L’alpinisme, pour Pierre-Henri Frangne, est d’abord une expérience. Spécialiste de philosophie de l’art, professeur à l’université de Rennes, auteur d’ouvrages sur la photographie et le cinéma, Monteverdi et Mallarmé, il pratique cette activité tous les étés depuis près d’une vingtaine d’années. Ses domaines de recherche l’ont déjà amené à écrire sur la montagne comme objet esthétique et sur la photographie de montagne. Mais ce nouvel ouvrage est cette fois d’abord une interrogation, à la pre...

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.2 (2001) 371-373 [Access article in PDF] Book Review French Fiction in the Mitterrand Years: Memory, Narrative, Desire French Fiction in the Mitterrand Years: Memory, Narrative, Desire, by Colin Davis & Elizabeth Fallaize; 160pp. Oxford: Oxford University Press, 2000, $24.95. Like the Mitterrand era itself, Davis and Fallaize's French Fiction in the Mitterrand Years is somewhat uneven. The election of François Mitterrand in 1981 as the (...) President of the Fifth Republic was a milestone in modern French history. After the conservative politics of the 1960s and 70s, the election of a socialist president and legislature seemed to offer the possibility of a new political and intellectual atmosphere. Indeed, the first two years of Mitterrand's presidency brought sweeping reforms. However, several scandals, continued economic problems and later "cohabitation" with a right-wing legislative majority muted the original verve. Mired in partisan politics, the government often appeared ineffectual.As with the political arena, French fiction of the 1980s was produced under the shadow of another long-standing French institution--the nouveau roman. Again we find a new direction, a turning-away from the past during the 1980s. Yet there was no outright refusal. There were no manifestos or polemical articles written by budding novelists, no claim to Literature. As Annie Ernaux describes her work Une Femme (1987): "Mon projet est de nature littéraire [...]. Mais je souhaite rester, d'une certaine façon, au-dessous de la littérature" (My project is of a literary nature [...]. But I wish to remain, in a certain way, beneath literature (p. 144).This lack of pretension is important, for it helps us better understand the writing of the period. As Davis and Fallaize point out, in the fiction of the Mitterrand years we find a return to history, to the subject, and to storytelling, three areas disdained by the new novelists of the 1950s and 60s (pp. 12-15). But at the same time, there is not an elegiac return to the conventions of the past. There are no didactic tales of Lucien de Rubempré's lost illusions. A good example of this is Patrick Roegiers's Beau Regard (1990), the account of a dinner during which hardly anyone speaks, told by a narrator who knows no one else at the table. Davis and Fallaize note: "In these novels the event is merely an incident, the story no more than an anecdote, and the anecdote merely a fait divers" (p. 147). Although not inconsequential, argue Davis and Fallaize, there is an unquestionable modesty to these texts.In the introduction to their work Davis and Fallaize write: "The aim of the current book is to analyze some of the most important and interesting directions in French fiction through detailed discussions of a selection of texts, all published during François Mitterrand's period as President of the Fifth Republic (1981-95)" (p. 1). This is exactly what they accomplish, selecting six novels--Duras's L'Amant (The Lover, 1984), Pennac's Au bonheur des ogres (The Scapegoat, 1985), Semprun's La Montagne blanche (1986), Echenoz's Lac (Lake, 1989), Guilbert's A l'ami qui ne m'a pas sauvé la vie (To the Friend Who Did Not Save [End Page 371] my Life, 1990), and Ernaux's Passion simple (Simple Passion, 1991)--and spending one chapter on each. They also discuss some of the important features of the era's fiction including memory, especially of World War II, contemporary culture and postmodernism, and autofiction.However, the book's limited goal also leads to some of its problems. As a whole, the work lacks cohesion. Chapters often read like individual essays. Moreover, although some chapters are well-grounded critically and contextually, others are not. Finally, the conclusion is too brief to synthesize aptly the various topics discussed in the previous chapters. The reader does not have a solid grasp of the fictional landscape of the Mitterrand years, but rather, as the introduction indicated, knowledge of "some of the [...] interesting directions in French fiction."One of the most illuminating chapters considers Daniel... (shrink)

The layering of classical and biblical language in the Story of Apollonius has fueled debate about the readership and religious contexts of the late Latin romance. This article analyzes the mixture of pagan and biblical elements in the central murder plot of Tarsia, for which two characters plead their innocence to an unnamed god. A reinterpretation of the intertexts in their parallel prayers reveals how the romance combines the formulae of judicial prayers and the Latin Vulgate to shape reader response (...) to the episode. Apollonius 32 thereby accommodates readers from diverse religious traditions and foreshadows the story's final administration of justice. (shrink)

Résumé Biographies et biographes de Savonarole constituent l’un des indices de la réception de celui-ci dans la France d’Ancien Régime. Ces biographes dominicains appartiennent au mouvement de la réforme toulousaine de l’Ordre au xvii e siècle, mouvement qui s’inspire de la réforme du couvent de Saint-Marc par Savonarole. Aussi le couvent parisien de l’Annonciation devient-il le centre de l’érudition comme de la dévotion vouées à Savonarole, et les apologistes s’attachent-ils à défendre la mémoire de Savonarole contre ceux qui le tiennent (...) pour un dangereux simulateur. (shrink)

O ensino na Idade Média compreendia um conjunto de disciplinas pertencentes ao Trivium e ao Quadrivium, matérias conhecidas como artes. A estes se opunham as artes mechanicae, de cunho prático. Focalizamos, neste artigo, as questões relativas ao ensino da linguagem verbal, centrando nosso interesse na ars gramatica e na ars retórica. Um texto latino exemplificará as atividades de um famoso mestre da Idade Média.

