Social scientists have not integrated relevant knowledge from the biological sciences into their explanations of human behavior. This failure is due to a longstanding antireductionistic bias against the natural sciences, which follows on a commitment to the view that social facts must be explained by social laws. This belief has led many social scientists into the error of reifying abstract analytical constructs into entities that possess powers of agency. It has also led to a false nature-culture dichotomy that effectively undermines (...) the place of biology in social scientific explanation. Following the principles of methodological individualism, we show how behavioral explanations supported by data and theory from the neurosciences can be used to correct the errors of reificationist thinking in the social sciences. We outline a mechanistic approach to the explanation of human behavior with the hope that the biological sciences will begin to find greater acceptance among social scientists. (shrink)

This book interprets Thomas Hardy's Tess of the D'Urbervilles with the openness toward experience recommended by John Dewey's Art as Experience. The characters of Tess are considered as real people with sexual bodies and complex minds. Efron identifies the "experience blockers" that the critical tradition has stumbled upon, and defends Hardy's involvement in telling his story. Efron offers a new way of evaluating literature inspired by Dewey's pragmatist aesthetics.

This book interprets Thomas Hardy’s Tess of the D’Urbervilles with the openness toward experience recommended by John Dewey’s Art as Experience . The characters of Tess are considered as real people with sexual bodies and complex minds. Efron identifies the “experience blockers” that the critical tradition has stumbled upon, and defends Hardy’s involvement in telling his story. Efron offers a new way of evaluating literature inspired by Dewey’s pragmatist aesthetics.

In the early 18th Century, Daniel Defoe found it natural to write a novel whose heroine was a sexually adventurous, socially marginal property offender. Only half a century later, this would have been next to unthinkable. In this paper, the disappearance of Moll Flanders, and her supercession in the annals of literary female offenders by heroines like Tess of the d'Urbervilles, serves as a metaphor for fundamental changes in ideas of selfhood, gender and social order in 18th and 19th Century (...) England. Drawing on law, literature, philosophy and social history, I argue that these broad changes underpinned a radical shift in mechanisms of responsibility-attribution, with decisive implications for the criminalisation of women. I focus in particular on the question of how the treatment and understanding of female criminality was changing during the era which saw the construction of the main building blocks of the modern criminal process, and of how these understandings related in turn to broader ideas about gender, social order and individual agency. (shrink)

