Ludwig Binswanger (1881-1966) came from a distinguished Swiss psychiatrist dynasty which had run the internationally-renowned sanatorium Bellevue in Kreuz-lingen for generations. In 1907 he spent a year at the Zurich Burgh lzli under Bleuler and Jung, and indeed it was Jung who took Binswanger with him to Vienna that year for his first visit to Freud.

Sigmund Freud and Oskar Pfister on Religion examines the dialogue between psychoanalysis and religion through the encounters of two men: the "unfaithful Jew" who founded psychoanalysis, and a pastor of profound religious faith and proven psychoanalytic conviction. Carlos Domínguez-Morano analyses the original encounters between Freud and Pfister and their respective positions, noting the incidences, impasses and progress of their discussions. The complex interactions between psychoanalysis and religion over time are considered, and Domínguez-Morano assesses the fundamental parameters of (...) each perspective, with reference to Catholicism. The book explores the relationship between psychoanalysis and religion as a rich, ongoing and unending dialogue and sheds new light on the origins of psychoanalysis. Sigmund Freud and Oskar Pfister on Religion will be of great interest to academics and scholars of psychoanalytic studies, religion, the history of psychology and the history of ideas. (shrink)

This article deals with the relationship between the creator of psychoanalysis, Sigmund Freud, and the Latvian-born Chilean professor of physiology – and endocrinologist and anthropologist – Alejandro (or Alexander) Lipschütz. Up till now, the historiography of psychoanalysis in Chile has ignored the existence of this relationship, that is to say, the fact that there exists an interesting exchange of correspondence as well as references to Lipschütz in some important works published by Freud and in Freud’s correspondence (...) with the Hungarian psychoanalyst Sándor Ferenczi. There are also references to works on psychoanalysis carried out by Lipschütz in Chile. The Freud–Lipschütz relationship allows us to examine two interesting topics in contemporary historiographical approaches to psychoanalysis. First, it permits us to reflect on the connections that Freud and Ferenczi sought to establish between psychoanalysis and biology (endocrinology in particular) as a strategy to address criticism of the scientific foundations of psychoanalysis and, therefore, to help legitimize psychoanalysis in the field of science. Second, the relationship between Freud, working in a culturally influential city such as Vienna, and Lipschütz, working in a ‘peripheral’ country such as Chile, paves the way to reflect on the consequences of a history of psychoanalysis written from the perspective of the ‘margins’. This is a history that focuses not on regions where early industrialization and modernization processes, along with an important academic and scientific tradition, help explain the interest in and reception of psychoanalysis, but on regions where different sets of conditions have to be examined to explain appropriation and dissemination processes. (shrink)

This volume contains Freud’s speculations on various aspects of religion, on the basis of which he explains certain characteristics of Jewish people in their relations with Christians. From an intensive study of the Moses legend, Freud comes to the startling conclusion that Moses himself was an Egyptian who brought from his native country the religion he gave to the Jews. He accepts the hypothesis that Moses was murdered in the wilderness, but that his memory was cherished by the (...) people and that his religious doctrine ultimately triumphed. Freud develops his general theory of monotheism, which enabled him to throw light on the development of Judaism and Christianity. (shrink)

Sigmund Freud, the founder of psychoanalysis, declared that religion is a universal obsessional neurosis in his famous work of 1927, The Future of an Illusion. This work provoked immediate controversy and has continued to be an important reference for anyone interested in the intersection of philosophy, psychology, religion, and culture. Included in this volume is Oskar Pfister's critical engagement with Freud's views on religion. Pfister, a Swiss pastor and lay analyst, defends mature religion from Freud's "scientism." (...) Freud's and Pfister's texts have been updated in Gregory C. Richter's translations from the original German. (shrink)

Beyond the Pleasure Principle is Freud's most philosophical and speculative work, exploring profound questions of life and death, pleasure and pain. In it Freud introduces the fundamental concepts of the "repetition compulsion" and the "death drive," according to which a perverse, repetitive, self-destructive impulse opposes and even trumps the creative drive, or Eros. The work is one of Freud's most intensely debated, and raises important questions that have been discussed by philosophers and psychoanalysts since its first publication (...) in 1920. The text is presented here in a contemporary new translation by Gregory C. Richter. Appendices trace the work's antecedents and the many responses to it, including texts by Plato, Friedrich Nietzsche, Melanie Klein, Herbert Marcuse, Jacques Derrida, and Judith Butler, among many others. (shrink)

This chapter contains section titled: “The Ego and the Id”.

