Intercultural Approaches between Europe and China via Art? -/- Two landscapes from different cultures, Europe and China, that are both considered masterpieces are the focus of a study by Martina Sauer. To what extent are they each perceived as beautiful? Can the differences in aesthetic understanding tell us something about the respective cultures? Do the results have the potential to contribute to intercultural rapprochement between Europe and China? The possibility that these ideas can be fruitful for intercultural connections and understanding, (...) and for a re-evaluation of the interaction between humans and nature, is considered and analysed using the tools and theory of vitality semiotics (VS). -/- The task is examined by taking up premises from the philosophy of emotions by Sabine A. Döring, from the art history by Heinrich Wölfflin, from the infant research by Daniel N. Stern and from the empirical research in neuroscience on vitality forms by the research group around Giacomo Rizzolatti. -/- Cf. Martina Sauer, Vitality Semiotics: The Ever Beautiful and Its Potential for an Intercultural Approach: In Atmospheric Design and Everyday Aesthetics, edited by David Brubaker & Zhuofei Wang [Contemporary Aesthetics, Special Volume 12, 2024]: 1-11. (shrink)

In hindsight, it is primarily Susanne K. Langer’s theory of act, and only secondarily her theory of art, that is central to the conception of Vitality Semiotics. It focuses on affective, semiotically relevant forms that constitute our world experience, human social interaction, and ultimately art experience. Thus, this somewhat unusual distinction between these two aspects of Langer’s work is not only important for art and our understanding of the world, but can also be seen as fundamental to social (...) interaction and, furthermore, to the universal formation of culture(s). It is, as the article suggests, to be regarded as the basis of the conditio humana. (shrink)

To relate theories of affordance and frame with the tradition of formal aesthetics, philosophical iconology and the life sciences (keyword Vitality Semiotics) is the starting point of the paper. According to this approach, the structural preconditions of images, as determined by materials, techniques and the composition of the design means, become essential. Through these structures, the producers are able to set impulses that become decisive for the interpretation of space and time or the "scene" as a dynamic event. (...) Against the social and cultural background of the recipients the "scene" gains a meaning to their life. This means to understand the productʼs conception and composition as an affordance which determines the framework of the reception conditions. The benefit of this approach lies in the identification of changes in the self-understanding and thus of trends in to new standards of societies. This is to be illustrated by Exekiasʼ drinking bowl around 540/30 BC in Munich. (shrink)

The paper follows the thesis, that the perception of real or virtual media shares the anthropological state of "Ausdruckswahrnehmung" or perception of expression (Ernst Cassirer). This kind of perception does not represent a distant, neutral point of view, but one that is guided by feelings or "vitality affects" (Daniel N. Stern). The prerequisites, however, for triggering these feelings/"vitality affects" are not recognizable objects or motifs, but rather their sensually evaluable “abstract representations” or their formal logical structures. In contrast (...) to aesthetic feelings, however, they affect not only our feelings of lust or unlust or our knowledge (formal aesthetics) but also our actions (semiotics). So, when I extend aesthetic experiences to semiotic effects, I will talk about vitality semiotics. This new concept is of consequence, because the thesis of the responsibility of the producer is based on these effects. This is to be carried out by analyzing and presenting the approach of the Bauhaus master Josef Albers. (shrink)

In a historiographical and methodological comparison of Formal Aesthetics and Iconology with the method of Affordance, the latter is to be introduced as a new method in Visual Cultural Studies. In extension ofepistemologically relevant aspects relatedtostyle and history of the artefacts, communicative and furthermoreaction and decisionrelevant aspects of artefacts become important. In this respect, it is the share of artefacts in life that the new method aims to uncover. The basis for this concern is the theory and methodological tools of (...) Visual Semiotics, which I have already presented. A direct comparison of the three methods based on the same example should clarify the points of contact and the respective performance of the methods. For this purpose, theChrist among the Doctorsof Albrecht Dürer from 1506 will be used, which was already examined in 1905 and indirectly in 1915 by the prominent representative of Formal Aesthetics Heinrich Wölfflin,and in 1914 and finally in1943by the founder of Iconology Erwin Panofsky. With the new method thecommunicative-actionand decision relevant aspects and thus their share in life should be shown. (shrink)

This paper provides an overview of the origins, vicissitudes, and abandonment of ‘metapsychology’, the psycho-biological scientific core of the Freudian opus, and introduces the authors’ key revisions. Although couched in the language of metaphor and analogy from 19th century physics, the conceptual foundations of Freud’s theories contained the seeds of a bio-semiotic theory of mind and of human nature in the natural world. Its updated, modernized, version opens the door to an inter-penetrative epistemology leading to universal principles of logical form, (...) applicable to all types of vital inter-action. (shrink)

Semiotics embraces linguistics, philosophy, and literary studies, as well as linking to anthropology, art, psychology, and biology. This new Routledge collection helps to make sense of the subject’s huge interdisciplinary corpus of scholarly literature and brings together the best and most influential materials from ‘the first phase’, neo-classics from the institutionalization of semiotics in the 1960s, and contemporary works illustrating the ongoing development of semiotics and its widening applications. Volume I collects pre-modern material showing the genesis of (...) semiotics from Locke to Peirce, along with a range of work from the last thirty years. Volume II includes key work from recent developments in cognitive linguistics and cognitive semantics, while Volume III focuses on ‘Text and Image’. Finally, Volume IV gathers the best offerings from other disciplines, and from emerging fields such as ‘biosemiotics’. Fully indexed, and with a comprehensive introduction, newly written by the editor, that places the collected material in its historical and intellectual context, this is an essential work destined to be valued by scholars, students, and researchers as a vital one-stop reference resource. (shrink)

