While all who are interested in the philosophical issues surrounding feminism should read Simone de Beauvoir's seminal work The Second Sex, many who begin the long journey do not understand the philo- sophical traditions from which her analyses and arguments grow. This makes understanding and appreciating the cogency of her position very difficult. Understanding The Second Sex introduces the naive reader to the necessary philosophical tradition, explicates major portions of the text, and analyzes Simone de Beauvoir's criticisms of (...) marriage and romantic love. (shrink)

In a compelling chronicle of her search to understand Beauvoir's philosophy in The Second Sex, Margaret A. Simons offers a unique perspective on Beauvoir's wide-ranging contribution to twentieth-century thought. She details the discovery of the origins of Beauvoir's existential philosophy in her handwritten diary from 1927; uncovers evidence of the sexist exclusion of Beauvoir from the philosophical canon; reveals evidence that the African-American writer Richard Wright provided Beauvoir with the theoretical model of oppression that she used in The (...) class='Hi'>Second Sex; shows the influence of The Second Sex in transforming Sartre's philosophy and in laying the theoretical foundations of radical feminism; and addresses feminist issues of racism, motherhood, and lesbian identity. Simons also draws on her experience as a Women's Liberation organizer as she witnessed how women used The Second Sex in defining the foundations of radical feminism. Bringing together her work as both activist and scholar, Simons offers a highly original contribution to the renaissance of Beauvoir scholarship. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reading The Second Sex Sixty Years LaterJulia KristevaTranslated by Timothy HackettPublished in 1949, today The Second Sex is a youthful sixty-year-old woman who has created a scandal, but also a school of thought: She marks a decisive stage in women's liberation and continues to accelerate it.Let's try to place ourselves in that year, 1949: The world has barely dressed its wounds from World War II and onto (...) the scene steps a young French woman—from an aristocratic and Catholic background, enjoying a liberal lifestyle and endowed with philosophical tenacity, pedagogical talents, and contagious style without precedent—who announces to her dumbfounded readers that the second sex is free. To be sure, she immediately issues the following qualification, "the free woman is just being born" (Beauvoir 2010, 751), and this remains the case today. It is, however, already a global phenomenon, one that has not yet finished leaving its effects, since what is at stake is a veritable anthropological revolution: I say "anthropological revolution" for, beyond the freedom of choice with respect to maternity and the right to social, economic, and political equality, what is at stake is a new form of assuring the continuity of the human species along with the bold definition of transcendence as freedom. What becomes of humanity if birth, freedom, and the spectacle are put in the hands of women? Obscurantists, fundamentalists, and puritans of all stripes become alarmed and decry the scandal. If the future is hereby opened up—with all the risks that this entails—does it welcome and offer new possibilities?This anthropological revolution has been in preparation since the beginning of time. The British suffragettes inscribed it in their political agenda and feminist movements after May '68 intended to deepen it. But this revolution [End Page 137] [elle] only became conscious of its magnitude and took the world by storm, thanks to the experience and the pen of Simone de Beauvoir.Simone de Beauvoir (1908-1986) is already a well-known philosopher and writer by 1949, when she begins to create something of a scandal: she has already published She Came to Stay, Pyrrhus and Cineas, The Blood of Others, Who Shall Die?, All Men Are Mortal, The Ethics of Ambiguity, and America Day By Day. Along with Jean-Paul Sartre and in the wake of the burgeoning (naissant) existentialist movement (whose genesis she would intimately describe in Les Mandarins, 1954), Simone de Beauvoir pursues an experience that is at once personal and political, as well as a philosophical project whose central theme and absolute objective is freedom, which she understands as a form of revolt and non-consent. It remains important to emphasize this today as we begin the third millennium, a time in which freedom, revolt, and non-consent tend to disappear in favor of other concerns that reflect a globalized world: fear, security, adaptation, and integration."Freedom" lies at the heart of the life and the work of the one whom the hostile press disparagingly calls "Sartrean." The freedom of Madame Roland, who acknowledged, "Oh what crimes are committed in thy name," is the same freedom whose risks Simone de Beauvoir downplays in The Ethics of Ambiguity, a work that denounces the ambivalent fascination with communism found in other existentialists.Freedom nevertheless; above all and at all costs: For Simone de Beauvoir, freedom (elle) remains and will remain the inextinguishable star that has incessantly guided philosophical inquiry since Socrates; inspired the noble heights of Christian thought, particularly in Pascal (who deemed man more noble than the universe that crushes him, for he knows that he dies while the universe doesn't). It is the same freedom that fueled the rebellious bodies and spirits of the Enlightenment; that forged the style of great European literature; it is the same freedom that animates Hegel's dialectic and even modern phenomenology, which existentialism takes as its support. So many references and experiences resonate in the work of this forty-year-old author as she sets out to write The Second Sex.Her first novels recount the relentless struggles that women undergo (jealousy, abandonment, solitude, violence, various injustices) in order to extricate themselves from their... (shrink)

