Challenging and rewarding in equal measure, _Phenomenology of Perception_ is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others.

_Phenomenology of Perception: Theories and Experimental Evidence_ presents an interpretation of phenomenology as a set of commitments to discover the immanent grammar of perception by reviewing arguments and experimental results that are still important today for psychology and the cognitive sciences.

First published in 1945, Maurice Merleau-Ponty’s monumental _Phénoménologie de la perception _signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with the prevailing picture of existentialism and phenomenology at the time, it has become one of the landmark works of twentieth-century thought. This new translation, the first for over fifty years, makes this classic work of philosophy available to a new generation of readers. _Phenomenology of Perception _stands in the great phenomenological (...) tradition of Husserl, Heidegger, and Sartre. Yet Merleau-Ponty’s contribution is decisive, as he brings this tradition and other philosophical predecessors, particularly Descartes and Kant, to confront a neglected dimension of our experience: the lived body and the phenomenal world. Charting a bold course between the reductionism of science on the one hand and "intellectualism" on the other, Merleau-Ponty argues that we should regard the body not as a mere biological or physical unit, but as the body which structures one’s situation and experience within the world. Merleau-Ponty enriches his classic work with engaging studies of famous cases in the history of psychology and neurology as well as phenomena that continue to draw our attention, such as phantom limb syndrome, synaesthesia, and hallucination. This new translation includes many helpful features such as the reintroduction of Merleau-Ponty’s discursive Table of Contents as subtitles into the body of the text, a comprehensive Translator’s Introduction to its main themes, essential notes explaining key terms of translation, an extensive Index, and an important updating of Merleau-Ponty’s references to now available English translations. Also included is a new foreword by Taylor Carman and an introduction to Merleau-Ponty_ _by Claude Lefort. Translated by Donald A. Landes. (shrink)

Challenging and rewarding in equal measure, _Phenomenology of Perception_ is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the _body_ to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others. Perhaps above (...) all, Merleau-Ponty's insights about the embodied mind are a bold and refreshing challenge to the new era of virtual reality and artificial intelligence, as scientists and psychologists discover the centrality of the body to mind and intelligence. (shrink)

Challenging and rewarding in equal measure, Phenomenology of Perception is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others. (...) Perhaps above all, Merleau-Ponty's insights about the embodied mind are a bold and refreshing challenge to the new era of virtual reality and artificial intelligence, as scientists and psychologists discover the centrality of the body to mind and intelligence. (shrink)

Introduction: classical prejudices and the return to phenomena -- The body -- The perceived world -- Being-for-itself and being-in-the-world.

This volume of collected papers, with the accompanying essays by the editors, is the definitive source book for the work of this important experimental psychologist. Originally published in 1991, it offered previously inaccessible essays by Albert Michotte on phenomenal causality, phenomenal permanence, phenomenal reality, and perception and cognition. Within these four sections are the most significant and representative of the Belgian psychologist's research in the area of experimental phenomenology. Extremely insightful introductions by the editors are included that place (...) the essays in context. Michotte's ideas have played an important role in much research on the development of perception, and his work on social perception continues to be influential in social psychology. The book also includes some lesser-known aspects of his work that are equally important; for example, a remarkable set of articles on pictorial analysis. (shrink)

In this essay, which draws on a set of interrelated issues in the phenomenology of perception, I call into question the assumption that Buddhist philosophers of the Dignāga-Dharmakīrti tradition pursue a kind of epistemic foundationalism. I argue that the embodied cognition paradigm, which informs recent efforts within the Western philosophical tradition to overcome the Cartesian legacy, can be also found– albeit in a modified form–in the Buddhist epistemological tradition. In seeking to ground epistemology in the phenomenology of (...) cognition, the Buddhist epistemologist, I claim, is operating on principles similar to those found in Husserl’s phenomenological tradition. (shrink)