Sigmund Freud was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst. Freud was born to Galician Jewish parents in the Moravian town of Freiberg, in the Austro-Hungarian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna. Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902. Freud (...) lived and worked in Vienna, having set up his clinical practice there in 1886. In 1938 Freud left Austria to escape the Nazis. He died in exile in the United Kingdom in 1939. (shrink)

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Freud completed his last book, on Moses and Monotheism, in 1939, while in his London exile. Its publication was deemed untimely, as its two main theses could be construed as a form of Jewish self-hatred. The first claim questions Moses’ Jewish origins and contends that the founder of the Jews was in fact an Egyptian; the second suggests that the Jews killed Moses and then created his myth as a coping mechanism for concealing their terrible deed. In this article, (...) I contend that Moses and Monotheism can be read as Freud’s intervention in debates on the ‘Jewish Question’. After revisiting Freud’s original argument (I), I assess its reception among leading Jewish intellectuals of the 20th century (II). I then use Freud’s arguments to look at the two key themes of the Jewish Question: understanding the defining features of Jewish identity (III) and the pervasiveness of antisemitism in Western culture (IV). (shrink)

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Sigmund Freud was already internationally acclaimed as the principal founder of psychoanalysis when he turned his attention to the life of Leonardo da Vinci. It remained Freud’s favourite composition. Compressing many of his insights into a few pages, the result is a fascinating picture of some of Freud’s fundamental ideas, including human sexuality, dreams, and repression. It is an equally compelling – and controversial – portrait of Leonardo and the creative forces that according to Freud (...) lie behind some of his great works, including the Mona Lisa. With a new foreword by Maria Walsh.  . (shrink)

The article delves into the question of Freud’s concept of reading, and the fear of being photographed based on an analysis of the article “A Case of Paranoia Running Counter to the Psychoanalytic Theory of That Disease” (1915). Freud explicitly guides readers on how to read and not read this text. In alignment with contemporary concepts of paranoid and non-paranoid reading in philosophy, the former encourages suspicion, undermining the integrity of the text, while seeking hidden meanings. In contrast, (...) the latter places trust in the text and its author, focusing on the empirically observable surface of the text. This study poses a key question: how does one non-paranoically read a text that describes suspicion (Freud’s in this case) regarding his patient, a woman supposedly experiencing the fear of being photographed? To address this question, corpus linguistics, science of terminology, and distant reading are employed. Corpus linguistics and terminology help construct the concept of paranoid reading from the body of Freud’s work published before the specified article. Distant reading enables a non-paranoid reading of Freud’s text, situating it within the context of other texts from late nineteenth to early twentieth-century Austria that discuss the fear of being photographed. (shrink)

The book stands somewhat apart from the rest of Freud's writings as a study of normal, rather than pathological psychology, and, although it contains the most closely reasoned accounts of complicated psychological processes that Freud ever gave, it remains one of his most readable works. It includes a rich collection of jokes, particularly those of Jewish folk tradition, in which Freud clearly revelled.

A theme of abiding interest in religious studies is the sharp contrast between cultures with a monotheistic paternal deity and cultures with pluralistic maternal deities. These two principles for organizing religious life are vast; attempts to understand their implications lead to an overwhelmingly diverse set of facts and their meanings. In Freud's India, Alf Hiltebeitel takes up this enormously engaging question, focusing on the thinking of two spokespeople for the inner life of their culture-- Sigmund Freud and (...) Girindrasekhar Bose. Alf Hiltebeitel considers the attempts of these two men to communicate with and understand each other and these issues, in the heated context of emotionally divisive allegiances. The book is elegant in its nuanced attention to these two thinkers, and its tightly controlled exploration of what their interactions indicate about their contributions and limitations as representatives of the psychology and religion of their respective cultures. Anxieties about mothers separate Eastern from Western imaginations. They separate Freud from Bose, and they separate Hindu foundational texts from the Hebrew foundational texts. (shrink)

