In ‘Listening to Music Together’, Nick Zangwill offers three arguments which aim to establish that listening to music can never be a joint activity. If any of these arguments were sound, then our experiences of music, qua object of aesthetic attention, would be essentially private. In this paper, I argue that Zangwill’s arguments are unsound and I develop an account of shared musical experience that defends three main conclusions. First, joint listening is not merely possible but a common feature of (...) our socially situated experiences of music. Second, when listening with others our experience of the music and our sense of community with our fellow listeners often reciprocally enhance one another. Third, how deeply and intimately we share a musical experience with others depends upon such factors as our respective backgrounds, interests, and levels of expertise. (shrink)

Comparative political theory is at best an embryonic and marginalized endeavor. As practiced in most Western universities, the study of political theory generally involves a rehearsal of the canon of Western political thought from Plato to Marx. Only rarely are practitioners of political thought willing (and professionally encouraged) to transgress the canon and thereby the cultural boundaries of North America and Europe in the direction of genuine comparative investigation. Border Crossings presents an effort to remedy this (...) situation, fully launching a new era in political theory. Thirteen scholars from around the world examine the various political traditions of West, South, and East Asia and engage in a reflective cross-cultural discussion that belies the assumptions of an Asian "essence" and of an unbridgeable gulf between West and non-West. The denial of essential differences does not, however, amount to an endorsement of essential sameness. As viewed and as practiced by contributors to this ground-breaking volume, comparative political theorizing must steer a course between uniformity and radical separation--this is the path of "border crossings.". (shrink)

In this paper, I present the beginnings of a resemblance theory of representation. I start by surveying the contemporary philosophical debate surrounding musical representation and reveal that its main interlocutors share a conception of artistic representation as a mode of meaningful communication. I then show how conceiving of artistic representation in this way severely limits music’s possibilities as a medium for representation. Next, I propose an alternative conception of representation that, despite its widespread acceptance outside of the philosophy of art, (...) has been largely denigrated within it: namely, that representation fundamentally depends on structural resemblance. Finally, I demonstrate how conceiving of artistic representation as grounded upon structural resemblances, rather than as a mode of meaningful communication, provides us with a more accurate picture of both (a) how music represents and (b) how we perceive and appreciate musical representations. (shrink)

José Ortega y Gasset not only expressed his views on subjects such as art or mass culture but he was also one of the promoters and founders of a United Europe which he considered a cultural unity. However, his view on the proper functioning of multicultural societies was as skeptical as his attitude towards the possibility of constructing an unified world that could be based on cultural coexistence of the Western World societies.

In this paper, I explore the ways in which human bodies, payback, and comestibility become inescapably entangled in cultures in which honor is the prevailing virtue. Shakespeare was deeply sensitive to the social and psychological processes through which these concepts become entwined when honor is at stake—to the ways in which, as a means of corrective response, men who transgress a code of honor can be rightly reduced to their bodies, similar to how those who are not allowed to be (...) full participants in an honor culture (most particularly women) always already are. I begin by examining Shakespeare’s earliest depictions of honor cultures in Titus Andronicus and The Rape of Lucrece, and then briefly discusses how the ideas they trade in are further developed and complicated later in his career, focusing specifically on Othello. -/- . (shrink)

Anyone interested in the philosophy of music, especially popular music, should be familiar with Cristyn Magnus, P.D. Magnus, and Christy Mag Uidhir’s contempora.

This dissertation defends the place of representation in music. Music’s status as a representational art has been hotly debated since the War of the Romantics, which pitted the Weimar progressives (Liszt, Wagner, &co.) against the Leipzig conservatives (the Schumanns, Brahms, &co.) in an intellectual struggle for what each side took to be the very future of music as an art. I side with the progressives, and argue that music can be and often is a representational medium. Correspondence (or resemblance) theories (...) of representation, such as the one I offer, have been much maligned in philosophy since the 1960s. Most theories assimilate representation under “meaning,” which has usually been thought to belong primarily to language. As a result, representational content has been taken to be purely conventional in the way that sentential meaning is. People want to know what music “means,” and these theories interpret this as “what does it refer to?” or “what propositions does it express?” I argue that propositional communication is only one (small) part of the issue. Once we overcome the bias of conceiving of musical works as essentially linguistic items, speech acts (performed) or sentence tokens (written), we can begin to take music on its own terms to discover how it represents—one way in which it “means.” The first step is to “naturalize” music’s representational content. Influenced by recent discussions in the philosophies of mind and science, I argue in Chapter 1 that composers represent extra-musical objects, events, and states of affairs through their works by exploiting antecedent relations (such as similarities in pitch, timbre, and structure) in order to secure reference to them. In Chapter 2, I survey and respond to the main challenges that those skeptical of music’s representational possibilities would raise against my theory of musical representation. In Chapter 3, I explore a number of ways through which music has been claimed to represent in order to show how my theory accounts for these diverse phenomena better than its conventionalist rivals, both in terms of the metaphysics and the epistemology. Chapter 4 extends this discussion by offering an account of how we perceive, understand, appreciate, and interpret sophisticated musical representations. I conclude by teasing out some of my theory’s implications and suggesting areas for further research. (shrink)