The chapter on time is one of the central investigations in Merleau-Ponty's Phenomenology of Perception. Throughout preceding chapters of that work one meets the claim that theoretical difficulties raised by the type of description of the perceiving subject that Merleau-Ponty offers are to be resolved in the investigation of time. For example, in describing perception, it begins to seem that the perceiving subject is neither a pure for-itself, nor an in-itself, but rather belongs to some category intermediate (...) between these two. How is such an ambiguity to be understood? Merleau-Ponty tells us that:On the level of being one will never understand that the subject must be at once naturans and naturatus, infinite and finite. But if we rediscover time beneath the subject, and if we relate to the paradox of time those of the body, the world, the thing and the other, we shall understand that there is nothing to understand beyond this. (shrink)

Thin, Costall, Butterworth...should be applauded for offering a collection of previously inaccessible essays by Albert Michotte on phenomenal causality, phenomenal permanence, phenomenal reality, and perception and cognition. Within these sections they have made wise selections and done a wonderful job of translating hitherto untranslated works. Most importantly, they have written extremely insightful section introductions that place the essays in historical and contemporary context. a Contemporary Psychology Albert Michotte's ideas have played an important role in recent research on the development (...) of perception, and his work on social perception continues to be influential in social psychology. This book presents the most significant and representative of the Belgian psychologist's research in the area of experimental phenomenology -- only a small portion of which has been published in English translation. It also includes some lesser-known aspects of his work that are equally important; for example, a remarkable set of articles on pictorial analysis (including film) virtually unknown to most contemporary researchers. The editors/translators of this text offer an enlightening introduction to Michotte's career that establishes historical context and highlights some of the links between his efforts and current research. For the most part, however, Thin s, Costall, and Butterworth allow Michotte to speak for himself. What he has to say is of considerable import in terms of contemporary psychological inquiry and debate. (shrink)

Summary The paper presents the result of a collective reflection inspired by the individual suggestions of 30 researchers working in different research areas. They are all familiar with the Experimental Phenomenology of Perception, and are aware of the importance that this approach might represent nowadays in their specific research field. The picture that emerges from this ‘mosaic’ stimulates us to consider the potential future developments of this approach if we accept that we need to push its borders beyond (...) the traditional aims of the study of perception (as masterfully developed by the historic Italian Maestri of this approach). If we take this broader view, the Experimental Phenomenology of Perception can extend its perimeters from an analysis of strictly perceptual aspects to an analysis of cognitive and metacognitive aspects (such as aesthetic evaluations, the perception of risk, the experience of certainty/uncertainty in a reasoning process, the perception of proximity to/distance from the solution to a problem and meaning-making in language). The cognitive and metacognitive aspects referred to are grounded in and modelled on the perceiver’s experience of a given situation. (shrink)

Maurice Merleau-Ponty's _Phenomenology of Perception_ is widely acknowledged to be one of the most important contributions to philosophy of the twentieth century. In this volume, leading philosophers from Europe and North America examine the nature and extent of Merleau-Ponty's achievement and consider its importance to contemporary philosophy. The chapters, most of which were specially commissioned for this volume, cover the central aspects of Merleau-Ponty's influential work. These include: Merleau-Ponty’s debt to Husserl Merleau-Ponty’s conception of philosophy perception, action and the (...) role of the body consciousness and self-consciousness naturalism and language social rules and freedom. Contributors: David Smith, Sean Kelly, Komarine Romdenh-Romluc, Hubert Dreyfus, Mark Wrathall, Thomas Baldwin, Simon Glendinning, Naomi Eilan, Eran Dorfman, Francoise Dastur. (shrink)

The longawaited translation of one of the most important philosophical works of our time. Merleau-Ponty's reflections upon perception, "the only absolute for philosophy," expand in a continuous way to the wider issues of human being: scientific knowledge, history, art, sexuality, the use of signs, learning processes, solitude and community, freedom, etc. Smith's translation is excellent, and his occasional notes are helpful. One only wishes there had been more of them; for Merleau-Ponty, more than most philosophers, relies crucially upon poetic (...) nuances, allusions, connotations, and echoes of other thinkers --aspects which cannot be translated textually, but which could be brought out in notes. Smith is obviously sensitive to these difficulties, and is to be congratulated for overcoming so many of them. Translation too, as a part of the philosophical enterprise, is "une tâche qui reste toujours à faire."--C. D. (shrink)

