El presente estudio identifica el lento forjamiento de un procedimiento de subjetivación cristiano que, creado a propósito del uso de las riquezas entre finales del siglo II y mediados del siglo III de nuestra era, empieza a imaginar que la circulación de riquezas entre los hombres y mujeres en la tierra permite atesorar riquezas en el cielo. Se trata de un procedimiento penitencial de transformación de sí que permitirá a los y las cristianas remitir el mal hecho y manifestar su (...) verdad mediante un peculiar uso de las riquezas. El estudio de este procedimiento de subjetivación puede abrir un nuevo capítulo para explorar la formación de un tipo de experiencia con base a “cierto modo de relación de uno consigo mismo y cierta relación entre el mal y la verdad”, que Michel Foucault estudia en _Las confesiones de la carne_. Dicha experiencia no será, sin embargo, una experiencia de la carne. Si seguimos a Clemente de Alejandría, esta experiencia sería la de la constitución de una vida sencilla por quien se dirige a ser espiritualmente pobre, mientras que si escuchamos a Cipriano de Cartago la llamaríamos simplemente la de la constitución de un sujeto misericorde. Al terminar el estudio propondré que esta experiencia de la pobreza espiritual o de la misericordia descansa en una profesión de fe no verbalizada que revela una copertenencia entre el acto de fe y el acto de verdad a partir de la reflexividad del sujeto sobre sí mismo. En otras palabras, sostendré que el uso penitencial de las riquezas, aunque no se verbalizara, se dirigía a realizar un acto reflexivo de verdad. (shrink)

El presente artículo estudia el concepto de biopoder, luego de casi cincuenta años de su acuñación por parte de M. Foucault. No lo hará analizando respecto de qué investigaciones, con qué énfasis, mediante cuáles opciones y omisiones Foucault articuló el concepto, sino en relación con un breve estudio arqueo/genealógico sobre la emergencia del hospicio para pobres establecidos a finales del s. XVIII hispano. Un estudio de este tipo no es sólo consistente con un concepto como el de biopoder fraguado en (...) la cantera de la historia, sino que es probablemente indispensable para trabajar con Foucault y colaborar en el fortalecimiento de la capacidad analítica de sus conceptos. En la primera sección vinculará analíticamente la pobreza con el biopoder. A partir de ello, en el segundo acápite, se comenzará el estudio del hospicio ilustrado hispano presentando la transformación de la caridad católica que lo hace posible. En la tercera sección se analizará el establecimiento del hospicio a partir de su principal innovación- la politización de la necesidad material, y su mayor preocupación- la formación de los necesitados como miembros del Estado. Las conclusiones propondrán que en el hospicio hispano emerge toscamente el biopoder al mismo tiempo que el aparece el pobre ilustrado como un tipo de sujeto. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.4 (2002) 629-633 [Access article in PDF] Phiroze Vasunia. The Gift of the Nile: Hellenizing Egypt from Aeschylus to Alexander. Classics and Contemporary Thought 8. Berkeley and Los Angeles: University of California Press, 2001. xiv + 346 pp. Cloth, $45. Alexandre Tourraix. L'Orient, mirage grec: L'Orient du mythe et de l'épopée. Edited by Evelyne Geny. Paris: Presses Universitaires Franc-Comtoises, 2000. 165 pp. Paper, fi24.39. Professor (...) Tourraix is an optimistic reactionary. He sets out his aim with refreshing clarity. He seeks to challenge "l'orthodoxie provisoirement établie," which denies that the Greeks were "tributaires de la représentation du monde véhiculée par leur langue... indo-européenne." Tourraix accuses the "adepts" of this "orthodoxy" of citing Dumézil when he excluded Greece from the regularity of Indo-European patterns of thought, while they reject his basic trifunctional theory. This, Tourraix insists, is not a "doctrine" or an "ideological credo," but the result of a "rational elaboration" (15-16).Tourraix is not concerned with radical outsiders. He dismisses the whole of Said's Orientalism because of the latter's blunder in referring to the chorus of the Persae as women. He warns that Bernal should not be taken seriously because his works are not founded on a "scientific hypothesis but on ideological presuppositions" (75). Tourraix's opponents are the professional classicists, notably Martin West, Walter Burkert, and Ruth Edwards. These promote the idea of a substantial Southwest Asian influence on Greek civilization but are unconcerned with Egypt. In the terminology of this reviewer, Tourraix's polemic is not against the "Revised Ancient Model" but as a supporter of the "Extreme" version, he opposes the "Broad Aryan Model."Tourraix's two centers of concern are Troy and Thebes. Troy interests him as a marginal entity between Greek and Barbarian. He admits that pottery and Hittite texts indicate that there were Mycenaean influences in the Troad. On the other hand, he rightly points out that Homer Hellenized the Trojans more than evidence from other sources can sustain. It has also been impossible to correlate the