Some philosophers, like Alex Rosenberg, claim that natural science delivers epistemic values such as knowledge and understanding, whereas, say, literature and, according to some, literary studies, merely have aesthetic value. Many of those working in the field of literary studies oppose this idea. But it is not clear exactly how works of literary art embody knowledge and understanding and how literary studies can bring these to the light. After all, literary works of art are pieces of fiction, which suggests that (...) they are not meant to represent the actual world. How then can they deliver knowledge and understanding? I argue that literature and literary studies confer knowledge and understanding in at least five ways: they give us insight into the work and the world of the work of art in question, they shape our intellectual virtues, they invite us to apply various hypotheses, they deliver moral propositional knowledge, and they increase or bring about full understanding with respect to meaning, virtue, and significance. In the course of my argument, I refer at several junctures to Thomas Hardy’s Tess of the D’Urbervilles and Edith Wharton’s Summer, in order to illustrate each of these claims. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:^ be clear and sometimes ambiguous. For example, Del Castillo warns readers ^ that Dewey will be ambivalent about when and where the actions of the KH state or of the free market are needed to deal with social problems. The ^* ambivalence is, in part, Del Castillo argues, because Dewey's view of the / complexities of social life prevented him from adopting simplistic political stands (p. 33). Del (...) Castillo's argument is correct, but a more straightforward explanation is that Dewey was a contextualist and that, therefore, the theoretical task of trying to set the proper limits of the state is ideological and non-intelligent. This is how one can stand on the ideal of democracy without the need to decide between laissez-faire liberalism and socialism for all times and places. Del Castillo warns the reader not to expect from The Public and its Problems the precision and systematic character of recent works on political theory, but that it has an energetic and provocative character missing in much contemporary works in this area of inquiry. Del Castillo is correct and part of the reason is the book's continued relevance to present conditions in the U.S. If things in the U.S. had gone in the direction that Dewey pointed toward, there would be no need today to read or to translate The Public and its Problems. As Del Castillo says in his final sentences, "abundance ended up replacing the civic citizen by the consumer", "American democracy does not look at all like what Dewey envisioned" (p. 54). Does this means that Lippman was right after all? Does it mean that we have not even tried, or tried hard enough, to implement what Dewey proposed? Del CastiUo, does not address these questions, but there is no reason why he should. It is enough that Del Castillo has made available to a larger audience a text and an insightful introduction that helps us have a thoughtful discussion about these important issues. Gregory Fernando Pappas Texas A&M Univeristy, [email protected] Arthur Efron Experiencing Tess of the d'Urbervilles: A Deweyan Account Amsterdam: Rodopi, 2005. xiii+248 pp. $ 72.00 cloth. In Experiencing Tess of the d'Urbervilles, Arthur Efron has accomplished a rather extraordinary task. The book consists primarily of an extended reading of Thomas Hardy's novel using some of John Dewey's main philosophical ideas and concepts, most notably those present in Art as Experience, as a guide. As such, Efron's text amplifies and enriches our understanding of Hardy, Dewey, and their work. I am not using the word "enrich" casually. Through Efron's emotionally charged reading of Tess, Experiencing Tess, becomes an ongoing effort to reclaim what Dewey, in Art as Experience calls oje) "human experience." In that text, Dewey contrasts "human experience" to stagnant and encrusted modes of criticism that fail to "cope with the emer- 7° gence of new modes of life," and this matters because, to use Dewey's own words again, "the very meaning of an important new movement in any art κ-1 is that it expresses something new in human experience, some new form of. interaction of the live creature with his surroundings, and hence the release, of powers previously cramped or inert." Efron 's book is enriching in that sense, in offering readers an "experience," a completely novel way of doing criticism, of reading, and of "feeling" together with a text. I do not think I exaggerate when I say that I do not know of any other work of recent literary criticism that accomplishes this. Experiencing Tess focuses most particularly on what we might call the vicissitudes of Tess's character and humanity. Yet, as is noted recurrently throughout the text, these ideas can never be entirely separated from Tess's interaction with the various characters that populate Hardy's text, especially of course Angel and Alec. Because Tess's fortunes (or, rather, misfortunes) throughout the novel are, in this richly textured book, carefully digested and interpreted in light of Dewey's understanding of experience, Efron invites us, further, to consider our own relationships with authority and with often unreflective critical practices. Let me specify. It is all too easy to... (shrink)

In Tess of the d’Urbervilles, the innocent Tess is the object of Alec d’Urberville’s dishonorable intentions. Alec uses every wile he can think of to seduce the poor and ignorant Tess, who works keeping hens in his mother’s house: he flatters her, he impresses her with a show of wealth, he gives help to her family to win her gratitude, and he reacts with irritation and indignation when she nonetheless continues to repulse his advances, causing her to feel shame at (...) her own ingratitude and confusion as to what is right. Tess, anchored both by her own sense of virtue and her distrust of Alec’s character, continues to hold out until one fatal night when, through Alec’s machinations, they are lost together in a wood. At Tess’s insistence Alec leaves her to scout out the path home. When he returns, he finds her asleep under a tree. Hardy does not go into detail at this critical juncture. Rather, he reflects “why it was that upon this beautiful feminine tissue, sensitive as gossamer, and practically blank as snow as yet, there should have been traced such a coarse pattern as it was doomed to receive; why so often the coarse appropriates the finer thus, the wrong man the woman, the wrong woman the man, many thousand years of analytical philosophy have failed to explain to our sense of order.”. (shrink)

