This paper describes the general concepts of Arnold Berleant's urban metaphors in order to use them as a background for presenting a different perspective on the aesthetics of engagement through the prism of contemporary dance strategies and design practices in architecture and urban planning.

After the death in 1934 of his father-in-law Samuel Fischer, founder of the well-known publishing house S. Fischer in Berlin, Gottfried Bermann Fischer moved to Vienna with the aim of publishing the works of prominent German-speaking Jewish and non-Jewish authors who could no longer publish in National Socialist Germany. After the ‘Anschluss’ to Nazi Germany in March 1938 he fled to Sweden with help from Karl Otto and Tor Bonnier, heads of Albert Bonniers Förlag. Eagerly observed by the Nazi authorities, (...) Gottfried Bermann Fischer published books of well-known German, Austrian, and Swedish writers. What did this German-language publishing work look like in a foreign-language environment? Who were the employees? Where were the sales markets? Why did this cooperation between Bermann Fischer and Bonnier fail in the end? The main focus of this article is on Bermann Fischer’s efforts on behalf of German-speaking authors outside Nazi Germany, and on the resentments against a (foreign) Jewish entrepreneur and Bonniers’ engagement in this last remaining large German publishing house in exile after May 1940, even after Gottfried Bermann Fischer’s expulsion from Sweden. (shrink)

The job of scientists is to try to distinguish what is true from what is false by means of observation and experiment. That job has been made difficult by some philosophers of science who appear to give academic respectability to relativist, and even postmodernist, postures. This chapter suggests that the contributions of philosophers to causal understanding have been unhelpful. It puts the case for randomised studies as the safest guarantee of the reliability of scientific evidence. It uses the case of (...) hormone replacement therapy to illustrate the importance of randomisation, and the case of processed meat and cancer to illustrate the problems that arise in the absence of randomised tests. Finally, it discusses the opposition to randomisation that has come from some philosophers of science. (shrink)

A theoretical analysis of our contemporary society's relationships to the dead, specifically the dead of Native Americans, as affected by the Native American Grave Protection and Repatriation Act of 1990. Until recently, our contemporary culture has often only dealt with the relationships with the dead on a subconscious and superficial level. With the advent of N AGPRA, we must now explicitly address issues regarding obligations and relations to the dead. For the first time, these issues are institutionalized by federal legislation. (...) Although now written into law, the regulations have yet to be tested, and thus upheld, in federal court. In addition, the parameters of NAGPRA are vague. To minimize conflict we must eliminate vagaries. Clear definitions of how, why and under what circumstances we are (at least legally) obligated to the dead and what do our obligations reflect or say about the dominant culture may be thought of as defining our "death consciousness.". (shrink)

In the life sciences, where large data sets are increasingly setting the stage for research, the role of bioinformatics is expanding. This has far-reaching consequences, not only for the way research is done, but also for the way this research affects our understanding of human identity. Using two case studies of practices involving bioinformatics, the software program Structure and the Genome of the Netherlands project, I will argue that bioinformatics and its tools can be understood as ‘infrastructure’ as described by (...) Bowker and Star. A number of value decisions are involved in the development of such tools. However, once the tools are ready for use, these values tend to blend into the background of the research. This may lead to the ‘naturalisation’ and ‘essentialisation’ of value-imbued aspects of population identities such as nationality, ethnicity and race. (shrink)

The aim of this study was to compare medical and social sciences students’ outcomes in terms of self-perceived stress, quality of life, and personality traits. We put particular emphasis on external and internal differences in students of specific fields–medicine, nursing, psychology, and pedagogy. In a survey, 1,783 students from Medical University of Gdańsk and University of Gdańsk participated in our study, of whom 1,223 were included in the final statistical analysis. All of them were evaluated using valid and reliable questionnaires–TIPI-PL, (...) PSS-10, and a one-item scale of quality of life. Stress turned out to have a negative effect on quality of life, regardless of the type of field of study. Moreover, students from different fields varied in terms of personality factors: conscientiousness, agreeableness, openness to experience, and emotional stability. In conclusion, many students regardless of their field suffer from high stress and report low quality of life, which potentially further affects their academic performance and social life. (shrink)