Finnish is one of the few existent Finno-Ugric languages, a language without articles, and with only one, genderless word for the pronouns “she” and “he”. Due to this, the problems faced by the Finnish translators of The Second Sex differed in some ways from those discussed after the publication of the new English translation. This chapter describes the genesis of the second, unabridged Finnish translation, the choices made by the translators as well as the philosophical interpretations motivating those (...) choices. In addition, Beauvoir’s way of understanding the concept of becoming is analyzed. The chapter ends with a discussion of the philosophy of translation and of the reception of the second Finnish translation. (shrink)

Simone de Beauvoir’s The Second Sex presents phenomenolog¬ical analyses that are intertwined and political proposals that posit that the individual ought to acknowledge the ambiguity of her own experience as human as well as the ambiguity of her relations with the Other and enact this ambiguous encounter. This is possible only with the rejection of the patriarchal system of values and meaning which negates ambiguity through its determinations of the feminine and the mascu¬line. A radical transformation of the social (...) imaginaries permeating our lives is needed. The Second Sex functions as a call to its readers to undertake this transformation. My claim is that in addition to putting forward a concept of political subjectivity as fundamentally ambiguous, Beauvoir also addresses us, the readers, as such subjects. I explain that this work is an instance of what Beauvoir defines as metaphysical literature that performs an appeal to ambiguous agents. (shrink)

« On ne naît pas femme: on le devient.»: “One is not born but becomes (a) woman,” thus spake Simone de Beauvoir in Le deuxième sexe (1949), The Second Sex (1953, 2009). Which one? And how, in what language(s), would one read that line today in the age of gender variance and trans revolution? Why The Second Sex again? This article spotlights the translingual simplexity of the Beauvoirean lifeline, its conceptual genius that appears second to none, whether (...) in French or English or Korean or Chinese …. (shrink)

This article argues that Simone de Beauvoir's The Second Sex continues to teach academic feminism why difference feminism holds productive and generative potential for feminists and why equality feminism has been consistently subject to criticism since the second wave of feminism. Using Hegel's master—slave dialectic as a lens to interpret subjectivity in The Second Sex, this text reveals an aspect of equality feminism that relies upon masculine subjectivity, a subjectivity that inherently constitutes otherness. This reliance on masculine (...) subjectivity is anathema to difference feminism because the otherness inherently constituted by such subjectivity simultaneously and paradoxically constitutes women's ongoing subordination. In assuming equality with men by adopting masculine subjectivity, women are not immune to constituting women as other. Difference feminisms, on the other hand, start from where women are as they choose to see themselves socially, economically, racially, sexually. The Second Sex reveals that difference feminisms imagine freedom in order to identify the difference that would empower women, not strictly towards sex equality with a stable referent, but towards emancipatory projects that make a difference for women themselves. The Second Sex portends that such imagined freedom has not been actualized, thus the present remains circumscribed by power that subordinates the difference in question. When read alongside The Second Sex, the tension between equality and difference feminisms can still be read as feminisms that coexist with one another, each with their limitations, each with productive potential and cautionary rejoinders. (shrink)

In this re-reading of The Second Sex, the author argues that Beauvoir transgressively employs Sartre’s universal binary categories of Being and Nothingnessin her effort to account for the economic, political, cultural and psychological conditions of women’s situation. In doing so, she challenges Sartre’s theory of radical ontological freedom and concretizes his abstract philosophic voice, thereby avoiding their rationalist and voluntarist implications. Contesting Beauvoir’s feminist critics, who saw her as emotionally and philosophically dependent on Sartre and her work as an (...) amalgam of Sartrean existentialism and feminist insights, the author maintains that Beauvoir had her own independent project – to transform Sartrean existentialism to make it contextually sensitive. Distancing herself from Sartre’s theory of freedom and its valorization of masculine experience and disembodied consciousnesses, Beauvoir’s theory of situational freedom and embodied subjectivity draws her closer to the existentialism of Merleau-Ponty. (shrink)

Referencing ‘Simone de Beauvoir’ is to reference a stage in the history of feminist philosophy; when one cites the name ‘Simone de Beauvoir’, as the signature of The Second Sex, one is also citing...