Maurice Merleau-Ponty is hailed as one of the key philosophers of the twentieth century. _Phenomenology of Perception_ is his most famous and influential work, and an essential text for anyone seeking to understand phenomenology. In this _GuideBook_ Komarine Romdenh-Romluc introduces and assesses: Merleau-Ponty’s life and the background to his philosophy the key themes and arguments of _Phenomenology of Perception_ the continuing importance of Merleau-Ponty’s work to philosophy. _Merleau-Ponty and Phenomenology of Perception_ is an ideal starting point for anyone (...) coming to his great work for the first time. It is essential reading for students of Merleau-Ponty, phenomenology and related subjects in the Humanities and Social Sciences. (shrink)

The question I am asking in this paper is whether Husserl adequately distinguished between the intentionality of speech acts, or what he called judgments, and that of perceptual acts. ...I am asking ... whether there is a change in H's theory of perception...

Merleau-Ponty's claim in Phenomenology of Perception (1962) that the anonymous body guarantees an intersubjective world is problematic because it omits the particularities of bodies. This omission produces an account of "dialogue" with another in which I solipsistically hear only myself and dominate others with my intentionality. This essay develops an alternative to projective intentionality called "hypothetical construction," in which meaning is socially constructed through an appreciation of the differences of others.

This is a concordance of page numbers in the following editions of Merleau-Ponty's Phenomenology of Perception: English editions prior to the Routledge Classics 2002; Routledge Classics edition, with the new pagination; the French edition from Gallimard, prior to 2005; the 2e edition from Gallimard, 2005, with new pagination.

This paper focus on the phenomenological theories of perception and intuitive acts in general, and aims to show the relevance of William James’ concept of fringe to understand them. Although Husserl claims that James’ analysis were carried on without the phenomenological reduction and were thus biased by psychological and physiological prejudices, the paper stresses the high value of those analysis: James’ intended to remain faithful to the meaning of lived experience and avoided any considerations where descriptions could be entangled (...) with uncriticized philosophical theories (e.g. about the nature of brain states). The paper also aims to show that James’ importance for Husserl could be extended beyond the explanation of acts intending singular individuals to the acts intending universal objectivities and essences. (shrink)

This volume offers the first substantial study of Heidegger’s phenomenology of perception, focusing on perception as capacities that can be developed in learning processes, notably in ways befitting ontological mindfulness. The author proposes new interpretations of Heidegger’s five most important key words.

This is an advanced introduction to and original interpretation of Merleau-Ponty's greatest work, Phenomenology of Perception. Timothy Mooney provides a clear and compelling exposition of the theory of our projective being in the world, and demonstrates as never before the centrality of the body schema in the theory. Thanks to the schema's motor intentionality our bodies inhabit and appropriate space: our postures and perceptual fields are organised schematically when we move to realise our projects. Thus our lived bodies (...) are ineliminably expressive in being both animated and outcome oriented through-and-through. Mooney also analyses the place of the work in the modern philosophical world, showing what Merleau-Ponty takes up from the Kantian and Phenomenological traditions and what he contributes to each. Casting a fresh light on his magnum opus, this book is essential reading for all those interested in the philosophy and phenomenology of the body. (shrink)

A number of passages in "phenomenology of perception" suggest that merleau-Ponty wants to collapse entirely the distinction between the 'a priori' and the empirical, Between 'truths of reason' and 'truths of fact'. I argue that his discussion of one of the theorems of euclidean geometry reveals a less ambitious and more plausible aim--Namely, A demonstration that 'a priori' truths may be characterized by features traditionally applicable only to empirical truths, And vice versa. Merleau-Ponty's discussion of the 'a priori' (...) and the empirical simply brings the two a little closer together, Stressing the similarities and interconnections traditionally ignored in favor of the obvious differences. (shrink)

This second volume of David Kleinberg-Levin’s study of Heidegger’s phenomenology of perception sheds light on how Heidegger works, both critically and constructively, with seeing and hearing. The author explores how these capacities address the ills illuminated by Heidegger’s critique of metaphysics and the nihilism devastating the Western world.

