This book examines the contentious relationship between psychoanalysis and anthropology as it has played out in disputes surrounding the Oedipus complex. Here, Eric Smadja explores the complicated historical and epistemological conditions leading up to the emergence of the conflict between the two disciplines. He considers the origins of each science, the "creation" of the Oedipus complex, and the place, role and influence of Freud's key and controversial work Totem and Taboo, both in the history of psychoanalysis (...) and as it connects with anthropology internationally. Focusing on such key figures as Bronislaw Malinowski, Ernest Jones, Franz Boas, Georges Devereux, Emile Durkheim, Claude Levi-Strauss and Jacques Lacan, Smadja charts the course of the debate as it unfolded during the twentieth century and tracks its contemporary status of the debate, with a focus on figures in both France and the United States. Discussing the divergences and convergences between the two fields, he compares and contrasts their historical, epistemological and methodological features and reflects on the new "acculturative" disciplines emerging from their interaction. The book concludes with a look at what the conflictual history of these two human sciences can tell us about the history of ideas and their processes and modes of communication. Exploring a dispute which reaches back to the very beginnings of psychoanalysis and anthropology, The Oedipus Complex will appeal to psychoanalysts in practice and in training, psychotherapists and academics and students of psychoanalytic studies, anthropology and the history of ideas. (shrink)

Analysis of the Freudian interpretation of the Oedipus myth which functions as a paradigm case for the Oedipus complex reveals the neglect of certain essential details. Moreover, it appears that clinical material as presented by psychoanalysts in support of the Oedipus complex is strongly biased towards the acceptance of the hypothesis that the Oedipus complex is a universal phenomenon. In this article arguments are given that cast serious doubt on the validity of psychoanalytic (...) theory. The author proposes a new interpretation which explains the putative Oedipal conflict in the child as the projection of parental aggression on the child. (shrink)

_Murdered Father, Dead Father: Revisiting the Oedipus Complex_ examines the progressive construction of the notion of paternal function and its central relevance in psychoanalysis. The distinction between the _murdered father _and the _dead father_ is seen as providing a paradigm for the understanding of different types of psychopathologies, as well as works of literature, anthropology and historical events. New concepts are introduced, such as "_a father is being beaten_", and a distinction between the _descriptive après coup_ and the _dynamic (...) après coup_ that provides a model for a psychoanalytic understanding of temporality. The book includes a reflection on how the concepts of the _death instinct_ and the _negative_, in their connection with that which is at the limits of representability, are an aid to an understanding of Auschwitz, a moment of rupture in European culture that the author characterizes as " the murder of the dead father". Perelberg’s book is an important clinical and intellectual marker, and will be required reading for psychoanalysts, psychotherapists, anthropologists, and historians, as well as students in all these disciplines. (shrink)

프로이트는 19세기 말에 ‘의식’의 세계에 의혹을 제기하면서 의식의 세계는 빙산의 일각일 뿐 진정으로 자신을 지배하는 것은 ‘무의식’이라고 주장하면서 정신분석학이 태동하게 되었다. 인간은 무의식의 세계를 가지고 있으며 무의식의 지배를 강력하게 받고 있는 것이다. 무의식의 핵심적 위치를 차지하고 있는 것이 바로 오이디푸스 콤플렉스이다. 한 자연인이 사회적, 문화적 주체로 탄생하는 과정을 설명해주는 이 오이디푸스 콤플렉스의 영향력은 막강했다. 라캉은 프로이트의 자연주의적, 생물학적 접근법의 한계를 언어 기호적 관점에서 재해석함으로써 프로이트의 한계를 완전히 극복한다. 인간의 욕망은 결국 타자와의 관계 속에서 발생하는 욕망으로서 그 욕망은 결핍을 초래한다. 라캉은 (...) 그 결핍을 통해서 타자와 분리된 주체가 상징질서에 진입하게 되는 과정을 분석한다. 라캉의 오이디푸스 콤플렉스의 인식론에서 가장 중요한 개념이 바로 ‘팔루스’(phallus)와 ‘상징적 아버지’의 존재성이다. 팔루스는 상징질서에 남녀의 성을 위치시키는 기표로서 아버지의 권력과 거세의 공포를 의미한다. 상징적 아버지는 생물학적 아버지를 말하는 것이 아니라 ‘아버지의 이름’(Name-of-the-Father)이라는 상징적 기표이다. 이 과정을 통해서 인간은 존재차원에서 의미차원으로, 자연상태에서 문화의 공간으로 이동하는 성적 정체성을 가진 인간으로 탄생되는 과정을 설명해준다. 그러나 이 글에서 프로이트가 우연히 알게 된 오이디푸스신화에서 오이디푸스 콤플렉스의 개념을 차용하게 된 과정과 그것이 어떻게 라캉에게서 변주되었으며, 그것과 정신병리현상과의 관계를 살펴보고 오이디푸스 콤플렉스의 의와 한계를 비판해보고자 한다. (shrink)

If the logic of the Oedipus myth were subjected to rigorous and thoroughgoing analysis with the tools of anthropology, comparative mythology, and narratology, might it invalidate the approach to the 'Oedipus complex' that Freud derived from his psychoanalytic experience? This book answers 'yes', arguing that instead of the Oedipus complex explaining the myth, the Oedipus myth explains the complex. The author argues that the Oedipus myth is an historical anomaly, a myth of (...) failed royal investiture or of avoided masculine initiation. Does this mean that we must return to the wisdom of tradition and strike out twenty-five centuries of Oedipal history? The author knows very well that such a solution would be fantasy, and he concludes by speculating on how his analysis might contribute to a vision that has eluded Freudian psychoanalysis: how to surpass the Oedipus complex, with all the ethical consequences this would entail. (shrink)

_First English translation of Nasio's groundbreaking work on the Oedipus complex._.