Kennedy School of Government, Harvard University, USA, mathias_risse{at}ksg.harvard.edu ' + u + '@' + d + ' '//--> It is a widespread view that support for Fair Trade is called for, whereas agricultural subsidies are pegged as unjustifiable. Though one supports farmers in developing countries while the other does the same for those in already developed ones, there are, nonetheless, similarities between both scenarios. Both are economically `inefficient', upholding production beyond what the market would sustain. In both cases, supportive arguments (...) can assume two forms. First, such arguments might draw on normative claims made by producers. In the case of agricultural subsidies, farmers in developed countries assert claims against their fellow citizens, who ought to accept redistributive measures to keep them in business. In the case of Fair Trade, the claim can be made by farmers in developing nations against consumers, who ought to pay higher prices to keep them in business (under conditions deemed acceptable). Second, arguments to keep producers in business might be presented as the prerogative of both groups: even if farmers in developed countries did not have a claim to be kept in business, these countries would have the right to take measures to do so because they value their products. In the case of Fair Trade, even if farmers in developing nations had no claim against consumers, it is a consumer prerogative to pay more to keep them in business because they value their product or the process of producing it. There are, of course, differences between these scenarios as well, but in light of these parallels in the moral cases for subsidies and Fair Trade, it will be illuminating to examine the arguments for and against subsidies and Fair Trade together. Key Words: trade • subsidies • fairness • markets • development. (shrink)

Małgorzata Czarnocka tries to clarify the problem of representation, by the reconstruction of its historical roots.

The work begins by asking the questions of how contemporary phenomenology is concerned with music, and how phenomenological descriptions of music and musical experiences are helpful in grasping the concreteness of these experiences. I then proceed with minor findings from phenomenological authorities, who seem to somehow need music to explain their phenomenology. From Maurice Merleau-Ponty to Jean-Luc Nancy and back to Edmund Husserl and Martin Heidegger, there are musical findings to be asserted. I propose to look at phenomenological studies of (...) the musical aspects of existence as they appear in various philosophical works bringing together different accounts of music and aesthetics and pointing towards phenomenological study as a methodology for everyday aesthetics. While there are many different areas of music phenomenology such as studies of sound and listening, studies in perception of musical works, in experience of artistic creation, in singing and playing musical instruments, and phenomenology of transcendent or religious horizons of the experience of music, it is most promising—I suggest—to look at phenomenological studies of music from the perspective of everyday happenings and discoveries of musical aspects of life. Thus, I attempt to display the uses of phenomenology in finding musical aspects of everyday existence as well as in describing and illuminating the art of music. A look at Roman Ingarden’s and Mikel Dufrenne’s most intuitive and promising ideas will be broadened with a perspective from Don Ihde and Arnold Berleant. (shrink)

Author: Bogaczyk Małgorzata Title: THE DIFFERENT ART. ON THE PRIMITIVE ART, NAÏVE ART AND ART BRUT (Sztuka Inna. O sztuce prymitywnej, naiwnej i surowej) Source: Filo-Sofija year: 2006, vol:.6, number: 2006/1, pages: 239-256 Keywords: DIFFERENT ART, PRIMITIVE ART, ART BRUT, NAÏVE ART Discipline: PHILOSOPHY Language: POLISH Document type: ARTICLE Publication order reference (Primary author’s office address): E-mail:In the sketch I show some similarities in the artist’s way of perceiving the work of art, the process of artistic creativity, and the fate (...) of work in the inner reality, to quote Proust. The fact that all art is met with wider or narrower reception is the background for my analysis of the general phenomenon of the popularity of art fascinating or being rejected because of its variety. (shrink)

Drawing from an ethics of care, relational approaches to autonomy have recently emerged in bioethics. Unlike individual autonomy with its emphasis on patients’ rights, choice, and self-determination which has been the hallmark of bioethics consistent with the ideology of individualism in neoliberal democracies in Western countries, relational autonomy highlights the relatedness, interdependency, and social embeddedness of patients. By examining the mediating role that male Hospital Liaison Committee members in Germany play in facilitating care that supports Jehovah's Witnesses’ refusal of blood (...) transfusions, this article moves beyond ‘dyadic relations’ and contexts of caregiving. It also contributes to a deeper understanding of care and relational conceptualizations of Witness patients’ autonomy globally. (shrink)

