This major work covers almost all that has been learned about the acoustics of stringed instruments from Helmholtz's 19th-century theoretical elaborations to recent electroacoustic and holographic measurements.Many of the results presented here were uncovered by the author himself over a 20-year period of research on the physics of instruments in the violin family. Lothar Cremer is one of the world's most respected authorities on architectural acoustics and, not incidentally, an avid avocational violinist and violist.The book - which was published (...) in German in 1981 - first of all meets the rigorous technical standards of specialists in musical acoustics. But it also serves the needs and interests of two broader groups: makers and players of stringed instruments are expressly addressed, since the implications of the mathematical formulations are fully outlined and explained; and acousticians in general will find that the work represents a textbook illustration of the application of fundamental principles and up-to-date techniques to a specific problem.The first - and longest - of the book's three parts investigates the oscillatory responses of bowed strings. The natural nonlinearities that derive from considerations of string torsion and bending stiffness are deftly handled and concisely modeled.The second part deals with the body of the instrument. Special attention is given to the bridge, which transmits the oscillations of the strings to the wooden body and its air cavity. In this case, linear modeling proves serviceable for the most part - a simplification that would not be possible with lute - like instruments such as the guitar.The radiation of sound from the body into the listener's space, which is treated as an extension of the instrument itself, is the subject of the book's final part.Lothar Cremer is Professor Emeritus at the Technical University of Berlin, where he served as director of the Institute for Acoustical Engineering. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Writing and Authority in Early ChinaLothar von FalkenhausenWriting and Authority in Early China. By Mark Edward Lewis. Albany: State University of New York Press, 1999. Pp. vii + 544. Hardcover $92.50. Paper $31.95.Writing and Authority in Early China is a forceful and sparklingly original work in which Mark Edward Lewis explores the role of writing and texts in the transformation of political authority during the Warring States, Qin, (...) and Western Han periods. Following in the footsteps of the author's well-received first book1 and his magisterial contribution to the Cambridge History of Ancient China,2Writing and Authority establishes Lewis as the premier Western historian of the crucial centuries surrounding the unification of China under a centrally administered empire in 221 B.C. The book's complex, comprehensive, and coherent argument is informed by a variety of Western theoretical approaches, but it principally emanates from a close reading of the full record of transmitted texts and recently excavated manuscripts on [End Page 127] bamboo or wooden slips. The inclusion of the latter class of sources, beset with treacherous problems of decipherment, is still unusual in mainstream sinological scholarship and indicates the author's supreme confidence in his philological skills. With a firm hand, undaunted by the multifarious nature of his materials, Lewis guides the reader to some fundamental themes in recent sinology, opening manifold novel perspectives along the way. Even when dealing with well-known texts, he often proposes striking reinterpretations.In his Introduction, Lewis enumerates six main functions of writing in ancient China: enforcing state authority; creating text-based communities and "public spheres"; transcending the confines of space, time, and human mortality; fashioning figures of authority in the past; standardizing specialized technical terminology; and encrypting secret meanings. In Lewis' own words, "the culminating role of writing in the period, and the key to its importance in imperial China, was the creation of parallel realities within texts that claimed to depict the entire world" (p. 4). This ultimately led to the formation of the Confucian canon as a "textual double of the polity" that could survive cataclysmic changes of regimes.In chapter 1, "Writing the State," Lewis points out that before the Warring States period Chinese writing occurred exclusively in religious contexts. After circa 500 B.C., written documents gradually came to be used in the administration of government and trade. Both in their details of formulation and in the implication that anything committed to writing was thereby supernaturally validated, these new types of documents exhibit pervasive continuity with the earlier kinds of texts used in ritual communication with the ancestral spirits. Such continuity is also reflected in the rise of religious beliefs in a netherworld governed by a bureaucratic hierarchy and administrative processes parallel to those of the world of the living. According to Lewis, "the most important modification in the shift to an administrative polity [in the Warring States] was the extension of writing to new elements of the population. The attributes of the Zhou nobility... were transferred to the common people in the administrative documents of the new state. This widening range of inscription into the state order altered the social meaning of being recorded from a sign of power to one of subjection" (p. 13).Warring States rulers were cast in the role not of the authors of texts but of the authority behind them. Administrative and legal texts were concerned, ultimately, with the proper naming of phenomena, a process that had to adapt itself continually to the changes of the times. The authority of rulers came to encompass both human society and the natural world. "Whereas local and central administration were largely created through reworking and rewriting the ritual bases of the old Zhou order by means of a rationalizing cosmology, the re-invention of rulership drew on the contemporary religious realm and what is sometimes described as shamanism to provide images of cosmic power" (p. 42). Lewis illustrates the mechanics for applying these universal principles of rulership by a comprehensive analysis of the Zhou li (or Zhou guan), emphasizing the cosmological arrangement of the ideal government described therein and the dual administrative and religious dimensions of... (shrink)

