We are far removed, in this section of the Encyclopedia on memory, from the mnemotechnic icons described by Francis Yates in The Art of Memory and much closer to Augustine's advice about how to remember and to psalmodize Scripture. Memory, for Hegel, is the learning by rote of names, or of words considered as names, and it can therefore not be separated from the notation, the inscription, or the writing down of these names. In order to remember, one is forced (...) to write down what one is likely to forget. The idea in other words, makes its sensory appearance, in Hegel, as the material inscription of names. Thought is entirely dependent on a mental faculty that is mechanical through and through, as remote as can be from the sounds and the images of the imagination or from the dark mine of recollection, which lies beyond the reach of words and of thought[…]No wonder, then, that Hegel's Aesthetics turns out to be a double and possibly duplicitous text. Dedicated to the preservation and the monumentalization of classical art, it also contains all the elements which make such a preservation impossible from the start. Theoretical reasons prevent the convergence of the apparently historical and the properly theoretical components of the work. This results in the enigmatic statements that have troubled Hegel's readers, such as the assertion that art is for us a thing of the past. This has usually been interpreted and criticized or, in some rare instances, praised as a historical diagnosis disproven or borne out by actual history. We can now assert that the two statements "art is for us a thing of the past" and "the beautiful is the sensory manifestation of the idea" are in fact one and the same. To the extent that the paradigm for art is thought rather than perception, the sign rather than the symbol, writing rather than painting or music, it will also be memorization rather than recollection. As such, it belongs indeed to a past which, in Proust's words, could never be recaptured, retrouve. Art is "of the past" in a radical sense, in that, like memorization, it leaves the interiorization of experience forever behind. It is of the past to the extent that it materially inscribes, and thus forever forgets, its ideal content. The reconciliation of the two main theses of the Aesthetics occurs at the expense of the aesthetic as a stable philosophical category. What the Aesthetics calls the beautiful terms turns out to be, also, something very remote from what we associate with the suggestiveness of symbolic form.Paul de Man, Sterling Professor of the Humanities at Yale University, is the author of Blindness and Insight and Allegories of Reading and is currently completing a book tentatively titled The Resistance to Theory. His previous contributions to Critical Inquiry are "Political Allegory in Rousseau", "The Epistemology of Metaphor", and "A Letter". (shrink)

Research in archaeology and anthropology on the evolution of modern patterns of human behavior often makes use of general theories of signs, usually derived from semiotics. Recent work generalizing David Lewis’ 1969 model of signaling provides a better theory of signs than those currently in use. This approach is based on the coevolution of behaviors of sign production and sign interpretation. I discuss these models and then look at applications to human prehistoric behavior, focusing on body ornamentation, tools, (...) and other artifacts. (shrink)

Name der Zeitschrift: Semiotica Jahrgang: 2016 Heft: 208 Seiten: 167-176.

Many secret signs and symbols area associated with the Yoruba as we have it amongst many tribes in Nigeria. Some of these signs and symbols have deep meanings and have connotations amongst the tribe. They form the everyday language of the people and a thorough understanding of them is key in their relationship with one another as a people. The objective of this study is to express the cultural connotations of selected symbols in relation to (...) the Yoruba people of Nigeria. The study hinges on the theories of Mimesis, Structural Formalism and Semiotics. This was validated through ethnographic study of symbols such as art, architecture, clothing, body marks and decorations among others to discover deep and hidden information about cultural beliefs and assumptions among the people under study. Pertinent literatures were reviewed, interviews were conducted, information was sourced from the internet and personal experience was explored. The study points out to the fact that a lot of deep and secret meanings are attached to the selected signs and symbols. The paper concludes that meanings expressed are generally accepted by a host of the Yoruba people; however, there could be slight differences in belief system from one locality to another. The paper had contributed to the pool of knowledge by bringing unknown and hidden meanings of selected signs and symbols of the Yoruba people to limelight. The paper recommends that signs and symbols commonly used in communication among the Yoruba people of Nigeria should incorporated into the curricula of schools; especially Yoruba as a subject and taught to preserve the tradition from extinction. It is also recommended that folklores, mythology and oral tradition be encouraged among younger generation so as to preserve cultural values. (shrink)