The essential masterwork that has provoked and inspired generations of men and women. “From Eve’s apple to Virginia Woolf’s room of her own, Beauvoir’s treatise remains an essential rallying point, urging self-sufficiency and offering the fruit of knowledge.” —Vogue This unabridged edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir’s pioneering and impressive text remains as pertinent today as when it was first published, and will continue to provoke (...) and inspire generations of men and women to come. (shrink)

The Czech translation of selected parts of The Second Sex was published in 1966. The Slovak translation, published in 1967, was nearly the complete text. Attitudes toward Beauvoir’s feminism can be observed in two Czech academic journals (Sociologický časopis [Czech sociological review] and Filosofický časopis [Philosophical review]) and in a debate in Literární noviny (Literary review). The author focuses on the context of both translations and describes the reactions to the Czech translation both in the academy and by the (...) general public. (shrink)

Simone de Beauvoir's 1949 feminist masterpiece, The Second Sex, has traditionally been read as an application of Sartrean existentialism to the problem of women. Critics have claimed a Sartrean origin for Beauvoir's central theses: that under patriarchy woman is the Other, and that 'one is not born a woman, but becomes one.' An analysis of Beauvoir's recently discovered 1927 diary, written while she was a philosophy student at the Sorbonne, two years before her first meeting with Sartre, challenges this (...) interpretation. In this diary, Beauvoir affirms her commitment to doing philosophy, defines the philosophical problem of 'the opposition of self and other,' and explores the links between love and domination. In 1927, she thus lays the foundations of both Sartre's phenomenology of interpersonal relationships and of her own thesis, in The Second Sex, that woman is the Other. Her descriptions of the experience of freedom and choice point to the influence of Bergson, specifically his concepts of 'becoming' and élan vital. Tracing Beauvoir's shift from her apolitical position of 1927 to the feminist engagement of The Second Sex points to the influence of the African-American writer, Richard Wright, whose description of the lived experience of oppression of blacks in America, and whose challenge to Marxist reductionism, provide Beauvoir with a model, an analogy, for analyzing woman's oppression. (shrink)

In this chapter I problematize Beauvoir's analogical analyses in The Second Sex, arguing that her utilization of the race/gender analogy omits the experiences and oppressions of Black women. Furthermore, taking into account select secondary literature that emphasizes these issues, I argue that several of Beauvoir's white feminist defenders and critics share in common their non‐engagement with Black feminist literature on Beauvoir. Put another way, Black feminists who explicitly take up Beauvoir in their writings have remained largely unacknowledged in the (...) secondary literature on Beauvoir by white feminists. As a corrective to this erasure, I highlight the scholarly contributions of Black feminists including Loraine Hansberry, Chikwenye Ogunyemi, Deborah King, Oyeronke Oyewumi, and bell hooks. (shrink)

Colette Audry pointed to a mystery in observing that during the 1930s Simone de Beauvoir had not been concerned with the “woman question” and that her friend must have encountered a “serious obstacle” that “made her change her mind” and write The Second Sex. Unfortunately, Beauvoir obscured the genesis of her most important work. Using evidence uncovered by her biographers about her relationship with Sartre, and digging more deeply into their posthumously published letters and diaries, this paper uncovers a (...) series of events that together tell a likely story of Beauvoir’s feminist turning point. (shrink)

Because the reciprocal theory of Mazur & Booth dominates the static basal model, given the evidence they present, it is worth considering the implications for women's equality, supposing it true. Testosterone might well give males a competitive edge, and hence higher status, creating an inequality that mere social legislation would be ill-suited to address. Further research on the role of testosterone is needed.

