"Dialogisches Handeln" ist eine Sammlung von philosophischen BeitrAgen zum dialogischen Konstruktivismus im Sinne von Kuno Lorenz, der Philosophie als eine Kommunikation mit Selbstreflexion versteht. Dabei umfaAt der Dialog in diesem Buch verschiedene Disziplinen der Philosophie - von der Anthropologie A1/4ber die Grundlagen von Logik und Sprachphilosophie bis hin zur Wissenschafts- und Erkenntnistheorie. Die Reflexion auf die kommunikativen Grundlagen wissenschaftlichen Austauschs schlieAt dabei Denkperspektiven verschiedener Wissenschaften - von der Psychologie bis zu Physik und Chemie - ebenso ein wie die philosophischen (...) Disziplinen. (shrink)

Hendrik Lorenz presents a comprehensive study of Plato's and Aristotle's conceptions of non-rational desire. They see this as something that humans share with animals, and which aims primarily at the pleasures of food, drink, and sex. Lorenz explores the cognitive resources that both philosophers make available for the explanation of such desires, and what they take rationality to add to the motivational structure of human beings. In doing so, he finds conceptions of the mind that are coherent and (...) deeply integrated with both philosophers' views about such topics as the relation between body and soul, or the nature of the virtues. (shrink)

Ancient philosophical theories of soul are in many respects sensitive to ways of speaking and thinking about the soul psuchê] that are not specifically philosophical or theoretical. We therefore begin with what the word ‘soul’ meant to speakers of Classical Greek, and what it would have been natural to think about and associate with the soul. We then turn to various Presocratic thinkers, and to the philosophical theories that are our primary concern, those of Plato (first in the Phaedo, then (...) in the Republic), Aristotle (in the De Anima or On the Soul ), Epicurus, and the Stoics. These are by far the most carefully worked out theories of soul in ancient philosophy. Later theoretical developments — for instance, in the writings of Plotinus and other Platonists, as well as the Church Fathers — are best studied against the background of the classical theories, from which, in large part, they derive. (shrink)

Mit dem vorliegenden Werk schliesst Lorenz B. Puntel seine Seinstrilogie ab; die beiden vorherigen Bande sind unter dem Titel Struktur und Sein (2006) und Sein und Gott (2010) erschienen. Der neue Band fuhrt das in den anderen Banden nur inchoativ formulierte gesamtsystematische philosophische Programm aus. Lorenz B. Puntel betrachtet das Thema Sein und Nichts als das ursprungliche Thema der Philosophie und stellt daruber eine umfassende Theorie auf. Diese Theorie nennt er Seinstheorie; sie besteht aus den beiden Subtheorien: Ontologie (...) als Theorie (des Seins) der Seienden und Einailogie als Theorie des Seins selbst oder als solchen. Ausgangspunkt ist die von Heidegger eingefuhrte ontologische Differenz, die Unterscheidung von Sein und Seienden. In eingehenden, auf den einschlagigen Originaltexten der wichtigsten Philosophen basierenden Ausfuhrungen wird der Nachweis gefuhrt, dass der in der Philosophiegeschichte feststellbare Grundmangel in der haufigen totalen und in sehr wenigen Fallen partiellen Ignorierung der grossen Seinsfrage besteht; nirgends wird diese in adaquater Weise thematisiert. In Teil II arbeitet der Autor die Grundzuge sowohl der allgemeinen Ontologie als auch der Einailogie heraus. Zwei grundlegende Thesen werden bewiesen: die Moglichkeit des relativen Nichts, d. h. des Verschwindens aller Seienden auf der Basis ihrer Kontingenz, und die Unmoglichkeit des absoluten Nichts, d. h. des Verschwindens des Seins selbst auf der Basis seines notwendigen Status. Gezeigt wird schliesslich, dass dem Sein selbst eine geistige Verfasstheit innewohnt, die aus Intelligenz/Denken, Wille und Freiheit besteht, womit die Moglichkeit eroffnet wird, dass das notwendige geistig verfasste und damit freie Sein sich weiter offenbaren kann. Dem nachzugehen, setzt aber eine grundlegende methodische und thematische Zasur voraus. (shrink)

