Three decades have elapsed since Stanley Cavell, regarding Nietzsche's debt to Emerson, remarked, "no matter how obvious to anyone who cares to verify it, it stays incredible". With this book, Benedetta Zavatta has dispelled completely and forever that aura of the incredible. The book is a great advance on the two previous monographs dedicated to the Emerson–Nietzsche connection...

George J. Stack traces the sources of ideas and theories that have long been considered the exclusive province of Friedrich Nietzsche to the surprisingly radical writings of the American essayist and poet, Ralph Waldo Emerson. Nietzsche and Emerson makes us see Emerson's writings in a new, more intensified light and presents a new perspective on Nietzsche's philosophy. Stack traces how the rich theoretical ideas and literary images of Emerson entered directly into the existential (...) dimension of Nietzsche's thought and hence into the stream of what has been considered a distinctively European intellectual movement. Book jacket. (shrink)

Philosophers have almost always relegated the topic of revision to the sidelines of their discipline, if they have thought about it at all. This book contends that acts of revision are central and indispensable to the project of philosophizing and that philosophy should be construed essentially as a practice of rereading and rewriting. The book focuses chiefly on Heidegger's highly influential interpretation of Nietzsche, conducted in lectures during the 1930s and 1940s and published in 1961. The author closely analyzes (...) the rhetorical means by which Heidegger repositions Nietzsche's thinking within a broad history of metaphysics, even as Heidegger positions his own reinterpretation as that history's more 'proper' reading. In addition to being the first book-length published study of Heidegger's interpretation of Nietzsche, the book also examines the work of Hans-Robert Jauss, Harold Bloom, and other critics of revision. (shrink)

This paper concerns the interpretation of Nietzsche and his readings of R.W. Emerson.

Für Emerson ist die self-reliance die Haupteigenschaft des großen Menschen, sie ist das Ergebnis von Selbsterkenntnis und Selbsbeherrschung. In moralischer Hinicht ist die self-reliance der Ursprung für den Heroismus, auf intellektuellem Gebiet ist sie die Quelle des Genies. Das Thema der self-reliance ist der Hauptgrund für die Atraktivität, die die Werke des Amerikaners auf Nietzsche ausüben. Wie ein roter Faden zieht sich dieses Thema durch den sich über einen Zeitraum von fünfundzwanzig Jahren ersteckenden Dialog mid Emersons Texten. Es (...) stellt in Nietzsches Werk einen Zusammenhang zwischen Schopenhauer als Erzicher und Zarathustra her, die beide Nietzsches Ideal des Ausnahmeindividuums verköpern, das über und gegen seine Zeit lebt.For Emerson self-reliance is the fundamental characteristic of a great man, being the product of self-acquaintance and self-possession. From a moral point of view, self-reliance is the origin of heroism, in the intellectual field it is the source of genius. The theme of self-reliance is the primary reason for the attraction that the American author's works exercised on Nietzsche. Like a fil rouge this theme runs through the virtual dialogue that he held with Emerson's writings over a period of more than twenty-five years. It generates in Nietzsche's work a continuity between Schopenhauer the educator and Zarathustra, who both incarnate the Nietzschean ideal of an exceptional individual who lives above and against his own time. (shrink)

This article reflects on the complex nature of Nietzsche's enduring appreciation of Emerson. Rather than rely on merely coincidental similarities between the two thinkers, the essay discerns a more difficult relationship—that of friendship—which somehow, perhaps through character, unites the two without making them the same.

All students of Nietzsche know of his profound admiration for Emerson’s writing. However, as Stanley Cavell has observed, this knowledge has mostly been repressed or ineffective; which is to say that the extent, depth, and specificity of Emerson’s influence upon Nietzsche has remained largely unacknowledged and unassessed. In the course of the past decade or so, owing in large part to the influence of Cavell’s own work on Emerson (and Nietzsche), this situation has begun (...) to change. Emerson’s work has increasingly been taken up philosophically, and students of both Emerson and of Nietzsche have begun to explore systematically the relations between them. While the present study devotes considerably more attention to Nietzsche than to Emerson, it constitutes a provocative and important contribution to this work and enriches our understanding of each of these thinkers. (shrink)

ABSTRACT Nietzsche was an avid reader of Emerson's essays, and their influence is discernible from his earliest philosophical writings through to his final philosophical works. Nietzsche's copies of Emerson's books are covered with traces of his reading, from underlinings, exclamation marks, question marks, and dog-eared pages to numerous annotations and philosophical comments written in the margins. I use some of these to analyze the influence Emerson exerted on Nietzsche's conception of history and historiography. The (...) two authors can be considered “twin souls” in that they both praised the strengthening effects of past greatness and, at the same time, opposed psychological subjugation or fanaticism. Nevertheless, they were not twin minds: Nietzsche rejected Emerson's metaphysical concept of an Oversoul and turned it into the ideal of a Dionysian soul, which aims at reliving the history of humanity in order to increase its power. (shrink)

