This paper challenges the appeal to theory virtues in theory choice as well as the appeal to the intellectual and moral virtues of an agent as determining unique choices between empirically equivalent theories. After arguing that theoretical virtues do not determine the choice of one theory at the expense of another theory, I argue that nor does the appeal to intellectual and moral virtues single out one agent, who defends a particular theory, and exclude another agent defending an alternative theory. (...) I analyse Duhem’s concept of good sense and its recent interpretation in terms of virtue epistemology. I argue that the virtue epistemological interpretation does not show how good sense leads to conclusive choices and scientific progress. (shrink)

This article starts an engagement on the aesthetics of experiments and offers an account for analysing how aesthetics features in the design, evaluation and reception of experiments. I identify two dimensions of aesthetic evaluation of experiments: design and significance. When it comes to design, a number of qualities, such as simplicity, economy and aptness, are analysed and illustrated with the famous Meselson-Stahl experiment. Beautiful experiments are also regarded to make significant discoveries, but I argue against a narrow construal of experimental (...) aims. By drawing on the plurality of goals experimenters have and diversity of aesthetic responses, I argue that experiments are aesthetically appreciated both when they discover and when they produce disruptive results. (shrink)

The holistic thesis developed by Pierre Duhem challenges the idea that our evidence can conclusively falsify a theory. Given that no scientific theory is tested in isolation, a negative experiment can always be attributed to components other than the theory we test – to the auxiliary hypotheses and background assumptions. How do scientists decide whether the experimental result undermines the theory or points at an error in the underlying assumptions? Duhem argues that we cannot offer a rule that directs when (...) the scientist should employ a radical or conservative strategy in light of a negative result, and ultimately they will appeal to their intuition. More recently philosophers have offered a number of strategies of how to locate error and justify the abandonment of a theory or an auxiliary hypothesis. This Element analyses Duhem's response to holism and subsequent accounts of how the problem can be resolved. (shrink)

There has been a significant interest in the recent literature in developing a solution to the problem of theory choice which is both normative and descriptive, but agent-based rather than rule-based, originating from Pierre Duhem’s notion of ‘good sense’. In this paper we present the properties Duhem attributes to good sense in different contexts, before examining its current reconstructions advanced in the literature and their limitations. We propose an alternative account of good sense, seen as promoting social consensus in science, (...) and show that it is superior to its rivals in two respects: it is more faithful to Duhemian good sense, and it cashes out the effect that virtues have on scientific progress. We then defend the social consensus account against objections that highlight the positive role of diversity and division of labour in science. (shrink)

Este trabalho busca pensar se a produção literária, sobretudo as bem próximas dos caracteres autobiográficos, nos permitem dialogar com o conceito de cópia e simulacro, primeiramente apresentado por Platão em A República e depois revisitado por Gilles Deleuze em Platão e o Simulacro. Não por acaso, escritos de Carolina Maria de Jesus presentes na obra Diário de Bitita, assim como o poema-narrativo A Empregada são escolhidos para essa tarefa. O recorte descreve algumas das vivências de Carolina enquanto doméstica, o que (...) oportuniza a discussão sobre autoconhecimento e representação.Palavras-chave: Carolina Maria de Jesus. Autoconhecimento. Representação. (shrink)

The question of the beginning of the world, it’s first rule, genesis and structure followed humanity since the dawn of time, becoming a source for philosophy and science. Search for a rational answer to that question lead, throughout the ages, to a creation of many cosmogonic concepts which referenced various philosophical traditions. While they currently hold only historical value, in many cases they contained ideas, sometimes still very inarticulate, which revolutionized the science in later years. One of such concepts was (...) proposed by Michael Sendivogius, a Renaissance polish alchemist. In his approach, creation of world is dynamic and multiphase. In his vision, the world is something, which is subject to evolution (though he does not use this term), inevitably changes, and thus undergoes a permanent creation. In this creation of the world, as Sendivogius describes it, one can distinguish three fundamental stages, responsible for which are three factors: God, Nature and man. The goal of this article is to present how, according to Sendivogius, the world is created, what tasks in this continuous process are carried out by God, Nature or the man, and in what relations they remain, in regards to themselves and the world they create. (shrink)

(1992). Emigration and return in the zajecar region. World Futures: Vol. 33, Culture and Development: European Experiences and Challenges A Special Research Report of the European Culture Impact Research Consortium (EUROCIRCON), pp. 143-153.

