Dans sa quête d’universalité, Simone Weil pense l’unité de la religion, sans dissoudre dans une abstraction l’unicité des religions : chacune peut prétendre à l’exclusivité de la vérité et pourtant s’accorder avec les autres, dans leur singularité, à l’horizon de la mystique. La science des religions, qui compare les mythes, les images et les symboles se met au service de cette visée pour suggérer, comme chez Mircea Eliade, la permanence du religieux à travers la diversité de ses manifestations.

Analyzes the philosophical thought of Simone Weil. Pp. 279-286, "Un'ebrea antisemita?, " discuss the Jewish philosopher's apparent antisemitism, her intransigence towards Judaism in comparison with other religions, and her persistent selection of negative examples from Jewish history.

The aim of this article is to provide an overview about Simone Weil’s interpretation of the Good in Plato. The article has two parts. In the first one, we focus on her exegesis of the ancient Greek civilization and of the Pythagorean tradition. We also signalize that her interpretation cannot be confused with the one done in Neoplatonism. After that, we investigate her interpretation of Plato’s philosophy with special emphasis on two dialogues : Republic and Timaeus. In the second (...) part we research two main concepts of Simone Weil’s philosophy, i.e., the notions of value and of lecture and finalize our text with the question of how we should situate her appropriation of the Platonic tradition. (shrink)

Religion in the perverted form of idolatry/ideology is at the root of violence for Simone Weil and René Girard. For Girard, “mimetic desire” expresses the idolization of another and ultimately of the self: when the individual’s expectations of achieving autonomy through another remain unfulfilled, he seeksa scapegoat. For Weil, everyone is subject to “force” as recipient or perpetrator of violence which is catalyzed by ideology, a form of idolatry. While Weil focuseson the idolatry of ideas, both writers agree that (...) the subject’s desire for absolute autonomy is the source of idolatry and violence. Furthermore, both presupposesuffering as the individual’s driving force, seeking relief in idols or scapegoats; accepting this suffering by imitating Christ is the solution, freeing one from selfish,idolatrous desires. (shrink)

Barely seventeen years into the twenty-first century, our world continues to be plagued by endless wars and violence. Africa is not immune from these crises. As many countries in Africa celebrate more than fifty years of independence from colonial rule, Africa is still the poorest continent in the world. Religious wars, genocides, ethnic and tribal cleansings have come to define the continent’s contemporary history. Corruption, nepotism, dictatorship, disregard for human life, tribalism, and many social vices are normalized realities in (...) many parts of the continent. Rather than despair, a radical refocusing on Africa’s rich history of hospitality that affirms the flourishing of all life ought to be embraced. This article aims to do exactly this by exploring Africa’s role and place in the history of three Abrahamic religions; Judaism, Christianity, and Islam. While celebrating Africa’s unique role as the gateway for the realization of divine hospitality, this article aims to serve as a witness to an ethic of life that is relevant for the global church’s vision and mission to a pluralistic world and for the mission of the churches of Africa to addressing the social, cultural, and political crises faced by the continent. To achieve these, this work appropriates a comparative theological method that sheds light on the centrality of Africa in these three Abrahamic religions with a bias for the flourishing of life. Keywords: Africa, Hospitality, Life, Christianity, Islam, Judaism. (shrink)

This essay tries to demonstrate two distinct but complementary visions to a central theme of Christian faith: humanity’s redemption in the crucified Christ. It will attempt to show how the poetics of Simone Weil (1909–1943) and the poetic art of Georges Rouault (1871–1943) embody different understandings of Christian faith. Considering faith from a philosophical approach, Weil detaches the sufferings of Christ from the totality of salvific history. Viewing faith from the artistic approach, Rouault places the crucified Christ in (...) the context of the history of salvation, including Mary and the Church. Though different from one another, these two visions reveal to us a light in the midst of our dark or suffering existence that makes audible or perceptible the silence of God’s love in Christ that is its source. (shrink)