The article shows the importance of the paternal metaphor and the function of the father in psychoanalysis, as well as some misunderstandings that can occur regarding this function in philosophy, namely Deleuze and Guattari's critique of the father as a normative function of castration. It focuses on Freud's and Lacan's conception of the Oedipus complex and underlines some crucial changes that Lacan introduced while reading Freud's work and while constantly returning in his teaching to his own previous conceptions. (...) Finally, the article argues that it is not possible to ignore the function of the father and aspire to create a new sort of psychoanalytic practice by entirely avoiding the difficult and constitutive role of this function. (shrink)

First English translation of Nasio's groundbreaking work on the Oedipus complex.

A reassessment of Freud's central concept of the Oedipus complex, using the interlocking perspectives of biography, intellectual history and Greek tragedy. The study establishes how Freud reached his formulation through his own self-analysis and clinical work.

This article develops an analysis of Sophocles’ Oedipus Rex in relation to the mythological and literary-theatrical place the play holds in the history of psychoanalysis from Freud to Lacan, not to mention Foucault’s counter-psychoanalytic reading. How do we see the constitutive relation between this play and the Freudian complex? Does Lacanian psychoanalysis help illuminate the play as a tragedy of desire in alienation? The paper argues for a tragedy of desire’s Otherness in Sophocles’ play, showing how the parental (...) alterity is configured in the shifting dynamics of paternal and maternal signifiers. Be it in the divine oracle or the chorus, the play accentuates the field of Other to activate the tragedy of desire and chanellizes it through affects like guilt, shame and self-reproach, inscribed on the subject’s body in the form of scopic and invocatory drives. The paper concludes by reflecting on the status of the unconscious as knowledge, complicating Foucault’s interpretation and presenting a tragedy of the desire-to-know that produces existence without desire as an experience of suffering. (shrink)

In recent years there has been great attention paid to the so-called Italian theory in the field of political philosophy. This definition has brought to the fore Italian thinking, but at the same time also covers many reflections of the past several decades, by creating a category easily disclosable but also restricted to a few authors and topics. To this regard, I want to highlight the philosophical work of Ubaldo Fadini, professor of philosophy at the University of Florence, who for (...) many years has been dedicated to the German and French philosophical tradition, crossing different disciplines and combining aesthetic and ethical issues to frame the subjectivity and the institutions into the post-Fordist era. -/- Since his work is multi-faceted and broad, I would suggest first reading Il desiderio in America (The desire in America) for his ‘achipelago-politics’. Fadini addresses the issue of desire in Deleuze with an approach that escapes the opportunity and claim to be an interpretive key from which to see everything systemically. His work wisely touches on several authors and issues, from Kafka to Melville, Spinoza and Nietzsche, and many others, addressing the dynamics of a desire, debt, conscience, responsibility and law. These are, therefore, multiple inputs to desiring, which does not hide the dotted plurality of the brothers in the world, beyond the tight grip of the Oedipal triangle, i.e. the father-mother-child relationship. It follows a not only a psychological issue but also a political one, thus it regards the delineation of a field of forces in which ‘who’ acts – and speaks – is not only the person (a term which in Latin refers to theatrical mask, but well-defined identity fictitious necessary to enter the scene and carry on a story), but the scene itself, produced by relations not illuminated by the light of the show. The plural world of the brothers is the American one, in which the Oedipal relationship with the father-homeland is cut in the name of equality, contrary to colonial subjection (of which Fanon has also shown the psychic character revealing the mechanism of the colonized that internalized the oedipal function of the dominus. Fanon, in fact, has linked the production of subjectivity employee with the apparatus of colonial subordination). -/- To this aside to Deleuzian thought, Fadini adds another, but productively connects to the first: from the cut with the father was not born the son (as in Hegelian-Lacanian interpretation or dialectical-psychoanalytic who wants the definition of the son from by the conflict with his father), but the brothers, the concrete manifold in which the father is not necessary but is placed from time to time in the decision-making function of the uncertainty, in the mobile uncertainty of the brothers in their organization. That this is happening is not a scandal. That this would represent a danger, as Fadini states, is a necessary point to be aware. Maybe, the problem arises when this function is preached the need: no, the fathers are not necessary. And even mothers. We reiterate: it is a political issue around which affirms or denies the legal capacity of the many in favor of the one. The one may be different persons: those who came before, the old, the wise, the priest who runs the border between the world and underworld with the rules applied on the swinging from one place to another, the legislature, the owner. The reason why the scope of the one is so problematic is mainly related to the mechanism he establishes so to ex-istere. It is a mechanism for fault-liability-debt, such as a pyramid which is based on a ‘primary’ concept, namely that of the absence. The paternal function certainly sums up everything in a person: the father is the legislator, he was there before, is older, closer to the world of the dead, but even in that of the living, owns the world, provides rules – even interpretation – to be applied to the fluctuations of life. A really great invention, no doubt about it, higher than that of basileus-priest, more functional, yes, more functional. -/- As in The Wizard of Oz, a narrative that is served in an American election campaign and, as Graeber reminds us, explains the necessity of the idea of debt so to found the new relationship between money and gold, the legislator is microscopic compared to the effects of the conviction that is produced on a large scale, not only on his community but also on the foreigners who come to him in search of completeness. The vacuum is once again an instrument of domination, nothing else. Lack of confidence, of course. Lack of confidence in the ability of the brothers. In the story of The Wizard of Oz, the wizard was well-intentioned and therefore the trick is revealed, however, he reaffirms his role by giving foreigners a certificate of completion that settles the existential debt. Lack of confidence and perhaps even the reading of fairy tales. We don’t need ‘real’ narrations but concrete tales, and, as Fadini says, archipelagos and pirates and cartographers. (shrink)