It is a truth universally acknowledged that great works of literature have an impact on people's lives. Well known literary characters—Oedipus, Hamlet, Faustus, Don Quixote—acquire iconic or mythic status and their stories, in more or less detail, are revered and recalled often in contexts far beyond the strictly literary. At the level of national literatures, familiar characters and plots are assimilated into a wider cultural consciousness and help define national stereotypes and norms of behaviour. In the English speaking world, Shakespeare's (...) plays or the novels of Jane Austen, the Bronte sisters, Dickens, and Trollope, provide imaginative material that reverberates in people's lives every bit as much as do the great historical figures, like Julius Caesar, Elizabeth I, Horatio Nelson, or Winston Churchill. What is striking is how often fictional characters from the literary tradition—like the well-loved Elizabeth Bennett, Jane Eyre, Oliver Twist, Pip, Tess of the d'Ubervilles—enter readers' lives at a highly personal level. They become, as Martha Nussbaum puts it, our ‘friends’, and for many readers the lives of these characters become closely entwined with their own. Happy and unhappy incidents in the fictional worlds are held up against similar incidents in the real lives of readers and such readers take inspiration from the courage, ingenuity, or good fortune of their fictional heroines and heroes. Nowhere is it more true that life imitates art. (shrink)

The aim of the paper is to reconsider Barthes’s theory of textuality, as presented in his The Pleasure of the Text. Barthes’s approach is based on the rejection of the “referential” or “realistic” theories of literary text: the Barthesian pleasure is drawn from the texture of the text itself rather that from its alleged referential character. In this sense, the author’s suggestion is to return to the notion of representation rejected by Barthes, even though this representation should not be identical (...) with the reference in the classical sense of the word. The notion of “weak representation”, suggested by the author, does not mean a return to a naïve conception of realism. It rather implies that the referent would be a fantasmatic rather than “realistic” entity. The notions of representation and reference are exemplified by the interpretation of Richardson’s Clarissa and Hardy’s Tess of the d’Urbevilles. (shrink)

This article is a response to an essay written by an academic in English Literature, Professor John Sutherland. Through close textual analysis,Sutherland purports to resolve a well-known literary question: whether the sexual encounter outlined in the Victorian novel Tess of the d'Urbervilles should be classified as rape or seduction. The present article rejects his conclusion on the matter. An(equally) close analysis of the fictional text in question and of Sutherland's gloss, demonstrates the partiality of his critique, both in literary-critical and (...) critical-legal terms. In addition, examination of the conceptual and historico-legal context regarding the notions of rape and seduction on both sides of the Atlantic highlights parallels between Sutherland's own partiality and that of the law. In short, the apparent objectivity of the textual analysis and subsequent critique undertaken by Sutherland is revealed as a continuation of legal and patriarchal prejudices defining rape and seduction. The use of close textual analysis as the key critical device promotes the apparent probity of his findings. Locating them in an essay collection designed for mass lay public consumption completes the circle – from partisan scholarship to `informed' popular prejudice. (shrink)

The fifth poem in Horace's first book of Epistles takes the form of an invitation to Torquatus to attend a dinner which the poet is preparing for that evening, the eveof the Emperor's birthday. The fare will be simple but Horace will see to it that the furnishings, napkins, vessels and plates will be clean and bright and that the company and the seating-plan will be to Torquatus’ taste. Horace will get Butra and Septicius to be there, and Sabinus, too, (...) as long as he is not kept away by a prior dinner engagement or by a girl he'd rather spend the evening with. With Torquatus and Horace, that makes four or five diners, so that there is room for others before the triclinium is full, although there shouldn't be too many; or, as Horace puts it :locus est et pluribus umbris;sed nimis arta premunt olidae conuiuia caprae. (shrink)

My making choices and acting on those choices in a way that might count as my being free would seem to require that those choices are truly my choices. Furthermore, for my choices to be truly mine, it would seem that these choices must reflect my true self. So it seems that choosing and acting freely depends in a robust sense on such choosing and acting being authentic. Yet the concept of authenticity seems problematic. What or where is that true (...) self which would be the basis for authentic choosing, acting and living? Perhaps there is no such true self. This problem is central to the philosophies of both Sartre and Foucault. For the philosophers freedom authenticity or self-hood were central. The paper aims to show that, in spite of Foucault’s criticism, Sartre does not fall back on the idea of a true or deep self that is given to us. Sartre can appeal to the idea of authenticity without holding on such a dubious construct as a given, true self. Therefore the exploration of bad faith, good faith and authenticity in Sartre’s Being and Nothingness, where the problem is posed but left unresolved, is necessary. Sartre’s Anti-Semite and Jew, where a more concrete problem – the problem of authentically identifying oneself with a group of human beings − actually opens up a way how to overcome the problem of authenticity. (shrink)