Nietzsche as Reader. This collective review summarizes and critically reflects on the results of four recent publications. On the one hand, this involves a typology of the specific mode of reception with which Nietzsche often incorporates seemingly selective readings into his thought and subsequently allows them to become productive in his writings; on the other hand, I am also dealing with the exceptional importance of Italian philology for current research into the influences on Nietzsche. The German-Italian conference (...) volume Corrispondenze estetiche focuses on Heinrich Heine’s influence, but it also discusses in a sophisticated way the tension between the two authors in the context of the history of nineteenth-century aesthetics. Vivetta Vivarelli’s study discusses the motif of eternal recurrence in various references to contemporary poetry, while Benedetta Zavatta presents the ultimate study of Nietzsche’s reading of Ralph Waldo Emerson. (shrink)

This essay provides a close reading of the intriguing aphorism entitled “In the great silence”’ that opens the final part of Nietzsche’s text of 1881, Dawn (Morgenröthe). Highly enigmatic and interpretatively demanding, aphorism 423 of the book is an instance of Nietzsche's unique style of doing philosophy and reveals important facets of his thinking. Our essay in particular attempts to illuminate Nietzsche’s thinking on nature, the sublime, and silence. We bring him into rapport with Emerson in (...) an effort to clarify the aphorism’s teaching on silence and with Santayana to illuminate the nature and character of our sympathy with nature. (shrink)

ABSTRACT I argue that Nietzsche’s Genealogy of Morality can be productively read as perfectionist in Emerson’s sense. After reconstructing the debate on Nietzsche’s perfectionism, I problematize the literature’s almost exclusive focus on Schopenhauer as Educator at the expense of the Genealogy, which has caused scholars to construe Nietzsche’s perfectionism in merely individualistic terms. By contrast, I show that the Genealogy can be interpreted as a perfectionist endeavor, at the heart of which lies the first-person plural: the (...) “we.” I thereby emphasize the relevance of “we-making” for a novel reading of Nietzsche’s perfectionism—what I call his genealogical perfectionism. I conclude that the analysis of the genealogical dimension of Nietzsche’s perfectionism provides us with much-needed resources to construe it in nonindividualistic terms. (shrink)

An incisive exploration of Nietzsche as a bold, visionary poet-philosopher. Today, Nietzsche is justly celebrated for his rich, philosophical naturalism, but Keith Ansell-Pearson warns that we must not overlook the visionary dimension of his thinking and his focus on the need to cultivate a new care of the self and care of life. In Nietzsche's Earthbound Wisdom, Ansell-Pearson recovers Nietzsche's love for a philosophy that guides us through our passions, one that opens us more fully to (...) the possibilities of life and the joy of knowledge. Ansell-Pearson offers close readings of Nietzsche's texts in conversation with philosophical and literary figures including Augustine, Baudelaire, Carlyle, Dostoevsky, Emerson, Flaubert, Stendhal, and more. Throughout, Ansell-Pearson examines Nietzsche's sophisticated critique of literary naturalism and his alternative conception of the poet as a seer who has a deep longing for a new earth. (shrink)

This article focuses on Emerson’s emphasis on the limits of language. This emphasis is important because for Emerson self-expression in language is an essential part of the process of becoming self-reliant. Emerson thus shows us the way in which language often prevents us from becoming self-reliant. Emerson performatively shows the limits of language in an effort to inspire his audience to develop self-reliance in speaking for themselves. The article locates Emerson’s emphasis on the limits of (...) language within the context of nineteenth-century thought. His approach is contrasted with German Idealists such as Fichte and Hegel and Romantic poets such as Wordsworth. Moreover, the article emphasizes similarities between Emerson and Europeans such as Kierkegaard and Nietzsche. (shrink)

ABSTRACT Perfectionist readings of Nietzsche have paid much attention to the positive influence of Emerson. I suggest that exploring Nietzsche's reception of Thomas Carlyle, a leading contemporary and friend of Emerson's, provides us with additional interesting insights into Nietzsche's thought. What is distinctive here is that Nietzsche strongly objects to the ethical picture that Carlyle propounds in the lecture series On Heroes, Hero-Worship and the Heroic in History. By looking at the grounds of this (...) opposition I argue that Nietzsche holds a skeptical, antiromantic perfectionism that is sensitive to the very dangers to which it gives rise. (shrink)