According to Deleuze and Guattari ([1972] 2009), the Oedipus complex is a historically produced social symptom that captures desire in neurotic and familial, capitalist, and Christian forms. From this perspective, narcissism is not a primordial condition, which precedes the Oedipus complex phase, but is its consequence and effect, reversing the logic of human development postulated by Psychoanalysis. The aim here is to carry on with Deleuze and Guattari’s criticisms of Psychoanalysis, approaching narcissism as a phenomenon manufactured (...) by this same civilization that aims to combat it. If in Anti-Oedipus, Deleuze and Guattari demonstrate that the Oedipus complex is not a natural and universal path to the formations of the unconscious, but is produced by the civilized capitalist machine, Narcissus is now placed in the spotlight, unfolding the narratives of psychoanalytic theory about a supposed anti-social human nature. (shrink)

Sophocles’ Oedipus the King is an extended meditation on the limits of human intelligence, or more precisely, on how a man renowned for the power of his intellect could fail to know the most important truths. One could argue, however, that Sophocles intended for his audiences to take away a second, narrower lesson: namely that divinely inspired seers such as Tiresias have a surer claim on truth than do those who, like Oedipus, seek to gain knowledge through their (...) own efforts. Thus, the Oedipus can be seen as a defense of prophecy and a reaction against the complex of scientific and philosophical ideas known as “the 5th-century Enlightenment.” I offer some support for this reading of the Oedipus. I also argue that part of the cultural background of the Oedipus consisted of ideas about knowledge introduced into Greek thought by the outspoken critic of Greek popular religion, Xenophanes of Colophon. (shrink)

_Electra vs Oedipus_ explores the deeply complex and often turbulent relationship between mothers and daughters. In contrast to Sigmund Freud’s conviction that the father is the central figure, the book puts forward the notion that women are in fact far more occupied with their mother. Drawing on the author’s extensive clinical experience, the book provides numerous case studies which shed light on women’s emotional development. Topics include: love and hate between mothers and daughters the history of maternal love childbirth (...) and depression rejected mothers. _Electra vs Oedipus_ will be a valuable resource for psychoanalysts, psychotherapists and all those with an interest in the dynamics of the mother–daughter relationship. (shrink)

Avec Totem et tabou, Freud entame la première démarche majeure d’interprétation psychanalytique de données ethnographiques, le conduisant en particulier à situer le complexe d’Œdipe au fondement des premières institutions sociales et à repérer l’action de processus inconscients dans leur élaboration. De plus, en posant l’universalité du complexe d’Œdipe tant psychique que culturelle, il réalise une véritable effraction dans le champ d’investigation des anthropologues, suscitant chez eux des réactions aussi violentes que variées. C’est cette histoire souvent faite de méconnaissance, de défiance (...) et de malentendus entre la psychanalyse et l’anthropologie — ces deux sciences de l’homme toutes deux nées au XIXe siècle — que relate Éric Smadja. Après avoir exposé les conditions épistémologiques et historiques d’instauration de ce débat conflictuel, l’auteur le développe suivant un fil chronologique qui l’amène à explorer ses déterminants et ses enjeux, mais aussi les caractéristiques de ces deux disciplines. Se dévoile alors un moment de l’histoire des idées. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Medusa Complex:Matricide and the Fantasy of CastrationJessica Elbert MayockThe theoretical structures of psychoanalysis have excluded the female subject by placing her outside of the Symbolic, and feminist theorists' responses to this problem have been divided. Some theorists (such as Kristeva) accept the notion of an unalterable Lacanian Symbolic, while others (such as Irigaray) maintain that the current Symbolic is a manifestation of male fantasy, and suggest that (...) feminist thinkers explore the possibility of reorganizing the Symbolic. Amber Jacobs, in her recent work On Matricide (2007), takes up this challenge by analyzing matricide in myth in order to reveal matricide as latent content untheorized within psychoanalysis. Jacobs claims that the structure of the Lacanian Symbolic illegitimately asserts the "law of the father" as the only possible law, excluding any possibility of a "law of the mother" by erasing the maternal role in theory and symbolization. Her project, following Irigaray, is to make visible those unconscious contents excluded by the patriarchal imaginary in order to "be able to intervene into psychoanalysis for the purpose of working toward theorization of unconscious structures that are not reducible to the structure of Oedipus alone" (Jacobs 2007, x). If Jacobs's suggestion is correct, then analysis of Freud's evidence for the Oedipus Complex (and its accompanying concepts) will reveal repressed contents and traces of these untheorized unconscious structures—particularly those associated with the maternal body.With these considerations in mind, I take up the Freudian case of Little Hans, where Freud finds his most seminal evidence for castration anxiety [End Page 158] and the Oedipus Complex. I will demonstrate Freud's systematic occlusion of the maternal body through his overvaluation of the male body/the phallus in order to expose the elements of male fantasy that construct the Oedipus Complex. I organize these psychical elements in a configuration called "The Medusa Complex," since Freud uses the image of Medusa to explain his theory of castration. In rereading the details of this case, a powerful male fantasy begins to emerge: the desire to appropriate the female generative power. This is achieved through the theory of castration, which the decapitation of Medusa symbolizes, and the unconscious wish for male parthenogenesis—one product of this wish is the Lacanian Symbolic structure, where only the male principle of the phallus is generative. The Medusa Complex is comprised of the two intertwined male fantasies of female castration and male parthenogenesis, as well as the associated resistances that result from initiation into this paradigm. The theory of castration and the Oedipus Complex are attempts to conceal the powerful maternal body and assert male superiority and dominance.In the case of Little Hans, "Analysis of a Phobia in a Five Year Old Boy" (1909), Little Hans develops a fear of horses (especially biting horses) and is afraid to go out into the street. Hans's treatment is undertaken by his father, a medical doctor, who keeps careful notes and acts under Freud's supervision (mostly via letters). The boy's phobia begins around the time his little sister Hanna is born, as Freud and the father eventually admit, though her role in their narrative is nonexistent.1 They interpret Hans's phobia as a classic Oedipal triangle in which he desires his mother and fears the hostility of his father; his fear is translated into fear of the castrating father. Throughout the case, Freud and the father emphasize the boy's alleged awe of the adult male genital organ. In this paper, I will revisit the case (preserved in careful detail by the boy's father) and systematically return the maternal body to its rightful place within the narrative, shifting both the structure and the meaning of the phobia.I am here reading the case as an example of manifest content—like the surface content of a dream—in order to expose the male desires that create it. The current Symbolic is essentially a dream of the male imaginary, and my method is to reveal the latent content of the dream, especially the fantasies that inform it. Desire is the generating force behind this dream, and until we encounter and understand this desire, it will continue to compulsively... (shrink)

