Dans ses Variations, Gérard Rabinovitch retrouve le cheminement des pensées qui se sont posées sur le rire, depuis l'Antiquité. Il explore la spécificité qui fonde l'humour pour mieux tracer la frontière qui le sépare des autres formes de rires. En suggérant de reprendre la discussion sur la liberté du rire là où l'avait lancée en son temps Pierre Desproges, qui à la question "Peut-on rire de tout?" répondait en homme averti "Oui! Mais pas avec n'importe qui!", Gérard Rabinovitch (...) propose en filigrane une nuance corrective : "Oui! Mais pas n'importe comment". Il accompagne son propos itinérant d'un florilège d'histoires d'auteurs venus d'horizons variés qui scrutent la condition humaine avec humour et lucidité. (shrink)

Sébastien Le Clerc (1637–1714) was the most renowned engraver of Louis XIV's France. For the history of scientific publishing, however, Le Clerc represents a telling paradox. Even though he followed a traditional route based on classic artisanal training, he also published extensively on scientific topics such as cosmology and mathematics. While contemporary scholarship usually stresses the importance of artisanal writing as a direct expression of artisanal experience and know-how, Le Clerc's publications, and specifically the work on cosmology in hisSystème du (...) monde(1706–1708), go far beyond this. By reconstructing the debate between Le Clerc and the professor Mallemant de Messange on the authorship of this ‘system of the world’, this article argues that Le Clerc's involvement in publishing ventures shaped his identity both as an artisan and as a scientific author. Whereas the Scientific Revolution supposedly heralded a change from the world of ‘more or less’ to the ‘world of precision’, this article shows how an artisan could be more ‘precise’ than the learned scholar whose claims he disputed, and points to the importance of the literary field as a useful lens for observing the careers of early modern scientific practitioners. (shrink)

From its beginnings religious philosophy confronted the challenge to reconcile Divine or natural determinism with man's moral freedom. In ancient Jewish thought, this gave rise to statistical ideas. In some Rabbinic texts, necessity is seen as inhering in collectives rather than in individuals. This is a statistical conception. Some miracles too were understood as highly improbable events, and remarkable phenomena were distinguished from usual ones. Medieval thinkers amplified and developed these ideas. Providential as well as natural determinism were explained as (...) operating in large numbers of individual acts of free will, an idea later taken up by Kant. (shrink)

No Moonlight in My Cup: Sinitic Poetry from the Japanese Court, Eighth to the Twelfth Centuries. Edited and translated by Judith N. Rabinovitch and Timothy R. BradstocK. East Asian Comparative Literature and Culture, vol. 10. Leiden: Brill, 2019. Pp. xxvi + 474. $232.