Cheerfulness or serenity is one of the most important themes in Nietzsche’s philosophy. Throughout his writings, from first to last, he can be found wrestling with conceptions of cheerfulness and promoting a cheerful mode of philosophizing. Despite the importance and recurrence of the theme of cheerfulness in Nietzsche’s entire œuvre, there have been relatively few studies specifically devoted to it. An important debate on cheerfulness has recently taken place in the literature on Nietzsche between Robert Pippin and (...) Lanier Anderson and Rachel Cristy. Both sides of the debate have explored Nietzsche’s practice of cheerfulness in direct relation to Montaigne. According to Pippin, Nietzsche never succeeds in writing with the kind of cheerfulness of Montaigne. In contrast, Anderson and Cristy have contended that both Nietzsche and Montaigne conceive of cheerfulness as a complex, non-naïve spiritual state or attitude that is to be cultivated through the practice of philosophy as a way of life. According to Anderson and Cristy, this is a deep form of love of life that both Nietzsche and Montaigne practice and perhaps achieve at least in part by and through writing. In this essay, we aim to contribute to this debate by offering a threefold argument. First, we argue that Nietzsche conceives of cheerfulness not only as a psychological ideal, as a desirable state or attitude of the spirit, but also as an aesthetic ideal, as a desirable quality or style of thinking and writing. Second, we argue that, in addition to Montaigne, Ralph Waldo Emerson is an equally important but neglected influence on Nietzsche’s conception and practice of cheerfulness. Third, by reconstructing Nietzsche’s self-presentation as a cheerful thinker and writer in the 1886 prefaces and in Ecce homo, we conclude that it is possible to argue that starting from his middle writings Nietzsche thinks and writes cheerfully in some of his works, including a number of his most significant texts. (shrink)

Nietzsche wrote in _Ecce Homo_, "That a psychologist without equal speaks from my writings—this is perhaps the first insight gained by a good reader.... Who among the philosophers before me was in any way a psychologist? Before me there simply was no psychology." _Composing the Soul_ is the first study to pay sustained attention to this pronouncement and to examine the contours of Nietzsche's psychology in the context of his life and psychological makeup. Beginning with essays from (...) class='Hi'>Nietzsche's youth, Graham Parkes shows the influence of such figures as Goethe, Byron, and Emerson on Nietzsche's formidable and multiple talents. Parkes goes on to chart the development of Nietzsche's psychological ideas in terms of the imagery, drawn from the dialogues of Plato as well as from Nietzsche's own quasi-mystical experiences of nature, in which he spoke of the soul. Finally, Parkes analyzes Nietzsche's most revolutionary idea—that the soul is composed of multiple "drives," or "persons," within the psyche. The task for Nietzsche's psychology, then, was to identify and order these multiple persons within the individual—to compose the soul. Featuring all new translations of quotations from Nietzsche's writings, _Composing the Soul_ reveals the profundity of Nietzsche's lifelong personal and intellectual struggles to come to grips with the soul. Extremely well-written, this landmark work makes Nietzsche's life and ideas accessible to any reader interested in this much misunderstood thinker. (shrink)

Cheerfulness or serenity (Heiterkeit) is one of the most important themes in Nietzsche’s philosophy. Throughout his writings, from first to last, he can be found wrestling with conceptions of cheerfulness and promoting a cheerful mode of philosophizing. Despite the importance and recurrence of the theme of cheerfulness in Nietzsche’s entire œuvre, there have been relatively few studies specifically devoted to it. An important debate on cheerfulness has recently taken place in the literature on Nietzsche between Robert Pippin (...) and Lanier Anderson and Rachel Cristy. Both sides of the debate have explored Nietzsche’s practice of cheerfulness in direct relation to Montaigne. According to Pippin, Nietzsche never succeeds in writing with the kind of cheerfulness of Montaigne. In contrast, Anderson and Cristy have contended that both Nietzsche and Montaigne conceive of cheerfulness as a complex, non-naïve spiritual state or attitude that is to be cultivated through the practice of philosophy as a way of life. According to Anderson and Cristy, this is a deep form of love of life that both Nietzsche and Montaigne practice and perhaps achieve at least in part by and through writing. In this essay, we aim to contribute to this debate by offering a threefold argument. First, we argue that Nietzsche conceives of cheerfulness not only as a psychological ideal, as a desirable state or attitude of the spirit, but also as an aesthetic ideal, as a desirable quality or style of thinking and writing (sections 1–2). Second, we argue that, in addition to Montaigne, Ralph Waldo Emerson is an equally important but neglected influence on Nietzsche’s conception and practice of cheerfulness (section 2). Third, by reconstructing Nietzsche’s self-presentation as a cheerful thinker and writer in the 1886 prefaces and in Ecce homo (1888), we conclude that it is possible to argue that starting from his middle writings Nietzsche thinks and writes cheerfully in some of his works, including a number of his most significant texts (section 3). (shrink)