Fichte’s Doctrine of Science of 1811 offers a sound model for explaining the conditions of semantics in its connection with the idea of freedom. Following Wolfram Hogrebe’s suggestion that the principle of contradiction works as an archaeological semantic postulate, i.e., is the implicit condition for any sentence to be meaningful, we argue that in Fichte’s definition of the phenomenon we find such a semantic postulate at a higher genetic level than the principle of contradiction indicated by Hogrebe. Moreover, the Doctrine (...) of Science of 1811 offers an analysis of the steps through which this phenomenon displays itself – i.e. Vermögen, als, Soll – which can be understood as the conditions for establishing a meaningful sentence. Fichtes Wissenschaftslehre 1811 kann uns einen soliden Modell zur Erklärung der Entstheung von Semantik anbieten. Mein Beitrag fangt mit der Darstellung Wolfram Hogrebes Hypothese an, dass der Satz vom Widerspruch als archäologisches Bedeutungspostulat fungiert, d.h. als implizite Bedingung der Möglichkeit jeglicher bedeutenden Äußerung. Ausgehend dieser Idee Hogrebes, hier schlage ich vor, dass man im Fichtes Begriffe der Erscheinung ein genetisch höheres archäologisches Bedeutungspostulat als der Satz vom Widerspruch finden kann. Daraufhin bietet die Wissenschaftslehre 1811 einen Einsicht in alle Schritte, wodurch die Erscheinung sich entfaltet – Vermögen, Durch, Als, Soll – die wir als die entsprechende Bedingungen für die Herstellung eines bedeutungsvollen Satzes verstehen können. (shrink)

The article of Shestopalets D.V. deals with the construction of theological discourse in the publications of the Spirituals Administration of Muslims of Ukraine. Special attention is devoted to the topics that represent the “proper” image of Islam, the problem of orthodoxy, approaches to interpretation of the Quran and legitimization of the religious authority of Muslim scholars.

Study of concept of Brahman in Upanishads with special reference to the philosophy of Śāṇḍilya.

Building on Jean-Luc Marion's phenomenology of love this book takes up the "question of the Other" and argues that through the interpretive activities of the amorous imagination lovers come to experience one another as the Beloved.

The world is disenchanted. Rationalization, intellectualization, and scientism rule the day. We used to see the world as a magical place, but now it's just a material space. How did we get here? The shift comes in part from the rise of a certain kind of secularism, one that reduces human experiences to whatever is explainable through observation. Love? It's just a biological drive. Joy, a rush of adrenaline. Beauty, an influx of dopamine. If you can't test it, it isn't (...) true; or so the thinking goes. The Romantic Life draws upon eighteenth- and nineteenth-century Romanticism to provide five strategies to re-enchant the world, five ways to imbue the world with meaning, truth, and beauty. According to the Romantics, far from being useless, encounters with impractical things like the imagination, nature, symbolism, sincerity, and the sublime give our lives a richness and depth that cannot be attained on a purely material account of the world. By learning from their example, we can come to see into the life of things, as William Wordsworth called it. We can be re-enchanted" -- taken from back cover. (shrink)

Nicolau de Cusa é conhecido por suas teorias a respeito do conhecimento, principalmente por sua obra A douta ignorância. Nela e em outras, sempre dentro de uma visão medieval, vê-se que a.sabedoria cusana é uma tentativa de alcançar incansavelmente o inalcançável. Para tanto são de grande importância os símbolos matemáticos.

In the following article, I will try to describe and, thus, share with my readers those moments and those segments in my life that have allowed me to be involved in the experience of musical improvisation, which is comprised of the gestures, ideas, and emotions that, together, encompass the musical objects of improvisation, and the desire, the pleasure of sharing these objects in their shaping and creation.

A lower tendency to influence and be influenced by their social environment seems almost self-evident in autism. However, a closer look at differences and similarities between autistic and non-autistic individuals suggests that some basic mechanisms involved in social influence might be intact in autism, whereas atypical responses point to differences in more sophisticated recursive social strategies, such as reputation management.