Ecosemiotics represents a theoretical approach to human ecology that can be applied across several disciplines. lts primary justification lies inthe ambition to transcend "Cartesian", conceptual dichotomies such as culture/nature. society/nature, mental/material. etc. It argues that ecosystems areconstituted no less by flows of signs than by flows of matter and energy. This paper discusses the roles of different kinds of hmnan sign systems in the ecologyof Amazonia, ranging from the phenomenology of unconscious sensations. through linguistic signs such as metaphors and ethnobiological (...) taxonomies, to money and the political economy of environmental destruction. Human-environmental relations mediated by direct, sensory and (oral) linguistic communication have tended to enhance biological diversity, suggesting modes of calibrating the long-term co-evolution of human and non-human populations. Economic sign systems, on the other hand, have rapidly and drastically transfonned human-environmental relations in Amazonia to the point where the entire rainforest ecosystem is illlder threat. In detaching themselves from the direct, "face-to-face" communication between humans and their natural environments, flows of money and commodities - and the decontextualized knowledge systems that they engender - have no means of staying geared to the long-term negotiation of local, ecological co-existence. It is argued that the ongoing deterioration of the biosphere can be viewed as a problem of communication, deserving semiotic analysis. (shrink)

This paper seeks to situate the Tartu-Moscow School of Semiotics of the 1960–1980s within the larger European intellectual-historical context from which it sprang, and in which it played a vital role. Analysing the school members’ engagement with their peers throughout Europe, we outline an “entangled history” (histoire croisee) of multi-directional scientific and philosophical influence. In this perspective, we discuss the most productive concepts and methods of Tartu-Moscow semiotics in the fields of general verse theory, intertextual theory and cultural (...) theory. (shrink)

The article delineates a model of communication among human minds that is designed to work equally well for all kinds of nonverbal and verbal significance. The model thus allows for detailed analysis of and comparison among all varieties of human communication. In particular, the transitional stage of communication, which is termed the media product, is thoroughly developed and conceptualized in terms of mediality and semiosis. By way of mapping basic media dissimilarities that are vital for differing communicative capacities, the model (...) explains both how various sorts of significance can be transferred among minds, and why they cannot always be realized. The article furthermore suggests a semiotic framework for conceptualizing the familiar notion that communication is also strongly predisposed by surrounding factors such as earlier experiences and cultural influence. (shrink)

This article examines environmental communication from within an enquiry perspective. It is argued that dissent is a vital part of any enquiry into environmental issues. Aspects of Charles S. Peirce's semiotic logic are introduced and discussed with reference to environmental communication and dissent. Environmental problems are shown to be at root disconnections between the sign use of humans and the sign use of an environment. Such disconnections arise when dissenting voices from an environment are ignored, misinterpreted, or suppressed. It is (...) concluded that a semiotic approach to environmental communication offers a valuable insight into how dissent functions to resolve environmental disconnections. (shrink)

Percy has been studied under several headings: Catholic, Southerner, Existentialist. Two such aspects, however, have been neglected: the strong influence of Charles Sanders Peirce, plus Percy’s deep competence in laboratory science. His typescript essay, “Peirce and Modern Semiotic,” presented here, shows that Percy was well ahead of his contemporaries in understanding the scientific and philosophical importance of Peirce’s Semeiotic, the Theory of Semeioses. Percy particularly pointed to the experiential importance of “taking the other’s meaning.” He regarded that common phenomenon as (...) vital, and genuine—a kind of event that behaviorists such as B. F. Skinner or Charles Morris explained away as nothing but a dynamic dyadic causal process. Percy’s essay definitively blocks those reductions. (shrink)