The aim of this paper is to initiate a systematic exploration of the model theory of epistemic plausibility models (EPMs). There are two subtly different definitions in the literature: one by van Benthem and one by Baltag and Smets. Because van Benthem's notion is the most general, most of the paper is dedicated to this notion. We focus on the notion of bisimulation, and show that the most natural generalization of bisimulation to van Benthem-type EPMs fails. We then introduce parametrized (...) bisimulations, and prove various bisimulationimplies- equivalence theorems, a Hennessy-Milner theorem, and several (un)definability results. We discuss the problems arising from the fact that these bisimulations are syntax-dependent (and thus not fully structural), and we present and compare two different ways of coping with this issue: adding a modality to the language, and putting extra constraints on the models. We argue that the most successful solution involves restricting to uniform and locally connected (van Benthem-type) EPMs: for this subclass the intuitively most natural notion of bisimulation and the technically sound notion coincide. Such EPMs turn out to correspond exactly with Baltag/Smets-type EPMs, which can be interpreted as constituting a methodological argument, favoring Baltag and Smets's definition of EPM over that of van Benthem. (shrink)

Ch. 1: Inadequate approaches to the question of God -- 1.1. Initial clarifications -- 1.2 Wholly unsystematic direct approaches -- 1.3. Semi-systematic indirect approaches -- 1.4. A wholly anti-systematic, anti-theoretical, and direct approach: Ludwig Wittgenstein -- 1.5. A characteristic example of a failed critique: Thomas Nagel's objections to God as "last point" -- Ch. 2. Heidegger's thinking of Being: the flawed development of a significant approach -- 2.1. Heidegger's failed and distorting interpretation and critique of the Christian metaphysics of Being (...) -- 2.2. Heidegger's four approaches to "retrieving" the "question of being" -- 2.3. What is unthought in Heidegger's thinking of Being I: Being-as-Ereignis -- 2.4. What is unthought in Heidegger's "thinking of Being" II: Being and being(s)- Ereignis and Ereignete(s) -- 2.5. The "overcoming [Überwinding] of metaphysics" as "transformational recovering [Verwindung]" of metaphysics and "the end of the history of Being" -- 2.6. The status of Heideggerian thinking I: thinking of Being as thinking within Ereignis, thinking that reaches its destination with Ereignis (Denken, das in das Ereignis einkehrt) -- 2.7. The status of Heideggerian thinking II: absolute claim, provisionality, the poverty of language, the language of thinking, the finitude of thinking -- 2.8. Heidegger's thinking and the topic "God" -- 2.9. Heidegger's "thinking": a fundamentally deficient and confused form of thinking -- Ch. 3:The structural-systematic approach to a theory of Being and God -- 3.1. The systematic context: the theoretical framework of the structural-systematic philosophy -- 3.2. The unrestricted universe of discourse as the universal dimension of primordial Being -- 3.3. Explication of the dimension of Being I: theory of Being as such -- 3.4. Explication of the dimension of Being II: theory of Being as a whole -- 3.5. Explication of the relation between absolutely necessary Being and the contingent dimension of Being as key to a conception of absolutely necessary Being as minded (as personal) -- 3.6. Absolutely necessary minded (personal) Being as creator of the world (as absolute creating) -- 3.7. The clarified relation between Being and God and the task of developing an integral theory about God -- Ch. 4: Critical examination of two counterpositions: Emmanuel Levinas and Jean-Luc Marion -- 4.1. Levinas's misguided conception of transcendence "beyond B/being" -- 4.2. Jean-Luc Marion's failed conception of "radical and non-metaphysical transcendence" and of "God without Being". (shrink)

We prove versions of the Dual Ramsey Theorem and the Dual Ellentuck Theorem for families of partitions which are defined in terms of games.