Erasmus of Rotterdam was the greatest Christian humanist scholar of the Northern European Renaissance, a correspondent of Sir Thomas More and many other learned men of his time, known to his contemporaries and to posterity for subtlety of his thought and the depth of his learning. He was also, according to some modern writers, an anti-Semite. In this complete analysis of all of Erasmus' writings on Jews and Judaism, Shimon Markish asserts that the accusation cannot be sustained. For Markish, (...) to ask whether Erasmus was a friend or enemy of the Jews is to ask a modern question of a sixteenth-century man, whose attitude can best be called "asemitism." Erasmus' chief preoccupation was with the future of "the true philosophy of Christ"; he had little interest in the Jewish community of his own time. Erasmus and the Jews discusses Erasmus' critique of Mosaic law and his view of the conflict between "Judaism" as legalistic morality and Jesus' teaching; his judgment on the Pharisees of Jesus' time; his emphasis on the importance of the study of Hebrew; and his opinions of sixteenth-century Jews. This meticulous analysis reveals an Erasmus who defended his vision of true piety by rejecting "Judaizing" Christians more than Jews and who saw the Old Testament as integral to the Christian worldview. As a Christian, he regretted nonbelief and pitied unbelievers, without vicious hostility toward any single people. His theological opposition to a form of religious thought which he identified with Judaism was not translated into crude prejudice against actual Jews. In general, his calm consideration of the strange and the foreign and his willingness to restrict his judgments to the philosophical realm were, Markish argues, early and significant steps toward enlightened toleration. Markish's discussion of Erasmus is supplemented with an Afterword by theologian and philosopher Arthur A. Cohen, who offers a variant interpretation of Erasmus' writings and attitudes. The juxtaposed arguments of the two scholars make this an especially illuminating work for any student of Erasmus and his influence. Erasmus and the Jews also gives a necessary clarity to our understanding of the meaning of anti-Semitism and the history of religious toleration. Markish's profound knowledge of Erasmus allows him to demonstrate the fundamental importance of putting arguments and terminology in the context of a thinker's work and his own time. (shrink)

Simone Weil is one of the most profound thinkers of the twentieth century. Her writings encompass an extraordinary breadth of subjects, including philosophy, religion, sociology, and politics. A political activist and resistance fighter, her accomplishments are even more astonishing in light of her death in 1943 at the age of thirty-four. Whilst Weil was concerned with deep philosophical questions - the nature of human thought and human faculties, the limits of language, and thought's contact with reality through mediation, science (...) and beauty - the full significance of her work has frequently been obscured by her categorization as a purely religious writer or Christian mystic. Simone Weil: Basic Writings is an expertly edited anthology of her most important writings, presenting Weil's philosophy as it relates to politics, the nature of work, human nature in its duality, necessity, beauty and goodness. D. K. Levy and Marina Barabas have translated all the extracts anew, including translations of important notes and references missing from existing English language editions of Weil's work. Following an extensive introduction by D. K. Levy which places Weil's life and thought in context, each section opens with a short introduction situating the chosen passages within Weil's oeuvre. Simone Weil: Basic Writings is an outstanding starting point for anyone seeking an introduction to Weil's philosophy, and also essential reading for students and scholars of Weil's thought in related disciplines. (shrink)

Celsus penned the earliest known detailed attack upon Christianity. While his identity is disputed and his anti-Christian treatise, entitled the True Word, has been exclusively transmitted through the hands of the great Christian scholar Origen, he remains an intriguing figure. In this interdisciplinary volume, which brings together ancient philosophers, specialists in Greek literature, and historians of early Christianity and of ancient Judaism, Celsus is situated within the cultural, philosophical, religious and political world from which he emerged. While his work (...) is ostensibly an attack upon Christianity, it is also the defence of a world in which Celsus passionately believed. It is the unique contribution of this volume to give voice to the many dimensions of that world in a way that will engage a variety of scholars interested in late antiquity and the histories of Christianity, Judaism and Greek thought. (shrink)

“Thy word (or: essence) is true from the beginning”; thus reads the Psalmist's passage, oft quoted in kabbalistic literature (Psalm 119: 160). According to the originally conceived Judaistic meaning, truth was the word of God which was audible both acoustically and linguistically. Under the system of the synagogue, revelation is an acoustic process, not a visual one; or revelation at least ensues from an area which is metaphysically associated with the acoustic and the perceptible (in a sensual context). This is (...) repeatedly emphasised with reference to the words of the Torah (Deuteronomy 4: 12): “Ye heard the voice of the words, but saw no similitude; only ye heard a voice.” What precisely we are to understand by this voice and what is uttered through it is the very question which the various currents of Judaistic religious thought have constantly posed themselves. The indissoluble link between the idea of the revealed truth and the notion of language—is as much, that is, as the word of God makes itself heard through the medium of human language, if, otherwise, human experience can reach the knowledge of such a word at all—is presumably one of the most important, if not the most important, legacies bequeathed by Judaism to the history of religions. (shrink)

The present book reflects on the life, work, and legacy of an exceptional and enigmatic woman: the philosopher and French Jewish mystic Simone Weil. It constitutes a testimony so unique that it is impossible to ignore. In a Europe where authoritarian regimes were dominant and heading, in a sinister manner, toward World War II, this woman of fragile health but indomitable spirit denounced the contradictions of the capitalist system, the brutality of Nazism, and the paradox of bourgeois thought. At (...) the same time, her spiritual journey was one of zeal and sorrow--that of a true mystic--but her radical intransigence and passion for freedom kept her from actually approaching the institutional church. Curious and insatiable, she wanted to experience, in the flesh, the suffering of society's least fortunate and the truths of other religions. The reader will need to develop a discerning empathy for Simone Weil's sensibility, beyond her particular passion and zeal, in order to appreciate her in depth. But undeniable are this truly singular woman's authenticity, her capacity to suffer, her identification with the other, her inner passion, her almost magical perception of the depths of the human spirit. And that is why her story merits being told as one of the great witnesses of our age. (shrink)

