Dilemma one, Between the theoretical concepts and authorial intention -- Dilemma two, Good manners and eristic -- Dilemma three, Between strangeness and familiarity -- Dilemma four, Between scholarly research and faith.

„Książka dr Marzenny Cyzman stanowi na gruncie literaturoznawstwa współczesnego niezwykle cenne opracowanie problematyki badawczej, skupionej wokół teorii nazw własnych w dziele literackim. Choć autorka podejmuje głównie refleksję teoretyczną, nie brak w jej pracy znakomitej prezentacji materiału analitycznego w postaci przywoływanych przykładów artystycznej funkcjonalizacji nazw własnych w konkretnych utworach literackich". Z recenzji wydawniczej prof. Joanny Ślósarskiej, Katedra Teorii Literatury, Uniwersytet Łódzki „Praca dr Marzenny Cyzman należy do tego nurtu teorii literatury, który rozwija się w bliskim związku z filozofią. Dlatego sądzę, że (...) pracą będą zainteresowani nie tylko teoretycy literatury czy językoznawcy, ale i filozofowie, szczególnie zajmujący się filozofią języka i ontologią. Praca Pani dr Cyzman dostarcza bowiem ciekawej ontologicznie koncepcji antroponimów i to nie tylko z punktu widzenia ontologii dzieła literackiego, ale i samej ontologii, gdyż to w ontologii rozstrzyga się kwestie związane z istnieniem i naturą przedmiotów intencjonalnych, w tym fikcyjnych". Z recenzji wydawniczej prof. Urszuli Żegleń, Instytut Filozofii, Uniwersytet Mikołaja Kopernika. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Latin Literature. A HistoryRichard F. ThomasGian Biagio Conte. Latin Literature. A History. Translated by Joseph B. Solodow. Revised by Don Fowler and Glenn W. Most. Baltimore and London: The Johns Hopkins University Press, 1994. xxxiii 1 827 pp. $65.00.The work under review is a translation of Gian Biagio Conte’s 1987 book Letteratura latina; Manuale storico dalle origini alla fine dell’ impero, a book whose title (...) page acknowledged the collaboration of Alessandro Barchiesi, Emanuele Narducci, Giovanni Polara, Giuliano Ranucci, and Gianpiero Rosati. In the translation these scholars have been moved into C.’s “Acknowledgements,” making room for the new group on the title page, as given above. Of these, Don Fowler provided a bibliography and “in a sense has helped to direct the whole editorial enterprise,” while Glenn Most (like Solodow, one of C.’s English translators), rewrote sections on reception. Elaine Fantham introduces the work with an encomiastic “blurb” and general appreciation of the scholarship of C. C.’s own preface adds to the “gang of five” original collaborators a new group of three (Mario Labate, Alessandro Schiesaro, Rolando Ferri) who “have freely given me the support of their attentive and considerate criticism.” One recent reviewer talks of “the thorough control of the material by the single mind of the original author” (Robert P. Sonkowsky, The Key Reporter 61.3 [1996] 13), as does another for whom “the book is the production of a single mind” (J. Griffin, “The Long Latin Line,” review in New York Review of Books [Oct. 6, 1994] 43); it therefore seems only right to register my dissent from such a judgment.Much in Latin studies right now seems to involve a pack mentality: teams toil away for their grex, writing encomiastic and disingenuously uncritical reviews, or footnotes acknowledging the help of other teammates, attending conferences, organizing group-solidifying essay collections, even new series and manifestoes promising a “New Latin”—a term that seems to have no particular theoretical or intellectual content, nor a purpose other than to appeal vaguely for some sort of postmodernist approval. Barbara F. McManus’ summary of a paper on the uses of e-mail for mobilizing interest groups, delivered at a conference on computers and the classics by the very editor of the book under review, Don Fowler (“The Scroll and the Screen: Computers and Classical Literary Criticism”), gives a clear account of procedure and techniques in use:Electronic communication allows small groups with strongly related interests to form, cohere, and influence the larger disciplinary community; because such groups start with fundamental agreement on intellectual frameworks and approaches, they can develop ideas rapidly and in depth.(2/8/97 )What happens when other, less organized and more individual, insights fail to coincide with the “fundamental agreement” of the “group,” and how, we might wonder, will such individualism hold up in the face of this mission to “influence the larger disciplinary community”? [End Page 471]Be all this as it may and whatever the realities of authorship, the achievement of Gian Biagio Conte’s volume is a signal one. Latin Literature is a work of considerable value, a work which I have already used with success in teaching the history of Latin literature. Whatever the state of its authorship, I would now move to a review of some of its merits, which are considerable, and in which C. himself is obviously a participant throughout. The book begins with the origins of Latin literature and extends to Bede and the national literatures that were to transmit Latin literature into the vernaculars, that would in turn connect the essential themes and fundamental concerns of classical Latin literature to the cognate and evolving experiences of later antiquity and the middle ages. The original authors worked to a formulaic scheme: generally “Life,” “Works,” some treatment of cultural/political/social context, “Literary Success” (for the Italian “Fortuna”—I would have preferred “Reception”), and bibliography. This latter, again by Fowler, is developed from the Italian version and is generally made more international, often with the result that it sits somewhat uneasily with the original articles, which are largely unchanged, and whose authors presumably made... (shrink)