Law is an ontologically ideal entity. This feature shall be explored in order to explain why law cannot be perceived by the senses, why its contents can remain constant over time, why it can in principle be translated and why it does not have a dual nature. Due to law’s ontologically ideal nature it is independent from time and space, normative in kind and open for rational arguments. Although law can in many regards be abstract, its ontologically ideal nature has (...) to be distinguished from abstractness. (shrink)

This study investigated the effects of the 6 Minutes Journal, a commercial diary combining several positive psychology interventions, including gratitude, goal-setting, and self-affirmation exercises, on several mental health outcome measures. In a randomized controlled trial, university students were randomly assigned to one of two groups: 6MT and a wait list control group. Participants in the intervention group were instructed to follow the instructions of the 6MT for 4 weeks. Participants in both groups completed measures of perceived stress, positive and negative (...) affect, self-efficacy and resilience at baseline, after 2, and 4 weeks. We used path-analyses with autoregressive and cross-lagged effects to test our hypotheses of the effects of the 6MT. Participants in the intervention group reported decreased levels of perceived stress and negative affect, as well as increased levels of resilience and self-efficacy compared to the control group. Positive affect was not statistically significantly influenced. The data showed a statistically significant increased levels of self-efficacy and resilience only after 4 weeks, suggesting that changing these constructs needs more time. The 6-minute diary does not appear to make individuals fundamentally more positive. However, the intervention may have a protective function against negative influences on well-being. (shrink)

Keine ausführliche Beschreibung für "Grundlagen einer Theorie der Wahrheit" verfügbar.

"Presents, and in part develops, a systematic philosophy as the universal science, or the theorization of the unrestricted universe of discourse, explicitly including being as such and as a whole. Argues that complete exploration of the theoretical domain requires such a science"--Provided by publisher.

Im ersten Drittel des 20. Jahrhunderts ubte Henri Bergson insbesondere in Frankreich grossen Einfluss auf Philosophie, Wissenschaft und Literatur aus. Auch Henri Matisse, der den Philosophen zwar nie personlich traf, kannte dessen Gedankengut. Bereits 1908 tauchen in denSchriften Matisse' Formulierungen wie Tiefe des Gedankens, Verdichtung der Empfindungen, wesentlicher Charakter, dauerhaftere Interpretation auf, die allein durch die Philosophie Bergsons umfassend erlautert und begrundet werden konnen.Bei beiden sind Aspekte wie Intuition, Instinkt, Identifikation, Dauer, Entwicklung, Leben, Schopfung zentrale Gesichtspunkte. In der kunstgeschichtlichen Literatur (...) zu Matisse wurde zwar mehrfach auf den Bezug zu Bergson verwiesen, nun liegt jedoch erstmals eine eingehende Untersuchung dieser geistigen Begegnung vor. Der Autor stellt die zentralen Schriften Bergsons in ihren Grundzugen dar und akzentuiert die Gedanken, die mit Texten und Bildern von Matisse korrespondieren. Daneben eroffnet er weit reichende Einblicke in die kunstlerische und malerische Dimension des Werkes von Matisse. (shrink)

"Im Anschluss an Merleau-Ponty lässt sich nach der Möglichkeit einer ›Ontographie‹ fragen, die mit dem Seienden zugleich die ›Art zu sein‹ dieses Seienden verzeichnet. Solche Überlegungen zu einer »écriture de l’être« lassen sich über den Bereich der graphischen oder diagrammatischen Notation hinaustragen. Als ein Dispositiv, das Sein nicht nur aufschreibt, sondern ›aufstellt‹, wird hier exemplarisch das naturkundliche Habitat-Diorama analysiert. Im Zentrum steht die ontographische Operation der ›Versetzung‹, aus der die spezifischen Evidenz- und Unmittelbarkeitseffekte des Dioramas hervorgehen. Following Merleau-Ponty, one may (...) ask about the possibility of an ‘ontography,’ which would register both the existent and its way of ‘being’. Such reflections on an “écriture de l’être” can transgress the field of graphical or diagrammatic notation. As a dispositive that not only registers being but also ‘assembles’ it, this paper analyses the habitat diorama of natural history. The focus is on the ontographic operation of ‘displacement,’ from which specific effects of evidence and immediacy emerge.". (shrink)