Published in 1972, Anti‐Oedipus was the first of a number of collaborative works between the French philosopher, Gilles Deleuze, and the French psychoanalyst and political activist, Felix Guattari. As the first of a two‐volume body of work that bears the subtitle, Capitalism and Schizophrenia, Anti‐Oedipus is, to say the least, an unconventional work that should be understood, in part, as a product of its time – created as it was among the political and revolutionary fervour engendered by the (...) events of ‘May 1968’. However, this paper will suggest that Anti‐Oedipus – as a critique of psychoanalysis and the Oedipus complex, as well as being a study of the relationship between capitalism and schizophrenia – should also be understood in a less ‘time‐bound’ fashion. In particular, the paper will examine Deleuze and Guattari’s formulation of a concept of ‘desire’ and its employment in relation to subjectivity, time, capitalism, representation, and the radical ‘therapeutic’ practice that they refer to as ‘schizoanalysis’. Moreover, nearly 40 years after the events of May 1968 and against possible doubts concerning the contemporary relevance of psychoanalysis, it will be suggested that psychoanalysis and the Oedipus complex are to be understood as symptomatic of a wider ‘malaise’ that can be discerned within psychiatry, psychotherapy, and contemporary capitalist society itself, and that it is this that forms the broader target of the book’s critique. Accordingly, by providing an accessible and critical introduction to Anti‐Oedipus, the paper also hopes to stimulate further discussion and research regarding both the critique and the contribution that the work can make to contemporary psychiatry, psychotherapy, and mental health nursing generally. (shrink)

While Freud’s theory of the Oedipus complex is concerned with psycho-sexual development, it concomitantly presents a novel historical-political imagination. This article compares the post-Oedipal self with the selves envisioned by Nietzsche and Marx, suggesting that while these 19th-century theorists constructed selves that are able to transcend the normalizing and subjugating circumstances of modernity, Freud’s theory defines a healthy self as irredeemably embedded in the prevailing culture and life-orders. In making his case, Freud spurns the quests of Nietzsche and (...) Marx for wholeness of the individual and for self-authorship, and presents the self as structurally agonistic, riven and thoroughly molded by society. (shrink)

The distribution of the parts among the actors in the O.C. is a problem that has long defied solution. In all the other extant plays of Aeschylus, Sophocles, and Euripides the dramatis personae can without difficulty be divided between three actors: but the construction of the O.C. is so complex that it does not admit any such simple allocation. When the part of Oedipus has been assigned to the first actor, and that of Antigone to the second, the (...) roles of the Stranger , Ismene , Creon , and Polyneices must clearly belong to the third: who, then, is to play Theseus ? It seems impossible to allot the part complete to any one of the three actors. Faced by this crux, all those who have dealt with the subject have chosen one or the other of two clear-cut alternatives, either the assumption of a fourth regular actor, or else the splitting-up of the single part of Theseus between two or three actors. These two alternatives, both of which are far from satisfactory—the former infringing the three-actor rule, the latter offending against scenic probability and realism—are fully examined below; at the end of the paper a new part-distribution is suggested, which, it is hoped, avoids both these faults. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ovid's Narcissus (Met. 3.339-510):Echoes of OedipusIngo Gildenhard and Andrew ZissosNarcissistic Thebes?Ovid's tales of Echo and Narcissus, while mutually enhancing in their magnificently suggestive symmetries,1 have long been considered an oddity in their larger narrative context.2 Otis, for instance, is not alone in feeling that they are quite "extraneous" to the Theban milieu which dominates this particular stretch of the Metamorphoses, since they seem only superficially linked to the tragic (...) city through the figure of Tiresias.3 Some scholars have tried to solve the problem of their inclusion in Ovid's "Thebaid" (3.1-4.603) by pointing to thematic correspondences that connect "Narcissus and Echo" to other episodes in the narrative vicinity, such as fatal love,4 the intervention of a vengeful divinity, 5 or the problematization of sight.6 Such sequences of thematic patterns, though, are a rather ubiquitous "surface phenomenon" which can be traced in various ways throughout the entire poem, and which hardly ever explain Ovid's poetry in and of themselves.7 Thus, such thematic [End Page 129] links should not be considered a sufficient justification for Ovid's rendition of the Narcissus and Echo episodes at this point in the poem. Nor should one invoke poetic license, as Bömer does when he suggests that Ovid here merely branches out into the wider mythology of Boeotia (Narcissus being a Boeotian youth).8 Rather, here as elsewhere the narratological enigmas of the Metamorphoses are rooted in the peculiar logic of Ovidian poetics.Within Ovid's Theban history, the presence of Narcissus is not the only puzzling feature. The narrative is here constructed around a remarkable absence as well. As Zeitlin has demonstrated, the imagination of Attic drama, which informs this section of the Metamorphoses, employs three principal clusters of myth in order to render Thebes on the tragic stage: the events surrounding Cadmus' arrival in Boeotia and his founding of the city; the house of Laius, in particular the story of his son Oedipus; and the conception and birth of Dionysus as well as his confrontation with his cousin Pentheus upon returning to his maternal city.9 The third book of the Metamorphoses, which contains the first half of Ovid's Theban narrative, is clearly influenced by the structuring principles used by the tragic playwrights to fashion a thematics of Theban mythology. The book opens with a restaging of Thebes' ktisis legend (3.1-130), and the sparagmos of Pentheus provides the appropriate closure (3.511-733), set up and anticipated by the Semele episode (3.253-315). But Ovid curiously excludes the house of Laius, skipping over a vital part of the city's mythological corpus. Even more surprisingly, he does not make up for this peculiar omission elsewhere in the poem.10 The absence of any extended reference to the myth of Oedipus in Ovid's otherwise rather comprehensive mythological compendium is a remarkable silence, and one that merits investigation.At first glance it does appear that Ovid swerves boldly from his all but predetermined narrative path by recounting the episode of Narcissus at the very juncture when the sequence of Theban legends calls for the appearance of an Oedipal figure. Yet the poet does not simply efface the horizon of expectation established by the sequence of Theban [End Page 130] tales. The glaring absence of Oedipus and the baffling presence of Narcissus are in fact flip sides of the same problem. As has been suggested by Loewenstein and Hardie, Ovid uses Narcissus to render vicariously the thematic complex of Oedipus by relating his Narcissus tale to the most powerful literary representation of Oedipus' fate, Sophocles' Oedipus Tyrannus.11 We now build on this insight and further explore the precise modalities by which Ovid turns Sophocles' Oedipus and his own Narcissus into the Tweedle-dee and Tweedle-dum of an extraordinary intertextual dynamic.Establishing the IntertextualityAn intertextual relationship, especially one as seemingly arbitrary as that between Sophocles' Oedipus Tyrannus and Ovid's Narcissus narrative, needs to be strongly marked if it is to be appreciated by the audience. 12 Ovid signals the connection by introducing the figure of Tiresias into his text immediately... (shrink)