ABSTRACTThe present study was designed to address the hypothesis that differences and similarities in patterns of attentional processing in recently proposed types of anxiety and depression are connected with the dominant function they play in stimulation processing and their structural components. Participants filled out the Anxiety and Depression Questionnaire, which assesses types of anxiety and depression, and completed the Emotional Faces Attentional Test one week later. The obtained results confirmed our prediction and suggested that the proposed typology of anxiety and (...) depression is valid in the adaptive meanings of both phenomena. (shrink)

Metaphor in Experience of Musical Work. Account of Roger Scruton's Theory Author analyses Roger Scruton's theory of metaphorical transfer outlined in his The Aesthetics of Music. Tone and a special kind of listening constitute the main elements of music in Scruton's music aesthetics. It is through the listening experience, one in which physical sound changes into musical tone, that music comes into being. The change - Scruton argues - takes place when spatial and time metaphors are employed to describe and (...) name what we listen to. Author further examines Scruton's theory, his concept of metaphor and metaphorical transfer and also his account of experience of music understood as an experience of double intentionality. In conclusions, author argues that Scruton's account of music is inspirational and phenomenologically true even if -author feels - it fails to explain what is really unique in the listening experiences of music. (shrink)

a translation of A. Schoot "Kivy and Langer on Expressivity in Music".

W artykule analizuję znaczenia, jakie można przypisać pojęciu i doświadczeniu obcości.Najpierw przypominam dwa opisy fenomenologiczne tego doświadczenia, z których wynika, iż już na tym abstrakcyjnym poziomiedoświadczenie obcości ma sens ambiwalentny: obcy może być doświadczany jako zagrożeniedla mojej podmiotowości, ale również jako wezwanie do jej pogłębienia. Następnie przyglądamsię bardziej empirycznym sposobom doświadczania obcości w świecie społeczno-politycznym,stawiając tezę, iż kryje się za nimi polityczna konstrukcjaobcości. Wreszcie pytam o moralny sens doświadczenia obcości, konkludując, że również natym poziomie jest to sens ambiwalentny: chociaż słuchanie (...) obcego można uznać za obowiązekmoralny, to moralnie dopuszczalne, a czasem konieczne jest również traktowanie go jakowroga w imię uniwersalnych wartości. (shrink)

A Few Notes on Aspect Seein g in Contemporar y Aesthetics In this paper author examines the problem of aspect seeing in reference to works of Ludwig Wittgenstein and Virgil C. Aldrich posing the question of whether they are applicable to experience of musical works. Drawing on examples from Wittgenstein’s Philosophical Investigations, author maintains that hearing a melody as solemn, sad, et cetera is neither universal nor unequivocal. Musical work, author suggests, does not present itself spontaneously to the listener. Conversely (...) it must be sought and found. To speak of aspect hearing or hearing as (as aesthetic hearing) in reference to music, one must seek out those qualities of musical work that are perceptual but also individually grasped in contrast to what is given in experience through acculturation and training. (shrink)

Music, as sung and listened to, has been described in many a tale as powerful and transformative. Yet, the important question is not so much if that claim is true or whether it may be verified, but what kind of power and transformation are alluded to in those mythical and literary sources? Taking these symbolic claims and elaborating on their possible meaning, alongside thinkers such as Carolyne Abbate or Roland Barthes, proceeds to find ways in which these claims may suggest (...) different roles that music and singing play in human lives. As much as current musicological and anthropological academic narratives point to the power and its negotiation in society, there is more to singing voices’ charms than this. The author points to an important transformation that happens when the human existential qualities found in the voice’s imperfections (its materiality) are matched with the music’s aesthetic qualities (its beauty, sublimity, its symmetry, its impression) to transform the listener and make her listen. (shrink)