Difference, diversity and disagreement are inevitable features of our ethical, social and political landscape. This collection of new essays investigates the ways that various ethical and religious traditions have dealt with intramural dissent; the volume covers nine separate traditions: Confucianism, Buddhism, Christianity, Judaism, Islam, liberalism, Marxism, South Asian religions and natural law. Each chapter lays out the distinctive features, history and challenges of intramural dissent within each tradition, enabling readers to identify similarities and differences between traditions. The book (...) concludes with an Afterword by Michael Walzer, offering a synoptic overview of the challenge of intramural dissent and the responses to that challenge. Committed to dialogue across cultures and traditions, the collection begins that dialogue with the common challenges facing all traditions: how to maintain cohesion and core values in the face of pluralism, and how to do this in a way that is consistent with the internal ethical principles of the traditions. (shrink)

In 1971, Ivan Illich wrote that school had become the world religion of a modernized proletariat. Without undoing the power of human interaction undergirding it, understanding how we learn is thus vital to undoing the institutional power of the West – of ‘deschooling’ society. Responding to the conflict between secular and religious schemes of education, the article investigates the ways in which the ‘atheist’ Gilles Deleuze and the ‘mystic’ Simone Weil both employed related stratagems from Stoic philosophy to critique (...) ‘schooling’ construed as the acquisition of, rather than participation in, knowledge. Through a critical reading of the differences between Deleuze's and Weil’s ideas of education, the argument suggests that these differences run aground on the fundamental opposition to a common adversary: that normative pedagogy which trivializes the need to re-school, as well as de-school, society. (shrink)

An outstanding reference source to the full span of Murdoch's work, comprising 37 specially commissioned chapters written by an international team of leading scholars. This is the first volume to do justice to the incredibly rich and wide-ranging nature of her work. Divided into five parts, the volume covers the following areas: -/- - A guide to Murdoch's key philosophical texts, including The Sovereignty of Good and Metaphysics as a Guide to Morals. - Core themes and concepts in Murdoch's philosophy, (...) such as love, moral vision, and attention. - Murdoch's engagement with the history of philosophy, including Plato, Kant, Hegel, Simone Weil, and Wittgenstein. - Interdisciplinary connections with art, literature, and religion, including Judaism, Buddhism, and Christianity. - Murdoch and contemporary philosophical debates, including feminism, virtue ethics, and metaethics. - The application of Murdoch’s thought to applied ethics, including animal ethics, psychiatric ethics, and the environment. -/- Although recent years have seen a blossoming of interest in Murdoch’s philosophy, The Murdochian Mind is the first volume to do justice to the incredibly rich and wide-ranging nature of her work. As such it will be of great interest to students of philosophy, especially ethics and aesthetics, as well as those in related disciplines such as literature, religion, and gender studies. (shrink)

In Intimations of Christianity Among the Ancient Greeks , Simone Weil discusses precursors to Christian religious ideas which can be found in ancient Greek mythology, literature and philosophy. She looks at evidence of "Christian" feelings in Greek literature, notably in Electra, Orestes, and Antigone , and in the Iliad , going on to examine God in Plato, and divine love in creation, as seen by the ancient Greeks.

Simone Weil is widely recognized today as one of the profound religious thinkers of the twentieth century. Yet while her interpretation of natural science is critical to Weil's overall understanding of religious faith, her writings on science have received little attention compared with her more overtly theological writings. The present essay, which builds on Vance Morgan's Weaving the World: Simone Weil on Science, Necessity, and Love (2005), critically examines Weil's interpretation of the history of science. Weil believed (...) that mathematical science, for the ancient Pythagoreans a mystical expression of the love of God, had in the modern period degenerated into a kind of reification of method that confuses the means of representing nature with nature itself. Beginning with classical (Newtonian) science's representation of nature as a machine, and even more so with the subsequent assimilation of symbolic algebra as the principal language of mathematical physics, modern science according to Weil trades genuine insight into the order of the world for symbolic manipulation yielding mere predictive success and technological domination of nature. I show that Weil's expressed desire to revive a Pythagorean scientific approach, inspired by the "mysterious complicity" in nature between brute necessity and love, must be recast in view of the intrinsically symbolic character of modern mathematical science. I argue further that a genuinely mystical attitude toward nature is nascent within symbolic mathematical science itself. (shrink)

The philosophical and religious ideas of Simone Weil bear on theory of history and historiography in ways not previously explored. They amount to a view of history as a consequence of the original creation, but they also exclude theodicy. By examining these ideas we see some of the ways in which to develop a theory history centered on a conception of moral understanding that is impartialist and universal. For Weil such understanding is both inside of and (...) outside of history. This leads to an approach to human history that centers on the moral dilemmas and choices of historical actors and that matches the force of compassion with that of power. Under an approach inspired by Weil’s ideas, the historian’s work of understanding can be an experience of moral growth. (shrink)

Jacob Neusner, a leading scholar of Judaism, offers a provocative statement on methodology in this history of religion. Neusner offers initial generalizations, or 'first principles, ' seen as the histories of four periods of Judaism. Co-published with Studies in Judaism. Co-published with Studies in Judaism.