This paper proposes a cognitive-semiotic approach to aesthetics to understand aesthetic emotion and its relation to the process of producing and valorizing art. The core argument presented is that the emotional aspects of aesthetic experience are integral to the processes of evaluation and meaning-making and that this interplay significantly influences individuals’ engagement with art, highlighting the importance of these dimensions in the overall experience. Therefore, the initial step in my approach is to illustrate that the process of meaning-making is significantly (...) influenced by our active participation, as well as our interpretation and understanding of our own emotions and those of others. I intend to demonstrate that throughout this process, empathy is a vital component of the reciprocal interaction between the viewer and the artwork. In this regard, I will explore various concepts related to empathy, focusing on aesthetic empathy. Additionally, I will emphasize the correlation between aesthetic experiences and everyday life, explaining how a work of art can effectively mirror the core of daily life through a semiotic narrative practice. I believe that by exploring these narratives more thoroughly, we can achieve a deeper, empathetic understanding of both the artist and the artwork and that this understanding can lead to explicit and implicit responses to the artwork, ultimately shaping our overall attitude toward it. Hence, I will conclude that our aesthetic experiences provide us with opportunities to actively explore aspects of our narrative selves, which might help us understand how these experiences significantly change our relationship with ourselves and the social context we are a part of. Keywords: cognitive semiotics, meaning-making, simulation theory, empathy, narratives. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Dewey and the Aesthetic Unconscious: The Vital Depths of Experience by Bethany HenningPentti MäättänenBethany Henning Dewey and the Aesthetic Unconscious: The Vital Depths of Experience London: Lexington Books, 2022. 182 pp. incl. indexBethany Henning examines Dewey's conception of aesthetic experience by looking for connections to several trends and traditions. Henning relates pragmatism to Freudian psychoanalysis, feminism, wisdom from esoteric sources, erotic drive, and religion. "In the American thought (...) that we have surveyed thus far, the aesthetic, the religious, and the ethical stand as completions and realizations of one another" (p. 25). This variety of viewpoints is no doubt interesting and potentially fruitful, but there is a danger that the result may remain somewhat sporadic.One of the traditional problems and tasks in philosophy is to explain how the world is experienced as an organized, bounded whole. How are the various sensations and ideas of them related to each other? On what ground can we experience these relations between ideas? Henning refers to William James and says that these relations are directly experienced, we feel them (p. 46). According to Henning there is a unique force responsible for this, and it "can only be a kind of noncognitive, preverbal awareness, and for Dewey, it can only be the qualitative immediacy that is known to us only in aesthetic experience" (p. 25). How can we experience these relations? Here Henning appeals to Jonathan Edwards (1703–1758) who provided his own view of habits, which account for "the relations between ideas by relating them through their spatiotemporal contiguity, causality, or through resemblances" (p. 21; italics in the original). This is how the American mind was firmly set on a theoretical path that distinguishes it from "the European conception" (ibid.).This is a surprising claim, indeed. Here is what David Hume has to say about the connexion or association of ideas: "The qualities, from [End Page 369] which this association arises, and by which the mind is after this manner convey'd from one idea to another, are three, viz. RESEMBLANCE, CONTIGUITY in time or place, and CAUSE and EFFECT."1 It is quite inconceivable how this simple relabeling of Hume's principles of association as habits might have any effect on any theoretical path, especially on the emergence of pragmatism. Edwards wrote decades before Charles Peirce entered the scene. Edwards' habit is just a new name for old European ideas. It is obvious that Hume's principles of association, which deal with internal mental processes, have not much to do with Peircean habits of action, which are about overt bodily action in the world where we meet also hard facts involving brute force, muscular effort, and resistance.The starting point of Henning's analysis is immediate qualitative experience, affective sensual awareness, which also prefigures and is the ground of signification (p. 107). Qualitative immediacy is felt, had, and undergone. There is a need to experience the world as meaningful, to move from that world as had and undergone to the world as known. Knowledge about this immediate experience becomes possible with the emergence of mind, when "situations, in their qualitative tone, are also socially significant so that interactions are aided by the mediation of symbols" (p. 88). We can give names to qualitatively different feelings. This knowledge is different from qualitative immediacy in that it is discursive, cognitive, and syntactical (p. 38). But how does this kind of knowledge emerge? What is the origin of names and symbols? What is the notion of meaning applied here? According to Henning, meaning "must be felt, had and undergone, in a way that is primarily qualitative rather than primarily cognitive" (p. 107). There is also "erotic need for meaningful connection" (p. 113). Further, Henning appeals to Julia Kristeva's semiotic theory, but Peirce's semiotics is not mentioned. An explicit definition of meaning would be in place here, especially as Peirce and Dewey have one to offer.According to Peirce, "what a thing means is simply what habits it involves" (CP 5.400).2 Note that there are no restrictions on this. If it is a linguistic expression, then we have Ludwig Wittgenstein's language games... (shrink)

Faces challenge the sender-receiver model as the major scheme of thought for appropriately understanding interaction between human individuals. The openness and indeterminacy of faces lead to establish a semiotically relevant distinction between interaction and interactivity. The latter is our proposed articulation of the dynamic energy that thrives through the existence of signs and the uses of a semiotics. Facial expressions sustain and express the vital dynamism of making meaning in life. This often occurs at a bewildering distance to legal (...) life and discourses established by legal terminologies. (shrink)

Forrester’s proposed seventh style of reasoning – thinking in cases – functions as an analogous, dyadic relationship that, whilst indebted philosophically to the logical reasoning and semiotics of Charles Peirce, is prone to creating feedback loops between induction and deduction, precluding novel abductive hypotheses from advancing medical knowledge. Reasoning with a Peircean triadic model opens up the contexts and methods of meaning-making and reasoning through medical cases, and the potent influence of their genre conventions, to intellectual critical scrutiny. Vitally, (...) it offers a third mode – abduction – that this article argues needs to be reintroduced into Forrester’s model of reasoning with cases. This article demonstrates this by applying a Peircean triadic model of reasoning to Forrester’s own model, tracing a shared genealogy but one in which the abductive element was lost. The article goes on to illustrate the explanatory and predictive potential of Peircean abductive reasoning and the necessary re-theorising of the case this entails. This argument is supported through an analysis of early case reports of what would become HIV/Aids, drawn from the Case Records of Massachusetts General Hospital series in the New England Journal of Medicine. (shrink)

_Fifty Key Contemporary Thinkers_ surveys the most important figures who have influenced post-war thought. The reader is guided through structuralism, semiotics, post-Marxism and Annales history, on to modernity and postmodernity. With its comprehensive biographical and bibliographical information, this book provides a vital reference work of the last fifty years.

This paper focuses on the semiotic foundations of sociolinguistics. Starting from the definition of “sociolinguistics” given by the philosopher Adam Schaff, the paper examines in particular the notion of “critical sociolinguistics” as theorized by the Italian semiotician Ferruccio Rossi-Landi. The basis of the social dimension of language are to be found in what Rossi-Landi calls “social reproduction” which regards both verbal and non-verbal signs. Saussure’s notionof langue can be considered in this way, with reference not only to his Course of (...) General Linguistics, but also to his Harvard Manuscripts.The paper goes on trying also to understand Roland Barthes’s provocative definition of semiology as a part of linguistics (and not vice-versa) as well asdeveloping the notion of communication-production in this perspective. Some articles of Roman Jakobson of the sixties allow us to reflect in a manner which wenow call “socio-semiotic” on the processes of transformation of the “organic” signs into signs of a new type, which articulate the relationship between organicand instrumental. In this sense, socio-linguistics is intended as being sociosemiotics, without prejudice to the fact that the reference area must be human,since semiotics also has the prerogative of referring to the world of non-human vital signs.Socio-linguistics as socio-semiotics assumes the role of a “frontier” science, in the dual sense that it is not only on the border between science of language andthe anthropological and social sciences, but also that it can be constructed in a movement of continual “crossing frontiers” and of “contamination” betweenlanguages and disciplinary environments. (shrink)

