlich Rilkes und Musils literarische Räume. Um 1900 verliert die Geometrie ihre Anschaulichkeit: Mehrdimensionale und nicht-euklidische Räume lassen sich nicht mehr vor Augen führen. Welchen Effekt hat dieser epistemologische Bruch auf jene Disziplinen, für die bis dahin Euklids Geometrie als Modell eines exakten und zugleich anschaulichen Wissens galt? Wie verändern sich die Raumkonzepte in (...) Philosophie, Wissenschaft und Literatur, wenn sich ihre Weltbilder nicht mehr in einem dreidimensionalen, kartesischen Gehäuse unterbringen lassen? (shrink)

In Literature, Life, and Modernity Richard Eldridge focuses on the question of a reader's or a viewer's response to a literary or dramatic work in a specific historical epoch ("modernity"). That is, in contrast with many other philosophical approaches to literature, he avoids fixing attention on any putative doctrinal (moral or political or diagnostic) claims in a literary work. Thereby, and in many other admirable ways, he avoids the danger of treating literature as philosophy manqué, concedes the distinctness of literary (...) experience, and only then asks about the significance of this experience. (In this way his approach is reminiscent to some extent of Schiller's; not bad company to be keeping.) This all amounts to a philosophy of literature of sorts,[1] but avoids a forced "philosophy in literature" or "literature as philosophy" treatment. There are themes and ideas at stake of course, but for distinct historical reasons, Eldridge also thinks of what he generally calls "modern" literature as characterized precisely by the absence of any thematic resolution, and so by a kind of play of possibilities, unsettledness, even homelessness. But, he argues, this is a play of ambiguity that. (shrink)

In the framework of Japanese studies, the relationship between Buddhism and Japanese poetry has received very little academic consideration. The noticeable founded narrative forms and potent and substantial philosophical influence of classical Chinese writings have resulted in the image of China being recontextualized during the process of fantasy, development, and encounters on the part of Japanese writers or investigators, with the result that many distortions and mischaracterizations have occurred as a result of this process. This work employs a comparative method (...) that incorporates literature and philosophy to examine the poetry of Hagiwara Sakutarô (1886–1942). The comparative analysis is seen from the viewpoint of Naturalism's impact and the use of description in the development of Japanese contemporary poetry. This has led to several inaccurate depictions of the country. The image of China that is presented in Japanese literature is both a perception and an illusion that is produced when cultural knowledge and creative achievements are combined. This combination creates the image of China. In the article, an examination and classification of the depiction of China in Japanese literature is provided. (shrink)

Examining the literature of slavery and race before the Civil War, Maurice Lee demonstrates for the first time exactly how the slavery crisis became a crisis of philosophy that exposed the breakdown of national consensus and the limits of rational authority. Poe, Stowe, Douglass, Melville, and Emerson were among the antebellum authors who tried - and failed - to find rational solutions to the slavery conflict. Unable to mediate the slavery controversy as the nation moved toward war, their writings form (...) an uneasy transition between the confident rationalism of the American Enlightenment and the more skeptical thought of the pragmatists. Lee draws on antebellum moral philosophy, political theory, and metaphysics, bringing a fresh perspective to the literature of slavery - one that synthesizes cultural studies and intellectual history to argue that romantic, sentimental, and black Atlantic writers all struggled with modernity when facing the slavery crisis. (shrink)

Can subjective taste regulate social norms or political practices? This book argues that from the late seventeenth century to the present national cultures have sought to regulate the democratic subject through the academic form of arguments about the proper relations of aesthetics to ethics and politics. In so doing it offers a radical reconsideration of the history of modernity, tracing the emergence of criticism as a socio-cultural practice across all the major European nations, and drawing on an extensive range of (...) European literature and philosophy. (shrink)

Ausgehend von den Grundpositionen der antiken Stoa erschließen die beiden interdisziplinär angelegten Sammelbände erstmals historisch und systematisch die außergewöhnlich breite Wirkungsgeschichte dieser philosophischen Schule. Sie reicht von der Spätantike über Renaissance und Humanismus bis in die Gegenwart. Die stoische Tradition prägte nicht nur Philosophie, Literatur und Politik, sondern wirkte auch auf Theologie, Kunst, Recht, Ökonomie, Psychologie und Medizin. Dabei stand das Programm ethischer Lebensorientierung im Mittelpunkt. Dem einleitenden Gesamtüberblick folgen 42 Abhandlungen, die zentrale Themen des Stoizismus und ihre Transformationen untersuchen: (...) u.a. bei Petrarca, Alberti, Erasmus, Montaigne, Melanchthon, Lipsius, Rubens, Monteverdi; Shakespeare, Opitz, Gryphius, Fleming, Wieland, Goethe, Schiller, Hölderlin, Kleist, Čechov, Pessoa, Grass, Houellebecq; Pascal, Spinoza, Rousseau, Kant, Schopenhauer und Nietzsche. Platz 5 der Sachbuch-Bestenliste des Monats März 2009 der Süddeutschen Zeitung und des NDR. (shrink)