This book provides a unique presentation of Simone Weilʹs life, work, and her contributions to feminist thought. Long before postmodern or deconstructionist ideas became current, Weil was concerned with recognizing the absence of consistency and the continual presence of reversals and contradictions in life. The struggle to clarify her "reading" of reality and her perceptions of meaning was an ongoing one and she challenged contemporary views on complex issues such as human nature, good and evil, divinity, and truth. In (...) this introduction to Simone Weilʹs ideas, and the political and intellectual circumstances of her work, the authors make Weilʹs complex and at times elusive ideas accessible to readers. They offer their own interpretation of her work and delineate how Weilʹs ideas evolved, while providing compelling excerpts from Weilʹs writings to let her speak for herself. Her work offers a voice for those segments of society that are generally underrepresented, misrepresented, or totally silent in conventional historical and philosophical writings. -- Back cover. (shrink)

Over 700,000 copies of the original hardcover and paperback editions of this stunningly popular book have been sold. Karen Armstrong's superbly readable exploration of how the three dominant monotheistic religions of the world—Judaism, Christianity, and Islam—have shaped and altered the conception of God is a tour de force. One of Britain's foremost commentators on religious affairs, Armstrong traces the history of how men and women have perceived and experienced God, from the time of Abraham to the present. From (...) classical philosophy and medieval mysticism to the Reformation, the Enlightenment, and the modern age of skepticism, Armstrong performs the near miracle of distilling the intellectual history of monotheism into one compelling volume. (shrink)

Marie Cabaud Meaney looks at Simone Weil's Christological interpretations of the Sophoclean Antigone and Electra, the Iliad and Aeschylus' Prometheus Bound. Apart from her article on the Iliad, Weil's interpretations are not widely known, probably because they are fragmentary and boldly twist the classics, sometimes even contradicting their literal meaning. Meaney argues that Weil had an apologetic purpose in mind: to the spiritual ills of ideology and fanaticism in World War II she wanted to give a spiritual answer, namely (...) the re-Christianization of Europe to which she wished to contribute in some way. To the intellectual agnostics of her day she intended to show through her interpretations that the texts they cherished so much could only be fully understood in light of Christ; to the Catholics she sought to reveal that Catholicism was much more universal than generally believed, since Greek culture already embodied the Christian spirit - perhaps to a greater extent than the Catholic Church ever had. Despite or perhaps because of this apologetic slant, Weil's readings uncover new layers of these familiar texts: Antigone is a Christological figure, combating Creon's ideology of the State by a folly of love that leads her to a Passion in which she experiences an abandonment similar to that of Christ on the Cross. The Iliad depicts a world as yet unredeemed, but which traces objectively the reign of force to which both oppressors and oppressed are subject. Prometheus Bound becomes the vehicle of her theodicy, in which she shows that suffering only makes sense in light of the Cross. But the pinnacle of the spiritual life is described in Electra which, she believes, reflects a mystical experience - something Weil herself had experienced unexpectedly when 'Christ himself came down and took her' in November 1938. In order to do justice to Weil's readings, Meaney not only traces her apologetic intentions and explains the manner in which she recasts familiar Christian concepts, but also situates them among standard approaches used by classicists today, thereby showing that her interpretations truly contribute something new. (shrink)

This article aims to examine the mystical meanings of food in the texts Gravity and Grace, Waiting for God, and First and Last Notebooks by the French philosopher Simone Weil (1909-1943). The main questions posed over the course of this study are as follows: How does Weil interpret food in her mystical texts? What relationship do her ideas have with her context of the Second World War, with Judaism, with her body? Are biomedical understandings of behavior, such as (...) anorexia nervosa, applicable to Weil? The methodology will involve an in-depth reading of the three texts mentioned above, sketching the key theories of decreation and affliction. The main thesis of the paper is that food has an irremediably ambiguous status in Weil, marking both the degrading subjection of the human being to the earthly laws of necessity and gravity, and paradoxically, a path to salvation, where, through the spiritual transformation of decreation, the human being eats and is eaten by God. The author argues that this quasi-Christian mysticism must first be understood in Weil’s context of the Second World War, and that it also involves a problematic relationship with Judaism. Moreover, this study contends that interpretations utilizing primarily medical frameworks to understand Weil's food deprivation, such as anorexia nervosa, are insufficient. Such pathologization, as will be demonstrated, neglects the complex and often ambiguous mystical, ethical, and ontological meanings that Weil locates in hunger. (shrink)