This paper presents a comprehensive analysis of the significance and meanings of faces within monuments and memorials. The presence of faces in monuments and memorials transcends cultures and spans throughout history. Faces serve as vital components of public statues, conveying the emotions of depicted characters and establishing communicative connections with observers. Moreover, they are employed within memorials to commemorate the deceased. Memorial museums frequently feature corridors adorned with portraits of those who perished in wars, terrorist attacks or natural disasters. The (...) aim of this paper is twofold: firstly, to develop a theoretical and methodological framework for the analysis of faces in monuments and memorials, drawing upon the cultural semiotics of Juri Lotman as well as theories proposed by Algirdas J. Greimas and Umberto Eco. Secondly, to construct a typology that elucidates the various ways faces are utilized within monuments, memorials, and commemorative practices. A historical roadmap of the facial presence in monuments and memorials is then presented. By achieving these aims, this paper contributes to a deeper understanding of the meanings of faces within monuments and memorials in particular and memory politics in general. (shrink)

The themes of SSA 2006, “The Future of Semiotics”, and of SSA 2007, “Semiotics and Survival”, are linked by an initial consideration of the prospects for the survival of semiotics as a discipline. Since its separation from philosophy in the United States in the mid-twentieth century and its founding as a separate multi-disciplinary study, semiotics has faced an uphill battle for acceptance in the academy. The pervasive dogma of physicalism, which rejects outright the idea of semiosis (...) as non-reducible to physical action, has been the principal threat to the survival of semiotics. The theme of “Semiotics and Survival” is then extended to a consideration of the centrality of signs for survival in the Katrina crisis (a matter of vital importance, in Peirce’s terminology) and a more general consideration of the centrality of signs for survival (with reference to the problem of vanishing context). A deep link between signs and survival is conjectured to exist in the ubiquitous formation of habits throughout the universe. Finally, the role of semioticians in the survival of great cities and cultures is considered, especially when signs are turned into weapons that threaten established ways of life. (shrink)

This paper addresses semiotic elements of ritual in human encounter. The notion of an essential ritual presence in the existential/communicative connection of persons has been established in the work of Langer, Gadamer, and Jakobson. Yet, as Richard Lanigan maintains, vital aspects of Jakobson’s model of communication are typically missed in the application of his work, a consequence of which is that social science no longer differentiates between “communication” and “information”. As such, everything perceived as meaningful is reducible to “message”, and (...) thus, effective communication means merely “finding the right message”. The regression to our current cybernetic world, along with the intellectual paradigms enabling it, was never a foregone conclusion, but the entrenchment of social science in information theory makes it clear that an epistemological commitment to a semiotic phenomenology of communicative existence—and the visibility of ritual life—may well be our only way out. (shrink)

The evolution of arm-leg relationships presents something of a problem for embodied cognitive science. The affordances of habitual bipedalism and upright posture make our two sets of appendages and their interrelationships distinctively human, but these relations are largely neglected in evolutionary accounts of embodied cognition. Using a mixture of methods from historical linguistics, Cognitive Linguistics and linguistic anthropology to analyze data from languages around the world, this paper identifies a robust, dynamic set of part-whole relations that emerge across the human (...) waistline between upper and lower appendage sets cross-culturally. The general pattern—identified as “arm-leg syncretism”—provides a plausible primary source for the uniquely human penchant for creative analogy, or “double-scope conceptual blending”, said to underlie the human language faculty (Fauconnier and Turner 2002, 2008; Deely 2002; Anttila 2003; Bybee 2010). This account not only addresses a conspicuous gap in the literature but also enables us to better understand what it means to be human—including how we came to be unique among other species and how we are still vitally interrelated with other species. Deely (2010) blends both sides of this tension into a single phrase: “the semiotic animal”. The paper further develops this distinction by drawing attention to one of the roles upright posture played in the emergence of semiotic consciousness. (shrink)

The current article is the first in a series of review articles addressing biosemiotic terminology. The biosemiotic glossary project is inclusive and designed to integrate views of a representative group of members within the biosemiotic community based on a standard survey and related publications. The methodology section describes the format of the survey conducted in November–December 2013 in preparation of the current review and targeted on the terms ‘agent’ and ‘agency’. Next, I summarize denotation, synonyms and antonyms, with special emphasis (...) on the denotation of these terms in current biosemiotic usage. The survey findings include ratings of nine citations defining or making use of the two terms. I provide a summary of respondents’ own definitions and suggested term usage. Further sections address etymology, connotations, and related terms in English and other languages. A section on the notions’ mainstream meaning vs. their meaning in biosemiotics is followed by attempt at synthesis and conclusions. Although there is currently no consensus in the biosemiotic community on what constitutes a semiotic agent, i.e., an agent in the context of semiosis, most respondents agree that core attributes of an agent include goal-directedness, self-governed activity, processing of semiosis and choice of action, with these features being vital for the functioning of the living system in question. I agree that these four features are constitutive of biosemiotic agents, and stipulate that biosemiotic agents fall within three major categories, namely 1) sub-organismic biosemiotic agents, 2) organismic biosemiotic agents and 3) super-organismic biosemiotic agents. (shrink)

