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Olga Palagia [8]O. Palagia [1]
  1.  29
    A draped female torso in the Ashmolean Museum.Olga Palagia - 1975 - Journal of Hellenic Studies 95:180-182.
    A marble fragment of a draped female figure came to the University of Oxford as part of the James Dawkins collection of marbles, presented by his brother Henry sometime between the owner's death in 1759 and the publication ofMarmora Oxoniensiain 1763. The collection was formed during Dawkins's expedition to Palmyra with Robert Wood between 1750 and 1753. Of the other seven sculptures in it, three came from Attica, one from Caria, one from Cyzicus and two are of unknown provenance. Our (...)
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  2.  53
    Classical Greek Sculpture.Olga Palagia - 1987 - The Classical Review 37 (02):269-.
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  3. The 'Tomb of Eurydice,'Vergina, Plundered.O. Palagia - 2002 - Minerva 13:4-5.
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  4.  70
    Hellenistic Art - J. J. Pollitt: Art in the Hellenistic Age. Pp. xii + 329; 300 textfigs.; 2 maps. Cambridge University Press, 1986. £40. [REVIEW]Olga Palagia - 1990 - The Classical Review 40 (1):131-133.
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  5.  37
    Elizabeth J. Walters: Attic Grave Reliefs that Represent Women in the Dress of Isis. (Hesperia, Suppl. 22.) Pp. xvi + 135; 1 fig., 1 plan, 52 plates. Princeton, N.J.: American School of Classical Studies at Athens, 1988. Paper, $40. [REVIEW]Olga Palagia - 1990 - The Classical Review 40 (2):517-517.
  6.  48
    Joseph Coleman Carter: The Sculpture of Taras. Pp. 196; 72 plates. Philadelphia: The American Philosophical Society, 1975. Paper, $18. [REVIEW]Olga Palagia - 1978 - The Classical Review 28 (1):189-189.