Starting from the position of the ancient Stoa, these two interdisciplinary collections examine the influence of Stoic thinkers from late antiquity to modernity. Following an introductory overview, the 42 essays examine central Stoic themes and consider their cultural significance.

“Any writer worth his salt knows that what cannot be spoken is ultimately the thing worth speaking about; yet most often this humbling awareness is unsaid or covered up. There are some who have made it their business, however, to court failure and acknowledge defeat, to explore the impasse of words before silence. William Franke has created an anthology of such explorations, undertaken in poetry and prose, that stretches from Plato to the present. Whether the subject of discourse is All (...) or Nothing does not matter: the struggle of speech to name the unnameable is the same. This ambitious two-volume undertaking demonstrates a preoccupation as old as Western civilization itself: the limits of language and the virtue of being at a loss for words. How long we have been raiding the Inarticulate!” —Peter S. Hawkins, Boston University “Developments in critical theory during the past two decades have led to renewed interest in negative theology. Books like _Languages of the Unsayable_, _Negation and Theology_, _Derrida and Negative Theology _, and _The Otherness of God _ have signaled the resurgence of this ancient tradition. William Franke’s distinctive contribution is to provide the background and texts from which these recent developments have emerged.” —Mark Taylor, Williams College Apophasis has become a major topic in the humanities, particularly in philosophy, religion, and literature. This monumental two-volume anthology gathers together most of the important historical works on apophaticism and illustrates the diverse trajectories of apophatic discourse in ancient, modern, and postmodern times. William Franke provides a major introductory essay on apophaticism at the beginning of each volume, and shorter introductions to each anthology selection. The second volume, _Modern and Contemporary Transformations_, contains texts by Hölderlin, Schelling, Kierkegaard, Dickinson, Rilke, Kafka, Rosenzweig, Wittgenstein, Heidegger, Weil, Schoenberg, Adorno, Beckett, Celan, Levinas, Derrida, Marion, and more. (shrink)

Frank Palmer, Richard Eldridge, and Martha Nussbaum explore the contributions that imaginative literature can make to ethics. From three different moral philosophical perspectives, they argue that reading literature can help persons to achieve greater moral understanding. This essay examines how each author conceives of moral understanding, particularly in its emotional dimension, and how each thinks that reading literature can promote moral understanding. The essay also considers some implications of this work for religious ethics.

Modern Jewish Philosophy and the Politics of Divine Violence Is commitment to God compatible with modern citizenship? In this book, Daniel H. Weiss provides new readings of four modern Jewish philosophers - Moses Mendelssohn, Hermann Cohen, Franz Rosenzweig, and Walter Benjamin - in light of classical rabbinic accounts of God's sovereignty, divine and human violence, and the embodied human being as the image of God. He demonstrates how classical rabbinic literature is relevant to contemporary political and philosophical (...) debates. Weiss brings to light striking political aspects of the writings of the modern Jewish philosophers, who have often been understood as non-political. In addition, he shows how the four modern thinkers are more radical and more shaped by Jewish tradition than has previously been thought. Taken as a whole, Weiss' book argues for a fundamental rethinking of the relationship between Judaism and politics, the history of Jewish thought, and the ethical and political dynamics of the broader Western philosophical tradition. (shrink)

Modern literature has always been obsessed by music. It cannot seem to think about itself without obsessing about music. And music has returned the favour. The Routledge Companion to Music and Modern Literature addresses this relationship as a significant contribution to the burgeoning field of word and music studies. The 37 chapters within consider the partnership through four lenses-the universal, opera and literature, musical and literary forms, and popular music and literature-and touch upon diverse and pertinent themes for (...) our modern times, ranging from misogyny to queerness, racial inequality to the claimed universality of whiteness. This Companion therefore offers an essential resource for all who try to decode the musico-literary exchange. (shrink)