By the late 1920s in Europe new art directions were regarded as already completed phenomena, a part of “avant-garde tradition.” Such views were expressed by Jean Arp and El Lissitzky’s in their book Kuntismen, and by Amédée Ozenfant’s in Art. Bilan des arts modernes en France. Similar opinions were also voiced by Jan Brzękowski, a Polish poet and critic, who regarded this time as a period of “establishing certain values” rather than new breakthroughs. In this article I discuss Brzękowski’s strategies (...) as a spokesman of modern art, an intermediary between the Parisian artworld and Polish avant-garde, an author connected with constructivism, and also with surrealist circles in Paris. My main focus is his magazine “Sztuka Współczesna – L’Art Contemporain” and his series of articles “Mileages,” in which he summarizes the developments of modern art. Conscious of the “wearing up” of avant-garde ideas and critical about seeking “novelty” for its own sake, Brzękowski tried to establish a progressive position based on the idea of formal discipline and creative construction. While rejecting a mimetic conception of art, he argued for abstract artistic form that would be “anchored to the bottom of life,” thus emphasizing the interplay of abstract and figurative elements and their dialectic. (shrink)

Explores some steps toward non-assimilative encounters in the "global village.".

A collection of essays representing diverse approaches to feminist ethical analysis of social policy. Subjects include the Family and Medical Leave Act, combat exclusion and the role of women in the military, unwed fathers' rights, mail-order brides, pornography, breast implants, and sex-selective abortion. Paper edition (unseen), $17.95. Annotation copyrighted by Book News, Inc., Portland, OR.

Government depends on collective decision making. Even in peaceful democracies, some decide for all. The author challenges the morality of this position. It is not different political systems that are at fault as the nature of politics itself.

States of character : toward a theory of political vice -- The anti-politics of hubris : vice of sovereignty -- Accounting for moral blindness : vice of wholeness -- Political recalcitrance : vice of exceptionalism -- After vice : the call of accountability.

This book explores politics as a form of alchemy, understood as the transformation of entities through an alteration of their identities. Identifying this process as a common denominator of many political phenomena, such as communism, EU integration, mediatisation or globalisation, the author demonstrates not only the widespread presence of alchemical techniques in politics, but also the acceleration of their deployment. A study of the steady growth of power as it reaches a continuous and permanent stage, thus avoiding the inherent (...) difficulties connected with birth and death of political organisations and institutions, this volume reveals political alchemy to be a form of self-sustaining growth through sterile multiplication, devoid of meaning. Revealing both the integrative and disintegrative nature of a political process that, while appearing to work in the interests of all, in fact produces apathy, desperate mobilisation and despair by crushing concrete entities such as personality and tradition, Political Alchemy: Technology Unbounded will appeal to scholars of sociology and anthropology with interests in social theory and political thought. (shrink)

Winner of the 1999 Best Book in Ecological and Transformational Politics presented by the American Political Science Association's Section on Ecological and Transformational Politics The discipline of political science has reached a crossroads. The frequency with which terms such as "post-liberal," "post-modern," "post-patriarchical," "post-materialist," and "post-structural" are used in contemporary political discourse testifies to the pervasive conviction that an era has ended. Similarly, phrases such as "new world order," "new paradigm," "new age," and "third wave" convey the (...) widely-shared expectation that what lies ahead politically will be qualitatively unlike what has gone before. Transformational Politics argues that traditional political science is failing to identify and address fundamental political phenomena of our time and proposes an alternative value-based political science that not only studies phenomena, but also uses knowledge to promote democracy, sustainability, and social conscience. Part I of the book defines transformational political theory as an emerging paradigm and draws on a wide array of theories—empowerment, feminist, democratic, communitarian, chaos, quantum, conflict resolution, self-actualization. Part II examines how a transformational perspective guides the study of politics in both research and teaching. Part III offers guidance about how to practice the theory and apply the study with a concern for creating a better world. (shrink)