Two key phenomena of Merleau-Ponty's _Phenomenology of Perception are habit and inhabiting. Their chief characteristics, respectively, are generalizing actions and actively familiarizing. They are essentially and reciprocally related: inhabiting consists of being in habits and habitual actions are a way of inhabiting. The article focuses on three aspects of Merleau-Ponty's discussions: habit as simultaneously motor and perceptual, the interplay of sedimentation and spontaneity, and the body's inhabiting of space and incorporating of expressive spatiality. Merleau-Ponty's typist example and four examples (...) of the author illustrate that the relationship of habit and inhabiting is a basic structure of being-in-the-world. (shrink)

Merleau-Ponty's «Phenomenology of Perception» suggests perception to be the primary level of the giveness of the world. Perception appears as always an incomplete synthesis of the plural, bringing together bodily and material aspects. Such the simplest interpretation of perception as rendering a contact within the dyad «body-world» is a preliminary axiom for explaining the rest of the process of noematic sense formation. At the same time, Merleau-Ponty’s theoretical intuitions clearly presuppose more, and perception is (...) also thought of as the final point where sense is already given by some way. Thus, in Phenomenology, the second interpretation of perception presumes it to be sense-giving accompanied by the tacit cogito. Merleau-Ponty suggests that these interpretations are compatible with each other, but the transition between them seems really problematic. In the research author shos that the limit of the initial synthesis of perception - some sense of the perceived (exemplyfing meanings as «this horse», «the green density that rushed towards me») - is unattainable from within perception itself and by its means. Perception is itself mediated by other faculties, such as memory, reflection, and imagination. Argumentation for this thesis is carried out in several ways; the relations in the perception/imagination pair show us the most characteristic case, where Merleau-Ponty, judging by later works, himself comes close to recognizing the limitations of the hypothesis of «the world of perception», to the need for a phenomenological development of the topic of faculties. Based on the application of the phenomenological method and the analysis of the conceptual constructions of Merleau-Ponty, we can conclude the following: «the world of perception» does not exist, but the phenomenology of faculties is demanded. (shrink)

I discuss the limits of Ingarden’s phenomenology of perception from a naturalistic perspective. Ingarden did not propose any proper method of the realization of the applied theory of perception (critics of perception). This situation enables to apply empirical data from cognitive neurosciences. The applied procedure shows that basic components of the phenomenology of perception are not valid.

Merleau-Ponty’s specific theory of negation has received surprisingly little attention within the literature. Given his engagement with Sartre, not to mention Hegel and Marx, one would think that this concept and its surrounding issues and problems would occupy a more central place within various readings and interpretations. This essay attempts to give some indications of how to think about a Merleau-Pontian theory of negativity specifically. By re-reading the “Temporality” chapter from Phenomenology of Perception in dialogue with later writings (...) and lectures, I propose a theory of “integration” and “disintegration” of temporal passage in place of a dialectic of pure being and nothingness. This theory organizes various themes in Merleau-Ponty’s work, including sense-genesis and his references to the “scream of light”. (shrink)

This paper focuses on the concept of the "intentional arc" in Merleau-Ponty, who maintains that perception comes into play within, and is nourished by, an already established relation between the person and the world. That obscure relation, the intentional arc, is the "genesis" of perception, and this paper argues that in it resides the proper theme of a psychological phenomenology of perception. A study of the intentional arc shows that perception is not a passive, causal, (...) impersonal process. On the contrary, perception is active in that it requires the perceiver's free consent to the solicitations stemming from the world; it is thus only motivated or beckoned, but not caused; and it rests on a personal foundation, which is to say that it depends on the entire psychological life of the perceiver. A subsequent paper will enrich and develop the implications of this thesis by taking up the phenomenology of hallucinations. (shrink)