This article argues that the work of the late Johan van der Keuken offers a contribution to ecological semiotics, and that it also defines the relationship between the semiotic animal and nature in ways that avoid glottocentricism. Taking from the recent work of Kalevi Kull, Jesper Hoffmeyer, and John Deely amongst others, I will argue that van der Keuken’s documentaries offer a view of ecology that is broader than a study of bio-physical processes that might reduce ecology to a (...) narrow political issue.In order to support this argument, I will be looking at two contrasting films from van der Keuken – Flat Jungle (1978) and Face Value (1991). The first film examines natural habitats within a confined coastal area in Western Europe, while the second film looks at human beings in the different urban environments of late-20th-century Europe. I will then argue that van der Keuken does not collapse the vital distinctions between umwelt and Lebenswelt, yet his films also succeed at reminding us of their constant interdependence. (shrink)

Drawing from Peircean semiotics, from the Greek conception of phronesis, and from considerations of bodily awareness as a basis of reasonableness, I attempt to show how the living gesture touches our deepest signifying nature, the self, and public life. Gestural bodily awareness, more than knowledge, connects us with the very conditions out of which the human body evolved into its present condition and remains a vital resource in the face of a devitalizing, rationalistic consumption culture. It may be precisely (...) these deep-rooted abilities for what I term “self-originated experience” that can ultimately offset automatism. (shrink)

This book examines the ways in which religious communities experimentally engage the world and function as fallible inquisitive agents, despite frequent protests to the contrary. Using the philosophy of inquiry and semiotics of Charles Sanders Peirce, it develops unique naturalist conceptions of religious meaning and ultimate orientation while also arguing for a reappraisal of the ways in which the world’s venerable religious traditions enable novel forms of communal inquiry into what Peirce termed “vital matters.” Pragmatic inquiry, it argues, is (...) a ubiquitous and continuous phenomenon. Thus, religious participation, though cautiously conservative in many ways, is best understood as a variety of inhabited experimentation. Religious communities embody historically mediated hypotheses about how best to engage the world and curate networks of semiotic resources for rendering those engagements meaningful. Religions best fulfill their inquisitive function when they both deploy and reform their sign systems as they learn better to engage reality. (shrink)

This account will demonstrate that the element of surprise is a fundamental device in establishing double consciousness regimes; it further shows how such dialogic paradigms foster abductive inferences by filtering out irrelevant percepts/antecedents. The account sets up Peirce’s Pheme to be the primary device which shocks interpreters’ sensibilities – starting them on a course to question conflicting principles between ego and non-ego. The natural disposition of surprise to instantaneously deliver insight into which antecedents are relevant to vital, anomalous consequences demonstrates (...) its indispensability in generating logical and semiotic advances. For Peirce, vividness, as an element of surprise in Secondness, is largely responsible for the nuts and bolts of how surprise facilitates logic; its means to activate searches for plausible antecedents makes vividness the prime candidate. The success of vividness at turning the mind of interpreters to new ways of explaining the consequence largely hinges upon the external properties of the unexpected consequence – not merely objects’ instantaneity, but their striking characteristics, as well. Even though vividness is external, it produces internal responses, in the form of a war against feelings. In this way, double consciousness paradigms are initiated, which, in turn, call for hypothesis generation. (shrink)

Pragmatism has been called America's only major contribution to philosophy. But since its birth was announced a century ago in 1898 by William James, pragmatism has played a vital role in almost every area of American intellectual and cultural life, inspiring judges, educators, politicians, poets, and social prophets. Now the major texts of American pragmatism, from William James and John Dewey to Richard Rorty and Cornel West, have been brought together and reprinted unabridged. From the first generation of pragmatists, including (...) the Supreme Court Justice Oliver Wendell Holmes and the founder of semiotics, Charles Sanders Peirce, to the leading figures in the contemporary pragmatist revival, including the philosopher Hilary Putnam, the jurist Richard Posner, and the literary critic Richard Poirier, all the contributors to this volume are remarkable for the wit and vigor of their prose and the mind-clearing force of their ideas. Edited and with an Introduction by Louis Menand, Pragmatism: A Reader will provide both the general reader and the student of American culture with excitement and pleasure. (shrink)

The chapters in this timely volume aim to answer the growing interest in Arthur Schopenhauer’s logic, mathematics, and philosophy of language by comprehensively exploring his work on mathematical evidence, logic diagrams, and problems of semantics. Thus, this work addresses the lack of research on these subjects in the context of Schopenhauer’s oeuvre by exposing their links to modern research areas, such as the “proof without words” movement, analytic philosophy and diagrammatic reasoning, demonstrating its continued relevance to current discourse on logic. (...) -/- Beginning with Schopenhauer’s philosophy of language, the chapters examine the individual aspects of his semantics, semiotics, translation theory, language criticism, and communication theory. Additionally, Schopenhauer’s anticipation of modern contextualism is analyzed. The second section then addresses his logic, examining proof theory, metalogic, system of natural deduction, conversion theory, logical geometry, and the history of logic. Special focus is given to the role of the Euler diagrams used frequently in his lectures and their significance to broader context of his logic. In the final section, chapters discuss Schopenhauer’s philosophy of mathematics while synthesizing all topics from the previous sections, emphasizing the relationship between intuition and concept. -/- Aimed at a variety of academics, including researchers of Schopenhauer, philosophers, historians, logicians, mathematicians, and linguists, this title serves as a unique and vital resource for those interested in expanding their knowledge of Schopenhauer’s work as it relates to modern mathematical and logical study. (shrink)