The article discusses thematic representations of the city of Thebes in the two central myths of Phoinissai: that of autochthony and the family of Oedipus. The author examines the aberrant nature of autochthonic reproduction specifically in relation to the femaleness of the earth and the effect of this on the present generation, also taking into account the complex ‘gendering’ of the last of the autochthons, Menoikeus, who dies for the city. Discussion of the city’s role in the (...) class='Hi'>Oedipus myth includes the complex relationship of Oedipus’ two sons with their native city and associated difficulties of identity and belonging which are linked with the family history of violence between males and with a problematic connection with the native- or fatherland. (shrink)

Freud’s psychoanalysis of Little Hans is a defining moment in psychoanalytic theory, because it marks the first psychoanalytic attempt ever to analyze childhood as an actuality rather than a set of recollected experiences. This article aims to explain Deleuze and Guattari’s dismissal of Freud’s interpretation as an act of silencing the children that is meant to corroborate his own theories of psychosexual development and particularly the Oedipus complex. Deleuze and Guattari are not against psychoanalytic interpretation in and of (...) itself as a creative intervention into the lived actuality of the analysand, but they think that Freudian psychoanalysis misses the opportunity by tracing every aspect of individual existence back to familial figures and relationships. While Freud considers the case of Little Hans as a verification of his theory of sexuality, Deleuze and Guattari regard the case as a perfect example of how psychoanalytic suggestion often distorts the utterances of the analysand for its own interests, thereby failing altogether to grasp the logic of becoming as an escape from familial determinations. (shrink)

Morality and the invention of feminine desire -- Sexuality versus recognition : feminine desire in the ethical order -- The purest poem : Heidegger's Antigone -- From Oedipus to Antigone : revisiting the question of feminine desire -- Family politics/family ethics : Butler, Lacan, and the thing beyond the object.

This time travel story uses Novikov consistency to suggest a way out for a protagonist cast as an Oedipus character. Written as the staff writer for Philosofict.

This chapter contains section titled: A Dilemma for Moderate Constructivism Is the Dilemma Flawed? Intentional Objects Salience Creation as Property Change Can One Escape the Dilemma by Rejecting Bivalence? Indeterminacy and Imputation Historical Constructivism Oeuvres Conclusion Notes.

Questo articolo si occupa principalmente di tre questioni: come si interagisce quotidianamente con un messaggio codificato? Come questa interazione e la conseguente decodifica incidono sulla prassi dei soggetti interagenti? Come questo aspetto della vita quotidiana si riflette sulla pratica filosofica? Queste tre problematiche sono affrontate attraverso l’aiuto di due concetti: la “lettura affettiva” si rapporta principalmente alle prime due, mentre “l’ermeneutica strategica” si occupa più da vicino la terza problematica. Pertanto questo articolo inizia domandandosi cosa sia di preciso la lettura (...) affettiva e cerca di mostrare come questo particolare tipo di lettura è praticato quotidianamente per orientarci all’interno del nostro commercio con il mondo. L’attenzione si sposta quindi a quali siano le applicazioni filosofiche di tale concetto per mostrare come lo si possa ritrovare abbondantemente anche nella nostra pratica disciplinare. A questo punto l’ermeneutica strategica entra nel vivo della scena, poiché questo concetto è esattamente l’applicazione metodica della lettura affettiva come strumento filosofico. Viene quindi mostrato cosa significhi impiegare la lettura affettiva come metodo e viene fornito un esempio di tale attività. Viene infine mostrato come questo metodo filosofico influenzi la nascita e la formazione della soggettività filosofica attraverso la prospettiva fornita dalla teoria lacaniana del complesso edipico. (shrink)

A close examination of the relationship between media, art, and the "Electra complex" The feminist counterpart to Deleuze and Guattari's Anti-Oedipus, Anti-Electra is a philosophy of "the girl" as a model of contemporary transgressive subjectivity. Elisabeth von Samsonow asserts that focusing on the girl's escape from the Oedipus complex leads to a fundamental shift in our most common views on media and art. Presenting an interpretation of contemporary technics, Anti-Electra argues that technology today encompasses Electra's gadgets (...) and toys. According to von Samsonow, satellite drive technologies such as wireless telephones, WLAN, and GPS echo the "preoedipal constellation" that the girl specializes in. And with the help of the girl, the cartography of overlapping zones between humankind and animals, as well as between humankind and apparatuses, is redesigned through what the book holds as a "radical totemism." Anti-Electra ultimately offers a new view on gender, the contemporary world dyed by symbolic girlism, and the (universal) girl in critical dialogue with media, ecology, and society. (shrink)