Simone de Beauvoir’s _The Second Sex_ is the most important work of feminist philosophy ever published and one of the great texts of the Twentieth century. Renowned for introducing the theory of woman as the ‘Other’ it is a widely-studied text that continues to exert profound influence on feminist thought. _The Routledge Guidebook to De Beauvoir and The Second Sex_ introduces and assesses: De Beauvoir’s life and the background of The Second Sex The ideas and arguments of (...) The Second Sex De Beauvoir’s continuing importance to feminist theory and philosophy This book is essential reading for all students of feminism, gender studies, philosophy, and literary studies and ideal for anyone reading de Beauvoir’s classic work for the first time. (shrink)

European Journal of Philosophy, EarlyView.

This paper argues that in L’ Invitée and in The Second Sex, Black presence, especially “Black female presence,” functions as the fundamental field against which White female consciousnesses are able to make sense of themselves as subjects and objects in their relationships with Others, including when the Others are themselves. Considering The Second Sex and L’ Invitée as together providing Beauvoir’s understanding of gender allows for an account of how “Black female presence”—in the form of the White imaginary’s (...) idea of Black women—is present and operational in The Second Sex. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Naomi Greene SARTRE, SEXUALITY, AND THE SECOND SEX Few would deny that Simone de Beauvoir's analysis of female sexuality plays a very important role in her book The Second Sex, widely regarded as one of the key works of modern feminist thought. At the same time, it is precisely her view of sexuality, and many of the conclusions it gives rise to concerning female behavior, which constitute (...) some of the most problematical areas in this vast and complex work. Margaret Walters echoes the concerns of many feminists when she remarks that de Beauvoir "attacks the mystique of femininity—by accepting a masculine mystique. In the end, it is she who equates the human with the male sex, who idealizes male values, sees life from a masculine perspective." So far, however, little attention has been paid to the ways in which de Beauvoir's view of female sexuality and behavior reveals the unmistakable influence of her life-long friend and companion, Jean-Paul Sartre. It is not difficult to discern in some of Sartre's central metaphysical ideas—ideas which de Beauvoir uses to create the theoretical framework of The Second Sex—a world view which is deeply anti-sexual (perhaps even anti-life, but then life itself appears symbolized by sex) and anti-female. Sartre's anti-sexual bias is more readily apparent in the metaphors of Nausea (1938), his philosophical novel, than in his strictly philosophical work, Being and Nothingness (1943). Nausea is, in fact, alive with metaphors since it seeks to render accessible, even tangible, some of the fundamental abstractions of Being and Nothingness. The feeling of nausea itself, for example, is essentially a metaphor for man's basic experience of Being: the nausea comes when man realizes that all the distinctions and orders (in particular, language itself) he has imposed upon the world are arbitrary (there is, for example, no necessary connection between words and things) and the real nature of Being unfolds itself as a vegetal, ever-changing, viscous, engulfing matter. Deprived of a "reason" for being, man is "de trop," part of the world of matter, and his unjustified existence is contrasted both with lifeless 199 200Philosophy and Literature and unchanging forms, such as minerals and stones, and with the abstract realms of mathematics and music, realms governed by inexorable laws. Unlike these lifeless or abstract realms, the world of matter, of Being, is in perpetual movement and metamorphosis. And it is when Sartre discusses these infinite, arbitrary metamorphoses, the revelation of which provokes the nausea, that his imagery betrays a distaste for sexuality. In one famous passage, for example, we are told that when the nausea takes over, a man may well awaken in a "forest of murmuring cocks, rising red and white towards the sky like the chimneys of Jouxtebouville, with great balls half out of the earth, shaggy and bulbous like onions. And birds will fly around those cocks and peck them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, vitreous and lukewarm with small bubbles." This implied link between unpleasant sexuality and a basic fear of engulfing Being is made even clearer in one of his early philosophical tales, "The Room" (1939), in which madness, like nausea, seems to stand for what we will experience when we become aware of the nature of Being. But it can hardly be arbitrary or coincidental that the form taken by this madness is that of a pathological, sexual nature. And in still another early tale, "Intimacy," a wife actually enjoys the relationship she shares with her impotent, disturbed husband. The distaste for sexuality suggested in Sartre's early works declares itself openly in the portrait of women found in his later fiction, indicating that the sexual metaphors of Nausea, far from being chosen at random, were inspired by deep and persistent feelings. In the trilogy The Roads to Freedom (1945-49), a historical fresco of France during the crucial years preceding World War II, women seem to incarnate all the attributes which disgust Sartre in matter or unjustified Being: they embody the viscous, passive, heavy world of the en-soi ("being-in... (shrink)

My premise is that a transmasculine experience of embodiment haunts the subject of The Second Sex. In light of her early philosophical essay on Claude Bernard, Beauvoir's account of sex difference may be read as the biological experience of “error” that foils what biopolitics and early twentieth‐century knowledge in the life sciences wanted to make of her. I argue that from this perspective the crucial discussion of the endocrine system of the human female in the Biology chapter adds a (...) new twist to the medical and scientific discourses for understanding transsexual identification. (shrink)

The aesthetic -- The ethical -- The no woman's land of Kierkegaardian exceptions -- The religious.