This essay presents a phenomenological analysis of the functioning of symbols as elements of the life-world with the purpose of demonstrating the interrelationship of individual and society. On the basis of Alfred Schutz''s theory of the life-world, signs and symbols are viewed as mechanisms by means of which the individual can overcome the transcendences posed by time, space, the world of the Other, and multiple realities which confront him or her. Accordingly, the individual''s life-world divides itself into (...) the dimensions of time, space, the social world and various reality spheres which form the boundaries or transcendences that the I has to understand and integrate. Signs and symbols are described as appresentational modes which stand for experiences originating in the different spheres of the life-world within the world of everyday life, within which they can be communicated, thereby establishing intersubjectivity. Schutz''s theory of the symbol explains how social entities – such as nations, states or religious groups – are symbolically integrated to become components of the individual''s life-world. The following paper reconstructs Schutz''s concept of the symbol as a crucial component of his theory of the life-world, which is seen as an outstanding phenomenological contribution to the theory of the sign and the symbol in general. (shrink)

In our research and teaching we explore the value and the place of rhetoric in education. From a theoretical perspective we situate our work in different disciplines, inspired by major ‘turns’: linguistic, cultural, anthropological/ethnographic, interpretive, semiotic, narrative, literary, rhetorical etc. In this article we engage in the discussion about what all these turns might entail for education by elaborating on what it implies to read the world as a ‘text'—as is central in a semiotic approach—and by introducing new rhetoric in (...) general, and the work of the literary critic and rhetorician Kenneth Burke in particular, as a possible theoretical and methodological resource. We illustrate its application in the analysis of a fictional narrative. Our aim is to explore how an understanding of education as rhetoric can be integrated into the teacher education curriculum. (shrink)

This paper attempts to illustrate a process of analysis that will hopefully open a path to more complete and useful definitions of sign and symbol. It applies a form-content analysis to the metaphysical properties of these two concepts. The objective is to locate criteria necessary and sufficient to derive formal definitions for these terms. Wittgenstein’s concept of “forms of representation” is analyzed and applied to the topic. Criteria are outlined that determine the appropriateness of the sign and symbol to be (...) applied as labels. Criteria of definition are then developed using gesture, metaphor, and several other example types to illustrate the use of the criteria in distinguishing between sign and symbol. The structural organization of these two concepts proved to be especially complex and led to what some readers may find somewhat obscure. It is not our intention to be purposefully obscure. (shrink)

Historically the words representation and symbol have had overlapping meanings, meanings that usually disregard the role played by the interpreter. Peirce’s theory of signs accounts for these meanings and also for the role of the interpreter. His theory draws attention to the static and dynamic nature of signs. Sign interpretation can be viewed as a continuous dynamic and evolving process. The static and dynamic nature of signs helps us understand the teaching–learning activity as a process of interpretation (...) on the part of teacher and students. The paper attempts to explain the classroom interpretation process on the part of the actors involved using the Peircean theory of signs. (shrink)

The sociology of symbolic power, as put forth by Pierre Bourdieu, treats the relations between behavior and socio-cultural structure. Bourdieu comprehends culture as a form of capital that follows certain laws of accumulation, exchange, and operation, and emphasizes that its symbolic form plays an important role in establishing and maintaining power structures.1 Bourdieu’s concept of cultural capital comprises a variety of resources such as language capabilities, general cultural consciousness, aesthetic symbols, educational information, and level of education.2 His analysis of (...) cultural capital reveals three different processes of its formation.3 First, education fosters its formation, internalizing it through the.. (shrink)

Signs evolve on colective inconsciousness.

The theory of sign and proof is an essential component of Stoic epistemology. This book examines the fragmentary evidence from Sextus Empiricus and sheds light on the two aspects that characterise signs and proofs: the logical relation that holds between a sign and that which it signifies and an additional epistemic relation that is called revelation. All signs feature in conditionals that are true in virtue of the strong modal account of conditionals that the Stoics developed. This modal (...) account is one aspect that makes it possible to gain certain knowledge of that which is signified. But signs and proofs must also reveal that which they signify to produce knowledge. This requirement is fulfilled when an inference proceeds from premises that are justified through knowledge of the causal relation in virtue of which the premises are true. (shrink)

The book is devoted to the study of the sign-object relation in the semiotics of Charles Peirce. It puts this issue in the context of Peirce's philosophy of knowledge and of reality and individuates the final causality as the foundation of the semiotic relation, which gains its gnoseological reliableness from its underlying teleological tendencies.