Der folgende Kommentar richtet das Augenmerk auf die Frage, wie weit Kontroversität in politischen Debatten an Schulen reichen sollte. Johannes Drerup schlägt in seiner Studie „Kontroverse Themen im Unterricht“ dazu unter anderem ein politisches Kriterium vor, um die Reichweite von Kontroversität zu bestimmen. Der Orientierungsrahmen dafür besteht nach Drerup aus liberal-demokratischen Grundwerten. Tasten Positionen diese an, sollten diese nicht Teil politischer Kontroversen an Schulen sein. Doch sind solche Werte klar zu bestimmen und eignen sie sich zur didaktischen Konkretion an Schulen? (...) So sinnvoll beispielsweise normative Bezüge zu Menschenrechten sind, so oft werden sie im politischen Alltag in Deutschland und darüber hinaus verletzt – von unterschiedlichen Akteuren. Sollte nicht eine kritische Auseinandersetzung mit der Missachtung von Menschenrechten Gegenstand schulischer Bildungsarbeit sein anstatt damit zusammenhängende Positionen aus der Kontroverse auszuschließen? Besonders problematisch erscheint es, das Extremismuskonzept heranzuziehen, um solche Akteure zu charakterisieren, die liberal-demokratische Werte mutmaßlich verletzen. Schließlich gibt es einerseits auch in der politischen Mitte und staatlichen Apparaten demokratiegefährdende Tendenzen. Andererseits kann das Label „extremistisch“ genutzt werden, um missliebige Positionen im politischen Streit willkürlich zu schwächen. Welche Positionen aus Sicht von Schüler*innen eine Bedrohung für demokratische Gesellschaften darstellen, sollte im Rahmen politischer Bildung abgewogen werden, nicht jedoch a priori feststehen. (shrink)

This article summarizes the history of the Bulgarian Orthodox Church after 1989 in the context of the post-communist situation. It highlights some of the changes that have taken place in the religious consciousness of Bulgarian people. Absurdity is the key concept. A string of absurd events are discussed; they are viewed as representative of the ambiguous mentality characteristic of the transitional period that is under way in the post-communist societies of Eastern Europe.

The psychopathological analysis of hysteria is a victim of narrow conceptualizations. Among these is the inscription of hysteria in the feminine sphere, about body and sexuality, which incentivized conceptual reductionism. Hysteria has been mainly considered a gendered pathology, almost exclusively female, and it has been associated with cultural and/or religious features over time rather than treated as a psychopathological world. Further, hysteria has been dominated by conceptual inaccuracies and indecision, not only in terms of clinical features but also in terms (...) of its definition. For this reason, it seems necessary to “undress” hysteria from this feminization, sexualization, and corporealization with which it has been abundantly clothed over the years. “Undressing” hysteria will make possible a reconfiguring and deconstructing of the explanatory-causal model of Charcot and Freud. However, if we take out this cultural heritage, the stigma accompanying this diagnosis, and the weight of the enormous historical tradition that hysteria carries, the world of hysteria continues to constitute a domain full of complexity and nosographic challenges. Hysteria has been considered a sum of psychological behaviors and states illustrated by drama, mystery, or falsity. The difficulty in understanding the multiple somatic manifestations which characterize this clinical condition created several controversies and much confusion. In the current nosography, the personological component of hysteria has been separated from its symptomatic manifestation, in the Histrionic Personality Disorder and Conversion Disorder categories, respectively. This segmentation by descriptive nosography does contribute to a unitary understanding of the phenomenon and, consequently, of daily clinical practice. Clinical complexity can be grasped and deciphered only if the symptom is inscribed in the patient’s lifeworld and his/her subjective life history. Clinical practice is thus thought of in terms of a structural aggregation of a homogeneous set of phenomena, together constituting a specific way of being in the world. The starting point of this article is the evident modalities characterizing this life-world, taking care not to confuse the point of origin with the point of expression. (shrink)

