This article elaborates the epistemic indispensability argument, which fully embraces the epistemic contribution of mathematics to science, but rejects the contention that such a contribution is a reason for granting reality to mathematicalia. Section 1 introduces the distinction between ontological and epistemic readings of the indispensability argument. Section 2 outlines some of the main flaws of the first premise of the ontological reading. Section 3 advances the epistemic indispensability argument in view of both applied and pure mathematics. And Sect. (...) 4 makes a case for the epistemic approach, which firstly calls into question the appeal to inference to the best explanation in the defense of the indispensability claim; secondly, distinguishes between mathematical and physical posits; and thirdly, argues that even though some may think that inference to the best explanation works in the postulation of physical posits, no similar considerations are available for postulating mathematicalia. (shrink)

In this chapter, we provide an analysis of Torretti’s main views in the general philosophy of science. I shall examine his Kantian take on objectivity (Sect. 2.2), the creative understanding thesis (Sect. 2.3), his critique of scientific realism (Sect. 2.4), his elaboration of mathematical fictionalism (Sect. 2.5), his analysis of physical laws (Sect. 2.6), and his examination of the contribution of philosophical reflection to scientific progress (Sect. 2.7). For this, I will consider Torretti’s publications (...) from the late 1960s to the early 2010s in the hope of expounding some of his ideas that may not be well known to some of his readers coming exclusively from either the history and philosophy of physics and geometry, or from the history of philosophy. With this, we fill a gap in our understanding of Torretti’s views in various fields in the philosophy of science, assessing their motivations and arguing that they yield an attractive alternative for various issues in current debates. (shrink)

Zen master Dōgen 道元, the founder of the Sōtō sect in medieval Japan, is often referred to as the leading classical philosopher in Japanese history and one of the foremost exponents of Mahayana Buddhist thought. His essays, sermons and poems on numerous Buddhist topics included in his main text, the Shōbōgenzō 正法眼蔵, reflect an approach to religious experience based on a more philosophical analysis of topics such as time and temporality, impermanence and momentariness, the universality of Buddha-nature and naturalism, (...) and the role of language and emotions in the experience of enlightenment, as well as practical matters such as ethics and the precepts or meditation and daily activity, than is generally found in the writings of most thinkers in the Japanese Zen school. The single main element in Dōgen’s unique approach to Buddhist theory and practice is his emphasis on the multiple meanings of “impermanence” in personal experience and as the basis for Buddhist metaphysics. In particular, he emphasizes the radical impermanence of each and every phenomenon and the need to attain spiritual realization by acknowledging and identifying, rather than resisting or denying, the ephemeral nature of reality. The notion of impermanence or the transiency of all aspects of human and natural existence has always been a fundamental feature of the Buddhist teaching since the sermons of the Buddha dealing with the doctrines of anātman and anitya regarding the insubstantial, selfless nature of things. However, Dōgen repeatedly cautions against any subtle tendency to view ultimate reality––nirvāṇa or the universal “Buddha-nature” ––as an eternal realm separable from, or independent of, impermanence. Instead, he stresses that a full, unimpeded, and perpetually renewed experience of impermanence and of the unity of “being-time” is the touchstone and framework of every aspect of Buddhist meditative training and spiritual realization. Other key doctrines related to this are the “spontaneous here-and-now manifestation of Zen enlightenment”, the “eternal moment of meditation”, the “immediacy of awakening”, and “impermanence-Buddha-nature”. In addition to looking at Dōgen’s poetic writings on aesthetic experience, later writings on karma and supernaturalism will be briefly examined for their contributions to his philosophical discussions of mystical awareness and the issues of commitment and responsibility involved in authentic religious practice. (shrink)

The aim of this chapter is to explore and examine what hermeneutic methods can and should be summoned in order to interpret critically an intriguing yet endlessly puzzling sentence in the “Genjōkōan” (現成公案) fascicle of Sōtō sect founder Dōgen’s (道元, 1200–1253) Shōbōgenzō (正法眼蔵). The source material deals with the way perspectives shift dramatically “when riding a boat out to sea, where mountains can no longer be seen (yamanaki kaichū 山なき海中)”? The analogy of sailing past the horizon, so that any (...) trace of land is not visible, and one feels temporarily encircled by the ocean with no other frame of reference available, raises key phenomenological issues regarding the innate partiality or insufficiency of human perception in connection to the Zen goal of awakening to a holistic standpoint that is devoid of divisibility but incorporates an array of standpoints. This passage has been interpreted in diverse ways since the time of early medieval commentaries by Senne and Kyōgō and by Edo-period Sōtō scholiasts, as well as in modern times by various Japanese philosophers and researchers of Dōgen’s texts. (shrink)