Translator's introduction: The germinal structure of Derrida's thought -- Translator's note -- Introduction -- Sign and signs -- The reduction of indication -- Meaning as soliloquy -- Meaning and representation -- The sign and the blink of an eye -- The voice that keeps silent -- The originative supplement.

In recent years, the relationships between systems of symbolic representations and cities have given rise to an often rich and stimulating consideration among various specialists in human sciences, namely, historians, anthropologists, semiologists and sociologists, among others. Urban conglomerates can no longer be conceived as simple assemblages of more or less functional constructions. The city is as much a mental concept as it is a physical reality. It is made up of images that give it a meaning. It does not exist (...) independently of the sum of subjective interpretations that are continually made by its inhabitants. Our Western perception of the city may be influenced by romanesque literature or the memory of a painting, in other words, by imaginary worlds. It varies according to individual memory: each of us is attached to the different urban spaces of his souvenirs, emotions arising from family history or the duration of a lifetime. These personal projections are all the more important because they command a certain number of daily actions and furnish a framework of orientation to every citizen. They contribute to giving a moral quality to urban space and transform physical objects into concepts, into more or less determined signs. (shrink)

Today we discuss in our own special vocabulary the assumption underlying the quarrel between poetry and philosophy. We speak of propositions, implications, signs, icons, symbols, etc., in connection with fine art. But in so far as we dispute over the assumption at all, the central question remains: Does poetry or art reveal something which is also revealed by philosophy?

Throughout what is now the more than 50-year history of the computer many theories have been advanced regarding the contribution this machine would make to changes both in the structure of society and in ways of thinking. Like other theories regarding the future, these should also be taken with a pinch of salt. The history of the development of computer technology contains many predictions which have failed to come true and many applications that have not been foreseen. While we must (...) reserve judgment as to the question of the impact on the structure of society and human thought, there is no reason to wait for history when it comes to the question: what are the properties that could give the computer such far-reaching importance? The present book is intended as an answer to this question. The fact that this is a theoretical analysis is due to the nature of the subject. No other possibilities are available because such a description of the properties of the computer must be valid for any kind of application. An additional demand is that the description should be capable of providing an account of the properties which permit and limit these possible applications, just as it must make it possible to characterize a computer as distinct from a) other machines whether clocks, steam engines, thermostats, or mechanical and automatic calculating machines, b) other symbolic media whether printed, mechanical, or electronic and c) other symbolic languages whether ordinary languages, spoken or written or formal languages. This triple limitation, however, (with regard to other machines, symbolic media and symbolic languages) raises a theoretical question as it implies a meeting between concepts of mechanical-deterministic systems, which stem from mathematical physics, and concepts of symbolic systems which stem from the description of symbolic activities common to the humanities. The relationship between science and the humanities has traditionally been seen from a dualistic perspective, as a relationship between two clearly separate subject areas, each studied on its own set of premises and using its own methods. In the present case, however, this perspective cannot be maintained since there is both a common subject area and a new - and specific - kind of interaction between physical and symbolic processes. (shrink)

This article discusses Alfred Jarry as a precursor of French modernism. With a particular focus on Messaline, Roman de l’ancienne Rome and Le Surmâle, Roman moderne, I analyse the subtle ways in which the past and the future are intertwined and Jarry’s philosophy of sexual excess. In both novels, the main characters seek a paroxysmal erotic pleasure from which they die after reaching world records in sex-making. Read together, the novels work to create a lemniscate, the symbol of infinity symbolically (...) represented, in modernism, by the speeding bicycle. In both novels, sexual excess leads to a superhuman transformation of women and men into a rigid phallus, underlying which is the fantasy of bisexualism. (shrink)

In this carefully argued critique, Steven Horst pronounces the theory deficient.

INTRODUCTION For the past four or five years much of my thinking has centered upon the relationship of symbolic forms to philosophic imagination and ...