Simone Weil's influence has been enormous and in this age of doubt and uncertainty there is something particularly appealing about this French Jewish writer, for Weil lived out her beliefs. From an early age she was attracted to Bolshevism, became an anarchist and helped Trotsky. She joined the International Red Brigade to fight Franco in the Spanish Civil War. An agnostic, she experienced a profound religious conversion, yet never converted to the Christian faith to which she was so deeply (...) attracted. This clear lucid exposition of her life and work shows how Weil is truly a prophet for our age and an indispensable source of encouragement to all those at the frontiers of religion, both within and without. (shrink)

As the editor of this volume writes in his introduction: 'Simone Weil's philosophy is one that interrogates and contemplates our culture; it makes us aware of our lack of attention to words and empty ideologies, to human suffering, to the indignity of work, to our excessive use of power, to religious dogmatisms. Rather than set out a system of ideas, Simone Weil uses her philosophical reflections to show how to think about work and oppression, freedom and the good, (...) necessity and power, love and justice - even how to think about, or not think about, God. In this way we are asked to examine the human condition and learn to discern a way through it.' This is one of the very few books available in English to present a comprehensive interpretation of the philosophy of Simone Weil and how her thought can cast light on issues of contemporary importance such as work, justice, the law, war and peace, and issues of more general moral and theological concern. (shrink)

Three theses are explored, the first two historical and the third philosophical‐theological: (1) throughout most of the history ofWestern civilization, science and religion have been closely connected with each other, and each has benefited from the connection; (2) the belief that science and religion have always been in conflict is not based on the actual history of either set of institutions; and (3) structurally a relationship between the two institutions is in the interest of both. By religion here (...) I mean specifically, but not exclusively, Judaism. (shrink)

"Anyone interested in Simone Weil will want, and need, to read this superb collection." —Diogenes Allen, Princeton Theological Seminary “These essays—some written by leading specialists in Simone Weil's thought, others by prominent theologians and philosophers of religion—are especially valuable not only for elucidating Weil's reading of Plato but also for showing what one or another form of Christian Platonism can mean for us today.” —James A. Wiseman, O.S.B., Catholic University of America "This remarkable and penetrating collection of essays (...) on Simone Weil's religious philosophy illumines the living intersection between serious metaphysics and ethics. The authors carefully examine this relation that much post-modern reflection has until now only skimmed, but that Weil herself managed to embrace with breathtaking intellectual discipline and self-giving. The book is a bracing testimony to the deep moral consequences of classical ontology and its challenging Christian reorientation." —The Rev. Dr. Ephraim Radner, Ascension Episcopal Church, Pueblo, Colorado In this book a group of renowned international scholars seek to discern the ways in which Simone Weil was indebted to Plato, and how her provocative readings of his work offer challenges to contemporary philosophy, theology, and spirituality. This is the first book in twenty years to systematically investigate Weil’s Christian Platonism. (shrink)

Simone Weil was a remarkable woman: a teacher, a factory worker, a field hand, a traveler, and a frontline volunteer in the Spanish Civil War; yet she found time to write and to philosophize about life and religion. Her short life (1909–43) spanned two world wars, al­though she did not live to see the end of the second one. The reac­tions of this French Jewish woman to some of the facets of these conflicts may seem surprising; her sympathies and (...) affirmations were perhaps too extreme, but she did think for herself in an un­orthodox and challenging way and had a passionate sense of justice. Mr. Rees believes that this book may contain more illumina­tion for the present world’s spiritual needs than any other twentieth-­century commentary. Some of Simone Weil’s proposals concerning patriotism, obligations, freedom of expression, and the needs of the soul may seem Utopian, but they would not be unreasonable in a society adopting her moral code. Simone Weil was an intellectual with an essentially tragic view of life, but she was not removed from the everyday life. Her thought was unique and cannot be classified. She was neither a re­actionary nor a progressive but a great soul and a brilliant mind, as T. S. Eliot expressed it, “with a kind of genius akin to that of the saints.” Since she explored problems which confront modern man, the reader will find thoughtful stimulation in her work. In a previ­ous book, Brave Men, the author likened her to D. H. Lawrence—both lonely visionaries suffering from a devouring spiritual hunger. This book gives a condensed but penetrating account of Miss Weil’s interests. Since her writings cover more than philosophy and religion, the reader will feel compelled to become more familiar with her work. (shrink)

