Popper's short essay about the rationality principle has been the target of many criticisms which have raised serious doubts about its consistency. How could the well-known promoter of falsificationism suggest that we not reject a principle that he himself describes as false? Nonetheless, the essay can be read in a way that makes it appear much more consistent. Better sense can be made of Popper's own examples (the flustered driver, the pedestrian, etc.), by taking seriously his view that the rationality (...) principle might be "approximately true" and falsified only in very rare cases, while also giving proper attention to his four rather elliptical arguments. (shrink)

A curious appendage to the Oxford Museum of Natural History has an interesting history. Although, in its original form, its architecture may have suggested a chapel, it was built as a chemical laboratory in the 1850s. Was its Gothic style an idle fancy, or was it intended to contribute to some grand design? The choice of architectural style may suggest a purely aesthetic interpretation. Alternatively the high roof and ventilation of the laboratory points to a purely utilitarian purpose. Yet neither (...) of these views can be accepted as more than a partial explanation. Overriding these is the dominant religious context of a university imbued with the values of the mid‐Victorian Church of England. It would be a mistake to discount the university politics of the time. There is often a strong ideological basis to architecture. Oxford's classical curriculum was challenged by the claims of science and, among the sciences, chemistry suffered from particularly strong prejudices. Indeed its image represented a gross caricature. Yet, if chemistry was to be fully accepted, as an essentially experimental science, its pursuit demanded special facilities. The paper provides a study of the gradual acceptance of an experimental science in one particular social context. (shrink)

This is a basic work for students specializing in philosophy & for any scholar studying the works of Sartre.