“Purifying Zen: Watsuji Tetsuro’s Shamon Dogen makes available in a clear and fluid translation an early classic in modern Japanese philosophy. Steve Bein’s annotations, footnotes, introduction, and commentary bridge the gap separating not only the languages but also the cultures of its original readers and its new Western audience.” —from the Foreword by Thomas P. Kasulis In 1223 the monk Dogen Kigen came to the audacious conclusion that Japanese Buddhism had become hopelessly corrupt. He undertook a dangerous pilgrimage to China (...) to bring back a purer form of Buddhism and went on to become one of the founders of Soto Zen, still the largest Zen sect in Japan. Seven hundred years later, the philosopher Watsuji Tetsuro also saw corruption in the Buddhism of his day. Watsuji’s efforts to purify the religion sent him not across the seas but searching Japan’s intellectual past, where he discovered writings by Dogen that had been hidden away by the monk’s own sect. Watsuji later penned Shamon Dogen , which single-handedly rescued Dogen from the brink of obscurity, reintroducing Japan to its first great philosophical mind. Purifying Zen is the first English translation of Watsuji’s landmark book. A text intended to reacquaint Japan with one of its finest philosophers, the work delves into the complexities of individuals in social relationships, lamenting the stark egoism and loneliness of life in an increasingly Westernized Japan. In addition to an introduction that provides biographical details on Watsuji and Dogen, the translation is supplemented with a brief guide to the themes and ideas of Shamon Dogen, beginning with a consideration of the nature of faith and the role of responsibility in Watsuji’s vision of Dogen’s Zen. It goes on to examine the technical terms of Dogen’s philosophy and the role of written language in Dogen’s thought. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Is Masao Abe an Original Thinker?Steven HeineDuring the course of a remarkable career spanning six decades in various institutions in Japan and the West, beginning with his training under Hisamatsu Shin’ichi at Kyoto University, Masao Abe became known for several important accomplishments in disseminating Buddhist thought in comparative perspectives and global contexts. In addition to his considerable contributions to the teaching and mentoring of several dozen Western scholars of (...) Buddhist studies, a first major achievement was the translation and interpretation of eminent Zen Buddhist thinkers. Abe is especially known for his work on Dōgen, the thirteenth-century founder of the Sōtō Zen sect, and Nishida Kitarō, the leading figure in modern Japanese philosophy and originator of the Kyoto school, of which Abe is considered a prominent member. Abe’s renderings (as a cotranslator) and hermeneutic discussions of Dōgen and Nishida remain among the best and most frequently cited in those respective fields.Second, Abe gained prominence more generally as a presenter of traditional Zen Buddhist thought to the modern West. It was often said that with the passing of D. T. Suzuki in 1966, the mantle was passed to Abe, who became the leading figure playing the role of transmitter. A third accomplishment was Abe’s ever vigorous participation and lifelong commitment to interfaith dialogue, primarily involving Buddhist-Christian studies, as well as exchanges with Jewish thinkers and discussions of thematic issues, such as the encounter of religion and science or the impact of the Holocaust on comparative ethics. The hallmark of the Kyoto school is a comparison of Japanese Buddhism and Western thought. However, Abe went much further than predecessors and colleagues in seeking out and exchanging ideas with dialogue partners from among the leading theologians and philosophers of religion in the West representing a wide ranger of Christian and, to a lesser extent, Jewish traditions.The question that arises is whether and to what extent there may be a fourth area of accomplishment by examining whether Abe can be considered an original thinker, and, if so, what his special contribution to the Kyoto school and cross-cultural religious philosophy in a broader sense might be. Reflecting on this issue, I have often thought about an episode that took place a few years ago, when I requested permission from a journal to reprint an article in a collection of Abe’s work that I was editing for the University of Hawai‘i Press. The editor’s response in consenting to the request [End Page 131] also included the comment that he considered Abe’s contribution to Buddhist studies to be “not a secondary, but a primary source.”What did this remark mean? I believe there are two possibilities. One possibility, on the more critical side, is that Abe does not present Buddhism in an objective, historical fashion and is not worthy of being referred to as a secondary source, which in a way has more validity than what he represents. The positive side of the journal editor’s comment is that Abe’s work offers a distinctively original interpretation that is part of the ongoing construction of Buddhist thought for the modern world. Following this line of understanding, my tentative answer to the question of whether Abe is an original thinker is “yes.” A major reason for my saying this is based on the fact, of which the editor was not aware, that Abe rather late in his life was producing books in Japanese for an audience in Japan rather than the West.1In these three volumes published from 1996 to 2000, Abe began to develop what he innovatively called “sunyata-ology,” or a systematic discussion of the root meaning and far-ranging philosophical implications of the Mahayana Buddhist doctrine of śūnyatā or emptiness. This term is often used interchangeably with the notion of nothingness ( Japanese: mu ), in relation to or in contrast with nihilism, nihilation, and negation. Like his Kyoto school predecessors Nishida and Keiji Nishitani, who were in turn greatly influenced by Western philosophers Friedrich Nietzsche and Martin Heidegger, the mission of overcoming nihilism at its root must be the central goal of modern thought, according to Abe, who believes... (shrink)