Recent conversations with friends and students about Emerson’s essay on friendship lead me to suspect that at least some of you will find Emerson’s views so strange or radical as not to be about friendship at all. Others will be struck by his anticipations of Nietzsche, whose name I introduce here because like Nietzsche, who read him carefully, Emerson is a genealogist and refashioner of morals. When Emerson criticizes our normal friendships by writing that (...) we mostly “descend to meet,” he is recording the possibility, indeed with the word “mostly,” the actuality, of something better than what normally passes for friendship. If Emerson finds our friendships disappointing, that is because he thinks that friendship is a high, demanding virtue. In its best actualizations, it carries “the world for me,” as he puts it, “to new and noble depths, and enlarge[s] the meaning of all my thoughts.” It has the capacity to break down the barriers between people, canceling “the thick walls of individual character, relation, age, sex, circumstance.” Friendship is thus a great unifier, a servant of what Emerson calls the “Over-Soul” or “Unity” (CW 2:115). But, as Emerson says in his essay on “Montaigne: or the Skeptic,” “there are doubts.” These doubts about friendships are my main subject in the following essay. (shrink)

An American essayist, poet, and popular philosopher, Ralph Waldo Emerson (1803–82) began his career as a Unitarian minister in Boston, but achieved worldwide fame as a lecturer and the author of such essays as “Self-Reliance,” “History,” “The Over-Soul,” and “Fate.” Drawing on English and German Romanticism, Neoplatonism, Kantianism, and Hinduism, Emerson developed a metaphysics of process, an epistemology of moods, and an “existentialist” ethics of self-improvement. He influenced generations of Americans, from his friend Henry David Thoreau to John (...) Dewey, and in Europe, Friedrich Nietzsche, who takes up such Emersonian themes as power, fate, the uses of poetry and history, and the critique of Christianity. (shrink)

In his lifetime, Ralph Waldo Emerson became the most widely known man of letters in America, establishing himself as a prolific poet, essayist, popular lecturer, and an advocate of social reforms who was nevertheless suspicious of reform and reformers. Emerson achieved some reputation with his verse, corresponded with many of the leading intellectual and artistic figures of his day, and during an off and on again career as a Unitarian minister, delivered and later published a number of controversial (...) sermons. Emerson’s enduring reputation, however, is as a philosopher, an aphoristic writer (like Friedrich Nietzsche) and a quintessentially American thinker whose championing of the American Transcendental movement and influence on Walt Whitman, Henry David Thoreau, William James, and others would alone secure him a prominent place in American cultural history. (shrink)

Emerson's Representative Men reveals his awareness of the dangers of the tyranny of the majority and his admiration for figures of great genius. These trends of thought, which led Emerson's contemporaries Carlyle and Nietzsche to reject democracy, are combined in Emerson with support for democracy. To understand and justify Emerson's combination of fear of the tyranny of the majority, admiration for genius, and support for democracy, it is helpful to examine his portrait of Socrates in (...) Representative Men. Emerson's Socrates is a figure of genius who, by his ironic profession of ignorance and demonstration of moral truths, is capable of freeing the citizen of a democracy from the tyranny of the majority. (shrink)

Presenting the entire German text of Nietzsche's lectures on rhetoric and language and his notes for them, as well as facing page English translations, this book fills an important gap in the philosopher's corpus. Until now unavailable or existing only in fragmentary form, the lectures represent a major portion of Nietzsche's achievement. Included are an extensive editors' introduction on the background of Nietzsche's understanding of rhetoric, and critical notes identifying his sources and independent contributions.

The Anthology Which First Introduced Nietzsche to the English-speaking World Originally published in 1901, the result of several years of translation work by the very first generation of Nietzscheans in Britain and America, Nietzsche as Critic, Philosopher, Poet and Prophet is a comprehensive selection of Nietzsche's writings, from The Birth of Tragedy through to the final works of 1888. Arranged topically with reference to the original sources, the book still stands as one of the finest anthologies of (...) Nietzsche's writing in English and a worthwhile introduction to his thought on a wide range of subjects. This new edition also includes an appreciation of the editor and translator Thomas Common, whose tireless work promoting and translating Nietzsche over nearly twenty years was instrumental in bringing him to a wider audience. (shrink)

One hundred years after his death, Friedrich Nietzsche remains the most influential philosopher of the modern era. Basic Writings of Nietzsche gathers the complete texts of five of Nietzsche's most important works, from his first book to his last: The Birth of Tragedy; Beyond Good and Evil; On the Genealogy of Morals; The Case of Wagner; and Ecce Homo. Edited and translated by the great Nietzsche scholar Walter Kaufmann, this volume provides a definitive guide to the (...) full range of Nietzsche's thought. Included also are seventy-five aphorisms, selections from Nietzsche's correspondence, and variants from drafts for Ecce Homo. (shrink)