The first two volumes of a four-volume study, destined surely to become the standard work in its field. Literary criticism in the broadest sense is the book's subject, but the author tries to avoid purely philosophical aesthetics at one extreme--Kant is given 3 pages to Schiller's 24--as well as unsubstantiated judgments of taste at the other. Since he tries to see the past as bearing upon and productive of the literary theory of the present, the book might be said (...) to be more an account of the sources and growth of contemporary thinking about literature and criticism than a "history" in the usual sense. Professor Wellek has a rich store of scholarly knowledge at his disposal, and his interpretive generalizations are well supported by references and texts; yet the argument moves easily and clearly. A fine piece of creative scholarship.--V. C. C. (shrink)

Wie nah sind sich Literatur und Philosophie? Die beiden Disziplinen stehen für ganz unterschiedliche Formen der Welterkenntnis und der Erkenntnisvermittlung. Doch ohne das Verständnis des jeweils anderen Bereiches kommen die literaturwissenschaftliche und die philosophische Analyse schnell an ihre Grenzen. Dass es zahlreiche Berührungspunkte zwischen Literatur und Philosophie gibt, zeigt dieses Handbuch. In 16 ausführlichen Kapiteln schafft es einen Überblick über Problemkonstellationen, bei denen die Trennung beider Fachgebiete relativiert oder aufgehoben ist.

The authors aptly describe their work as a narrative. The protagonists are sometimes great thinkers, sometimes ideas about literary criticism, sometimes different approaches to literature whose intermingling histories are here described. At the same time the authors are in quest of a varied and many-sided presentation of the nature and writing of literature. Accordingly the insights of philosophers and literary men are stressed more than the consistency of their opinions; understanding is valued more highly than the certainty (...) of systems. In this way classical texts are placed in an interesting new light and lesser known episodes of this history are brought to life.--R. G. S. (shrink)

Oscar Kenshur’s “Demystifying the Demystifiers: Metaphysical Snares of Ideological Criticism” should go a long way toward convincing most readers that the cure for “ideological” criticism is worse than the disease. His attempt to uncouple ideology and epistemology in Thomas Hobbes’ Leviathan and Michael Ryan’s Marxism and Deconstruction belongs to an increasingly popular subgenre of metacriticism, the “more-historical-than-thou” offensive against Marxists and new historicists for their alleged essentialist procedures.1 There is no question that Kenshur raises significant issues about the (...) nature of ideological analysis that should be debated. However, he has neither interrogated the basis of his own assumptions about seventeenth-century views of language theory and epistemology nor convincingly demonstrated, to my mind, that Ryan is somehow wrong in his reading of Hobbes. The weakness of Kenshur’s argument is that he seems intent on erecting the windmills at which he wants to tile—most damagingly for his argument a simplistic notion of ideology that he assumes both Hobbes and Ryan share. By accepting a deterministic notion of ideology, Kenshur offers a “corrective” to overzealous claims for the significance of ideological criticism that has the effect not of “sav[ing history] from its friends” but of returning it to the status of “background” or “context” that it had been for a previous generation of New Critics. The terms in which he casts his argument—epistemology and/or ideology—redefine “ideological criticism” in a polemical manner designed, it seems, to discourage anyone from wanting to practice it. His ultimate purpose is not simply to save “history” from the Ryans of the world but to inoculate his versions of literature and philosophy against the ideological virus. To respond fully to the various issues that Kenshur raises would require detailed analyses of seventeenth-century literary and political culture and of the institutionalization of twentieth-century criticism; simply to discuss the differences between Hobbes and Ryan on epistemology or ideology would require a full-length study of the various discourses in which and against which their works are situated. Given the limitations of a critical response, I shall confine my remarks to two suspect areas of Kenshur’s argument: his characterization of seventeenth-century notions of the relationships among language, epistemology, and ideology and his assumptions about the nature of claims currently made for ideological analysis. 1. See, for example, Edward Pechter, “The New Historicism and Its Discontents: Politicizing Renaissance Drama,” PMLA 102 : 292-303. Robert Markley teaches in the English department of the University of Washington and is editor of The Eighteenth Century: Theory and Interpretation. He is the author of Two-Edg’d Weapons: Style and Ideology in the Comedies of Etherege, Wycherley, and Congreve and coauthor, with Kenneth J. Koespel, of Newton and the Failure of Messianic Science: A Postmodern Inquiry into the Discourses of Natural Philosophy. (shrink)

