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  1.  7
    Andromache oder Briseis in einem Fragment des Aischylos (TrGF 3 F 267,1)?Peter Grossardt - 2024 - Hermes 152 (3):258-283.
    The following paper takes up an old question about the correct identification of the person that is mentioned or addressed in the first line of a short fragment from Aeschylus’ Phrygians. It is argued that the person is indeed Andromache, as the ancient authorities attest, and not Briseis, as some modern authors have claimed. However, the fragment continues a tendency to bring Andromache and Briseis in close connection with each other, that started already with Homer and his epic forerunners. Aeschylus, (...)
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  2.  12
    Die „Cena Trimalchionis“ gelesen als Parodie auf die „Ilias“.Peter Grossardt - 2009 - Hermes 137 (3):335-355.
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  3.  10
    Die zweite Reise des Odysseus in Lukians Verae Historiae.Peter Grossardt - 2011 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 155 (1):125-145.
    As is well known, Lucian’s masterpiece Verae Historiae can be read as a travesty of Homer’s Odyssey. The present paper argues that with his fantastic voyage Lucian reacts not just to the Odyssey itself but also to the recent interpretation of the Odyssey by the Middle Platonic and Neopythagorean philosopher Numenios of Apameia. Lucian’s purpose, therefore, in writing the Verae Historiae was presumably to give back to Odysseus some of the resilience that interpretations like that of Numenios had taken away (...)
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  4.  11
    Heimkehr, Traum und Wiedererkennung – Zur Rezeption der,Odyssee‘ in Petrons,Satyrika‘.Peter Grossardt - 2007 - Hermes 135 (1):80-97.
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  5.  10
    Noch einmal zum Heldenzorn bei Marko Kraljević und Achilleus.Peter Grossardt - 2015 - Hermes 143 (2):229-239.
    With the following paper the author responds to criticism concerning his argument about the origin of the legend of the Trojan War and about the role the wrath of Achilleus played in the development of Greek epic tradition. It is shown that the Serbian song of „Marko Kraljević and Mina of Kostur“ indeed represents the story-pattern of an insulted hero who reacts with anger and withdrawal from fighting and therewith forces his king to make amends. As there are similar stories (...)
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