Homeric version of the city's fall with the date and scale of the destructions of Troy VI, VIIa, and VIIb. Tourraix therefore follows the hypothesis of Paul Wathelet that the destruction described in the epics was not that of an unimportant settlement on the Dardanelles but was really that of the great Greek city of Thebes, which was undoubtedly destroyed in the thirteenth century B.C.E.This is just one example of Tourraix's general approach, which is not to accept things at face value but to probe more deeply. On the central theme of his [End Page 629] book, he agrees that many Greek myths and legends would suggest "Oriental" connections and origins and that much Greek iconography appears to be "Oriental" or Egyptian (75). But he knows that such symbols were devoid of content (23). Unfortunately for his scientific credentials, however, he frequently has to rely on the words probablement or peut-être to see Indo-European essences behind the Oriental forms (e.g., 22-23).Clearly Tourraix has always been concerned with Indo-European "cultures." He has published extensively on both Greeks and Persians and the relations between them. When looking at Greek culture, he sees three main indicators of "l'héritage indo-européen." The first is language: He takes a Whorfian view of its determining power and is unconcerned that less than 40 percent of the Greek vocabulary has known Indo-European cognates. The second indicator is trifunctionalism: Tourraix sees the Indo-European base whenever he encounters a triple. Three, however, is an attractive number to speakers of many languages. The Christian Trinity appears to have originated among Aramaic speakers, and Mesopotamian and Phoenician cities had the same tripartite division of the male inhabitants into citizen, resident alien, and slave that later occurred in the Greek poleis. Thus, besides its vagueness, trifunctionalism is not an... (shrink)

Although it has acquired an extraordinary social diffusion, entrepreneurial education has a certain lack of definition associated with its conceptualisation and meaning. It seems clear that entrepreneurial education is linked to the economic sphere, but it is not limited to the productive sector. The idea of entrepreneurial education has been progressively enriched, being linked to the development of skills for personal growth and social progress. Further clarification of the meaning and scope of entrepreneurial education is, therefore, needed. Thus, it is (...) relevant to analyse entrepreneurial identity in the context of personal identity via the theoretical–explanatory investigation of a model developed in two phases. A critical analysis leads us to study the different factors that intervene in the configuration of this identity in an attempt to construct a systemic map of entrepreneurial action. Between the private and the public, entrepreneurs seek new ways of facing the challenges of our times, trying to find new ways of regenerating the links between individuals and institutions and with society in general. In this sense, we show how entrepreneurial educational ecosystems acquire relevance insofar as they consider the subject as the principle of action rather than merely the result of various contextual factors. (shrink)

Uno de los componentes más importantes del proceso de enseñanza-aprendizaje de los estudios de Arquitectura Técnica es la realización de un proyecto final que aglutina todos los conocimientos y competencias desarrollados en las diferentes disciplinas que configuran el Plan de Estudios. El objetivo de esta propuesta es visualizar la evolución del proceso de enseñanza y aprendizaje en el Proyecto Fin de Grado en los estudios de Arquitectura Técnica e Ingeniería de Edificación de la Universidad de Burgos, mostrando las diferentes adaptaciones (...) de los contenidos y la tipología elegida para su desarrollo. (shrink)

The reception of Martin Bernal’s Black Athena in 1987 by classicists focused on Bernal’s errors of fact rather than on the content of his message. The thrust of this message was that Classics is a Eurocentric project that systematically excluded the Levantine and Egyptian contribution to European civilization. In 1996, I was hired to develop a Black Athena course to counter the Afrocentric view that black people were systematically excluded from their contribution to the fetishization of “Western Civilization” in (...) Classics, Near Eastern Studies, Art History, and History, among other fields of study. I chose to avoid devaluating Afrocentric views or valorizing traditional views of Greece as the ethnically pure fount of European civilization. Instead, the course structure underscored that a thorough interrogation of the evidence could promote inclusive and multicultural histories by focusing on how civilization began in the east. Fast forward to the present: classicists have embarked on numerous projects to decolonize the fields of ancient studies through outreach, “colorizing” the Classics, and by recruiting people of color to reshape these fields. In considering the ethical issues involved in this project to decolonize Classics and related