This article explores the critical reception of The Second Sex in France in 1949. Situating debates about the book in the context of the Cold War and the intellectual hegemony of existentialism, the author analyzes the main points of disagreement among different political factions—traditional Catholics, communists, members of the noncommunist left, and progressive Christians. She argues that the sexual questions Simone de Beauvoir raised in the public sphere fueled the primary points of contention.

This collection of essays by noted scholars in the fields of Asian studies & feminist thought sheds new light on the connections between Confucianism & feminist ethics.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Sage and the Second Sex: Confucianism, Ethics, and GenderLi-Hsiang (Lisa) LeeThe Sage and the Second Sex: Confucianism, Ethics, and Gender. Edited by Chenyang Li, with a foreword by Patricia Ebrey. Chicago: Open Court, 2000. Pp. xiii + 256.The relationship between Confucianism and sexism, or between "the sage and the second sex," as Chenyang Li suggests in the title of his new anthology The Sage (...) and the Second Sex: Confucianism, Ethics, and Gender, is a complex issue. For one [End Page 429] thing, scholars who engage in the field of Chinese gender studies would immediately be confronted with the questions "What constitutes Confucianism?" and "Can such sexist social practices as footbinding, concubinage, and widow suicide in premodern China be attributed to Confucian ideology?" Yet, since the surge in interest in women's studies in the 1970s—and even as far back as the 1930s—the Confucianism in Western feminist studies on the condition of Chinese women has commonly been portrayed as a sexist, feudal ideology that is solely responsible for the oppression of women in China. In some sense, the attribution of women's oppression in China to Confucianism is justified, since Confucianism, as scholars generally agree, is the underpinning of the social structure of China. However, by reducing Confucianism to a set of hierarchical kinship and rigid gender roles in its ritual presentation, one also overlooks the dynamic aspect of Confucianism, whose ethical theory of ren as well as its emphasis on self-cultivation, at least on the theoretical level, are akin to the feminist ethic of care and its understanding of the self as socially constructed. In other words, Confucianism, despite its historical and social connection with women-oppressive practices, is also an ethical theory of care, self-cultivation, and proper relations, which can provide a platform for the flourishing of a harmonious society. The similarities, and hence a possible convergence, between Confucianism and Feminism are, then, the subject of Li's anthology.The engagement between Confucianism and Feminism, however, as Li points out in the Introduction, has long been one-sided; that is, feminists criticize Confucianism for victimizing Chinese women (pp. 1-2). The characterization of Confucianism by Western feminists as a patriarchal ideology through and through is indeed an over-simplification of the root of women's oppression as well an obstacle to achieving a genuine understanding of Confucian ethics. And the lack of research studies from contemporary Confucian scholars on the issue of sexism has also fueled the misunderstanding. The well-known disagreement between Margery Wolf and Tu Weiming on the openness of Confucian self-cultivation is a case in point. Yet, as Li points out, Confucianism cannot remain a world philosophy and religion if it continues to ignore the issue of sexism and fails to respond to the feminist critique of its role in women-oppressive practices (p. 1). Li's anthology is an attempt to reconcile this antagonistic relationship and to overcome the one-sided engagement between Confucianism and Feminism by exploring the possibility of a rapprochement based on their common approach to ethics and their understanding of the self as a relational one. In short, this collection can be seen as a bold experiment on a positive convergence between two seemingly conflicting ideologies.The Sage and the Second Sex is a collection of ten heterogeneous essays whose eleven contributors represent such divergent fields as philosophy, religion, history, Asian languages, and interdisciplinary studies. Although the content of the essays is diverse, the anthology as a whole, according to Li, aims to provide a starting point where Confucianism and Feminism can begin to come to terms with one another (p. 19). In general, the content can be divided into three different themes: first, the commonality between Confucian ethics and Feminist ethics; second, the Confucian [End Page 430] construction of gender and its solution; and third, the representations of women in early China.The essays that fall into the first category set out to demonstrate the similarity between Confucian and feminist ethical thinking and hence to suggest that a significant convergence is possible. For instance, Chenyang Li, in his pioneering contribution "The Confucian Concept of Jen and the Feminist Ethics... (shrink)

Laura Hengehold presents a new, Deleuzian reading of Simone de Beauvoir's phenomenology, the place of recognition in The Second Sex, the philosophical issues in her novels, the important role of her student diaries and her early interest in Bergson and Leibniz.

