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  1.  36
    Complex Choreography.Sallie Westwood - 2001 - Theory, Culture and Society 18 (2-3):247-264.
    Using relevant theoretical approaches, this article seeks ways in which to consider the conditions of existence of a politics of recognition through the elaboration of ‘regimes of recognition’. The ‘regimes of recognition’ are developed through an understanding of decentred political and social formations that, nevertheless, foreground a series of sites that are central to the politics of recognition: democracy, citizenship and the nation. This article takes issue with current accounts of the demise of the nation as both imaginary and territorially (...)
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  2.  12
    Women Assemble: Women Workers and the New Industries in Inter-War Britain. [REVIEW]Sallie Westwood - 1991 - Feminist Review 38 (1):86-87.
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