Clarice Lispector puts forth nothing less than a complete philosophy of time in her writings, that is, a cohesive philosophical examination of what time is, of its physics and metaphysics, of how humans and animals perceive time, and even an innovative aesthetic theory in which time is the inspiring force giving rise to literary and artistic creation. Her view of time is unique in the Western philosophical canon, offering original solutions to many of time’s classic difficulties. For (...) class='Hi'>Lispector, time is pure actuality. Reality is an unwavering present that never stops being, is fully material, and is ceaselessly attentive to itself. The present, matter, and attention form the unquestionable unit of the real and the core of Lispector’s philosophy of time. Supporting this structure is her inventive metaphysics of time, anchored in her notion of the “fourth dimension of the instant-now,” which is given close attention. (shrink)

'I very soon had an opportunity to interpret Dora's nervous coughing as the outcome of a fantasized sexual situation.'A Case of Hysteria, popularly known as the Dora Case, affords a rare insight into how Freud dealt with patients and interpreted what they told him. The 18-year-old 'Dora' was sent for psychoanalysis by her father after threatening suicide; as Freud's enquiries deepened, he uncovered a remarkably unhappy and conflict-ridden family, with several competing versions of their story. The narrative became (...) a crucial text in the evolution of his theories, combining his studies on hysteria and his new theory of dream-interpretation with early insights into the development of sexuality. The unwitting preconceptions and prejudices with which Freud approached his patient reveal his blindness and the broader attitudes of turn-of-the-century Viennese society, while his account of 'Dora's' emotional travails is as gripping as a modern novel.This new translation is accompanied by a substantial introduction which sets the work in its biographical, historical, and intellectual context, and offers a close and critical analysis of the text itself. (shrink)

ResumoEsse artigo propõe um contraponto entre a teoria mimética de René Girard, as considerações freudianas sobre sujeito e a obra de Oswald de Andrade. O sujeito mimético coincide com o sujeito antropofágico oswaldiano, pois idêntica divisa poderia defini-los, transformando o alheio em próprio, e transformá-lo a tal ponto que as fronteiras entre o eu e o outro se confundem. Cada um a seu modo, Oswald de Andrade e René Girard assimilaram criativamente a lição freudiana, especialmente a leitura de Totem e (...) Tabu (1913). O pensador e poeta brasileiro inverteu os termos da equação, descobrindo “a transformação permanente do Tabu em totem”.Palavras-chave: Teoria Mimética Girardiana. Sujeito Mimético. Antropofagia em Oswald de Andrade. Totem e Tabu. AbstractThis article proposes a comparison among René Girard’s mimetic theory, Freudian assumptions on the self and Oswald de Andrade’s work. The mimetic self coincides with the Oswaldian anthropophagic subject, since the identical division could define them, transforming the other in the self, and transform it in such a way that the limits between the self and the other can be confused. Each one in his own way, Oswald de Andrade and René Girard assimilated creatively Freud’s lesson, especially the reading of Totem and Taboo (1913). The thinker and Brazilian poet inverted the terms in the formula, descovering ‘the permanent transformation of the Taboo in totem.’Keywords: Girardian Mimetic Theory. Mimetic Self. Anthropophagy in Oswald de Andrade. Totem and Taboo. (shrink)

If there’s a riddle scholarship has not yet cracked, it is what Clarice Lispector—arguably Brazil’s most notorious writer—meant when she dedicated the entire Chinese nation to a single egg. Lispector’s infatuation with China, by way of the Daodejing, the I-Ching, and the work of philosophers such as Lin Yutang has also not yet been suff iciently explored. Following Lispector’s own evocative—rather than overly analytical—writing style, this article posits that her fascination with Chinese philosophy and mysticism is (...) deeply rooted in a distrust toward mundane and forward-looking notions of success, opting instead for embracing failure as a counterintuitive, “proregressive” politics of resistance—or, as Lin Yuntang would put it: “the Chinese are cynics and poets only when they have failed.” Drawing from the little-explored Chinese inf luences in her writings, this article sheds light on the Daoist roots of Clarice Lispector’s worldview and the role failure plays in her oeuvre. (shrink)