areas of research, I argue that the institutional positionality of a discipline that inscribes itself as central can never de-colonize itself but should de-center its privileged position in favor of a broader approach including neighboring regions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 63.3 (2002) 483-500 [Access article in PDF] Greek Origins and Organic Metaphors: Ideals of Cultural Autonomy in Neohumanist Germany from Winckelmann to Curtius Brian Vick That the educated classes of late eighteenth- and nineteenth-century Germany were increasingly captivated by images of both nationality and Greek antiquity is a fact long noted and long puzzled over. This seemingly strange confluence of cultural tendencies does, (...) however, help explain why studying the drawn-out debates among German neohumanist scholars on the cultural origins of the Greeks ultimately offers a fresh perspective on certain problems of German national identity—in this case, on the ambivalent relationship to things foreign in that period of German history.Scholarly attention has recently been drawn to this question as part of the conflict over Martin Bernal's Black Athena, the first volume of which argued that nineteenth-century German classicists' denial of an Egyptian contribution to early Greek cultural development revealed their xenophobic tendencies. While Bernal pointed to racism as the prime motive for this repudiation of African and later of Semitic influence on the Greeks, he also invoked several of the other "-isms" that have proven so fruitful yet confusing for efforts to understand the intellectual and cultural climate of late eighteenth and early nineteenth-century Germany: romanticism, historicism, organicism, and of course neohumanism. 1 [End Page 483]The present essay is not intended to be another of the past decade's many responses to Bernal. Attention must be paid to that discussion, but it is important to recognize the extent to which this debate reflects a much broader disagreement about German attitudes in the romantic and nationalist eras. Some scholars portray the more cosmopolitan side of the romantic inheritance and stress its continued fascination with foreign literatures and cultures. Others, however, seem more like Bernal in citing the historicist turn to nature and nationality either to illustrate or to explain an alleged German xenophobia and hypersensitivity to issues of ethnic and cultural purity. 2It is to this wider question of the cultural legacy of German classicism and romanticism, historicism and organicism, that I would like to direct attention in this essay. Rather than invoking these "-isms" in an effort to explain the various positions taken in the debate about Greek origins, I hope to reverse the process and examine the relevant texts in an effort to clarify the broader implications of these issues of cultural purity and cultural borrowing, from the time of Winckelmann's first assertion of Greek originality through the rise of new kinds of nationalism and racism in the Wilhelmine era. 3 I shall show that belief in the importance of Greek civilization's Asian and even Egyptian cultural heritage remained strong for decades, even after Karl Otfried Müller's seemingly definitive rejection of such a connection in the 1820s. Moreover, most of the figures engaged on both sides of the debate made remarkably similar use of historicizing organic metaphors to help reconcile the twin values of national autonomy and cultural transmission, both so central to the self-conception and national identity of the German Bildungsbürgertum in this period. Continuity and connection with the environment, not purity and isolation from it, were the hallmarks of such organicist thinking across a wide spectrum of romantic, neohumanist, and idealist commentators. Only in the second half of the nineteenth century, with the passing of romantic values, the transformation of historicism into historicist positivism, and the development of new meanings attached to images of biology and race, would this situation slowly begin to change. The Greeks, History, and Culture: Foundational Perspectives Many of the considerations central to discussions about the origins of the Greeks and about the role of cultural mixing generally can be seen in the debate's [End Page 484] two most important early statements, the denial of Egyptian influence by Johann Joachim Winckelmann in his History of Ancient Art of 1764 and the successive sharp critiques of this view by an otherwise admiring Johann Gottfried... (shrink)

This article addresses the debate between Afrocentrists like Martin Bernal and classical scholars such as Mary Lefkowitz and Robert Palter concerning the origins of ancient Greek civilization. Focusing on the first half of Herodotus’ Histories, I argue that, although Greek cultural developments can be attributed to the Greeks themselves, Herodotus indicates that the conditions that made these developments possible were due to the prior Greek absorption of important aspects of Egyptian religion. Herodotus shows that the Greeks learned from the (...) Egyptians to individualize their gods and to appreciate the humanity of women. This Egyptian influence, Herodotus suggests, is what allowed the Greeks, in contrast to the Scythians, to become an object to themselves within the context of stable city life. I conclude that this habit of self-reflection is the source of the uniquely Greek contribution to the art, philosophy, science and politics of the West. (shrink)