This article explores the aesthetic dimensions of scientific experimentation, addressing specifically how aesthetic features enter the construction, evaluation and reception of an experiment. I highlight the relationship between experiments and artistic acts in the early years of the Royal Society where experiments do not serve only epistemic aims but also aim to generate feelings of awe and pleasure. I turn to analysing which aspects of experiments are appreciated aesthetically, identifying several contenders, from the ability of an experiment to uncover nature’s (...) beauty, to encapsulating original designs and human creativity. Following this analysis, I focus on the notion of beauty: what makes an experiment beautiful? Several common qualities are explored, from the simplicity and economy of the experiment, to the significance of the experimental results. (shrink)

The purpose of this article is to examine stakeholder identification and prioritization by managers using the power, legitimacy, and urgency framework of Mitchell et al. (Academy of Management Review 22, 853–886; 1997). We use a multi-method, comparative case study of two large-scale sporting event organizing committees, with a particular focus on interviews with managers at three hierarchical levels. We support the positive relationship between number of stakeholder attributes and perceived stakeholder salience. Managers’ hierarchical level and role have direct and moderating (...) effects on stakeholder identification and perceived salience. We also found that most stakeholders were definitive, dominant, or dormant types – the other five types were rare. Power has the most important effect on salience, followed by urgency and legitimacy. Based on our case study, we offer several ways to advance the theory of stakeholder identification and salience. (shrink)

This volume builds on two recent developments in philosophy on the relationship between art and science: the notion of representation and the role of values in theory choice and the development of scientific theories. Its aim is to address questions regarding scientific creativity and imagination, the status of scientific performances--such as thought experiments and visual aids--and the role of aesthetic considerations in the context of discovery and justification of scientific theories. Several contributions focus on the concept of beauty as employed (...) by practising scientists, the aesthetic factors at play in science and their role in decision making. Other essays address the question of scientific creativity and how aesthetic judgment resolves the problem of theory choice by employing aesthetic criteria and incorporating insights from both objectivism and subjectivism. The volume also features original perspectives on the role of the sublime in science and sheds light on the empirical work studying the experience of the sublime in science and its relation to the experience of understanding. The Aesthetics of Science tackles these topics from a variety of novel and thought-provoking angles. It will be of interest to researchers and advanced students in philosophy of science and aesthetics, as well as other subdisciplines such as epistemology and philosophy of mathematics. (shrink)

In this article I discuss a recent argument due to Dan McArthur, who suggests that the charge that Michael Friedman’s relativised a priori leads to irrationality in theory change can be avoided by adopting structural realism. I provide several arguments to show that the conjunction of Friedman’s relativised a priori with structural realism cannot make the former avoid the charge of irrationality. I also explore the extent to which Friedman’s view and structural realism are compatible, a presupposition of McArthur’s argument. (...) This compatibility is usually questioned, due to the Kantian aspect of Friedman’s view, which clashes with the metaphysical premise of scientific realism. I argue that structural realism does not necessarily depend on this premise and as a consequence can be compatible with Friedman’s view, but more importantly I question whether Friedman’s view really implies mind dependence. (shrink)

Scientists often refer to their experiments, theories, images and instruments as beautiful and report that their scientific work is a source of aesthetic experiences. How do such aesthetic values affect scientific activities, and can aesthetic values play a cognitive role in science? In this chapter, I identify the different levels at which aesthetic values shape scientific products and processes, reflect on how philosophers have justified the cognitive role of such aesthetic values, and draw insights from recent discussions on the aesthetics (...) of scientific practice for the values in science debate. (shrink)