본 논문은 주자가 사용했던 상징부호들을 추적해가면서 기존에 주목하지 않았던 주자 천도론의 주제를 새롭게 구성하려는 의도를 지니고 있다. 주자의 천도론 속에서 도입된 상징은 의인화의 형태를 띠거나 우리가 대자연 속에서 쉽게 접할 수 있는 동물의 형태로 가시화되어 있다. 가시화되어 있는 상징은 대부분 정체성보다는 ‘동태성’의 특징을 지니고 있다. ‘사람과 말’의 상징은 사람의 역할이 지니는 비중의 대소 여부에 따라 상이한 해석으로 발전하게 되었다. ‘사람과 말’의 상징은 吳澄에 의해서 ‘활시위와 활’의 상징으로 이해되었고, 曹端에 의해 ‘活人과 말’로 상징으로 이해되었으며, 退溪에 이르러서는 ‘사람과 말’의 상징이 약화되어 ‘理의 (...) 體用’이론으로 대체되었다. ‘시냇물의 유행’은 도가 만물을 통해 발현하는 도체유행을 상징하고 있으며, 이 상징은 ‘體相用’의 구조를 지닌다. 형이상자인 본체는 작용을 지니고 있는데, 이 작용은 ‘형체’를 통해서 또는 ‘형체와 함께’ 유행발현한다. 따라서 ‘시냇물’은 도체가 형상을 입어 발현하는 형태이므로 ‘도체유행’ 자체를 상징한다. ‘솔개와 물고기’의 상징은 솔개가 하늘로 비상하고 물고기가 연못에서 뛰어노는 기상은 천도의 운행이 지닌 역동적인 세계관을 상징하는 동시에 사람이 수양을 통해 다다른 도체유행의 경계를 상징하고 있다. 명대의 薛瑄과 우리나라의 퇴계는 모두 이 상징이 지니는 수양의 경계를 강조하였고, 특히 퇴계는 이 도체유행을 ‘敬’ 공부를 통해서 다다를 수 있는 하나의 경계로서 이해하였다. 이 상징들은 그 의미가 ‘천명의 유행’과 ‘도체의 유행’의 영역 안에서 드러나고 있다는 점에서 천도론의 역동적인 세계관을 대표하고 있다. ‘사람’, ‘시냇물’, ‘솔개’, ‘물고기’는 천도유행의 능동성, 주재성, 역동성, 발현성, 가시성, 자연스러움을 포괄한다. (shrink)

Speech and phenomena.--Form and meaning.--Differance.

In _Speech and Phenomena,_ Jacques Derrida situates the philosophy of language in relation to logic and rhetoric, which have often been seen as irreconcilable criteria for the use and interpretations of signs. His critique of Husserl attacks the position that language is founded on logic rather than on rhetoric; instead, he claims, meaningful language is limited to expression because expression alone conveys sense. Derrida's larger project is to confront phenomenology with the tradition it has so often renounced--the tradition of (...) Western metaphysics. (shrink)

European prehistoric decorative art abounds in motifs that are not humble decorative elements but seem to be significant signs. Circles, concentric circles with or without a dot in the centre, circles divided into four, six or eight equal segments (sun/star-crosses) and often round decoration complexes filled with different spiral motifs are generally considered sun symbols by archaeologists. It is predominantly accepted that sun cults dominated the belief system of the European Bronze Age. These symbols can be found (...) as a single sign on many artifacts, especially luxury ones like weapons, jewels and fine pottery. Although they were widespread in Europe in the Bronze Age the Carpathian Basin has an outstanding collection of such archaeological material. A detailed comparative study of atmospheric optic phenomena and Bronze Age symbols revealed similarities between many abstract symbols and manifestations of atmospheric phenomena in the sky. The investigation resulted in the assumption of the significance of such symbols in Bronze Age visual culture. The study attempts to identify, present and reveal the role of simple as well as the more complex celestial symbols in the relationship between prehistoric people and their environment based on this argument. (shrink)