Our greatest certainty and greatest mystery is our mortality. In this book, Steven M. Rosen explores the profound mystery of death and rebirth from psychological, philosophical, and alchemical perspectives. To model, embody, and contain the paradoxical transformations involved in the death-rebirth enigma, Rosen employs a paradoxical form of mathematics: the topology of the Moebius strip and Klein bottle. As we follow this alchemical odyssey, the author makes himself transparent through his dreams and brings himself tangibly into his text so as (...) to enact a dialectic of ego and Self. "In tackling the subject of death and rebirth Steven Rosen writes about our modern state of mind, how we got like this and where we need to go from here. He does all this with a psychotherapeutic insight that begins with his own subjectivity--and his own dreams--and ends with the subjectivity of the modern world. Using myths, dreams, and alchemical symbolism as well as psychological research and Jungian insights, Rosen speaks to us all from the self and the Self. A book to be read immediately, and then read again." --Christopher Hauke, Jungian analyst and author of Jung and the Postmodern: The Interpretation of Realities "How does a mental-spiritual ego, the creation of our post-Renaissance world, embrace the body as a living partner? In Dreams, Death, Rebirth, Steven M. Rosen offers a topological analysis that meets the challenge of this daunting endeavor. It is a remarkable accomplishment, and vital for the advancement of psychotherapy." --Nathan Schwartz-Salant, Jungian analyst and author of The Black Nightgown: The Fusional Complex and the Unlived Life Steven M. Rosen is professor emeritus of psychology at the College of Staten Island of the City University of New York. After receiving his PhD in psychology in 1971, he began exploring the foundations, frontiers, and poetics of science, and his work became transdisciplinary and philosophical in nature. His essays have appeared in journals and collections spanning the fields of psychology, philosophy, theoretical physics, education, semiotics, and ecology. He is the author of Science, Paradox, and the Moebius Principle (1994), Dimensions of Apeiron (2004), Topologies of the Flesh (2006), and The Self-Evolving Cosmos (2008). (shrink)

Among the fields of music study, ethnomusicology has wrestled most self-consciously with matters of representation. Since its inception in the late nineteenth century as vergleischende Musikwissenschaft [comparative musicology] and throughout its turbulent history, ethnomusicology has been centrally and vitally concerned with at least three basic issues and their numerous ramifications. First is the problem of locating disciplinary boundaries: is ethnomusicology a subfield of musicology, does it belong under anthropology or ethnology, or is it an autonomous discipline?1 Second is the problem (...) of translation: what factors influence the attempt to translate the reality of other musical cultures into audio and visual recordings, verbal accounts, and transcriptions in musical notation? Is there a viable “theory of translatability”?2 Third is a network of political and ideological matters: what sorts of ethical issues constrain the practical effort to understand another culture? What is the relation between empire and ethnomusicological representation? Can we—that is, is it a good thing to—study any music without taking note of the social, economic, political, and technological circumstances of its producers? 1. A concise introduction to the field of ethnomusicology, its history, personalities, and method may be found in Barbara Krader, “Ethnomusicology,” in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, 20 vols. , 6:275-82. The most comprehensive recent discussion of key issues in ethnomusicological research is Bruno Nettl, The Study of Ethnomusicology: Twenty-nine Issues and Concepts .2. See Johannes Fabian, Time and the Other: How Anthropology Makes Its Object , p. 43. Kofi Agawu teaches at Cornell University and is the author of Playing with Signs: A Semiotic Interpretation of Classic Music. (shrink)

The paper compares John Dewey's pragmatism and cultural-historical activity theory as epistemologies and theories of transformative material activity. For both of the theories, the concept of activity, the prototype of which is work, constitutes a basis for understanding the nature of knowledge and reality. This concept also implies for both theories a methodological approach of studying human behavior in which social experimentation and intervention play a central role. They also suggest that reflection and thought, mediated by language and semiotic artifacts, (...) serve the reorientation of activity and is vital in the development of new, alternative ways of action. That is why Dewyan pragmatism and activity theory supply means of understanding organizational behavior and change in human activities better than the concepts of practice based on rule following, routines or embodied skills. (shrink)

The current volume provides an interpretation of American pragmatism according to which pragmatism is not opposed to metaphysics but instead represents a vital, non-dismissive, non-deflationary attempt to respond to classical questions of philosophy concerning the nature of reality, truth, goodness, beauty, ideality, etc. American pragmatism has been often interpreted as a form of crass utilitarianism applied to all areas of philosophy – a precipitation of the “industrialist” spirit of the United States. This book demonstrates how such an interpretation is misguided. (...) The chapters focus on different topics in the philosophies of Peirce and Dewey – what is “meaning,” what is the human self, what is truth, what is consciousness, what “semiotics” can add to realism – that articulate the unitary view that the “real” is always inhabited by and open to the “ideal.”. (shrink)

As one indispensable part of signs, blank-sign, also called zero sign or the void of sign, has not been given enough or due attention in semiotics. What is worse is that researchers have not reached agreement on some basic issues in blank-signs, such as the nature of the absence of the signifier, the criteria for identifying blank-signs, the scope of the blank-sign research, etc. These questions are of vital importance for more comprehensive exploration of the blank-sign issue. After analyzing (...) three types of blank-signs, the paper concludes that: In blank-signs, both signifier and signified must be present. The so-called “absent signifier” actually means the absence of the representation of the signifier, and the “absent signified” suggests some unspecified meanings; Being a blank-sign is a matter of degree, with the typical blank-signs having a closed borderline, and the atypical ones a partial borderline; Neighboring substantial context and general context are crucial for determining the status of a blank-sign. (shrink)