This paper would like to discuss some aspects of current trends in studies on eighteenth-century Eastern Europe. In the first part it addresses recent approaches devoted to the reconstruction of the conceptualization of Eastern Europe at the time of the Enlightenment, which have often been inspired by the work of Edward Said and Martin Bernal. These include Larry Woolf's Inventing Eastern Europe (1994). Michael Confino has provided a detailed critique of Woolf's approach. It can be argued that Woolf is (...) in fact projecting Cold War divisions back into the eighteenth century. The article argues in favour of a less “Orientalising” approach to the history of Eastern Europe, by proving an alternative overview of the historical dimensions of the eastern (and northern) regions of Europe in the eighteenth century. Eastern Europe was inextricably connected to its western European neighbours. Without Eastern Europe, European history is incomplete and incomprehensible. In the third part the article argues that the interpretative framework of the “first crisis of the Old Regime”, which Franco Venturi outlined in his Settecento riformatore in the 19870s and 1980s represented a subtle rejection of the East/west dichotomy, and in fact foreshadowed the eventual reunification of Europe after the end of the Cold War. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.4 (2002) 645-648 [Access article in PDF] Thomas N. Habinek. The Politics of Latin Literature: Writing, Identity, and Empire in Ancient Rome. Princeton: Princeton University Press, 1998. x + 234 pp. Cloth, $39.50. This is an important book, one that has in its brief life (a paperback edition appeared in 2001) spawned many scholarly debates in both written and spoken form. Many have disagreed—and will (...) disagree—with Habinek's ideas, and I certainly have many questions about his methodology, his use of sources and evidence, and his sometimes conflicting claims. Nonetheless, he takes on one of the most serious issues in Classics: how we read classical texts, what the reader's involvement with the text should be, and what part ideology plays (and did play) in both the formation and the reception of a text.Habinek's task, as he states it, is to study literature as a representation of society and an intervention in it (3). His overall aim is to assess the social function of Latin literature, a literature that was produced within a traditional aristocratic empire "by and for an elite that sought to maintain and expand its dominance over other sectors of the population through reference to an authorizing past" (3). As his title indicates (with "Politics" coming before "Literature"), he sets out to "politicize and historicize the reading of texts of classical Latin literature that are still too frequently regarded in purely formalistic and aesthetic terms" (4-5) by examining, chapter by chapter, a series of test cases or scenarios that embed Roman literature in its social, economic, and cultural context. This book is meant to offer the reader, then, a "historically engaged mode of reading" (5) by looking at intertexts of many sorts.Such an approach to literature belongs to the school of cultural-materialist studies, those critics who read and analyze literature as "ideological discourse and social institution" (5), and it draws from many schools of thought and disciplines, including Marxism, feminist theory, anthropology, political science, deconstruction, literary criticism, New Historicism, and Foucauldian theory. The genesis of Habinek's book was the close philological study of the "meaning and usage of specific Latin words and phrases in specific discursive contexts" (6). Thus he began with a close examination of the political basis of words but then broadened his lens to analyze textual systems and the construction of political identity. Habinek distinguishes himself from the semioticians and the formalists in his focus on the "interestedness" of textual utterances and the historical and political dynamics of the text. The particular kind of interestedness that Habinek zeroes in on is the Roman aristocratic elite and its anxieties about strategies for sustaining a moral and political hegemony.Habinek enters into a fray that has long simmered in the discipline of Classics but that boiled up into a full-scale battle with the publication of Martin Bernal's Black Athena. Habinek contends that Classical scholars' idealizing view of the ancient world (more Greece than Rome) and their isolation of Latin literature from Roman culture has allowed them to ignore "the social implications of their own practice" (10), a comfortable, ahistoricized position that militates [End Page 645] against reading Latin literature in a sociopolitical