This chapter distinguishes the oppression endured by “free” women from the oppression suffered by enslaved and colonized women and men to read The Second Sex's question: Why don't women rebel? in terms of the type of personhood offered to women – vassal freedom – the type of violence used to enforce this truncated mode of subjectivity – rape – and the threat to dignity that haunts women's lives – the body of the whore. Following Beauvoir's logic of woman's degradation (...) as the sex, noting that the epitaph whore is flung at women who assert their economic or political independence, and listening to the voices of self‐affirming prostitutes, I find that the fate of the women challenging the glass ceiling and of those who claim their dignity as sex workers are intertwined, for so long as some women are seen and shamed as the sex, all women's status as legitimate subjects is threatened. (shrink)

In this paper I wish to show that, although traditional notions of genderand sex break down in cyberspace, a revised Beauvoirian understanding ofsexual secondariness is applicable and useful in coming to terms with thepossible ethical and philosophical ramifications of this relatively newcommunication medium. To this end, I argue that persons who enter intocommunication in online chat rooms necessarily deny the bodily aspectsof their own identity. In so doing, these persons make themselvesinessential, or secondary, in Beauvior's sense. For Beauvoir, this isa (...) denial of one's own freedom, and thus commmunication in cyberspacebecomes an instance of self-oppression. Yet, if self-oppression canbe avoided, the self-oppressor is morally responsible for her or hisown oppression. Ultimately, I argue, cyberspatial communication is aninstance of such self-oppression. (shrink)

The Second Sex is Simone de Beauvoir's most famous analytical work on women's oppression. It was published first in postwar France in 1949, only five years after French women received the right to vote and therewith full political rights. In her study, Beauvoir set out to explain why women – in France and elsewhere – continued to experience significant social and economic inequalities despite their right to vote. The theoretical insights contained in her study were influenced by the postwar (...) existentialist movement to which she belonged and would become key elements for the developing women's liberation movements of the 1970s and 1980s inside and outside France, which fought for women's equal citizenship rights, especially women's reproductive rights. (shrink)

This article presents an axiological reading of Simone de Beauvoir’s The Second Sex, reframing its most famous sentence ‘one is not born, but becomes, a woman’ as a claim about femininity, love, and alienation under particular conditions of sexual hierarchy. Because this sentence is often taken to express the thesis of The Second Sex on social constructionist readings, Section 1 rejects the aptness of this approach on three grounds. Section 2 outlines an alternative, axiological reading, which better attends (...) to all of the work’s parts, and to Beauvoir’s emphasis on the concrete inseparability of the physiological, sexual, economic, legal, religious, moral, and aesthetic dimensions of women’s situations. Section 3 turns to the sister ‘one is not born’ clause, in Volume I—‘one is not born, but becomes, a genius’—to show that Beauvoir’s account of frustrated freedom in The Second Sex concerns not only alienated labour, sex, and love, but also aesthetic creativity and moral invention. (shrink)

This article considers Beauvoir’s gesture towards fraternité at the end of The Second Sex (1949) by focusing on her fleeting characterisation of this future as ‘an androgynous world’. Generally, either Beauvoir’s call for fraternité is dismissed as an erasure of sexual difference and is thus seen to be politically bankrupt, or fraternité is understood to realise sexual difference. This latter reading suggests that androgyny plays no role in Beauvoir’s solution to women’s oppression, while the other view often sees it (...) as one effect of fraternité. This article takes a different position by arguing that Beauvoir affirms sexual difference and commits to an androgynous future. The article argues that androgyny is an affective mood that is constitutive of an openness in the field of possibility for living sexual difference. Consequently, androgyny plays not only a central role in fraternité, but also gestures to a future beyond dimorphic sexual difference. (shrink)