The Nietzsche Reader brings together in one volume substantial selections from the entire body of Nietzsche’s writings, together with illuminating commentary on Nietzsche’s life and importance, and introductions to his major works and philosophical ideas. • Includes selections from all the major texts, including The Birth of Tragedy, The Gay Science, Thus Spoke Zarathustra, Beyond Good and Evil, The Anti-Christ, and Ecce Homo • Offers new translations of key pieces from Nietzsche’s unpublished “Lenzer Heide” notebook • (...) Provides a wealth of pedagogical features, such as editorial sections on Nietzsche’s life and importance, an opening introduction to his philosophical ideas, introductions to each major section, and a comprehensive guide to further reading. (shrink)

Philosophy and Truth offers the first English translation of six unpublished theoretical studies written just after the publication of The Birth of Tragedy and simultaneously with Untimely Meditations. In addition to the texts themselves, which probe epistemological problems on philosophy's relation to art and culture, this book contains a lengthy introduction that provides the biographical and philological information necessary for understanding these often fragmentary texts. The introduction also includes a helpful discussion of Nietzsche's early views concerning culture, knowledge, philosophy, (...) and the Greeks. (shrink)

Nietzsche's importance -- Nietzsche's ideas -- Nietzsche's legacy -- Aphorisms, 1875-1889 -- On truths and lies in an extramoral sense, 1873 -- On the uses and disadvantages of history for life, 1874 -- Human, all too human, 1878 -- The gay science, 1882 -- Thus spoke Zarathustra, 1883-1884 -- Beyond good and evil, 1886 -- On the genealogy of morals, 1887.

"Nietzsche versus Wagner", sometimes translated "Nietzsche against Wagner", is a critical examination of the composer Richard Wagner, whom Nietzsche praised in his early years and later declared his enemy. Nietzsche was close to the entire Wagner family, even Wagner's wives, but later had a falling out and spent a significant amount of energy attacking him. In this work, Nietzsche distances himself from Wagner's music and ideology, criticizing the composer's embrace of German nationalism and his turn (...) to Christianity. Nietzsche contrasts Wagner's decadent, pessimistic art with his own vision of a life-affirming, Dionysian aesthetic. The book reflects Nietzsche's broader concerns about the role of art and culture in society and his ongoing exploration of the tensions between Apollonian and Dionysian forces. Nietzsche also addresses the psychological and philosophical implications of Wagner's music, arguing that it represents a retreat from the complexities of reality into the comforting illusions of myth and religion. He sees Wagner's work as symptomatic of a broader cultural malaise characterized by a loss of vitality and authenticity. Through his critique of Wagner, Nietzsche seeks to reaffirm the values of individualism, creativity, and the joyful affirmation of life that he believes are essential to the rejuvenation of culture and the realization of human potential. This is one of three major works attacking Wager's music and legacy Nietzsche issued. This work was assembled and published at the end of 1888 under the title Nietzsche contra Wagner, shortly before his final mental collapse in January 1889. The text was published in December 1888 by C. G. Naumann in Leipzig. This new 2024 translation of the original 1888 German manuscript includes a new afterword by the translator, a timeline of Nietzsche's life and works, an index with descriptions of his key concepts, and summaries of his complete works. This translation is designed to allow the armchair philosopher to engage deeply with Nietzsche's works without having to be a full-time Academic. The language is modern and clean, with simplified sentence structures and diction to make Nietzsche's complex language and arguments as accessible as possible. This Reader's Edition also contains extra material that amplifies the manuscript with autobiographical, historical and linguistic context. This provides the reader a holistic view of this very enigmatic philosopher as both an introduction and an exploration of Nietzsche's works; from his general understanding of his philosophic project to an exploration of the depths of his metaphysics and unique contributions. This edition contains: • An Afterword by the Translator on the history, impact and intellectual legacy of Nietzsche • Translation notes on the original German, Latin and Greek manuscript • An index of Philosophical concepts used by Nietzsche with a focus on Existentialism and Phenomenology • A chronological list of Nietzsche's entire body of works • A detailed timeline of Nietzsche's life and works. (shrink)

This volume includes the commentaries on two works from the third volume of the Critical Studies Edition of Nietzsche s Works Morgenrothe (The Dawn), and Idyllen aus Messina (Idylls from Messina). Volume 3.2 will be devoted to commentary on The Gay Science. This volume includes the manuscript facsimiles of the Idyllen aus Messina.".