The theory of Participatory Discrepancies (or PDs) claims that minute temporal asynchronies (microtiming) in music performance are crucial for prompting bodily entrainment in listeners, which is a fundamental effect of the “groove” experience. Previous research has failed to find evidence to support this theory. The present study tested the influence of varying PD magnitudes on the beat-related body movement behavior of music listeners. 160 participants (79 music experts, 81 non-experts) listened to twelve music clips in either Funk or Swing style. (...) These stimuli were based on two audio recordings (one in each style) of expert drum and bass duo performances. In one series of six clips, the PDs were downscaled from their originally performed magnitude to complete quantization in steps of 20%. In another series of six clips, the PDs were upscaled from their original magnitude to double magnitude in steps of 20%. The intensity of the listeners’ beat-related head movement was measured using video-based motion capture technology and Fourier analysis. A mixed-design four-factor ANOVA showed that the PD manipulations had a significant effect on the expert listeners’ entrainment behavior. The experts moved more when listening to stimuli with PDs that were downscaled by 60% compared to completely quantized stimuli. This finding offers partial support for PD theory: PDs of a certain magnitude do augment entrainment in listeners. But the effect was found to be small to moderately sized, and it affected music expert listeners only. (shrink)

This paper explores the interplay between logic-sensitivity and bitstring semantics in the square of opposition. Bitstring semantics is a combinatorial technique for representing the formulas that appear in a logical diagram, while logic-sensitivity entails that such a diagram may depend, not only on the formulas involved, but also on the logic with respect to which they are interpreted. These two topics have already been studied extensively in logical geometry, and are thus well-understood by themselves. However, the precise details of their (...) interplay turn out to be far more complicated. In particular, the paper describes an elegant and natural interaction between bitstrings and logic-sensitivity, which makes perfect sense when bitstrings are viewed as purely combinatorial entities. However, when we view bitstrings as semantically meaningful entities (which is actually the standard perspective, cf. the term ‘bitstring semantics’!), this interaction does not seem to have a full and equally natural counterpart. The paper describes some attempts to address this situation, but all of them are ultimately found wanting. For now, it thus remains an open problem to capture this interaction between bitstrings and logic-sensitivity from a semantic (rather than merely a combinatorial) perspective. (shrink)

Demarcation of nature from culture is based on the dialogical polarity of first and second person constitutive of human beings. By means of the ancient categories of doing and suffering it is possible to capture conceptually the process of self-education as comprising both individuation and socialization on the level of non-verbal activity as well as on the level of verbal activity . As a consequence, the clash between the two theories of the cultural process that govern our intellectual history – (...) is it a process of progress or one of decline? – which is exhibited as the background feeding especially the present day controversy between communitarianism and liberalism will be resolved. (shrink)

In this paper, we consider certain cardinals in ZF (set theory without AC, the axiom of choice). In ZFC (set theory with AC), given any cardinals C and D, either C ≤ D or D ≤ C. However, in ZF this is no longer so. For a given infinite set A consider $\operatorname{seq}^{1 - 1}(A)$ , the set of all sequences of A without repetition. We compare $|\operatorname{seq}^{1 - 1}(A)|$ , the cardinality of this set, to |P(A)|, the cardinality of (...) the power set of A. What is provable about these two cardinals in ZF? The main result of this paper is that $ZF \vdash \forall A(|\operatorname{seq}^{1 - 1}(A)| \neq|\mathscr{P}(\mathscr{A})|)$ , and we show that this is the best possible result. Furthermore, it is provable in ZF that if B is an infinite set, then $|\operatorname{fin}(B)| <|\mathscr{P}(B)|$ even though the existence for some infinite set B* of a function f from $\operatorname{fin}(B^\ast)$ onto P(B*) is consistent with ZF. (shrink)