The relationship between aesthetics and science has begun to generate substantial interest. However, for the most part, the focus has been on the beauty of theories, and other aspects of scientific practice have been neglected. This book offers a novel perspective on aesthetics in experimentation via ten original essays from an interdisciplinary group comprised of philosophers, historians of science and art, and artists. -/- The collection provides an analysis of the concept of beauty in the evaluation of experiments. What properties (...) do practising experimenters value? How have the aesthetic properties of scientific experiments changed over the years? Secondly, the volume looks at the role that aesthetic factors, including negative values such as ugliness, as well as experiences of the sublime and the profound, play in the construction of an experiment and its reception. Thirdly, the chapters provide in-depth historical case studies from the Royal Society, which also allows for a study of the depiction of scientific experiment in artworks, as well as contemporary examples from the Large Hadron Collider and cases of experiments designed by artificial intelligence. Finally, it offers an exploration of the commonalities between how we learn from experiments on the one hand and the cognitive value of artworks on the other. -/- The Aesthetics of Scientific Experiments will be of interest to researchers and advanced students working in philosophy and history of science, philosophy and history of art, as well as practising scientists and science communicators. (shrink)

Can experiments be appreciated for their aesthetic value and what would this appreciation be focused on? This chapter identifies a number of categories that are the focus on our aesthetic appreciation of experiments and shows how these categories are rather stable across different experimental traditions. It is argued that we can find aesthetic value in the phenomena unveiled in the experimental set up, the instruments and tolls used, the results that are obtained, the process of conceptualisation of the experimental set (...) up, the experimental design and the very performance of the experiment. The chapter draws a distinction between immediately accessible to the senses beauty and intellectual beauty and argues that the ultimate source of aesthetic value is to be found in the relationship between design and significance. (shrink)

This paper examines Duhem’s concept of good sense as an attempt to support a non rule-governed account of rationality in theory choice. Faced with the underdetermination of theory by evidence thesis and the continuity thesis, Duhem tried to account for the ability of scientists to choose theories that continuously grow to a natural classification. I will examine the concept of good sense and the problems that stem from it. I will also present a recent attempt by David Stump to link (...) good sense to virtue epistemology. I will argue that even though this approach can be useful for the better comprehension of the concept of good sense, there are some substantial differences between virtue epistemologists and Duhem. In the light of this reconstruction of good sense, I will propose a possible way to interpret the concept of good sense, which overcomes the noted problems and fits better with Duhem’s views on scientific method and motivation in developing the concept of good sense. (shrink)

In recent years, there has been a huge increase in the number of bots online, varying from Web crawlers for search engines, to chatbots for online customer service, spambots on social media, and content-editing bots in online collaboration communities. The online world has turned into an ecosystem of bots. However, our knowledge of how these automated agents are interacting with each other is rather poor. Bots are predictable automatons that do not have the capacity for emotions, meaning-making, creativity, and sociality (...) and it is hence natural to expect interactions between bots to be relatively predictable and uneventful. In this article, we analyze the interactions between bots that edit articles on Wikipedia. We track the extent to which bots undid each other’s edits over the period 2001–2010, model how pairs of bots interact over time, and identify different types of interaction trajectories. We find that, although Wikipedia bots are intended to support the encyclopedia, they often undo each other’s edits and these sterile “fights” may sometimes continue for years. Unlike humans on Wikipedia, bots’ interactions tend to occur over longer periods of time and to be more reciprocated. Yet, just like humans, bots in different cultural environments may behave differently. Our research suggests that even relatively “dumb” bots may give rise to complex interactions, and this carries important implications for Artificial Intelligence research. Understanding what affects bot-bot interactions is crucial for managing social media well, providing adequate cyber-security, and designing well functioning autonomous vehicles. (shrink)

Scientists often use aesthetic values in the evaluation and choice of theories. Aesthetic values are not only regarded as leading to practically more useful theories but are often taken to stand in a special epistemic relation to the truth of a theory such that the aesthetic merit of a theory is evidence of its truth. This paper explores what aesthetic considerations influence scientists' reasoning, how such aesthetic values relate to the utility of a scientific theory, and how one can justify (...) the epistemic role for such values. The paper examines ways in which the link between beauty and truth can be defended, the challenges facing such accounts, and explores alternative epistemic roles for aesthetic values in scientific practice. (shrink)