framework. If, for example, we read Ovid's exile poetry without acknowledging Ovid's contribution to Roman colonialism and his authorly assistance in constructing and disseminating an imperial discourse of domination, we risk imitating some famous scholarly forebears who "avoided the historical reality of Rome in order to actualize their own fantasies of the apolitical innocence of literature and literary studies" (14). Thus, Habinek sympathizes with Bernal's idea that "scholarship... is influenced by the scholar's sociopolitical background" (173, n. 2), and he urges us to follow Giambattista Vico, who privileged Roman literature and culture (over Greek), saw society and culture as something changing not fixed, and regarded language and cultural institutions as social constructs. Habinek contrasts Vico with figures like Basil Lanneau Gildersleeve, who, in the German Romantic tradition, idealized Greece and firmly separated... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Proof and Persuasion in Black Athena:: The Case of K. O. MüllerJosine H. BlokNon tali auxilio.Virgil, Aeneid II, 521When in 1824 the German classical scholar Karl Otfried Müller (1797–1840) set down to write a review of Champollion’s first Letter to M. Dacier (1822), he was profoundly interested. 1 For several years he had been working on Egypt, and as he told his parents in 1820, “I have come to (...) love Egyptian antiquity so much, that, if I were not constricted by the schedule of my classes, I would have set myself to the decipherment of the hieroglyphs, which I would not deem impossible by the clues I have found.” 2 During the same years (1820–25) that he wrote his early books on ancient Greece, he [End Page 705] reviewed sixteen studies on Egypt alone. 3 In his review of the Letter, then, he wanted to draw “the attention of [the] readers to this, certainly not unfounded, discovery,” 4 though he feared the author was inclined to jump to conclusions. But in August 1824 he reviewed Champollion’s more complete publication of his findings of the same year and, recalling his previous anxiety, commented:Now, however, the reading of the present work has totally convinced me, that the usage of hieroglyphs to indicate sounds is as ancient as this writing system itself. [... This discovery should also mean that...] the history of Egyptian religion and state will be reconstructed and expanded. 5From that moment he sided unequivocally with Champollion, politely but clearly reminding German colleagues who still stumbled on with decipherments of their own, that this would not do. 6With these facts in mind, Martin Bernal’s rendering in his Black Athena, volume I, is bound to surprise: “[U]nlike Humboldt, Niebuhr and Bunsen [Müller] disregarded the sensational scholarly developments between 1815 and 1830. There is no indication that he paid any attention to Champollion’s decipherment” (316). The contradiction between Bernal’s statements and the sources on Müller’s life and work turns out not to be an incidental error but part of a larger pattern. To understand this pattern and its objectives, let me first summarize Bernal’s argument and my own.In his challenging book Bernal argues that the ancient Greek world was founded on the colonization of Greece by Phoenicians and Egyptians in the second millennium bc. 7 The material which is to prove his thesis is offered in volume II, though volume I includes a summary. In this first volume Bernal observes that from late antiquity until the eighteenth century, awareness of the Afroasiatic roots of ancient civilization had been retained as the heritage of ancient Greece itself. Hence Bernal labels this perception underlying Western classical scholarship of the early modern period the “Ancient Model.” By or soon after the 1820s, however, it was replaced by the “Aryan Model,” which took Greek civilization to be partly autochthonous and partly [End Page 706] shaped by invasions coming from the North. To reveal that the fall of the Ancient Model was not the result of internal developments in classical scholarship but of externalist influences, notably the belief in progress, the defense of Christianity, Romanticism, and most importantly racism, is the core theme of volume I. Bernal sustains his argument by contending that historical source criticism was not really or entirely an internal development but created to serve the external ends, and by presenting Müller as the embodiment of Romanticist racism, who was responsible for overthrowing the Ancient Model and inaugurating its Aryan successor. Hence, by thus designating Müller as the axis around which the overall turn of classical scholarship revolved, he wants to prove that the fall of the Ancient Model was unjustified in terms of scholarship but only occurred due to dishonorable ideologies.Through a limited number of representative issues I want to argue that Bernal’s rendering of Müller and the context of his work is untenable in the light of the source material and that Bernal’s explanation of the fall of the Ancient Model is untenable as well. My aim is not just to clear Müller’s name... (shrink)

