Within modern scholarship on Indian philosophy, religious studies, and Indology Purva-Mimamsa unfortunately features as a rather under-represented area. The present edition and translation of the Mimamsanyayasamgraha by James Benson is a most welcome exception in two respects: On the one hand it makes accessible the major premises and topics of Purva-Mimamsa to students and scholars in a rather simple and brief manner. On the other hand it represents the first translation of a work from the late 17th century, i.e. from (...) the "new school" of Purva-Mimamsa. So far no major texts from this period are available and little is known about the school's developments and changes in those times. Thus, besides providing a solid and understandable introduction to the system, this book will also be valuable to advanced students of Purva-Mimamsa interested in its newer branches. It will therefore be of use not only for Indologists, but also to students and scholars dealing with South Asian religions, ritual and intellectual history. (shrink)

The Purpose of the Mīmāṃsānyāyasaṅgraha and Its TranslationSome of the criticism frequently seen in book reviews is due to the reviewer's desire to have read something else. Indeed, I do not wish to judge James Benson's Mīmāṃsānyāyasaṅgraha: A Compendium on the Principles of Mīmāṃsā from the standpoint of what I would have written if I had been in his place. And thus, I will start by outlining his work and the goals he had in mind.The central part of this extensive (...) book consists in a critical edition of a previously unpublished Mīmāṃsā work together with its first English translation. All the other sections, including the introduction, summary of topics, and indexes, must be understood as subsidiary.The... (shrink)

Mahadevan (2018, AAAI Conference. https://people.cs.umass.edu/~mahadeva/papers/aaai2018-imagination.pdf) proposes that we are at the cusp of imagination science, one of whose primary concerns will be the design of imagination machines. Programs have been written that are capable of generating jokes (Kim Binsted’s JAPE), producing line-drawings that have been exhibited at such galleries as the Tate (Harold Cohen’s AARON), composing music in several styles reminiscent of such greats as Vivaldi and Mozart (David Cope’s Emmy), proving geometry theorems (Herb Gelernter’s IBM program), and inducing quantitative (...) laws from empirical data (Pat Langley, Gary Bradshaw, Jan Zytkow, and Herbert Simon’s BACON). In recent years, Dartmouth has been hosting Turing Tests in creativity in three categories: short stories, sonnets, and dance music DJ sets. In this post, I will provide a brief and non-exhaustive survey of some plausible responses to these imagination machines and the related prospects for our understanding of the imagination. (shrink)

To understand the history of Advaita Vedānta and its rise to prominence, we need to devote more attention to what might be termed “Greater Advaita Vedānta,” or Advaita Vedānta as expressed outside the standard canon of Sanskrit philosophical works. Elsewhere I have examined the works of Niścaldās, whose Hindi-language Vicār-sāgar was once referred to by Swami Vivekananda as the most influential book of its day. In this paper, I look back to one of Niścaldās’s major influences: Sundardās, a well-known Hindi (...) poet and a direct disciple of Dādū Dayāl. Sundardās is typically classified as a bhakti poet rather than an Advaita Vedāntin; certainly he is not included in existing surveys or histories of Vedānta. In his youth, however, he studied Sanskrit and Vedānta in Banaras, and his poems present us with a mind that found no contradiction in claiming Dādū as his master and at the same time embracing the teachings of Advaita Vedānta. I argue that not only should Sundardās be included in histories of Advaita Vedānta, he should be credited for his originality: not only did he “Vedānticize” the Dādū Panth, he “Dādūized” Vedānta. I conclude by comparing Sundardās to two Sanskrit intellectuals from roughly the same period: Mahādeva Sarasvatī Vedāntin and Annambhaṭṭa, both of whom, like Sundardās, had commitments to Advaita Vedānta as well as to other intellectual traditions. (shrink)