Die "Gottesfrage" ist anerkanntermaßen eine äußerst komplexe, vieldeutige und obskure Frage. In ausführlicher Auseinandersetzung mit Heidegger, in dessen Schriften eine sehr einflussreiche einseitige und entstellende Interpretation und Kritik der großen metaphysischen Tradition immer wieder präsentiert wird, zeigt Lorenz B. Puntel, dass die Gottesfrage klar, rational und argumentativ, kurz: mit theoretischer Rigorosität, behandelt werden kann. Dies aber setzt einen umfassenden philosophischen Theorierahmen voraus, der die Entfaltung einer systematischen Konzeption des Seins als solchen und im Ganzen ermöglicht und in nuce enthält. (...) Anschließend wird eine solche Konzeption im Grundriss zur Darstellung gebracht. In einem ausführlichen Kapitel werden die Positionen von É. Lévinas und J.-L. Marion, den zwei wohl radikalsten postmodernen Kritikern und Gegnern jeder Form eines positiven Verhältnisses zwischen dem "Sein" und "Gott", eingehend analysiert und deren radikale Unhaltbarkeit demonstriert. (shrink)

I have frequently mentioned objective problems and topics in the preceding sections. But what exactly is the force of ‘objective’ here? As my remarks should have made clear I have been using ‘objective’ to contrast with ‘purely historical’. A ‘purely historical’ approach never gets beyond reproduction, commentary, and interpretation. I call an approach ‘objective’ when it involves a philosopher who advances his own theses and claims. This minimal understanding of ‘objectivity’ (in the context of my remarks in this paper) by (...) no means implies that there are problems and topics, systems of concepts, methods, and similar factors that are ‘eternal’, completely independent of the contingencies of history (of philosophy, of the sciences), that are not relative to a language, to a logic, to a model, etc. Indeed whether there are problems, etc., in just this absolute, atemporal sense is itself a question for systematic philosophy. It seems clear that the formulation of a problem can only take place against a cognitive background of some sort and within some ‘conceptual scheme’. 34 Such an assumption is made by most if not all analytic philosophers. But the fact that a philosophical tradition recognizes ‘conceptual schemes’ does not make it a ‘purely historical’, non-objective philosophy, in the sense already introduced and described. A philosopher who explicitly accepts a certain ‘conceptual scheme’ proceeds in an entirely objective and systematic (and not purely historical) manner when, within this framework, he formulates his own theses. (shrink)

Vier Leitkonzepte der Film-Philosophie werden vorgestellt: der Affekt, die Agentur, die Aufhebung und das Außen. Entwickelt und erprobt werden diese Konzepte in der Auseinandersetzung mit verschiedenen Filmen, insbesondere mit einer der spektakulärsten Filminstallationen der letzten Jahre, Christian Marclays”The Clock“. Film-Philosophie hat es mit zweierlei Problemstellung zu tun. Zum einen mit Fragen, die den Status des bewegten Bildes als eines eigenwilligen Gegenstands der Wahrnehmung und der Erfahrung betreffen sowie die Natur des kinematographischen Raums und der filmischen Zeit, die Spezifik der filmischen (...) Logik oder der audiovisuellen Argumentation. Zum anderen mit weiter ausgreifenden Fragen, wie derjenigen nach dem Menschen, nach dem Ästhetischen, nach dem Wissen oder der Geschichte, nach der Ordnung der Dinge. Am Kreuzungspunkt dieser beiden Tendenzen sind die hier versammelten Essays und ihre Leitkonzepte situiert. (shrink)