Most historical accounts of "the West" take it for granted that the guiding principles of the Western tradition—reason, progress, and freedom—have been passed down directly from ancient Greece to modern Europe, evolving in isolation from all non-Western cultures. Today, many political analysts and cultural critics maintain that the Western tradition is fast approaching its end, for better or worse, as it becomes more and more integrated with non-Western cultures in an increasingly globalized world. But what if we are witnessing something (...) else entirely—not the "end" of the West but rather another historical mutation of the idea of the West itself? This groundbreaking work shows that whether the West is hailed as the source of all historical progress or scorned as the root of all cultural imperialism, it remains a deeply problematic concept that is intrinsically connected to an ethnocentric view of the world. In a critical reading of the continental philosophers Husserl, Heidegger, Levinas, and Derrida as well as the postcolonial thinkers Said, Mohanty, Bhabha, and Trinh, Sean Meighoo strikes at the intellectual foundations of Western exceptionalism until its ideological supports show through. Deconstructing the concept of the West in his provocative interpretations of Martin Bernal's controversial publication Black Athena and the Beatles' second film Help!, Meighoo poses a formidable question to philosophers, writers, political analysts, and cultural critics alike: Can we mount an effective critique of Western ethnocentrism without reinforcing the very idea of the West? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:African Athena: New Agendas ed. by Daniel Orrells, Gurminder K. Bhambra, Tessa RoynonMary R. LefkowitzDaniel Orrells, Gurminder K. Bhambra, and Tessa Roynon, eds., African Athena: New Agendas. Classical Presences. Oxford: Oxford University Press, 2011. xiv + 469 pp. 6 black-and-white figs. Cloth, $160.The inspiration for this book derives from a 2008 conference at the University of Warwick that was held in recognition of the twentieth anniversary of the (...) publication of the first volume of Black Athena. African Athena is the title Martin Bernal once said that he “should have used” for his multivolume project, but his publisher “insisted on” using Black because it would “sell” (“Black Athena and the APA,” Arethusa 22 [1989]: 31–32). In his autobiographical afterword to this volume, he admits that the title Black Athena “may well have had the effect” of exposing critics of his books to charges of racism, as indeed it did. So the use of the alternate title for the present volume represents a welcome shift in emphasis from issues of race to issues of culture and nationality, and the reception of Greek and Roman ideas by later writers. Some of the essays in the volume are based on papers given at the Warwick conference; other contributors were specially invited. The chapters in the first part of the book are primarily historiographical in nature, while most of the essays in the second part consider the literary and historical productions of particular authors. The editors provide an introductory overview of each contribution, with a helpful survey of some of the other recent work in this emerging field, and offer some brief general remarks. But it is not [End Page 347] clear why certain important topics (e.g., the works of Jean Terrasson or Cheikh Anta Diop) were not treated in more depth. Of course, no collection can have the coherence of a work by an individual author, and the essays in this volume seem largely independent of one another. If there was any discussion among the authors who presented their papers in the conference, or commentary on them by Bernal himself, few traces of such interchange appears in the published book. Readers are left to make such connections as best they can.There are, however, some commonalities among the papers. Most concentrate on reception, and do not consider the historical issues that have made Black Athena the subject of such heated debate. That does not mean that the editors or most of the authors believe that the debate has been in any way resolved; rather, it appears that they have sought to avoid discussion of the historical issues involved in Bernal’s reconstruction of the ancient past, seeking instead to concentrate on the “ongoing relevance of the issues Bernal raises.” Although works by Bernal’s most outspoken critics are mentioned, there is only occasional reference to what they actually said and no specific discussions of the particular reasons why most scholars of the ancient world believe that Bernal has vastly overstated the degree of Egyptian influence on Greece and misinterpreted such evidence as there is, especially in the case of his proposed new etymologies. Some of the contributors seem sincerely puzzled by the relative lack of attention accorded to Black Athena. Volume III: The Linguistic Evidence (New Brunswick, N.J. 2006). For example, Patrice Rankine in his chapter “Black Apollo?” is impressed by the “patience and meticulous attention to sources” displayed in Bernal’s claim (based on