The concept of depth is central to Merleau-Ponty’s phenomenology and informed not only his philosophy of perception but also his thinking about psychology, art and politics. This article traces the ways the notion of depth appears in Merleau-Ponty’s thinking in these fields, contrasting it with Husserl’s own phenomenological investigations. The article starts with a comparison of the function of perception in Husserl’s phenomenology and then proceeds with an analysis of how the issue of depth reappears in (...) Merleau-Ponty’s phenomenology of perception, phenomenology of art and political philosophy. I argue that while Husserl’s approach to phenomenology led him to analyses of aesthetics stemming from works of art as random examples, and to non-participation in politics, Merleau-Ponty’s phenomenology leads to the opposite approach, inviting concrete criticism in art and active participation in politics. It is argued that Merleau-Ponty’s approach is more philosophically consistent. The choice of particular works of art, and the particular political engagements, can retrospectively clarify the transcendental phenomenological investigations themselves. (shrink)

The moral presentation: an essay on Merleau-Ponty's notion of time in the Phenomenology of Perception: The purpose of this essay is to investigate the notion of memory in Merleau-Ponty, suggesting a possible interpretation of the time and memory within Merleau-Ponty’s genetic phenomenological analysis. Ultimately, our hypothesis is that Merleau-Ponty’s understanding of the problem of representation and perception - particularly the problem of retention - places an ethical ground in perception. We will suggest that the phenomenological approach (...) to memory might pave a different undertaking of morals as constructed in the living-present. Our objective is then to point a moral dimension to the process of presentation-representation that happens in consciousness, and establish that our way into the comprehension of values has both a passive and active dimension that is often underdeveloped in studies of how we establish moral and political convictions. Keywords: Time, Memory, Representation, Perception, Ethics A presentação moral: um ensaio sobre a noção de tempo de Merleau-Ponty na Fenomenologia da Percepção Resumo: O propósito desse ensaio é instigar a ideia de memória em Merleau-Ponty, sugerindo uma possível interpretação de tempo e memória dentro da análise genética-fenomenológica de Merleau-Ponty. Em última medida, nossa hipótese é que o entendimento de Merleau-Ponty sobre o problema da representação e da percepção - particularmente o problema da retenção - coloca um fundamento ético para a percepção. Nós iremos sugerir que a abordagem fenomenológica para a memória pode nos dar um diferente modo de análise da moral enquanto construída no presente-vivido. Nosso objetivo é então apontar para uma dimensão moral para o processo de apresentação-representação que acontece na consciência e estabelecê-lo como um caminho para nossa representação consciente, entendendo que nosso modo de compreensão tem tanto uma dimensão intencionalmente ativa quanto passiva que é frequentemente pouco desenvolvida em estudos sobre nossos estabelecimento de convicções morais e políticas. Palavras chaves: Tempo, Memória, Representação, Percepção, Ética La presentación moral: un ensayo sobre la noción de tiempo de Merleau-Ponty en la Fenomenología de la Percepción Resumen: El propósito de este ensayo es instigar la idea de memoria en Merleau-Ponty, sugiriendo una posible interpretación del tiempo y la memoria dentro del análisis genético-fenomenológico de Merleau-Ponty. En última instancia, nuestra hipótesis es que la comprensión de Merleau-Ponty del problema de la representación y la percepción, particularmente el problema de la retención, sienta una base ética para la percepción. Sugeriremos que el enfoque fenomenológico de la memoria puede darnos un modo diferente de análisis moral a medida que se integra en el presente. Nuestro objetivo es, entonces, señalar una dimensión moral al proceso de presentación-representación que tiene lugar en la conciencia y establecerlo como un camino hacia nuestra representación consciente, entendiendo que nuestro modo de comprensión tiene una dimensión intencionalmente activa y pasiva que a menudo se entiende mal. desarrollado en estudios de nuestro establecimiento de creencias morales y políticas. Palavras clave: Tiempo, Memoria, Representación, Percepción, Ética Data de registro: 03/09/2019 Data de aceite: 22/07/2020. (shrink)