O objetivo desta apresentação é comentar as diferenças entre a noção de trauma em Freud e em Winnicott. Mostra-se que Freud concebeu a noção de trauma como uma excitação não descarregada, usando a histeria como modelo, e enfatizando que essa noção de trauma é construída com a ajuda de conceitos especulativos. Em seguida, comenta-se que para Winnicott o trauma não é pensado em função do ponto de vista econômico, nem basicamente como de natureza sexual, nem centrado no complexo de Édipo, (...) mas diz respeito às falhas ambientais que interrompem a continuidade de ser. Procura-se, nesse sentido, explicitar que a noção de trauma em Winnicott é concebida em termos da quebra na confiabilidade do ambiente. Ao mostrar que, para Winnicott, a noção de trauma tem significados diferentes em função do momento do processo de amadurecimento no qual ele ocorre, também procura-se caracterizar o modo como Winnicott teoriza.The intention of this presentation is to comment on the differences between the notions of trauma in Freud and Winnicott. As such, it will be demonstrated how Freud conceived of trauma as unreleased excitement, using hysteria as a model, and emphasized that his concept of trauma is constructed with the aid of speculative auxiliary concepts. Next, it will be demonstrated that for Winnicott the notion of trauma is not conceived of in function of an economic point of view, nor, basicly, of sexual nature, nor centered on Oedipus Complex, but it is related to environmental failures that interrupt the continuation of being. As such, we try to explain that the notion of trauma in Winnicott is conceived of in terms of breakage in the environment`s trustfulness. In showing that, for Winnicott, the notion of trauma expresses itself in diverse meanings it is also noted that this is one of the characteristics of his theorizing, in that concepts have their meaning and their language in terms of the moment in which they are inserted in the process of maturation. (shrink)

_Psychoanalysis and Women_, Volume 32 of _The Annual of Psychoanalysis_, is a stunning reprise on theoretical, developmental, and clinical issues that have engaged analysts from Freud on. It begins with clinical contributions by Joyce McDougall and Lynne Layton, two theorists at the forefront of clinical work with women; Jessica Benjamin, Julia Kristeva, and Ethel Spector Person, from their respective vantage points, all engage the issue of passivity, which Freud tended to equate with femininity. Employing a self-psychological framework, Christine Kieffer returns (...) to the Oedipus complex and sheds new light on the typically Pyrrhic oedipal victory of little girls. Section III broadens the historical context of contemporary theorizing about women by offering the personal reminiscences of Nancy Chodorow, Carol Gilligan, Brenda Solomon, and Malkah Notman. A final section, dedicated to "women who shared psychoanalysis," features historical essays on Ida Bauer, Anna Freud, Dorothy Burlingham, Edith Jacobson, and Therese Benedek, along with Linda Hopkins's revealing interview of Marion Milner. Of special note is Marian Tolpin's examination of three women - Bauer, Helene Deutch, and Anna Freud - who helped shape Freud's notion of the "femail castration complex," and Elisabeth Young-Bruehl's exploration of how two women - Anna Freud and Dorothy Burlingham - developed parent-infant observation. _Psychoanalysis and Women_ is an extraordinary chronicle of the distance traveled since Freud characterized women's sexual life as "the dark continent." The contributors vitalize a half century of theory with the lessons of biography, and they broaden clinical sensibilities by drawing on recent developmental, gender-related, and socio-psychological research. In doing so, they attest to the ongoing reconfiguration of Freud's dark continent and show the psychoanalytic psychology of women to be very much a revolution in progress. (shrink)

This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to (...) have produced a certain idea of the power of that thought which does not think, and the power of that speech which remains silent. From this it does not follow that the Freudian unconscious was already prefigured by the aesthetic unconscious. Freud's 'aesthetic' analyses reveal instead a tension between the two forms of unconscious. In this concise and brilliant text Rancière brings out this tension and shows us what is at stake in this confrontation. (shrink)

In his short essay, “Some Character-Types Met With in Psycho-Analytic Work,” published in 1916 in the review Imago, Freud identifies Ibsen’s drama Rosmersholm (1886) as a perfect example of an Oedipus complex in a modern setting. The story is well known. After the suicide of his wife Beata, brought about by the impossibility of bearing children and by the misery of an existence sacrificed to social and religious duties, John Rosmer, a Protestant pastor, has lost his old faith (...) and is desirous of founding a new morality aimed at joy and tolerance. He lives in a completely spiritual relationship with the young maid Rebecca, the expression of a daring liveliness and unrestricted femininity. Their .. (shrink)

El presente texto es un homenaje a Sigmund Freud en la celebración de los 150 años de su nacimiento. Analiza la genealogía de la perversión desde la perspectiva del psicoanálisis. El estudio de las obras del célebre psicoanalista, en especial sus conferencias y ensayos en los que relata casos concretos, podemos vincular la perversión —un concepto frecuentemente mal utilizado— con el llamado Complejo de Edipo.The present text is an honoring to Sigmund Freud in the celebration of 150 years of his (...) birth. It analyzes the genealogy of the perversion from the perspective of the psychoanalysis. The study of the works of the famous psychoanalyst, especially his conferences and essays in which he reports concrete cases, we can link the perversion—a concept frequently badly used—-with he Oedipus Complex. (shrink)

This book is based on the work done by a group of British and Italian psychoanalysts who have been meeting twice yearly since 2003 to study clinically the relationship between the mind and the body of their patients The analytical dyad became the focus of a dialectical movement between body and mind and between subject and object. Containing contributions from a range of distinguished British and Italian analysts, this book covers such key topics as somatic symptoms, the embodied unconscious, bodily (...) expressions of affect, sexuality, violence, self-harm, suicide attempts, hypochondria, hysteria, anorexia and bulimia, splits and fragmentation associated with the body. The theoretical understanding is inspired by various psychoanalytic theoreticians, including Freud, M. Klein, Winnicott and Bion and their theories on sexuality, infantile sexuality, libido, aggressiveness, dead instinct, Oedipus complex and mother-child relationship. Offering new advances in theoretical thinking and practical applications for clinical work, this book will be essential for all psychoanalysts and mental health clinicians interested in understanding serious mental disturbance that is represented in the body. (shrink)