First published in 1925. This book is a brief analysis of the historical relation of contemporary writers to their immediate predecessors. The author attempts to further a comprehensive summary of certain selected writers, with a criticism of their ideas, while in the last chapter an attempt is made at synthesis. Among those whose work is examined are Ramsay MacDonald, Bertrand Russell, Harold Laski, the Pauls, Hobhouse, Bryce, G. D. H. Cole, Norman Angell, etc. This title will be of great interest (...) to students of politics, philosophy and history. (shrink)

This paper draws attention to the significance of incorporating decolonial methodologies in analyzing political discourse in a postcolonial world, particularly in Africa. The decolonial approach to political discourse focuses on the ways politics in postcolonial context is imbricated in the logic of coloniality. Decolonial approach is considered necessary rather than sufficient in interrogating the hegemonic structure of colonialism in Africa's political discourse. The paper uses critical discourse analysis situated within decolonial methodologies to analyze former President of Nigeria, (...) Goodluck Jonathan's declaration-of-intent speech to seek re-election. The paper specifically draws on [Mignolo, W. (2011). The darker side of western modernity: Global futures decolonial options. Duke University Press.] and [Macgilchrist, F. (2014). Media discourse and de/coloniality: A post-foundational approach. In C. Hart & P. Cap (Eds.), Contemporary critical discourse studies (pp. 385–405). Bloomsbury Publishing] decolonial frameworks and [Chilton, P. (2004). Analysing political discourse. Routledge] legitimization model. Situating decolonial approaches together with Chilton's legitimization model is, on the one hand, a way of interrogating hegemonic structures in Goodluck Jonathan's speech and on the other hand works to show the limitation of Chilton's theory in analyzing discourses from Africa. This limitation of Chilton's model underscores the need to bring decolonial approaches in constructing a nuanced understanding of Africa and its epistemic diversity because it is impossible to think of overcoming the coloniality of power without approaching it from the perspective of the colonized. (shrink)

This book traces a dialectic relationship between “politics” and “antipolitics,” the first, as used here, being akin to philosophy as an activity of open inquiry, plural democracy, and truth-finding, and the latter in the realm of ideology, technocracy, and presupposed certainties. It returns back to the emergence of a New Left movement in the 1960s in order to follow the history of this relationship since then. It addresses contemporary debates by looking to the fall of the Berlin Wall and the (...) Soviet Bloc, and asking in the wake of that: what is a revolution? Finally, it draws on these analyses to examine the age of terrorism after the tragedy of September 11, 2001, and resounds with a call to pursue democracy and real politics in the face of new forms of antipolitics. (shrink)

In this highly accessible new introductory textbook, Pete Woodcock examines the fundamental questions of political theory. He takes students step-by-step through the most important answers given by history's most famous thinkers to the most essential questions in politics, on topics ranging from liberty and justice to gender and revolution.

The opening chapter familiarises students with the aims and methods of political philosophy. It explains the tools required to practice the discipline, and discusses how to apply these to political arguments. Each of the fifteen subsequent chapters focuses on a distinct area of public policy, such as affirmative action, humanitarian intervention, immigration, and parental leave. The authors introduce students to the moral questions that lie at the heart of these political disputes, as well as to some of (...) the relevant academic literature. The authors believe that the best way to learn about political philosophy is to see it in action. By arguing for a position in each chapter and defending it against criticisms, they demonstrate to students how political philosophy can inform our analysis of public policy. Introducing Political Philosophy is available for students and institutions to purchase in a variety of formats, and is supported by online resources. The e-book offers a mobile experience and convenient access along with hyperlinks a list of web-links, and self-test questions, helping to test your knowledge and understanding of policy areas, and the philosophical arguments that influence them: www.oxfordtextbooks.co.uk/ebooks. · Student resources: a curated list of websites help you to deepen your knowledge of policy areas, and self-test questions help you to critically evaluate key points from each chapter. · Lecturer resources include: seminar activities to encourage student engagement, discussion and debate; guidance on using the teaching activities; a teaching guide explaining how to get the most out of the book's inside-out approach; and customisable PowerPoint slides on key topics, thinkers, and concepts to aid effective teaching preparation. (shrink)

First published in 1982, this volume is a collection of original essays by young British philosophers reflecting the state of political philosophy.