In this essay, I discuss how Maurice Merleau-Ponty's phenomenology concretizes our understanding of intentionality by rooting it in the body and in the senses in particular. In what follows I attempt to sketch out a version of "poly-intentionality" that I find implicit in Merleau-Ponty's chapter "Sensing" in his Phenomenology of Perception. Within this chapter, Merleau-Ponty argues that sensation is intentional, contrary to Husserl's stance that sensations require apperceptive acts of sense-giving in order to constitute them in experience.1 (...) In addition to arguing for sensation's intentionality, Merleau-Ponty claims that each sense offers its own unique mode of intending. Intentionality, therefore, can... (shrink)

This book offers a critical re-appraisal of what is perhaps Merleau-Ponty’s most widely read text, the Preface to his Phenomenology of Perception. Although open and enigmatic text, the Preface is still often used to introduce phenomenology in general and Merleau-Ponty’s work specifically to students, scholars in disciplines other than philosophy, and art practitioners. Taking advantage of the fact that many of his course notes have been posthumously published in the last few decades, this book situates the Preface (...) to the Phenomenology of Perception in the context of Merleau-Ponty's later work and shows how it contains many of the threads on which Merleau-Ponty would later pull. In doing so, the book chapters elaborate key themes in the Preface: “Phenomenology and its Paradoxes,” “Phenomenology and its Method,” “Phenomenology and its Incompletion,” “Phenomenology and Non-Phenomenology." Readers will learn about the radicality of Merleau-Ponty’s early articulation of phenomenology, how much it already suggests the profound transformation of phenomenology usually associated with his more mature work. (shrink)

Ideally, psychological and phenomenological studies of visual experience should be mutually informative. In that spirit, this article outlines parts of Maurice Merleau-Ponty's phenomenological view of visual experience as a kind of independently active opaque bodily synthesis, and uses those views to (a) help ground and extend Alva Noë's rejection of the “snapshot” theory of visual experience in favor of a more enactive view of visual content, (b) critique a failing of Noë's account, and (c) show how the assumptions underlying more (...) internalist and Cartesian views of visual experience can illegitimately creep in even when they are being carefully criticized. (shrink)

The phenomenology of agency and perception is probably underpinned by a common cognitive system based on generative models and predictive coding. I defend the hypothesis that this cognitive system explains core aspects of the sense of having a self in agency and perception. In particular, this cognitive model explains the phenomenological notion of a minimal self as well as a notion of the narrative self. The proposal is related to some influential studies of overall brain function, and (...) to psychopathology. These elusive notions of the self are shown to be the natural upshots of general cognitive mechanisms whose fundamental purpose is to enable agents to represent the world and act in it. (shrink)

European Journal of Philosophy, EarlyView.

Recently, a number of epistemologists have argued that there are no non-conceptual elements in representational content. On their view, the only sort of non-conceptual elements are components of sub-personal organic hardware that, because they enjoy no veridical role, must be construed epistemologically irrelevant. By reviewing a 35-year-old debate initiated by Dagfinn F.

The notion of repression as active forgetfulness already found in Nietzsche and systematised by Freud and his successors is employed in a distinctive manner by Merleau-Ponty in Phenomenology of Perception. By showing how we appropriate our environment towards outcomes and respond to other people, he contends, we can unearth hidden modes of operative intentionality. Two such modes are the motor intentional projection of action and the anonymous intercorporeality that includes touching and being touched. Each of these is an (...) aspect of a past that was never a present. Merleau-Ponty does have something to say about pasts that were once present and that linger on in human life. Yet he shows little interest in the unconsciousness of psychoanalysis for its own sake. Psychoanalytic accounts of repression are assimilated into his theory of the body itself, serving merely as means for illustrating the latter. I suggest that this move follows on a conception of an integrated existent whose past acquisitions are remarkably enabling and untroubling. (shrink)