Although the Afrikaans word beker carries strong religious and other connotations, among them references to the Eucharist cup, the contribution of this article is to highlight, within a cognitive semantics framework, the role that cognitive mechanisms such as metaphor and metonymy played in the creation of this symbol. The article aims to illustrate the following: that the two signs of the Christian Eucharist, the bread and the wine, are grounded in conceptual metaphors of eating and drinking; that two conceptual (...) drink metaphors are present when the symbol of the cup is analysed; that a related concept, that of metonymy, acts as a cognitive trigger, thus enabling the realisation of the symbol; and that other factors such as culture and religious symbolism played a significant role in the whole process. A corpus linguistics methodology is used to identify expressions containing the word beker. In analysing the expressions, Conceptual Metaphor Theory is used as a theoretical framework. It is found that conceptual metaphors such as nourishment is drinking and suffering is drinking underlie metaphoric expressions with beker. The metonymy container [the cup] for contained [the wine or blood] plays an important role in enabling the metaphors. In the images of the Eucharist cup and the broken bread, powerful metaphors arising from our bodily experience, denoting suffering and death on the one hand, and joy, nourishment and life on the other hand, are united to form the symbol. (shrink)

By comparing Object-Oriented Ontology (OOO) and Baudrillard through the lens of a study of the notion of withdrawal in Heidegger’s tool analysis and “The Question Concerning Technology”, this article explores the extent to which an Object-Oriented Baudrillard is possible, or even necessary. Considering an OOO understanding of Mauss’s gift-exchange, a possible critique of duomining in Baudrillard and a revision of Baudrillard’s understanding of art, the prospects of a new reading of Baudrillard and interpretation of OOO’s genealogy are established. These lines (...) of comparison qualify the role of withdrawal in Baudrillard and symbolic exchange for OOO, and lead towards the conclusion that an Object-Oriented Baudrillard is possible, but may not, conversely, be considered necessary. (shrink)

In this article the author will discuss Franz Brentano’s theory of intentionality and the ontological status of the intentional object specifically with respect to symbolic presentations. The role and function of intentionality are compared to the process of semeiosis. Several interesting parallels can be found between fundamental problems in the interpretation of the Brentanian notion of intentionality and issues in semiotics. In particular, the author focuses on the theory of Charles W. Morris and attempts to apply core notions of his (...) semiotics to clarify Brentano’s ambiguous account of intentional reference, the role of signs in symbolic presentations and how this relates to outer perception. (shrink)

What does it mean to understand religious traditions most fundamentally as communities of inquiry? This is the question raised by Brandon Daniel-Hughes' Pragmatic Inquiry and Religious Communities, which uses Peirce's writings on inquiry to frame religious traditions as "large-scale hypotheses, expressed in religious symbols, narratives, and rituals that work to signify reality…by cultivating beliefs and rules for action that may truly indicate the real world and orient believers with it by guiding them into more harmonious relations with one another (...) and their environments". Academic interest in Peirce and religion has been steady for several decades, and has perhaps even grown in recent years. Such... (shrink)

By providing symbolic (operates by means of signs) and intuitive (operates without signs) types of cognition, G.W. Leibniz in the “Reasoning about cognition, truth and ideas” laid the foundation for the problem of visibility discussions in 18th century. Proceeding from Leibniz’s ideas, Chr. Wolff in the “German metaphysics” built a detailed doctrine about figurative and contemplating cognition, giving priority in the field of application and the degree of clarity to the first type. Wolff’s doctrine almost immediately became classic (...) and found a lot of supporters. J.G. Darjes and G.F. Meier moved the metaphysical distinction of cognition distinctions to logic. A.G. Baumgarten in the “Metaphysics” offered a new criterion of symbolic and intuitive cognition distinction. J.N. Tetens scrutinized the opposition of symbolic and contemplating cognition from the point of a priori and a posteriori opposition. J.H. Lambert in the “New Organon” brings the interest back to the figurative cognition. (shrink)

This article analyses the use of signs (in a semiotic sense) in the analysis of Teresa of Avila's book, The Interior Castle. It takes one through the various levels of the castle, which stands as a sign for contemplation. Exploring Avila's creative use of imagery and language, it focus on what these signs (as pertaining to American semiotics and Charles S. Peirce) come to signify within Teresa's mental construction of the castle as a road to pure contemplation, in (...) the Catholic tradition. (shrink)