The Treasury of the True Dharma Eye (Shōbōgenzō) is the masterwork of Dōgen (1200–1253), founder of the Sōtō Zen Buddhist sect in Kamakura-era Japan. It is one of the most important Zen Buddhist collections, composed during a period of remarkable religious diversity and experimentation. The text is complex and compelling, famed for its eloquent yet perplexing manner of expressing the core precepts of Zen teachings and practice. This book is a comprehensive introduction to this essential Zen text, offering a (...) textual, historical, literary, and philosophical examination of Dōgen’s treatise. Steven Heine explores the religious and cultural context in which the Treasury was composed and provides a detailed study of the various versions of the medieval text that have been compiled over the centuries. He includes nuanced readings of Dōgen’s use of inventive rhetorical flourishes and the range of East Asian Buddhist textual and cultural influences that shaped the work. Heine explicates the philosophical implications of Dōgen’s views on contemplative experience and attaining and sustaining enlightenment, showing the depth of his distinctive understanding of spiritual awakening. Readings of Dōgen’s Treasury of the True Dharma Eye will give students and other readers a full understanding of this fundamental work of world religious literature. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Zen War StoriesSteven HeineZen War Stories. By Brian Daizen Victoria. London and New York: Routledge-Curzon, 2003. Pp. xviii + 268. Hardcover $124.95. Paper $34.95.Brian Daizen Victoria's Zen War Stories, following his highly acclaimed but also highly provocative Zen at War (Weatherhill, 1997), continues his withering attack on the embracing of wartime ideology by leading Zen masters and practitioners in Japan. Victoria seeks to show that the attitude characteristic (...) of numerous examples of prominent Zen monks and scholars was not simply a matter of benignly resisting, or even passively accepting, the rhetoric of Imperial Way Buddhism by clergy who were under pressure and powerless to stand up to the authorities. Nor was it an example of innocently recognizing historical and ideological affinities between Zen monastic discipline and military training.On the contrary, the Zen masters discussed here eagerly and enthusiastically endorsed some of the most excessive and reprehensible aspects of imperial ideology in the name of a corrupted vision of spiritual realization as a tool to spread the doctrine of the Greater East Asia Co-prosperity Sphere. They also used Zen wedded to hyper-nationalism and imperialism as a tool to misread the historical records of their own tradition and to help transport Japanese supremacy to China and Korea, while refusing to acknowledge or repent for their actions with the defeat of Japan. This outlook also infected numerous politicians and military figures, who turned to Buddhism as a way of explaining away or masking their roles leading up to, as well as during and after, World War II.In part 1 of Zen War Stories Victoria documents several masters who have become icons in the West for their apparent adherence to a Zen tradition linked with an ability to address contemporary culture. After showing in chapter 4 that Ōmori [End Page 345] Sōgen, praised for his prowess in swordsmanship and other arts, had a fascistic, "Mr. Hyde" side as manifested in the founding in 1932 of the Kinnō Ishin Dōmei (League for Loyalty to the Emperor and the Restoration), Victoria turns to the case of Yasutani Haku'un. In chapter 5, "Zen Master Dōgen Goes to War," we find that Yasutani, known as the teacher of Philip Kapleau and the inspiration for The Three Pillars of Zen, wanted to smash all universities for being traitors. He was a fanatical militarist who "transformed the life and thought of Zen Master Dōgen (1200-1253), the thirteenth-century founder of the Sōtō Zen sect in Japan, into a propaganda tool for Japanese militarism" (p. 68).In particular, Yasutani tried to argue that Dōgen's famed pilgrimage to Song China in 1223 was triggered not by a longing for the Buddhist Dharma but by a disgust with the new shogunate and an infatuation with preserving the Imperial House. According to Victoria, Yasutani's corrupted spirituality did not end with a support for militarism. He was also even more "ethnic chauvinist, sexist, and anti-Semitic" (p. 68) than his teacher Harada Daiun Sōgaku, whose "most memorable wartime quote is: '[If ordered to] march: tramp, tramp, or shoot: bang, bang. This is the manifestation of the highest Wisdom [of enlightenment]"' (pp. 66-67).After discussing in chapter 7, "Zen 'Selflessness' in Japanese Militarism," how Zen's historical relation to the samurai was misinterpreted to support the imperial ideology concerning the acceptance of death by D. T. Suzuki and other prominent representatives of Zen, including former Eiheiji temple abbot Kumazawa Taizen, part 2 takes up examples of the involvement with Buddhist thought by military and political leaders. While this section is less devastating as a critique of Zen than of Japanese Buddhism and society in general, Victoria explains in chapter 10, "Buddhism-The Last Refuge of War Criminals," how easily the moral basis of religion can be distorted and subverted. For example, as recollected by Buddhist studies scholar Hanayama Shinshō, seven Class A war criminals who had been condemned to death continued, while on death row, to cling hypocritically to Buddhism to find some feeling of solace. For instance, Hirota Kōki never abandoned his attachment to Zen and the warrior class and... (shrink)