This paper examines the role that attention to emotions around climate change can play for third sector climate change engagement initiatives, an area to which the literature on such initiatives has paid little attention. It focuses on Carbon Conversations, a programme that explicitly acknowledges the role of difficult emotions and underlying values in people's engagement with climate change. While there are limitations to this approach, results show that it can help certain audiences engage more deeply with issues around climate change (...) and carbon reduction. Important lessons can be drawn for other initiatives that aim to engage the public on climate change. (shrink)

O presente artigo tem como objetivo evidenciar as contribuições da História Oral como um importante caminho metodológico para os estudos das culturas escolares. Para tanto, o texto inicia discutindo as mudanças ocorridas no campo da História, que deram voz aos sujeitos do cotidiano. Em seguida o conceito de culturas escolares é entrelaçado à História Oral, sendo abordada como uma das possibilidades para recuperar os registros do passado através da subjetividade dos sujeitos de hoje. O artigo é concluído através de uma (...) reflexão sobre as contribuições desta abordagem metodológica para a História da Educação e os estudos das culturas escolares, bem como sinalizando a importância de os agentes da escola perceberem-se como protagonistas da história, questionando certezas, dualidades, a fim de colaborar na compreensão da sua construção sociocultural, bem como dos espaços em que atuam. (shrink)

Book review: Frans de Waal, _Wiek empatii. Jak natura uczy nas życzliwości_, tłum. Ł. Lamża, Copernicus Center Press, Kraków 2019, ss. 380.

Nature was the central idea on which Michael Sendivogius based his alchemico-philosophical system. Therefore, the aim of this article is to show what the Polish alchemist understood as Nature and what was its function in the world according to him. Sendivogius believed that the material world originated from the will of the good God. However, the act of divine creation was reduced to the moment of its coming into being through the creation of the matter and general organization of its (...) universum. Nature, on the other hand, is responsible for the present form of the material world. For Sendivogius, Nature is an element with which the world has been enriched by the will of God, and which is responsible for its permanent creation. According to our alchemist, the world is constantly being created and transformed, and Nature is its creative principle. This article explains how Nature creates this world and particular beings existing in it. Furthermore, it discusses the problem of the nature of Nature itself. Sendivogius considered Nature to be not only a creative principle but also a kind of law determining interactions of beings which ensured their unity and harmony. Nature is not everlasting but created in the same way as the world. Therefore, the article presents also what the Alchemist thought about the Nature’s relation to its Creator, that is to God. (shrink)

ABSTRACT The technological revolution has created enormous opportunities for the provision of affordable, accessible, and flexible mental healthcare. Yet it also creates complexities and ethical challenges. While some of these challenges may be similar to face-to-face care, their nuance in the online milieu is different, as relationships, identities and boundaries in this setting are fluid, and there is an absence of physical presence. In this paper we consider the specific ethical complexities involved in the provision of a social networking intervention (...) for depression and problematic alcohol use involving providers and peers. We present a case in which clinicians encountered a participant who repeatedly expressed suicidal thoughts in this online forum, and reflect on how this situation was managed. In analyzing this case, we use relational ethics—which proposes that interpersonal relationships are the fulcrum for ethical decision-making and action—together with actor-network theory—which highlights the power of technology to transform and mediate social and ethical relationships. Our analysis demonstrates the need to move beyond human-centric approaches, to recognize the role of both human and non-human actors in shaping moral decisions and behavior in the provision of e-mental healthcare. (shrink)

Este artículo es parte de una investigación que surge de un recuerdo de infancia camino a la escuela que, como imagen, abre algunas inquietudes en torno a las ideas de presencia, experiencia, escuela, cotidianidad e historia. Desde aquí surge la premisa sobre otra forma de estar presente frente a la propuesta antropocéntrica. Por ello, este trabajo, es un intento de pensar la presencia como estar y lo cotidiano como posibilidad, a partir de preguntarse: ¿Cómo sería posible pensar una escuela desde (...) el estar? ¿Cómo sería posible construir los espacios escolares como lugares de presencia? (shrink)