The proposed volumes are aimed at a multidisciplinary audience and seek to fill the gap between law, semiotics and visuality providing a comprehensive theoretical and analytical overview of legal visual semiotics. They seek to promote an interdisciplinary debate from law, semiotics and visuality bringing together the cumulative research traditions of these related areas as a prelude to identifying fertile avenues for research going forward. Advance Praise for Law, Culture and Visual Studies This diverse and exhilarating collection of (...) essays explores the many facets both historical and contemporary of visual culture in the law. It opens a window onto the substantive, jurisdictional, disciplinary and methodological diversity of current research. It is a cornucopia of materials that will enliven legal studies for those new to the field as well as for established scholars. It is a 'must read' that will leave you wondering about the validity of the long held obsession that reduces the law and legal studies to little more than a preoccupation with the word. Leslie J Moran Professor of Law, Birkbeck College, University of London Law, Culture and Visual Studies is a treasure trove of insights on the entwined roles of legality and visuality. From multiple interdisciplinary perspectives by scholars from around the world, these pieces reflect the fullness and complexities of our visual encounters with law and culture. From pictures to places to postage stamps, from forensics to film to folklore, this anthology is an exciting journey through the fertile field of law and visual culture as well as a testament that the field has come of age. Naomi Mezey, Professor of Law, Georgetown University Law Center, Washington, D.C., USA This highly interdisciplinary reference work brings together diverse fields including cultural studies, communication theory, rhetoric, law and film studies, legal and social history, visual and legal theory, in order to document the various historical, cultural, representational and theoretical links that bind together law and the visual. This book offers a breath-taking range of resources from both well-established and newer scholars who together cover the field of law's representation in, interrogation of, and dialogue with forms of visual rhetoric, practice, and discourse. Taken together this scholarship presents state of the art research into an important and developing dimension of contemporary legal and cultural inquiry. Above all, Law Culture and Visual Studies lays the groundwork for rethinking the nature of law in our densely visual culture: How are legal meanings produced, encoded, distributed, and decoded? What critical and hermeneutic skills, new or old, familiar or unfamiliar, will be needed? Topical, diverse, and enlivening, Law Culture and Visual Studies is a vital research tool and an urgent invitation to further critical thinking in the areas so well laid out in this collection. Desmond Manderson, Future Fellow, ANU College of Law / Research School of Humanities and the Arts, Australian National University, Australia. (shrink)

This pioneering book presents a reconstitution of Charles Sanders Peirce philosophical system as a coherent architecture of concepts that form a unified theory of reality. Historically, the majority of Peircean scholars adopted a thematic approach to study isolated topics such as semiotics and pragmatism without taking into account the author’s broader philosophical framework, which led to a poor and fragmented understanding of Peirce’s work. In this volume, professor Ivo Assad Ibri, past president of The Charles Sanders Peirce Society and (...) a leading figure in the Brazilian community of Peircean scholars, adopts a systemic approach to Peirce’s thought and presents Peirce’s scientific metaphysics as a deep ontological architecture based on a semiotic logic and on pragmatism as criteria of meaning. Originally published in Portuguese, this book became a classic among Brazilian Peircean scholars by presenting a conceptual matrix capable of providing a clear reference system to ground the thematic studies into the broader Peircean system. Now translated to English, this reviewed, amplified and updated edition aims to make this contributions available to the international community of Peircean scholars and to serve as a tool to understand Peirce’s work in a more systemic way by integrating concepts such as experience, phenomenon, existence and reality, as well as theories such as Chance, Continuity, Objective Idealism, Cosmology and Pragmatism, in a coherent system that reveals Peirce’s complex metaphysical architecture. "As the philosophical reputation of Charles S. Peirce continues to rise to first-tier prominence in the history of American philosophy, Ivo Ibri’s Kósmos Noetós assumes a unique status in both a pioneering and a magisterial work of transcontinental Peirce scholarship. This original work of this internationally renowned scholar and editor, and Professor of Philosophy at the Pontifical Catholic University of San Paulo, penetrates to the heart of Peirce’s architectonic system of phenomenological, metaphysical, and semiotic categories which heuristically characterize our world as “a universe perfused with signs.” Ibri’s own synergistic commentary on the radiating registers of Peirce’s cosmogonically and pragmatistically conceived “one intelligible theory of the universe” also instructively contributes to the illumination of significant nodes of interface with a range of relevant theoretical trends in the contemporary academy; as well, it places Peirce in the company of such thinkers as Plato, Aristotle, Plotinus, Kant, and Schelling who preceded Peirce in providing a legacy of first-tier reasoning on our intelligibly developing world. Kosmos Noetos impresses as Ibri’s pure, lucid, passionately thought-loving, philosophical articulation of his own and as the indispensable prolegomena to all future Peirce studies." David Dilworth, State University of New York at Stone Brook – USA "Ivo Ibri has offered us in this exquisite work a framing of the inner logic of Charles S. Peirce's core metaphysical vision and its existential implications. It is a deep and nuanced exploration of the internal dynamics of Peirce’s central metaphysical categories, developed through rigorous and detailed attention to the evolution of Peirce’s thought on the ‘vitally important topics’ of the appearing, the reality, and the intelligibility of the world. The two-leveled format of the book, an intricate weaving of Peirce’s texts and discursive elaboration and linkage by Ibri, gives it a distinctive feel and is the bedrock of its value. The book is a remarkable combination of presentation and analysis. It is informed by Ibri’s deep philosophical culture and is a gentle and convincing argument for the centrality of metaphysics in understanding Peirce’s thought. It offers in a new way indispensable suggestions for our own attempts to think about our places in an evolving universe with the aid of Peirce and offers threads of thought to be followed up by others." Robert E. Innis, University of Massachusetts Lowell – USA. (shrink)

In this article, I sketch the major points of intersection between the work of Michael Polanyi and Susanne Langer. The concepts of articulation and symbolization make up the organizing frame of the article. Langer’s semiotic approach to mind and knowing in all their forms intersects in fruitful and challenging ways with Polanyi’s approach that is based on the analogy of skills and the model of perception. Rather than being alternatives to one another, or incompatible in essential ways, they enrich one (...) another with respect to“pushing meaning up and down,” to art, religion, the emergence of mind, and the limits of language. Their focal concern with types of meanings hold their intellectual projects together in a vital and illuminating tension. (shrink)