Beginning with Erich Auerbach's reflections on the Goethean concept of world literature, Ottmar Ette unfolds the theory and practice of Literatures of the World. Today, only those literary theories which are oriented upon a history of movement are still capable of doing justice to the confusing diversity of highly dynamic, worldwide transformations. This is because they examine transareal pathways in the field of literature. This volume captures literary processes of exchange and transformation between the Mediterranean, Atlantic and (...) Pacific as well as the interplay of different ways of narrating space and time. Thus, this volume speaks from a fractal point of view and unfolds multiple perspectives. Literatures of the World allow the reader to think in different logical frameworks at the same time, therefore shaping our future on the basis of the diversity of humankind. (shrink)

Introduction -- Philosophy in the Middle Ages -- Polish philosophy in the Renaissance and Baroque -- Polish philosophy in the Enlightenment -- Polish philosophy of the Romantic era -- The philosophy of Polish positivism -- Polish philosophy in the age of modernism --Polish philosophy in the interwar period -- Polish philosophy after World War II -- A selection of post-war general literature on the subject -- Conclusion.

The interactions between literature and science and between literature and psychoanalysis have been among the most thriving areas for interdisciplinary study in recent years. Work in these 'open fields' has taught us to recognize the interdependence of different cultures of knowledge and experience, revealing the multiple ways in which science, literature, and psychoanalysis have been mutually enabling and defining, as well as corrective and contestatory of each other. Inspired by Gillian Beer's path-breaking work on literature and (...) science, this volume presents fourteen new essays by leading American and British writers. They focus on the evolutionary sciences in the nineteeth-century; the early years of psychoanalysis, from Freud to Ella Freeman Sharpe; and the modern development of the physical sciences. Drawing on recent debates within the history of science, psychoanalytic literary criticism, intellectual history, and gender studies, the volume makes a major contribution to our understanding of the formation of knowledge. Among its recurrent themes are: curiosity and epistemology; 'growth', 'maturity', and 'coming of age' as structuring metaphors ; taxonomy; sleep and dreaming and elusive knowledge; the physiology of truth; and the gender politics of scientific theory and practice. The essays also reflect Beer's extensive influence as a literary critic, with close readings of works by Charlotte Brontë, Alfred Lord Tennyson, George Eliot, Thomas Hardy, Henry James, Oscar Wilde, H. G. Wells, Edith Ayrton Zangwill, Charlotte Haldane, Virginia Woolf, George Orwell, and Karin Boye. (shrink)

Aesthetics ; Aesthetics in literature ; history and criticism of Persian literature.

Der Beitrag nimmt Erich Auerbachs Postulat einer transnationalen Ideengeschichte als Ausgangspunkt, um aktuelle Potenziale einer ideenhistorisch geprägten Literaturwissenschaft zu prüfen. Einerseits ausgehend von der sozialgeschichtlichen bzw. sprachkritisch geprägten Neuausrichtung der Ideengeschichte, wie man sie mit dem Schlüsseljahr 1969 und den Namen Foucault und Skinner in Verbindung bringen kann, und andererseits vor dem Hintergrund ihrer kulturwissenschaftlichen Expansion lotet der Artikel die Möglichkeiten einer Ideengeschichte aus, die sich wieder stärker der Interpretation von Bedeutung, von Ideen als geistigen Tatsachen zuwendet. Dazu schlägt er (...) einen topisch-rhetorischen Begriff der Texthandlung vor, der es dem Leser gestattet, sich dem Autor als dem eklektischen Nutzer und Neuarrangeur verfügbaren Wissens zu nähern. Die Literaturwissenschaft könnte sich auf diese Weise als hermeneutisches Leitverfahren der Ideengeschichte empfehlen, mit dem der Stellenwert eines souveränen Lesersubjekts auch angesichts zur Unübersichtlichkeit neigenden Text-Kontext-Formationen aufrechterhalten werden kann. (shrink)

INTRODUCTION: THE NAME MADHYAMAKA The Madhyamaka school of Mahayana Buddhism goes back to Nagarjuna, the great Indian Buddhist philosopher who is placed ...

Investigating experimental and avant-garde works of art as literature, Gilbert probes what art can't see about the literary and what literature has overlooked in the arts.

Keine ausführliche Beschreibung für "Umwertung aller Werte?" verfügbar.