The immensely influential work of Jacques Lacan challenges readers both for the difficulty of its style and for the wide range of intellectual references that frame its innovations. Lacan’s work is challenging too, for the way it recentres psychoanalysis on one of the most controversial points of Freud’s theory – the concept of a self-destructive drive or ‘death instinct’. Originally published in 1991, _Death and Desire_ presents in Lacanian terms a new integration of psychoanalytic theory in which the battery of (...) key Freudian concepts – from the dynamics of the Oedipus complex to the topography of ego, id, and superego – are seen to intersect in Freud’s most far-reaching and speculative formulation of a drive toward death. Boothby argues that Lacan repositioned the theme of death in psychoanalysis in relation to Freud’s main concern – the nature and fate of desire. In doing so, Lacan rediscovered Freud’s essential insights in a manner so nuanced and penetrating that prevailing assessments of the death instinct may well have to be re-examined. Although the death instinct is usually regarded as the most obscure concept in Freud’s metapsychology, and Lacan to be the most perplexing psychoanalytic theorist, Richard Boothby’s straightforward style makes both accessible. He illustrates the coherence of Lacanian thought and shows how Lacan’s work comprises a ‘return to Freud’ along new and different angles of approach. Written with an eye to the conceptual structure of psychoanalytic theory, _Death and Desire_ will appeal to psychoanalysts and philosophers alike. (shrink)

Major psychoanalytic thinkers from Freud to Ricoeur to Lacan considered the Oedipus complex the key to explaining the human psyche and human sexuality, even culture itself. But, in fact, they were merely theorizing males. In this title, originally published in 1993, the author reassesses the benchmark concepts of Freudian thought, building on feminist criticisms of psychoanalysis and the new history of sexuality. The psychoanalytic questions become political questions: How do the norms of heterosexuality and masculinity themselves emerge within (...) modern society and culture? How do the institutions of compulsory heterosexuality and modern patriarchy shape identity and desire? What make heterosexuality compulsory in our society? Brenkman argues that the larger social world is part and parcel of the Oedipus complex. He challenges psychoanalysis to reinvent its cultural project, as a therapeutics and an ethics, by recovering the moral-political dimension in its approach to family, sexuality and gender. Straight Male Modern casts a new light on psychoanalysis’s contribution to modern life, revealing the richness of the Freudian tradition’s encounter with modern politics and culture, and the poverty of its response. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:“Foucault for Psychoanalysis”Monique David-Ménard’s Kind of BluePenelope DeutscherFoucault for psychoanalysis? This is a paradoxical question. Foucault also produced a critique of psychoanalysis, aiming to show that sexuality was not an a-temporal reality, nor a truth eventually discovered by Freud. It was a discursive formation, one among others.—Eloge des hasards dans la vie sexuelle, 172.To the philosophers..A practicing psychoanalyst and a professor of philosophy, Monique David-Ménard extends a singular proposition (...) to philosophers. She is not the first philosopher to engage the assumptions of psychoanalysis, but hers is a particularly idiosyncratic suggestion for how to think with the analyst’s clinical work, intimate and alien. She has proposed we do so in the company of Gilles Deleuze,1 and most recently, in Eloge des hasards dans la vie sexuelle (2011) has extended her invitation to think with the clinic through an ingenious reading of Michel Foucault.As Eloge opens, David-Ménard’s reading of Foucault is far from the scene. Early in the work, we are asked to think with a practice, seemingly in a different register. An analyst finds herself accused of being an obstacle, of opposing the analysand’s wishes in life. In this context, we are asked to think about the blue of a painting in the room where the analysand waits (David-Ménard 2011, 34). [End Page 111]Given the criticisms of psychoanalysis elaborated in the work of Foucault and Deleuze, one might have expected these philosophers to be considered in Eloge in that stead.2 Or, one could imagine Foucault playing a role because of his genealogical analysis of the formation of the Oedipus complex.3Two years after the publication of Deleuze’s Anti-Oedipus, Foucault had, in Abnormal, characterized the desiring space of the family as stimulated in a capillary network of individualizing normalization (Foucault 2003, 257), linked by medicalized and expert concern of which parents became the auxiliaries. They are charged, and charge themselves, with the goals of family health, of preservative and defensive good parenting, and with the conduct of the child’s conduct. Foucault describes the pre-twentieth century emergence of lay and expert preoccupation with the dangers of childhood masturbation. This produces an environment whose intensive scrutiny involves a close “folding of... parents’ bodies over... children’s bodies” (ibid., 265) in a saturated, hermetic environment stimulating oedipalized desire. This means one can offer a genealogical account of the conditions of formation of the latter. These include a responsibilization of parents, who control for the presence of abnormal sex, advised by new experts (lay, medical, pseudo-scientific) in collective crusades for health and life. Thus there is differentiation through minor gradations of abnormality. Even the specificity of the architectural spaces in which scrutiny is directed plays a role in the hollowing out of the child’s putatively interior psychic-sexual life, the intense object of “palpating” interest (Foucault 1978, 45) in new apparatuses of knowledge-power (Foucault 2003, 327).Because he presents this as the context in which the “nuclear and substantial family was gradually constituted” (Foucault 2003, 264), along with its oedipal configurations of desire, Foucault emphasizes the contingency of both. Psychoanalysis would be, from his perspective, willfully indifferent to these or other possibilities for genealogical analysis of the apparatus of power, knowledge, and the body, of the repeating configurations of desire that are its special domain of expertise,4 and the emergent forms of authority associated with the analyst, described in History of Madness (Foucault 2009) and in Psychiatric Power (Foucault 2006).Perhaps we’d expect to see David-Ménard, the psychoanalyst, addressing these accounts, but they are neither repudiated in Eloge, nor extensively discussed. Far from rejecting a genealogical analysis of psychoanalysis, she promotes its promise. But this is so in a particular sense.Necessity and repetitionA particular patient might fear being “mad like her mother.” She might fear being denied, trapped, or annihilated (David-Ménard 2011, 33). She might [End Page 112] consider herself somehow denied a lover. She might seem to be denying herself a lover. There’s a degree of necessity in all these variants. Perhaps these... (shrink)