_Sigmund Freud and His Impact on the Modern World_, volume 29 of The Annual of Psychoanalysis, is a comprehensive reassessment of the influence of Sigmund Freud. Intended as an unofficial companion volume to the Library of Congress's exhibit, "Sigmund Freud: Conflict and Culture," it ponders Freud's influence in the context of contemporary scientific, psychotherapeutic, and academic landscapes. Beginning with James Anderson's biographical remarks, which are geared specifically to the objects on display in the Library (...) of Congress exhibit, and Roy Grinker Jr.'s more personal view of Freud, the volume branches out in various directions in an effort to comprehend the multidimensional and multidisciplinary richness of Freud's contribution. In section II, we find authoritative summaries of Freud's scientific contributions, of his continuing impact as a thinker, of his notion of symbolization in the context of recent neuroscientific findings, and of his status as a "cultural subversive". In section III, contributors hone in on more specific aspects of Freud's legacy, such as an experimental method to review how Freud's idea of childhood sexuality has fared and a look at the women who became analysts in the United States. In the concluding section of the volume, contributors turn to Freud's influence in various humanistic disciplines: literature, drama, religious studies, the human sciences, the visual arts, and cinema. With this scholarly yet highly accessible compilation, the Chicago Institute provides another service to its own community and to the wider reading public. Sure to enhance the experience of all those attending "Sigmund Freud: Conflict and Culture," _Sigmund Freud and His Impact on the Modern World_ will appeal to anyone desirous of an up-to-date overview of the man whose work shaped the psychological sensibility of the century just past and promises to reverberate throughout the century just born. (shrink)

In the _Nichomachean Ethics_, Aristotle defines three kinds of friendship: utility, pleasure, and virtue. The characters in the films of Sean Baker fit into none of these categories. Friendship is central to all of Baker’s films, but it takes the non-Aristotelian form of “friends, no matter what,” which I interpret as a description of the aporia of friendship, of an impossible friend, or a friend in the realm of fantasy. In other words, friends are only friends when they resist everything (...) friends are supposed to do. Betrayal, lies, and complications sit at the heart of this new definition. One mechanism for this kind of friendship is _mourning_. Friends are only friends when friendship is mourned, or when it is part of a crypt, or a vault for losses that are too traumatic to confront fully, as set out in the work of Sigmund Freud, Jacques Derrida, Nicolas Abraham and Mária Török, and developed by Laurence Rickels. This reading of mourning puts a particular spin on fantasy, for if fantasy is generally assumed to be about wish-fulfillment, then when fantasy reaches into the crypt for inspiration, it is retooled into a vehicle for confronting what is too hard to face. This is the function of friendship in Baker’s films: his friends are Judas figures going against their friends in order to keep their friendship alive. In _Tangerine_ (2015), two transgender sex workers in West Hollywood develop their friendship around a fight over a man. In _Starlet_ (2012), a young woman hides a secret from her elderly female friend, and this friendship is only saved when another actress betrays this secret. In these films, friendship is paradoxically formed by attempting to ruin friendship. Thought on fantasy and mourning will help in defining this type of non-Aristotelian friendship, as well as Freud’s work on the “ambivalence of feeling” from his writing on the First World War. (shrink)

(2013). MUSHROOMING: resistance and creativity in sigmund freud and emily dickinson. Angelaki: Vol. 18, No. 2, pp. 29-44.

ArgumentFew chapters in the historiography of psychoanalysis are as densely packed with trans-cultural, ideological, institutional, and moral issues as the coming of psychoanalysis to Jewish Palestine – a geopolitical space which bears some of the deepest scars of twentieth-century European, and in particular German, history. From the historical as well as the critical perspective, this article reconstructs the intricate connections between migration, separation and loss, continuity and new beginning which resonate in the formative years of psychoanalysis in pre-state Israel.

Is love when you don’t give a name to things’ identity? The Passion According to G.H., like much of Clarice Lispector’s writing, hovers on the razor-thin and fragile edge between description and the ineffable, between existence and nonexistence, between the world and its disappearance, between losing and finding oneself. It is no wonder, then, that a plethora of contradictions explode from the very first lines of the narrative that passionately wishes to share an obscure experience, of which the (...) narrator herself is not certain—“I am not sure I even believe in what happened to me,” she says (p. 3)1—and which she is unable to organize into clearly delineated forms or molds, without losing its singularly .. (shrink)

For the past forty years, philosophers and critical theorists around the world have been fascinated by Clarice Lispector’s writing; her work, however, carries its own, unique theoretical dimension,...

Em 2006 completaram-se cento e cinqüenta anos de nascimento de Sigmund Freud. Para comemorar essa data, vários eventos e publicações se espalharam pelo mundo.