the epithet λυκηγενής) “that European scholars dislodged Apollo from his Egyptian connection” to Sun worship. Rankine believes that it is mainly because of “the context of North American intellectual life” that such proposals failed to persuade classicists and Indo-Europeanists. He does not appear to have supposed that there might be other, far more compelling reasons why linguists have thought that Apollo’s origins might more credibly be traced to Lycia or Anatolia.Rankine and other contributors to the volume call attention to the nationalism and other types of Zeitgeist that have caused European scholars to ignore or downplay the contributions of Egypt and other African cultures. Toby Green observes, “In the long run, the most deep-rooted impact of Black... (shrink)

Evidence from functional neuroimaging of the human brain indicates that information about salient properties of an object¿such as what it looks like, how it moves, and how it is used¿is stored in sensory and motor systems active when that information was acquired. As a result, object concepts belonging to different categories like animals and tools are represented in partially distinct, sensory- and motor property-based neural networks. This suggests that object concepts are not explicitly represented, but rather emerge from weighted activity (...) within property-based brain regions. However, some property-based regions seem to show a categorical organization, thus providing evidence consistent with category-based, domain-specific formulations as well.Acronyms and DefinitionsBiological motion: motion of animate agents characterized by highly flexible, fully articulated motion vectors, in contrast to the rigid, unarticulated motion vectors associated with most tools.Category-specific disorder: a relatively greater impairment in retrieving information about members of one superordinate object category (e.g., animals) as compared with other categories following brain injury or diseaseIPS: intraparietal sulcusLO: lateral occipital cortexObject concept: memory representations of a class or category of objects. Necessary for numerous cognitive functions including identifying an object as a member of a specific category and drawing inferences about object propertiespMTG: posterior middle temporal gyruspSTS: posterior superior temporal sulcusRepetition suppression: decreased neural response associated with repeated presentation of an identical, or a semantically/conceptually related, stimulusSD: semantic dementiaSemantic memory: a large division of long-term memory containing knowledge about the world including facts, ideas, beliefs, and conceptsSemantic priming: a short-lasting facilitation in processing a stimulus due to the prior presentation of a semantically related stimulusTMS: transcranial magnetic stimulationVPMC: ventral premotor cortex. (shrink)

Argument and imagination are often interdependent. The Aesthetics of Argument is concerned with how this relationship may bear on argument's concern with truth, not just persuasion, and with the enhancement of understanding such interdependence may bring. The rationality of argument, conceived as the advancement of reasons for or against a claim, is not simply a matter of deductive validity. Whether arguments are relevant, have force, or look foolish cannot always be assessed in these terms. Martin Warner presents a series (...) of case studies which explore how analogy, metaphor, narrative, image, and symbol can be used in different ways to frame one domain in terms of another, and how criteria drawn from the study of imaginative literature may have a bearing on their truth-aptness. (shrink)

In this paper, I shall defend externalism for the contents of perceptual experience. A perceptual experience has representational properties; it presents the world as being a certain way. A visual experience, for example, might present the world to a subject as containing a surface with a certain shape, lying at a certain distance, in a certain direction; perhaps a square with sides about 30 cm, lying about one metre in front of the subject, in a direction about 20 degrees to (...) the left of straight ahead. (shrink)

Questions concerning the proof-theoretic strength of classical versus nonclassical theories of truth have received some attention recently. A particularly convenient case study concerns classical and nonclassical axiomatizations of fixed-point semantics. It is known that nonclassical axiomatizations in four- or three-valued logics are substantially weaker than their classical counterparts. In this paper we consider the addition of a suitable conditional to First-Degree Entailment—a logic recently studied by Hannes Leitgeb under the label HYPE. We show in particular that, by formulating the theory (...) PKF over HYPE, one obtains a theory that is sound with respect to fixed-point models, while being proof-theoretically on a par with its classical counterpart KF. Moreover, we establish that also its schematic extension—in the sense of Feferman—is as strong as the schematic extension of KF, thus matching the strength of predicative analysis. (shrink)