The object of our paper is to examine how wine-related knowledge and practices play an important role in determining the respective flavour experiences of novice wine drinkers and sommeliers. We defend the idea that sensation is informed by knowledge, as it circulates in a cultural environment. Biosemiotics has developed appropriate concepts helping us understand how the same wine can generate diverging experiences. Within a biosemiotic framework, we consider wine flavours as relational, semiosic experiences produced by the convergence of sensory-discriminative, motivational-affective (...) and cognitive-evaluative factors. Drawing from fundamental biosemiotics we argue that these factors vary according to the creature and its simultaneously biological and cultural umwelt. We conclude by examining a series of empirical studies consolidating the idea that sensation is informed by knowledge and language. (shrink)

Writers and readers of literature are, among other things, biological entities that evolve under particular political (geographical/historical) conditions. A comparative study of certain texts by Martin Heidegger (1889–1976) can help us establish a fruitful interpretation of this threefold link between literary art, biology and politics. However, careful analysis reveals that Heidegger remains too rooted in an old-world, nationalistic and anthropocentric paradigm. We will attempt to rethink Heidegger’s assumptions on the grounds that literature, a cultural practice, enables us to delineate our (...) natural environment. By reformulating Heidegger’s line of thought, we can more precisely address the plural structure of our biotic and political-literary experiences. (shrink)

Summary This article explores the relations among three forms of representations (artistic, mental, and neural) and immersion, considered as an altered state of consciousness, in the context of literary reading. We first define immersive reading as an intensification of our embodied experience of literary representation, in accordance to neuropsychological studies about embodied cognition. We further consider the style of interpretation demanded by such immersive reading and its ethical and ecological underpinnings.

The Legacies of Ursula K. Le Guin explores how Le Guins fiction and essays have built a speculative ethical practice engaging indigenous knowledge and feminism, while crafting utopias in which human and other-than-human life forms enter into new relations. Her work also delineates new ways of making sense of the "science" of science fiction. The authors of this collection provide up-to-date discussions of well-known works as well as more experimental writings. Written in an accessible style, Legacies will appeal to any (...) readers interested in literature, science fiction and fantasy, as well as specialists of science and technology studies, philosophy of science, ethics, gender studies, indigenous studies and posthumanism."--Publisher's description. (shrink)