Introduction: Thinking, writing, and reading about the real -- Dialectic and the real : Lacan, Hegel, and the alchemy of après-coup -- 'Reality' and the real : culture as anamorphosis -- The real of sexual difference : imagining, thinking, being -- Ethics and the real : the ungodly virtues of psychoanalysis -- Politics, or, the art of the impossible.

This paper proposes an alternative view to the influential one of air or breath as inspiration that produces an imagined inner vision of the desired object. Instead, it outlines a poetics where air and inspiration connect with voice, language and music, thereby privileging sound over sight. A genealogy for this account is traced through Aristotle and various treatises connected to him, and an example of its operation is discussed in a song by the troubadour Bernart Marti. Voice is theorized as (...) a kind of sound, including non-human sound, made by striking air, which expresses the soul's passions and marks both the boundary and the connection between air and soul. Poetry and song form soundscapes whose implications exceed the acoustic. (shrink)

Discusses songs by the troubadours, trouvères, and Guillaume de Machaut, performed live and on the page, in the context of antique, late antique, and medieval thought and poetic practice and in the light of later opera. Topics include cosmology, education, astronomy, breath, beasts, monsters, hybridity, imagination, life, and death.

Scholars of the Middle Ages are reflecting productively on the sound not only of the text, but of the book.1 Formed from the skins of dead animals, parchment pages have a positive and intimate bond with silence in a way that paper does not. And yet the same or similar animal membranes are used for drum skins, tambourines, or the bellows of bagpipes, while the body of the human reader, enveloped in a skin that closely resembles parchment and is near (...) kin to it, is notable for its own resonating surfaces. Hearing ranges over and within these membranes where silence oscillates with sound and pleasure with discomfort, their reverberations alternately welcomed or shunned.In grappling with the question of how to read... (shrink)