Psychoanalytic practice and theory do not map together in any seamless ways. Nevertheless, the creative tension between the two is essential in the production of psychoanalytic knowledge. In this paper, I recount Emma’s psychoanalytic journey using a series of five vignettes from her four-year psychotherapy. When I met Emma, she had been unable to walk for six months. The reasons for her affliction were, at this time, mysterious. During her therapy, a transformative process took place reflecting a movement from symptom (...) to the symbolization of an inner receptive space. The insights that emerged from this psychic journey challenge the conceptualization of a simple linear progression from the pre-Oedipal to the Oedipal moment which is seen to structure subjectivity. I argue that the representation of a receptive inner space is a necessary precondition for thought – and this is especially so for women’s development of mind. This argument calls into question the centrality given to the Oedipus complex and the associated paternal function in the structuring of subjectivity in some psychoanalytic models of mind. I suggest these models sit too closely to patriarchal fantasies which underestimate the complex processes involved in entering the symbolic realm. (shrink)

Arendt was famously dismissive of the work of psychologists, claiming that they did nothing more than reveal the pervasive ugliness and monotony of the psyche. If we want to know who people are, she argued, we should observe what they do and say rather than delving into the turmoil of their inner lives; if we want to understand humanity, we would be better off reading Oedipus Rex than hearing about someone’s Oedipus complex. The rejection has a certain (...) coherence in the context of her understanding of public life as the realm of appearance and opinion, but examining it through the specific question of ugliness complicates that understanding. While beauty invites us to contemplate the world and admire it, ugliness repels our attention and sows the seed of a worry that the world might not want to be known. Working with Eichmann in Jerusalem, The Life of the Mind: Thinking, the Kant lectures and a striking Denktagebuch entry in which she reacts with revulsion to Matisse’s Heads of Jeannette, I argue that Arendt’s response to the ugly psyche requires a re-examination of the sensus communis. If the psyche does not want to be known, and if not all points of view are open to imaginative occupation, the ideal and practice of enlarged mentality must reckon with a right to opacity. (shrink)

"Why did Archimedes jump from his bath and run naked through the streets shouting 'Eureka!'? What is a quantum and where does it leap? Do you know your id from your ego? Does God play dice? his books answers all those questions and more, taking the revolutionary and perplexing ideas of Western thought and extracting their essence. From Greek philosophy to contemporary economics, physics and architecture, A Little Knowledge covers some of the most often heard but least understood theories and (...) explains them simply and entertainingly, including: Existentialism The Oedipus Complex Original Sin 'I think, therefore I am' Fuzzy Logic The Big Bang 'Religion is the Opium of the People'. (shrink)

In the final essay of Totem and Taboo, Freud infamously claims that civilization began when a band of brothers brutally murdered their father. This postulation leads Freud to conclude that "the beginnings of religion, morals, society and art converge in the Oedipus complex,"1 and, accordingly, most readers, regardless of their argument, presuppose that the text depicts a "fundamental oedipal revolt."2 This is how Peter Gay characterizes the action of Totem and Taboo in his short introduction to the Norton (...) Standard Edition, and this is how the text is generally remembered. While we may forget the moves of Freud's argument and the details of his historical narrative—not to mention the first three essays of the .. (shrink)

Kleinian psychoanalysis has recently experienced a renaissance in academic and clinical circles. _Reading Melanie Klein_ responds to the upsurge of interest in her work by bringing together the most innovative and challenging essays on Kleinian thought from the last two decades. The book features material which appears here for the first time in English, and several newly written chapters. _Reading Melaine Klein_ recontextualizes Klein to the more well-known works of Freud and Lacan and disproves the long-held claim that her psychoanalysis (...) is both too normative and too conservative for critical consideration. The essays address Klein's distinctive readings of the unconscious and phantasy, her tenacious commitment to the death drive, her fecund notions of anxiety, projection and projective identification and, most famously, her challenge to Freud's Oedipus complex and theories of sexual difference. The authors demonstrate that not only is it possible to rethink the epistemological basis of Kleinian theory, rendering it as vital as those of Freud and Lacan, but also that her psychoanalysis can engage in powerful and productive dialogue with diverse disciplines such as politics, ethics and literary theory. This timely collection is an invaluable addition to the scholarship on Melaine Kein and catalyst for further debate not only within the psychoanalytic community but also across social, critical and cultural studies. (shrink)

Since its inception, psychoanalysis has been hailed as a revolutionary theory of how the mind works, whilst some of its ideas such as the Oedipus complex have become part of everyday conversation. In Psychoanalysis: A Very Short Introduction, Daniel Pick offers a lucid, lively, and wide-ranging survey of psychoanalysis. This book offers the reader a flavour of what it might be like to enter treatment, and suggests the possible surprises that can await both analyst and patient, as well (...) as the potential benefits. Yet whilst Freud's writings have shaped the way many of us understand dreams, desires, and destructiveness, as well as anxieties, blunders, and guilt, numerous critics have warned of the dangerous methods and time-bound assumptions of psychoanalysis, doubted the efficacy of its drawn-out methods, and dismissed its core claims as pseudo-science. Looking at modern ideas of the self, exploring the nature of unconscious aspects of relationships, and considering how psychoanalysis has evolved, Pick ponders the particular challenges now facing the analytic profession, and shows why psychoanalysis remains an important resource for investigating the mind, its creative functioning and many afflictions.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. (shrink)