Niniejszy artykuł traktuje o możliwościach i powinnościach procesu nauczania fonetyki na polskich uczelniach wśród studentów germanistyki. Zważywszy na bardzo dobrą podstawę poprawnej wymowy, jaką jest korzystna baza artykulacyjna Polaków, jak też rónorodność metod, które powinny być stosowane podczas uczenia fonetyki, nie ulega wątpliwości, że studenci są w stanie sprostać bardzo wysokim wymaganiom stawianym przez wykładowców. Zawarta w artykule baza pojęciowa jest jedną z metod, które winno się wykorzystywać, aby osiągnąć rzeczony cel. A zatem obok nader świadomej artykulacji niemieckich głosek na (...) zajęciach fonetyki na kierunku germanistyki jest również miejsce dla dwóch kolejnych zdecydowanie bardziej praktycznych metod. Chodzi tu oczywiście o metodę werbo-tonalną oraz metodę zmierzającą do automatyzacji jedynie okazyjnie poprawnie artykułowanych głosek. (shrink)

Autorka rozważa relacje między wartościami, szczególnie moralnymi, a dziełem muzycznym. Przedstawiając najpierw rozumienie wartości w filozofii Romana Ingardena, a następnie przywołując przykładowe sformułowania moralizmu w odniesieniu do muzyki (autorstwa Rogera Scrutona, Platona i Petera Kivy’ego), autorka pyta, czy możemy uważać dzieło muzyczne za nośnik wartości moralnych. Następnie badając, w jaki inny sposób dzieło muzyczne może być związane z wartościami moralnymi, autorka dochodzi do wniosku, że relacje między wartościami moralnymi a dziełem muzycznym należą do stosunków subtelnych i być może tym, co (...) zawdzięczamy dziełom muzycznym jest umiejętność słuchania. (shrink)

This paper presents gesture as an element of aesthetic experience of musical work. It focuses on specific dialectics of gesture in musical works as that which is visual or highlighted and at the same that which speaks to the listener. The difficulty in describing what constitute musical expressive gesture is there to guide us. The gesture stands in way of recognizing meaning and providing communication but at the same time that, which speaks to the listener is the most secluded, intimate (...) part of musical experience. (shrink)

Is Gilles Deleuze’s concept of virtuality sufficiently close to the concept of virtuality used in informatics and the philosophy of information for computer-created objects and virtual reality to justify the latter’s explanation by means of the former? This question is the main objective of the present paper. We aim to show that, contrary to its most widespread interpretations, the Deleuzian conception of virtuality is epistemological and not ontological, and that this invalidates the belief that Deleuze’s virtuality and that of computer (...) science are sufficiently close to justify the transposition of one to the other. (shrink)

The author points out to the rehabilitation of listening which occurs in Lyotard's philosophy in the field of his aesthetic analysis. The philosophical grasping of time and especially the instant is being explained in Lyotard through the listening mode and in invoking the aural experiences and the experiences of sound. The author suggests that the category of listening is often used in place of the category of aesthetic and as metaphor of the aesthetic perception. In contrast to seeing, listening can (...) be undertaken together with other sensual experiences and thus it allows for a more polyphonic experience. Listening, author maintains, is a very special type of experience, on one hand it is open and welcoming, on the other discrete and prone to solitude, qualitatively changing its course. (shrink)

Author refers to theories of mater and form, trying to find a way to establish the material grounds for musical sound. From Aristotle basic definition of physis author turns to Roger Scruton and his doubts whether what listeners hear as music, tone and even sound may be found among the physical things.

Author begins with setting up a problematics of relations between values and evaluation in art and aesthetics experience. Following Bohdan Dziemidok work on American Axiology and Aesthetics (2014) author offers her remarks on the subject and joins the discussion on values and qualities and the possibility of assessing and evaluating the work of art with or without grounding it in aesthetic experience. Following Ingarden’s aesthetic phenomenology and turning to Władysław Stróżewski, author suggests that the values are a necessary part of (...) any aesthetic theory yet the understanding of the work of art and its proper evaluation should also place the values in the proper if changing cultural and historical context. (shrink)