This volume is a popular presentation of Nietzsche's thought. Hoover's analysis comes from the viewpoint of a Christian operating within a Thomist framework. An early chapter focuses on Nietzsche's life; the following chapters weave autobiographical materials into the treatment of his philosophical system, showing the close relationship between his life and thought. Hoover's study includes an analysis of Nietzsche's perspectivism, his contribution to propaganda theory, the demonstration of a deep and fundamental contradiction in his epistemology, and an (...) analysis of his critique of anti-body idealism. (shrink)

This book first published in the year 2021 June. Paperback: 240 pages Publisher: Kuhn von Verden Verlag. Includes bibliographical references. 1). Philosophy. 2). Metaphysics. 3). Philosophy, German. 4). Philosophy, German -- 19th century. 5). Philosophy, German and Greek Influences Metaphysics. 6). Nihilism (Philosophy). 7). Eternal return. I. Nietzsche, Friedrich Wilhelm, 1844-1900. II. Ferrer, Daniel Fidel, 1952-.[Translation from German into English of Friedrich Nietzsche’s notes of 1881]. New Translation and Notes by Daniel Fidel Ferrer. Many of the notes have (...) never been translated into English before. Go inside the workshop of a great philosopher's mind and read these notes. Table of Contents Introduction and Preface (Pages: 1-11 ) Notebook: 11 = M III 1. Spring - Autumn 1881 11 [1 to 348] (Pages: 12-167 ) Nietzsche’s Notebooks in English: a Translator’s Introduction and Afterward (Pages: 168-183 ) The thought of the eternal return of the same (Pages: 184-197 ) Later Recapitulation note of 1888 14 [188] (Pages: 198-204 ) Rejection of the idea of eternal (Pages: 205 ) Translation of 4 notes by Nietzsche on Perspectivism (Pages: 206-210 ) Nietzsche gets some final few words (Pages: 211-216 ) Bibliographies (Pages: 217-236 ) Project started in summer of 2012. No one else has read this book for errors. As always, any errors, mistakes or oversights etc. are mine alone. Given a couple more years, I could improve this book. This is a philosophical translation and not a philological translation. If you want to get in to more philological details you must learn German (see Nietzschechannel plus many published books on the topics). Translation notes. I have not tried to fix, polish-up, or clarify Nietzsche’s unpublished writings. Some of the translator have really refined Nietzsche’s ideas and positions. I have not “fixed” Nietzsche. I have not dropped or added words or changed the wording to make Nietzsche’s position clearer or stronger (others have done enough damage). Learn German and read the texts in German – my best recommendation and advice to you the reader. There are groups on the internet that work on all the details of translating Nietzsche’s remarks. There are many nuances and shades of the meaning in attempting to translate anyone’s language. Some words I could not translate from German and French; and I left those few words in German, but more words in French. I think most of the French texts are quotes that Nietzsche wrote down from French authors that he was reading at the time he wrote these notes. Reader beware. There are many historical and philosophical allusions as in all of Nietzsche’s philosophical writings and these notebooks are similar. Remember these are “notebooks” and include lots of notes or jottings -- and these are neither fragments nor polished drafts for publication. Nietzsche may have written these notebooks from back to front and re-used various notebooks at a later time. In the German text there are missing punctuations marks, missing quotation marks, missing words, abbreviation of words, miss numbered section, working table of contents for project books he wanted to publish, projects outlined, quotes without quote marks. Enjoy reading and thinking with Nietzsche in his unpublished notes. (shrink)

The works of Friedrich Nietzsche have fascinated readers around the world ever since the publication of his first book more than a hundred years ago. As Walter Kaufmann, one of the world's leading authorities on Nietzsche, notes in his introduction, "Few writers in any age were so full of ideas," and few writers have been so consistently misinterpreted. The Portable Nietzsche includes Kaufmann's definitive translations of the complete and unabridged texts of Nietzsche's four major works: Twilight (...) of the Idols, The Antichrist, Nietzsche Contra Wagner and Thus Spoke Zarathustra. In addition, Kaufmann brings together selections from his other books, notes, and letters, to give a full picture of Nietzsche's development, versatility, and inexhaustibility. "In this volume, one may very conveniently have a rich review of one of the most sensitive, passionate, and misunderstood writers in Western, or any, literature."-Newsweek. (shrink)

A prominent intellectual of the Weimar era, Heinrich Mann was a leading authority on Nietzsche. This volume consists of Mann's selections of highlights from the philosopher's works — The Birth of Tragedy, Thus Spake Zarathustra, Beyond Good and Evil, and others — along with an introduction that explains their significance to modern readers.

This chapter contains section titled: “The Genealogy of Morals”.