This book argues that the negotiation of agency is central not only to the experience of war but also to its representation in cultural expressions, ranging from a notion of disablement, expressed in victimization, immobilization, traumatization, and death, to enablement, expressed in the perpetration of heroic, courageous, skillful, and powerful actions of assertion and dominance. In order to illustrate this thesis, it provides a comprehensive analysis of literary representations of the American War of Independence from 1775, the beginning of the (...) war, up until roughly 1860, when the Civil War marked a decisive historical turning point. As the first national war, it has an unquestionably exemplary status for the development of American conceptions of war. The in-depth study of exemplary texts from a variety of genres and by authors like Thomas Paine, Benjamin Franklin, James Fenimore Cooper, Catharine Sedgwick, William Gilmore Simms, and Herman Melville, demonstrates that the overall character of Revolutionary War literature presents the war as a forum in which collective and individual agency is expressed, defended, and cultivated. It uses the military environment in order to teach the values of discipline and self-subordination to a communal good, which are perceived as basic principles of a Republican virtue to guide the actions of the autonomous individual in a popular democracy. (shrink)

Cover -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- Chapter One: Writing against Theodicy: Secularization in Baudelaire's Poetry and Critical Essays -- Chapter Two: The Mourning of God and the Ironies of Secularization in Baudelaire's Le Spleen de Paris -- Chapter Three: Sublimation and Conversion in Zola and Huysmans -- Chapter Four: The Staging of Doubt: Zola and Huysmans on Lourdes -- Chapter Five: Religious and Secular Conversions: Transformations in Céline's Medical Perspective on Evil -- Conclusion -- (...) Notes -- Bibliography -- Index -- About the Book. (shrink)

Histories of literary criticism are rare, and it may be useful to consider why. The initial confrontations between the early modernism of the nascent avant-garde at the turn-of-the-century and the conservatism of the critical establishment which attempted to stifle precisely those aesthetic innovations that subsequently came to be recognized as the classics of the age left a deep impression on literary life. Given this paradigmatic experience, criticism appears as the fundamental antagonist of authentic literature with which a (...) popular taste, infused with an epigonic romanticism which has lost its radical thrust, is always eager to identify. A denigration of literary criticism ensues which, in its kinder moments, views the critic as merely irrelevant but more often denounces him as an evil creature, ontologically inferior to the truly productive creative genius. (shrink)

Numinous spaces in British literature from William Wordsworth to Samuel Beckett -- Jesus figures in American literature from Ralph Waldo Emerson to Edward Albee -- Using Bakhtin's definitions to discover ethical voices in Solzhenitsyn and Tolstoy -- René Girard's categories of scapegoats in literature of the American South -- Hopkins's metaphysics of nature as sacred disclosure -- The book of job as mirrored in Hopkins's metaphysics -- Beckett's mythos of the absence of God.

Recasting French literary history in terms of the cultures and peoples that interacted within and outside of France's national boundaries, this volume offers a new way of looking at the history of a national literature, along with a truly global and contemporary understanding of language, literature, and culture. The relationship between France's national territory and other regions of the world where French is spoken and written (most of them former colonies) has long been central to discussions (...) of "Francophonie." Boldly expanding such discussions to the whole range of French literature, the essays in this volume explore spaces, mobilities, and multiplicities from the Middle Ages to today. They rethink literary history not in terms of national boundaries, as traditional literary histories have done, but in terms of a global paradigm that emphasizes border crossings and encounters with "others." Contributors offer new ways of reading canonical texts and considering other texts that are not part of the traditional canon. By emphasizing diverse conceptions of language, text, space, and nation, these essays establish a model approach that remains sensitive to the specificities of time and place and to the theoretical concerns informing the study of national literatures in the twenty-first century. (shrink)

This cutting-edge collection of essays showcases the work of some of the most influential theorists of the past thirty years as they grapple with the question of how literature should be treated in contemporary theory. The contributors challenge trends that have recently dominated the field--especially those that emphasize social and political issues over close reading and other analytic methods traditionally associated with literary criticism. Written especially for this collection, these essays argue for the importance of aesthetics, poetics, and (...) aesthetic theory as they present new and stimulating perspectives on the directions which theory and criticism will take in the future. In addition to providing a selection of distinguished critics writing at their best, this collection is valuable because it represents a variety of fields and perspectives that are not usually found together in the same volume. Michael Clark's introduction provides a concise, cogent history of major developments and trends in literary theory from World War II to the present, making the entire volume essential reading for students and scholars of literature, literary theory, and philosophy. (shrink)

Throughout 19th and the first half of 20th centuries, Polish thinkers largely supplanted political philosophy with the philosophy of history. Such an approach produced an essential continuum, despite marked differences of concepts in different political and theoretical contexts. This continuity finds a particular expression in two ideas, nascent already in the 15th and 16th century Polish political thought, i.e. the idea of Poland’s Historical Mission , and a notion of a specifically Polish Love of Freedom.The author (...) approaches this phenomenon by way of presenting three sets of concepts: the late-Enlightenment one of S. Staszic, the Romantic attempt of A. Cieszkowski, and M. Zdziechowski’s Neo-Romantic take. (shrink)