Drawing on the art, literature, and social sciences involved, Santayana discusses the nature of beauty, form, and expression.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

v. 1. Reason in common sense.- v. 2. Reason in society.- v. 3. Reason in religion.- v. 4. Reason in art.- v. 5. Reason in science.

CHAPTER TITLE AND SUBJECT OF THIS BOOK The words Dominations and Powers, here taken for a title, are not meant to be synonymous and the reduplication ...

Interpretations of Poetry and Religion is the third volume in a new critical editionof the complete works of George Santayana that restores Santayana's original text and providesimportant new scholarly information.Published in the spring of 1900, Interpretations of Poetry andReligion was George Santayana's first book of critical prose. It developed his view that "poetry iscalled religion when it intervenes in life, and religion, when it merely supervenes upon life, isseen to be nothing but poetry." This statement and the point of view (...) it espoused contributedsignificantly to the debate between science and religion at the turn of the century, and itseloquence and clearsightedness continue to have an impact on current discussions about the nature ofreligion.Interpretations of Poetry and Religion affronted Santayana's peers with its assault onliterary and religious pieties of the cultivated classes. William James called its philosophy ofharmonious and integral ideal systems nothing less than "a perfection of rottenness."In hisinsightful introductory essay, Joel Porte observes that while Santayana's theory of correlativeobjects, his espousal of the "ideal" - the normal human affinity for abstraction - and exaltation ofthe imagination may have offended some at Harvard, these ideas had a significant influence on otherHarvard scholars T.S. Eliot and Santayana's "truest disciple," Wallace Stevens.Herman J. Saatkamp,Jr., heads the Department of Philosophy and Humanities at Texas A & M University. William G.Holzberger is a Professor of English at Bucknell University. Joel Porte is Whiton Professor ofAmerican Literature at Cornell University. (shrink)

The intellectual temper of the age.--Modernism and Christianity.--The philosophy of M. Henri Bergson.--The philosophy of Mr. Bertrand Russell.--Shelley: or, The poetic value of revolutionary principles.--The general tradition in American philosophy.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

In what must be ranked as a foremost classic of twentieth-century political philosophy, George Santayana, in the preface to his last major work prior to his death, makes plain the limits as well as the aims of Dominations and Powers: "All that it professes to contain is glimpses of tragedy and comedy played unawares by governments; and a continual intuitive reduction of political maxims and institutions to the intimate spiritual fruits that they are capable of bearing." Completed at midpoint in (...) the century, but serving as his final masterpiece, Santayana's volume offers an ominous account of the weakness of the West, and its similarities in substance if not always in form with totalitarian systems of the East. Few analyses of concepts, such as government by the people; the price of peace and the suppression of warfare; the nature of elites and limits of egalitarianism; and the nature of authority in free societies, are more comprehensive or compelling. This is a carefully rendered statement on tasks of leadership for free societies that takes on added meaning after the fall of communism. (shrink)

Published in 1896, The Sense of Beauty secured Santayana's reputation as a philosopher and continued to outsell all of his books until the publication of his one novel, The Last Puritan. Even today, it is one of the most widely read volumes in all of Santayana's vast philosophical work. It is a large irony that Santayana disowned The Sense of Beauty from the beginning, and wrote it only to keep his job teaching at Harvard. In 1950 he met with the (...) philosopher Arthur Danto in the Roman convent clinic where he passed his final years, and reminisced that "they let me know through the ladies that I had better publish a book." "On what?" "On art, of course. So I wrote this wretched potboiler" In fact, the book was based on a well known course on the theory and history of aesthetics that Santayana gave at Harvard College from 1892 to 1895. Santayana approaches the study of aesthetics through a naturalistic basis in human psychology: "Beauty is pleasure regarded as the quality of a thing." As such, he observes, beauty does not reside in the object but in the individual's sense of beauty. This in no way reduces the importance or the value of art or aesthetic experience. For Santayana, beauty is not relegated to museum art or to some limited arena of aesthetic experience; rather, beauty informs the whole of human existence. Herman J. Saatkamp, Jr, heads the Department of Philosophy and Humanities at Texas A&M University. William G. Holzberger is a Professor of English at Bucknell University. Arthur C. Danto is a Professor of Philosophy at Columbia University. (shrink)

In a few hundred pages Santayana endeavors to sum up the dominant intellectual currents of early twentieth-century thought and trace their implications for American culture, for ethics and religion, for arts and letters, and for philosophy.

We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

THE PROBLEM OF THE FREEDOM OF THE WILL IN ITS RELATION TO ETHICS The word freedom has many meanings. When we say that a stream is not free to flow because ...

A novel of of ideas, expressed in the birth, life, and early death of Oliver Alden. Published in 1935, George Santayana's The Last Puritan was the American philosopher's only novel. It became an instant best-seller, immediately linked in its painful voyage of self discovery to The Education of Henry Adams. It is essentially a novel of ideas, expressed in the birth, life, and early death of Oliver Alden.The Last Puritan is volume four in a new critical edition of The Works (...) of George Santayana that restores Santayana's original text and provides important new scholarly information. Books in this series - the first complete publication of Santayana's works - include an editorial apparatus with notes to the text, textual commentary, discussions of adopted readings, lists of variants and emendations, and line-end hyphenations. Irving Singer's new introduction to this edition takes up Santayana's philosophical and artistic concerns, including issues of homosexuality raised by the depiction of the novel's two protagonists, Oliver and Mario, and of the relationship between Oliver and the rogue character Jim Darnley. In his thoughtful analysis Singer finds the term "homosexual novel" too reductionist and imprecise for what Santayana is trying to achieve. Singer brings to light the author's skillful and inventive methods for perceiving and interpreting reality, including ideal forms of friendship, and his success in exploring the pervasive moral problems that people face throughout their existence. (shrink)

Niniejszy esej stanowi piąty rozdział tomu The Realm of Spirit kończącego cykl The Realms of Being. Podstawą przekładu jest pierwsze wydanie dzieła: George Santayana, The Realms of Being (London: Constable and Co., Ltd., Toronto: The Macmillan Company, 1940), 67–89. -/- This essay is the fifth chapter of The Realm of Spirit volume concluding The Realms of Being series. The translation is based on the first edition of the work: George Santayana, The Realms of Being (London: Constable and Co., Ltd., Toronto: (...) The Macmillan Company, 1940), 67-89. (shrink)

This article is Santayana's review of Bertrand Russell's 1910 book, Philosophical Essays.

El fragmento, inédito en español, pertenece al capítulo IX de La razón en el sentido común, libro primero de La vida de la razón, 5 vols. (1905-1906) del filósofo hispano-norteamericano Jorge/George Santayana (Madrid, 1862-Roma, 1953). Santayana aborda aquí la relación entre mente y cerebro desde un naturalismo materialista, que ha asumido por completo la revolución intelectual darwinista, y mostrando ser un fino analista de la experiencia de la acción consciente.