Nietzsche’s Ecce homo, Notebooks and Letters: 1888-1889 / Translation by Daniel Fidel Ferrer. ©2023 Daniel Fidel Ferrer. All rights reserved. -/- Ecce homo: How One Becomes What One Is (Ecce homo: Wie man wird, was man ist). -/- Who should read Nietzsche? You can disagree with everything Nietzsche wrote and re-read Nietzsche to sharpen your attack. Philosophy. Not for use without adult supervision (required). Philosophy is a designated area for adults only. Read at your own risk. (...) You have the pleasure of reading and of course disagree with all philosophy. Warning philosophical ideas are present. Reading Nietzsche does not mean you will gain anything, in fact, you might lose your previous ideas. -/- Nietzsche does not call this book an autobiography (he has written many short autobiographical sketches before); but rather, uses the expression “I tell myself my life”. -/- Nietzsche was the past philosopher who wrote about our future, “The time is coming when the struggle for the domination of the earth will be waged - it will be waged in the name of basic philosophical doctrines.” KGWB/NF-1881, 11[273]. The world has seen plenty of wars and death, since 1881. The process of the domination of the earth and world is still on-going. -/- What is Nietzsche’s overall project with Ecce homo? -/- Main Leitmotifs in Ecce homo. -/- Christianity as the denial of the will to life, revaluation of all values (Umwerthung aller Werthe), Amor fati, Dionysus as a god and his philosophy (future project for Nietzsche), overthrowing idols, two worlds (“true world" finally became a fable) against Plato eternal world and forms, eternal recurrence or the eternal return of the same (Nietzsche heaviest thought, also his most abysmal thought “abgründlichsten Gedanken”), opposite and counterpart to type of person decadent (décadent), “I count the overcoming of pity among the noble virtues”, against the concept of God (Christian), overman or superman (Übermensch), Will to Power (Wille zur Macht), great politics, immoralist, morality of the Christian church, and Declaration of war (“Kriegserklärung”). -/- Table of Contents -/- Motto [page 3]. Epigraph [pages 4-6]. -/- Preface to the Translation of Ecce homo [pages 7-16] -/- Major Leitmotifs in Nietzsche [pages 17-24]. -/- Translations from Nietzsche’s German to English include. -/- 1). Ecce homo: How One Becomes What One Is (Ecce homo: Wie man wird, was man ist. [pages 25-113]. -/- 2). This poem was included in the first publications of Ecce homo (1908). Glory and Eternity (Ruhm und Ewigkeit). [pages 114-124]. -/- 3). These are all of Nietzsche’s last notebooks (complete) they are numbered 21, 22, 23, and 24. There are a total of 82 notes. Final notes by Nietzsche from the Nachlass (Nachlaß). Sometime in German called the Notizheft. Nietzsche’s notebooks that include some drafts for Ecce homo and other topics he was thinking during his last writings. Dating from October 1888 until early Janurary 1889. [pages 125-191]. -/- 4). Nietzsche’s Letters Regarding Ecce homo. Nietzsche’s letters starting at the end of October 1888 discussing Ecce homo. These are not always the complete letters but include all of the passages of Nietzsche discussing Ecce homo. Complete translation of the last letter Nietzsche wrote. Dated until BVN-1889. #1256. Letter to Jacob Burckhardt in Basel. Turin, about 6 January 1889. [pages 192-223]. -/- Bibliographies [pages 224-254]. -/- Nietzsche’s Philosophy Final Thoughts [pages 255-259]. -/- Enjoy reading Nietzsche's last book. (shrink)

Chulpforta, 1862 -- Napoleon III as president -- Saint-just -- Two-poem cycle two kings -- Louis the sixteenth -- Louis the fifteenth -- Agonistic politics, 1871-1874 -- The Greek state, 1871 -- On the future of our educational institutions, third lecture, February 27th, 1872 -- Homer's contest -- Untimely meditations -- David Strauss : the confessor and the writer, 1873 -- Schopenhauer as educator, 1874 -- The free spirit, 1878-1880 -- Human, all too human : a book for free spirits, (...) 1878 -- Miscellaneous maxims and opinions, 1879 -- The wanderer and his shadow, 1880 -- The campaign against morality, 1881-1885 -- Dawn of day thoughts on the prejudices of morality, 1881 -- The joyful wisdom, 1882 -- Thus spoke Zarathustra : a book for everyone and no one, 1883-1885 -- On the new idol -- On the rabble -- On the Tarantulas -- On old and new law tablets -- Conversation with the kings -- Nachlass fragments, 1883-1885 -- Aristocratic radical, 1886-1887 -- Beyond good and evil : prelude to a philosophy of the future, 1886 -- The joyful wisdom, book v, 1887 -- On the genealogy of morals : a polemical tract, 1887 -- First essay, good and evil, good, and bad -- Second essay, guilt, bad conscience, and related matters -- Third essay, what do ascetic ideals mean? -- Nachlass fragments, 1885-1887 -- The antichrist, 1888 -- Twilight of the idols : or how one philosophises with a hammer, 1888 -- Morality as anti-nature -- The improvers of mankind -- What the Germans lack -- Skirmishes of an untimely man -- The antichrist : a curse on Christianity, 1888 -- Ecce homo : how one becomes what one is, 1888 -- Why I am so wise -- Why I write such good books -- The case of Wagner : a musician's problem -- Why I am a destiny -- Nachlass fragments, 1887-1888. (shrink)