A poesia lírica mediolatina desenvolve-se a partir dos poetas latinos que a antecederam, mas elabora novas formas de expressão que acompanham, pari passu, o desenvolvimento da língua latina, com a perda gradativa o acento musical. Novo ritmo e novas formas de expressão foram introduzidos. A poesia, a princípio vista como forma especial de linguagem, ganha especial tratamento entre os goliardos, que também nos legaram o maior e mais característico acervo da lírica profana mediolatina.

Cipriano, atuante bispo de Cartago em difíceis tempos de grandes perseguições aos cristãos, compõe um texto, um discurso apologético, no qual se dirige ao pagão Dimitriano, defendendo os cristãos de acusações a eles imputadas como responsáveis pelas desgraças e dificuldades por que passava o Império Romano. Aborda a temática do fim do mundo de modo original invertendo as acusações que o poder público atribuía aos cristãos.

Se os romanos começaram a desenvolver tardiamente sua literatura, é porque, desde os primórdios, necessi-taram firmar-se como nação e solidificar princípios e valores que se perpetuariam em sua cultura. De início, cuida-ram da expansão e da organização da urbs e da civitas. Com a anexação de outros povos e novas culturas, tomaram conhecimento de outros valores, os quais foram submetidos ao gênio da assimilação e da universalização, sua marca inconfundível. Foram capazes de desenvolver um sistema de escrita que é seguido (...) até hoje. Sua literatura, mesmo nascendo com o carimbo da literatura grega, infunde as marcas características da cultura latina e se torna modelo pelos séculos vindouros. (shrink)

This chapter contains sections titled: Metaphorical Pharmacology of Cannabis Cannabis Effects and Meanings Applied.

O ato de alimentar-se deixa de ser apenas uma satisfação de necessidades biológicas e torna-se um dos grandes prazeres da vida do homem. Apresentamos aqui as principais refeições e o modo de alimentar-se dos antigos romanos, amantes da boa mesa, e um alguns comentários sobre aquele que é o mais famoso dos seus cozinheiros e nos legou a obra De re coquinaria: Apício.

Dans l’avant-propos de son dernier ouvrage, Anne Herschberg Pierrot définit le style comme « un processus de transformation de l’œuvre, qui peut s’ouvrir à sa genèse et s’accomplit dans ses lectures » (p. 3). C’est là une invitation à considérer le style comme un processus créatif, inscrit dans une temporalité. L’auteure propose ainsi d’adopter une perspective génétique, de s’intéresser à la genèse de la production littéraire, aux brouillons de l’œuvre pour en cerner les particularités stylis...

In this landmark work of economic sociology, Lucien Karpik introduces the theory and practical tools needed to analyze markets for singularities. Singularities are goods and services that cannot be studied by standard methods because they are multidimensional, incommensurable, and of uncertain quality. Examples include movies, novels, music, artwork, fine wine, lawyers, and doctors. Valuing the Unique provides a theoretical framework to explain this important class of products and markets that for so long have eluded neoclassical economics. With this innovative (...) theory--called the economics of singularities--Karpik shows that, because of the uncertainty and the highly subjective valuation of singularities, these markets are necessarily equipped with what he calls "judgment devices"--such as labels, brands, guides, critics, and rankings--which provide consumers with the credible knowledge needed to make reasonable choices. He explains why these markets are characterized by the primacy of competition by qualities over competition by prices, and he identifies the conditions under which singularities are constructed or are in danger of losing their uniqueness. After demonstrating how combinations of the numerous and multiform judgment devices can be used to identify different market models, Karpik applies his analytical tools to the functioning of a large number of actual markets, including fine wines, movies, luxury goods, pop music, and legal services. (shrink)

Recent research on thick terms like “rude” and “friendly” has revealed a polarity effect, according to which the evaluative content of positive thick terms like “friendly” and “courageous” can be more easily canceled than the evaluative content of negative terms like “rude” and “selfish”. In this paper, we study the polarity effect in greater detail. We first demonstrate that the polarity effect is insensitive to manipulations of embeddings (Study 1). Second, we show that the effect occurs not only for thick (...) terms but also for thin terms such as “good” or “bad” (Study 2). We conclude that the polarity effect indicates a pervasive asymmetry between positive and negative evaluative terms. (shrink)

The reasonable person standard is key to both Criminal Law and Torts. What does and does not count as reasonable behavior and decision-making is frequently deter- mined by lay jurors. Hence, laypeople’s understanding of the term must be considered, especially whether they use it predominately in an evaluative fashion. In this corpus study based on supervised machine learning models, we investigate whether laypeople use the expression ‘reasonable’ mainly as a descriptive, an evaluative, or merely a value-associated term. We find that (...) ‘reasonable’ is predicted to be an evaluative term in the majority of cases. This supports prescriptive accounts, and challenges descriptive and hybrid accounts of the term—at least given the way we operationalize the latter. Interestingly, other expressions often used interchangeably in jury instructions (e.g. ‘careful,’ ‘ordinary,’ ‘prudent,’ etc), however, are predicted to be descriptive. This indicates a discrepancy between the intended use of the term ‘reasonable’ and the understanding lay jurors might bring into the court room. (shrink)