Major thinkers of the twentieth-century explored the conditions for the possibility of perception, language, and thought, and Merleau-Ponty in particular addressed the physical body as a condition of existing and being situated in the world. Although French philosopher Simone Weil has not been recognized as belonging in this stream of philosophical history, this article seeks to demonstrate that Weil was a pioneering phenomenologist of the body; for remarkably like Merleau-Ponty—yet more than a decade before him in the early (...) 1930s—Simone Weil’s thinking centered on the foundational role of the body in structuring thought and ordering the world. The body is the first and primary orderer of experience for Weil: it grasps relations intuitively, pre-linguistically, and mediates action and thought. Weil’s body-thinking reconfigures the basis of thinking itself, positing that bodily movement is the factor sine qua non that enables ordered spatial-temporal perception, a perception on which the most abstract reaches of language and thought depend. (shrink)

This is a textual examination of Simone Weil's works which the author relates to classic Marxism and anarchism. It discusses Weil's critique of worker misery/alienation, imperialism, and the social systems of capitalism, Nazism and Soviet Communism.

_For curious readers young and old, a rich and colorful history of religion from humanity’s earliest days to our own contentious times_ In an era of hardening religious attitudes and explosive religious violence, this book offers a welcome antidote. Richard Holloway retells the entire history of religion—from the dawn of religious belief to the twenty-first century—with deepest respect and a keen commitment to accuracy. Writing for those with faith and those without, and especially for young readers, he encourages (...) curiosity and tolerance, accentuates nuance and mystery, and calmly restores a sense of the value of faith. Ranging far beyond the major world religions of Judaism, Islam, Christianity, Buddhism, and Hinduism, Holloway also examines where religious belief comes from, the search for meaning throughout history, today’s fascinations with Scientology and creationism, religiously motivated violence, hostilities between religious people and secularists, and more. Holloway proves an empathic yet discerning guide to the enduring significance of faith and its power from ancient times to our own. (shrink)

Broad in its geographic scope and yet grounded in original archival research, this book situates the inception of modern aesthetic theory – the philosophical analysis of art and beauty - in theological contexts that are crucial to explaining why it arose. Simon Grote presents seminal aesthetic theories of the German and Scottish Enlightenments as outgrowths of a quintessentially Enlightenment project: the search for a natural 'foundation of morality' and a means of helping naturally self-interested human beings transcend their own self-interest. (...) This conclusion represents an important alternative to the standard history of aesthetics as a series of preludes to the achievements of Immanuel Kant, as well as a reinterpretation of several canonical figures in the German and Scottish Enlightenments. It also offers a foundation for a transnational history of the Enlightenment without the French philosophes at its centre, while solidly endorsing historians' growing reluctance to call the Enlightenment a secularising movement. (shrink)

There was no dialogue between Simone Weil and Emmanuel Levinas. In many regards, however, their philosophies have much in common. Both defend a conception of human rights as rights of others and as an obligation for the self. Both understand this obligation as an obligation of attention and action for others, based on their needs and their vulnerability. Both find the source of this obligation in the transcendence of the other, and both connect it with a radical passivity of (...) the self, who is subjected to this obligation in spite of itself. At the same time, this proximity between the two philosophers entails and reveals profound differences between them, partially due to the difference between Weil’s metaphysics of light and Levinas’s metaphysics of language. These differences concern the status of subjectivity and of its duty toward the other, as well as the idea of an acceptation of sufferance, especially of the sufferance of others. (shrink)