This is the third volume to appear in an edition that will be the first complete, critical, and annotated English translation of all of Nietzsche's work. The edition is a new English translation, by various hands, of the celebrated Colli-Montinari edition. The present volume provides for the first time English translations of all of Nietzsche's unpublished notebooks from summer 1872 to the end of 1874. The major works published in this period were the first three Unfashionable Observations: 'David (...) Strauss the Confessor and the Writer,' 'On the Utility and Liability of History for Life,' and 'Schopenhauer as educator.' Translations of the preliminary notes for these pieces are coordinated with the translations of the published texts printed in Volume 2: Unfashionable Observations. These notebooks represent important transitional documents in Nietzsche's intellectual development, marking, among other things, the shift away from philological studies toward unabashed cultural criticism. (shrink)

v. 1. The birth of tragedy; or, Hellenism and pessimism.--v. 2. Early Greek philosophy & other essays.--v. 3. On the future of our educational institutions. Homer and classical philology.--v. 4-5. Thoughts out of season.--v. 6-7. Human, all-too-human.--v. 8. The case of Wagner. Nietzsche contra Wagner. Selected aphorisms.--v. 9. The dawn of day.--v. 10. The joyful wisdom.--v. 11. Thus spake Zarathustra.--v. 12. Beyond good and evil.--v. 13. The genealogy of morals. Peoples and countries.--v. 14.-15. The will to power.--v. 16.--The twilight (...) of the idols; or, How to philosophise with the hammer. The antichrist.--v. 17. Ecce homo, Nietzsche's autobiography.--v. 18. Guppy, R. Index to Nietzsche. (shrink)

`Anyone who wants to gain a quick idea of how before me everything was topsy-turvy should make a start with this work. That which is called idol on the title-page is quite simply that which was called truth hitherto. Twilight of the Idols - in plain words: the old truth is coming to an end...' Nietzsche intended Twilight of the Idols to serve as a short introduction to his philosophy, and as a result it is the most synoptic of (...) all his books. Continuing in the spirit of its immediate predecessors On The Genealogy of Morals and The Wagner Case, it is a masterpiece of polemic, targeting not only `eternal idols' like Socratic rationality and Christian morality but also their contemporary counterparts, as Nietzsche the `untimely man' goes roaming in the gloaming of nineteenth-century European culture. He allies philosophy with psychology and physiology, relentlessly diagnozing the symptoms of decadence, and his stylistic virtuosity is such that the sheer delight he takes in his 'demonic' mischief-making communicates itself on every page. A brilliant new translation, this edition provides detailed commentary on a highly condensed and allusive work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

A work of Nietzsche's later years, The Antichrist was written after Thus Spoke Zarathustra and shortly before the mental collapse that incapacitated him for the rest of his life. The work is both an unrestrained attack on Christianity and a further exposition of Nietzsche's will-to-power philosophy so dramatically presented in Zarathustra. Christianity, says Nietzsche, represents "everything weak, low, and botched; it has made an ideal out of antagonism towards all the self-preservative instincts of strong life." By contrast, (...) Nietzsche defines good as: "All that enhances the feeling of power, the Will to Power, and power itself in man. What is bad?-All that proceeds from weakness. What is happiness?-The feeling that power is increasing,-that resistance has been overcome." In attempting to redefine the basis of Western values by demolishing the formative influence of the Judeo-Christian tradition, The Antichrist has proved to be highly controversial and continuously stimulating to later generations of philosophers. (shrink)

Skillful, sophisticated translations of two of Nietzsche's essential works about the conflict between the moral and aesthetic approaches to life, the impact of Christianity on human values, the meaning of science, the contrast between the Apollonian and Dionysian spirits, and other themes central to his thinking.

Nietzsche wrote The Gay Science, which he later described as 'perhaps my most personal book', when he was at the height of his intellectual powers, and the reader will find in it an extensive and sophisticated treatment of the philosophical themes and views which were most central to Nietzsche's own thought and which have been most influential on later thinkers. These include the death of God, the problem of nihilism, the role of truth, falsity and the will-to-truth in (...) human life, the doctrine of the eternal recurrence, and the question of the proper attitude to adopt toward human suffering and toward human achievement. This volume presents the work in a new translation by Josefine Nauckhoff, with an introduction by Bernard Williams that elucidates the work's main themes and discusses their continuing philosophical importance. (shrink)