The choliambic metre of the prologue poem of Persius’Satiresis key to understanding the poem’s message. On the one hand it creates a link to Hipponax as the canonical exponent of the iambic genre and to the tale of his inspiration transmitted by Giorgios Choiroboskos, and so attests the presence of the iambic poet in the cultured literary circles at Nero’s imperial court. On the other hand the poet alludes to Callimachus, his iambic poetry and his poetology, and so adopts his (...) rejection of a poetry that has sunk to mere literary convention. This casts new light both on Persius’ own claim to be asemipaganusand on his mockery of the profit-orientedcorviandpicae. (shrink)

Modern empiricism is usually thought to have emerged in opposition to the then dominant school of neo-Kantianism. True as this may be, it has blinded us to the fact that Kantian and more surprisingly even neo-Kantian elements of philosophy have also had a positive influence upon the development of the new empiricism. One episode in which this influence proves itself in fact dominant and which I will present in the following concerns the philosophical position which Popper adopted vis-à-vis logical empiricism (...) — as advocated by Wittgenstein and Schlick — in Vienna in the late twenties and early thirties of the last century. (shrink)

Alongside the 'critical theory' of the Frankfurt School, West Germany was also home to another influential Marxist current known as the Marburg School. In this volume, Marburg disciple Lothar Peter traces the school's history and situates it in the political discourse and developments of its time. The renowned political scientist Wolfgang Abendroth plays a large role, but unlike most histories of the Marburg School Peter also takes the sociologists Werner Hofmann and Heinz Maus into account as well as their (...) many students and successors. They were united by the conviction that teaching and scholarship must necessarily be tied to the practical goal of transforming society - an approach that met with considerable opposition in the harshly anti-Communist atmosphere of the period. (shrink)

Rudolf Carnap gilt unbestritten als einer der eminentesten Vertreter des logischen Empirismus. Im Band 2 der Reihe "Texte zur Wissenschaftlichen Weltauffassung" werden alle wesentlichen Aspekte seiner Philosophie zusammenhAngend dargestellt und kritisch analysiert. Lothar Krauth beurteilt dabei Carnaps Bedeutung vor einem breiten, philosophiehistorischen Hintergrund. Nicht nur sein EinfluA und seine Vordenkerrolle im Wiener Kreis werden diskutiert, sondern auch die mehrfache Wandlung in Carnaps Denken. So erklArt sich manche allzu groAe Vereinfachung, mancher Radikalismus als erster Ansatz, der spAter A1/4berarbeitet, zu einem (...) tragfAhigen Bestandteil kommender analytischer Sprachtheorie ausgebaut wurde. (shrink)

Die digitale Transformation erfasst die Medien der Literatur und Literaturkritik in unterschiedlicher Geschwindigkeit. Die Substituierung der gedruckten Zeitung, der Stammheimat der Literaturkritik, durch digitale Formate ist weit vorangeschritten. Auf dem Buchmarkt ist das gedruckte Hardcover nach wie vor ein relativ stabiles Element. Der Beitrag kommentiert diese Differenz in medienhistorischer Perspektive.

Since Aristotle it is recognised that a valid syllogism cannot have two particular premises. However, that is not how a lay person sees it; at least as long as the premises read many, most etc, instead of a plain some. The lay people are right if one considers that these syllogisms do not have strict but approximate (Zadeh) validity. Typically there are only particular premises available in everyday life and one is dependent on such syllogisms. – Some rules on the (...) usage of particular premises are given below. (shrink)

"Die Kritik ist nicht die Wissenschaft." Zu diesem Ergebnis führt eine Besinnung auf den Begriff der Objektivität in der kunstwissenschaftlichen Forschung. Die aktuelle Situation, die durch wissenschaftstheoretische und methodologische Überlegungen bestimmt ist, verlangt neue Zielsetzungen und Aufgaben. Das zentrale Problem - die Begründung der Ästhetik als selbständige, moderne Wissenschaft - steht und fällt mit der Frage, ob die Kunst Gegenstand einer generellen, empirisch prüfbaren Theorie sein kann. Der zeitgenössische Strukturalismus glaubt diese Frage positiv beantworten zu können. Er versucht, die ästhetischen (...) Gebilde nicht nur als registrierbare Einzelfälle zu erklären und zu bewerten, sondern auf allgemeinere Gesetzmäßigkeiten zurückzuführen. (shrink)