This very long book sets out to track and trace the working-class men and, less commonly, women who, against the limited expectations of their social position, learned Greek and Latin as an aspiration for personal change. The ideology of the book is clear and welcome: these figures “offer us a new ancestral backstory for a discipline sorely in need of a democratic makeover.” The book's twenty-five chapters explore how classics and class were linked in the educational system of Britain and (...) in its cultural performativity: Is he a gentleman? Does he have Greek? became the paradigmatic questions, as the study of classics became a sign of cultural attainment and social exclusion. This book sets out to explore the counterstory of the cobblers and shepherds who, like Jude the Obscure, fought against society's oppressiveness to access classical learning.The book's breadth is exemplary. It looks at the issue through genres and media, through different communities and national identities, through the prosopography of ragged-trousered philanthropists, beggar-lecturers, body-building performers, and through other institutions and people who helped, including adult-education teachers, kind bosses, supportive vicars, and fiery communists. This breadth, and the fascinating research that it encapsulates, will make this book a fantastic resource for future scholarship: it outlines the richness of a field that has been all too rarely explored properly. If you do not know Stephen Duck, “the thresher poet,” or Hawkie, the crutch-wielding beggar who performed from the books he sold on the streets of Glasgow, then this book is the place to the meet them. The cast list alone is worth the entrance ticket.Yet this very breadth is also the source of the book's limitations. The sheer number of cases listed, treated at similar length and depth, repeatedly conceals the complexity and even the interest of individual figures or events. So, the numerous representations of Vesuvius in shows around London in the first half of the nineteenth century—after the discoveries at Pompeii—are duly noted as a source of excitement and knowledge about antiquity, but against the recent treatment by Clare Pettitt in Serial Forms (which came out the same year) this mere noting looks desperately thin. There is little discussion of how the characters themselves talked about or negotiated class. This deficiency is particularly important for someone like Charles Kingsley, who was very active in the Chartist movement but also became Queen Victoria's chaplain and the professor of history at Cambridge. There are hilarious descriptions of Kingsley's stammering engagement with the working-class leaders he actively supported, which capture how awkward the interaction of classes could be even and especially when the participants shared a goal of transformation. (Ed Richardson's Classical Victorians: Scholars, Scoundrels and Generals in the Pursuit of Antiquity is good on these moments of awkwardness but is one of several books whose absence from the notes looks pointed.) The authors list cases of working men who were picked up by fashionable society as poets or scholars, many of whom were dropped almost as quickly back into penury—but the telling description of such a case in Kingsley's Alton Locke is passed over, although it reveals an acute self-consciousness about such narratives in a best-selling novel.The very structure of the book tends toward listing cases rather than analyzing them in depth. It is not clear why “Shoemaker classicists” should take up a chapter, bar there having been some. Nor is it clear why some figures are not included. John Brown was an uneducated Scottish shepherd who taught himself Greek, Latin, and Hebrew. He was discovered by a professor, one John Pringle, when he went into a shop to buy a secondhand Greek Testament (though his own church thought this newfound and inexplicable linguistic brilliance suspicious or even satanic). Brown went on to write the wonderfully titled The Self-Interpreting Bible, which remained in print and sold very widely for more than a century after its publication in 1778—especially after it was championed by the evangelical preacher Charles Simeon. It is a pity that Brown escaped the authors’ net, but religion, one of the main reasons to learn the classical languages, is downplayed throughout this study, although its imbrication with classics is everywhere in evidence. The book, significantly enough, leads rather toward a rosy-eyed depiction of posh classical communists like Geoffrey de Ste. Croix and George Thompson, and other such heroes of the authors.The authors are much more at home in the years of ardent republicanism in the decades on either side of the turn of the nineteenth century and in the beginning of the twentieth century, when socialism and communism became embedded in British life. The last half of the nineteenth century, when classics really established itself institutionally as a discipline, and its revolutionary potential moved away from the zeal of the Romantic philhellenists into the artistic idealism of a Richard Wagner or the sexual freedom of an Oscar Wilde, are less adequately explored. The huge attendance at art galleries and the Great Exhibition at Crystal Palace as a route to encountering the past of antiquity in material form are barely addressed (Kate Nichols's Greece and Rome at the Crystal Palace would have helped); nor do shows like Astley's Circus get air time (Rachel Bryant Davies's Troy, Carthage, and the Victorians is revealing). It is particularly noticeable in such a voluminous study that there is no discussion of how turning to Greek was a crucial route for the self-understanding of what was considered transgressive male sexuality—and for a particular engagement between the classes. To understand the social force of classics requires a deeper appreciation of the dynamics between conservatism and transformation, disciplinarity and self-discovery. The big picture of how classics matters is lost in the gems picked out by the authors. Gems they are, but their facets need more attention and their setting a broader perspective. (shrink)

This book examines the religious, social, and political thought of Simone Weil in the context of the rigorous philosophical thinking out of which it grew. It also explores illuminating parallels between these ideas and ideas that were simultaneously being developed by Ludwig Wittgenstein. Simone Weil developed a conception of the relation between human beings and nature which made it difficult for her to explain mutual understanding and justice. Her wrestling with this difficulty coincided with a considerable sharpening of (...) her religious sensibility, and led to a new concept of the natural and social orders involving a supernatural dimension, within which the concepts of beauty and justice are paramount. Professor Winch provides a fresh perspective on the complete span of Simone Weil's work, and discusses the fundamental difficulties of tracing the dividing line between philosophy and religion. (shrink)

Historically, all societies have used comparison to analyze cultural difference through the interaction of religion, power, and translation. When comparison is a self-reflective practice, it can be seen as a form of comparatism. Many scholars are concerned in one way or another with the practice and methods of comparison, and the need for a cognitively robust relativism is an integral part of a mature historical self-placement. This volume looks at how different theories and practices of writing and interpretation have developed (...) at different times in different cultures and reconsiders the specificities of modern comparative approaches within a variety of comparative moments. The idea is to reconsider the specificities, the obstacles, and the possibilities of modern comparative approaches in history and anthropology through a variety of earlier and parallel comparative horizons. Particular attention is given to the exceptional role of Athens and Jerusalem in shaping the Western understanding of cultural difference. (shrink)

This article is a venture into a Christian Theology of Other Faiths. In contrast to History of Religions, which seeks to understand a religion from its own point of view, a Christian Theology of Other Faiths seeks to understand another religion from the perspective of the Christian revelation.Here I present Simone Weil’s claim that the Word of God is manifest in human form in other faiths, and that the Gospels are written from the point of view of a (...) victim, and are completed by the Bhagavad Gita which is written from the point of view of an agent who wields a sword. (shrink)

A distinguished discussion of Weil's views on social philosophy, science, ethics, and religion.

Marcel Gauchet has launched one of the most ambitious and controversial works of speculative history recently to appear, based on the contention that Christianity is "the religion of the end of religion." In The Disenchantment of the World, Gauchet reinterprets the development of the modern west, with all its political and psychological complexities, in terms of mankind's changing relation to religion. He views Western history as a movement away from religious society, beginning with prophetic Judaism, gaining tremendous (...) momentum in Christianity, and eventually leading to the rise of the political state. Gauchet's view that monotheistic religion itself was a form of social revolution is rich with implications for readers in fields across the humanities and social sciences. Life in religious society, Gauchet reminds us, involves a very different way of being than we know in our secular age: we must imagine prehistoric times where ever-present gods controlled every aspect of daily reality, and where ancestor worship grounded life's meaning in a far-off past. As prophecy-oriented religions shaped the concept of a single omnipotent God, one removed from the world and yet potentially knowable through prayer and reflection, human beings became increasingly free. Gauchet's paradoxical argument is that the development of human political and psychological autonomy must be understood against the backdrop of this double movement in religious consciousness--the growth of divine power and its increasing distance from human activity. In a fitting tribute to this passionate and brilliantly argued book, Charles Taylor offers an equally provocative foreword. Offering interpretations of key concepts proposed by Gauchet, Taylor also explores an important question: Does religion have a place in the future of Western society? The book does not close the door on religion but rather invites us to explore its socially constructive powers, which continue to shape Western politics and conceptions of the state. (shrink)

Simone Weil believed that Greece’s vocation was to build bridges between God and man. This paper argues that, in light of Weil’s “tradition of mystical thought,” the Christian vocation is an extension of the Greek. The search for the perfect bridge in Homer, Sophocles and Plato comes to fruition in the Passion of Christ. The Greek thinkers, especially Plato with his Perfectly Just Man, already had implicit knowledge of the Passion’s truth.

_A distinguished discussion of Weil's views on social philosophy, science, ethics, and religion._.

Simone Weil (1909-1943) was one of the foremost French philosophers of the 20th century; a mystic, activist, and writer whose profound work continues to intrigue and inspire today. -/- Mirror of Obedience collects together Weil's poetry and autobiographical writings translated into English for the first time. It offers a rare glimpse into a more personal and introspective Weil than we usually encounter. She was writing and re-working her poems until the end of her life and in a letter from (...) London to her parents, dated 22 January 1943, she expressed the wish for her verses to appear together in print in chronological order, a wish which this volume honours. -/- Weil was a thinker who wrote with discipline and spareness and cherished the poetic form for its power to compress language and distill meaning. In these poems and literary writings, we see her own efforts to craft poems as essential expressions of thought, bringing into view another aspect of Weil's quest for beauty and truth. (shrink)

Reality and contradiction -- The paradox of desire -- God and the world -- Necessity and obedience -- Grace and decreation -- Conclusion : Weil's theological coherence.

This essay explores what it means to say that we live today in ?a secular age.? A distinction between two kinds of secularism is introduced and the proposal is made that the secularity that characterises our age belongs to a distinctively Graeco-Christian heritage. This proposal is elaborated and developed in the context of the Nietzschean pronouncement of the death of God and against the background of the decline in theodicial conceptions of history. However, rather than see these issues as (...) connected to a growing nihilism in European society or in terms of a movement towards a widespread atheism, they are interpreted, in many respects optimistically, in terms of the awakening and ongoing movement of a distinctively democratic desire. (shrink)

The later Wittgenstein’s approach to philosophical inquiry has influenced a number of philosophers who have reflected on the significance of evil for a Christianview of creation. The strengths and shortcomings of this influence are considered here, with particular attention to the work of D. Z. Phillips. Wittgenstein’s legacyemerges as a decidedly mixed blessing. On the one hand, a sensitive analysis of the religious use of language reveals the anthropomorphic confusion inherent in attempts to depict God as acting, or as failing (...) to act, for morally sufficient reasons. On the other, a sharp distinction between the natural and the spiritual domains, and the opposition to metaphysics with which it is associated, obscure rather than assist the search for understanding. By way of contrast, the paper concludes with a discussion of Simone Weil’s (profoundly metaphysical) conception of Christ’s mediation between creature and Creator; a conception which points the way to a resolution of the intellectual tension to which evil gives rise in the order of creation. (shrink)