The article proposes to consider the phenomena of life and death within the framework of philosophical and scientific discourse. The author does not aim to explain the origin of life, he seeks to conceive of life and death on the basis of the methodology developed by him and the research conducted. The main way of understanding these phenomena is the hypothesis about the nature of the mechanism of life, as well as cultural–historical and semiotic analysis of the evolution of life. (...) In evolution, the author distinguishes three main stages: the formation of life, biological evolution and the evolution of social life. An important role in the latter is assigned, on the one hand, to the use of signs denoting not observable realities, but necessary for the management of the "primary team", on the other hand, technology. The technique performed two main functions: it expanded the capabilities of hominids in terms of creating the right environment and confirmed the use of signs, since it created a reality corresponding to their meanings. In social life, as well as in biological, two spheres need to be distinguished in the vital organization: one belongs to individuals, and the other, actually social, encompassing, without which the first cannot exist and function. Having asked the provisions indicated here, the author characterizes what death is and considers the cognitive dissonance that occurs when we try to rationally think about these phenomena. (shrink)

This article employs Umberto Eco’s 2004 novel The Mysterious Flame of Queen Loana as an exemplar of the hypertextuality of Eco’s semiotic theory. Eco’s project illustrates existential semiotics, providing a corrective to Euro Tarasti. For Tarasti signs reveal possibilities for transcendence in the lived world with ‘omnipresent’ meaning in an enunciative dialogue between signs and a semiotic subject. Tarasti’s existential signs are communicative alerts that illuminate a semiotic subject’s journey of transcendence, creating meaning via infusion of signs with signification. (...) This article forgoes Tarasti’s insistence on transcendence. The vitality of existential semiotic signs is displayed through Eco’s hypertextual approach to semiotics manifested in The Mysterious Flame of Queen Loana. Eco’s insights model an existential semiotic, correcting Tarasti’s pragmatically flawed but theoretically significant undertaking. Our rationale for explicating the scope of Tarasti’s work exemplifies an existential disconnect between information accumulation and signification. We present Tarasti’s project due to its fundamental signification for understanding the importance and vitality for existential semiotics. Existential semiotics illuminates the signifying function of communication in the presence of the ineffable. (shrink)

This edited volume provides a biosemiotic analysis of the ecological relationship between food and medicine. Drawing on the origins of semiotics in medicine, this collection proposes innovative ways of considering aliments and treatments. Considering the ever-evolving character of our understanding of meaning-making in biology, and considering the keen popular interest in issues relating to food and medicines - fueled by an increasing body of interdisciplinary knowledge - the contributions here provide diverse insights and arguments into the larger ecology of (...) organisms’ engagement with and transformation through taking in matter. Bodies interpret molecules, enzymes, and alkaloids they intentionally and unintentionally come in contact with according to their pre-existing receptors. But their receptors are also changed by the experience. Once the body has identified a particular substance, it responds by initiating semiotic sequences and negotiations that fulfill vital functions for the organism at macro-, meso-, and micro-scales. -/- Human abilities to distill and extract the living world into highly refined foods and medicines, however, have created substances far more potent than their counterparts in our historical evolution. Many of these substances also lack certain accompanying proteins, enzymes, and alkaloids that otherwise aid digestion or protect against side-effects in active extracted chemicals. Human biology has yet to catch up with human inventions such as supernormal foods and medicines that may flood receptors, overwhelming the body’s normal satiation mechanisms. This volume discusses how biosemioticians can come to terms with these networks of meaning, providing a valuable and provocative compendium for semioticians, medical researchers and practitioners, sociologists, cultural theorists, bioethicists and scholars investigating the interdisciplinary questions stemming from food and medicine. (shrink)

Peirce and Husserl both realized that our habits and habitual conceptions, though vital to the success of most activities, nevertheless occlude large portions of the experiential canvass. So, unless preparatory work puts us in the right mindset, we risk perceiving the world—not as it is—but rather as we expect it to be. While Peirce and Husserl were predominantly concerned with supplying a better observational basis for inquiries like science, semiotics, and mathematics, I draw on their phaneroscopic/phenomenological tools to combat (...) the addictive and mind-narrowing effects of technology. I go over several examples to show how, when we (try to) rid ourselves of presuppositions and relax the pursuit of efficiency, we enable contemplative possibilities conducive to flourishing and the pursuit of meaning. My overall message is that, in an age when we increasingly depend on devices like Smartphones (and soon VR) to form flat and one-sided worldviews, re-establishing an unmediated contact with our everyday surroundings can have tangible existential benefits, nipping in the bud tyrannical trends as well as wasted lives. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Śaṅkara, Tillich, and Abhinavagupta’s Use of “God” as a Peircean Index to the Ground of Being and Depths of NatureGreylyn Robert Hydinger (bio)I. IntroductionThis article argues that the sign “God” can function as a Peircean index to, not an icon of, the ground of being or depth dimension of existence. The ground and any generic traits of existence that the ground grounds would be the content of the symbol, (...) the object to which the indexical symbol points. Paul Tillich argued that (good) theology employs the “method of correlation,” highlighting the “independence and interdependence of existential questions and theological answers.”1 This article presents an answer to two vitally important questions about religious naturalism posed by Dan Ott, LeRon Shults, and Demian Wheeler: (1) must theology be theistic, and (2) what content can the concept of “God” have in naturalism?2 Succinctly, the answers are, “no,” and the content meaning of the sign “God” in a religious naturalism should be the ground of being and the depths of nature.To support these answers, the article builds on a Peircean semiotic theory and compares the theologies of Adi Śaṅkara and Paul Tillich, with a strong appeal to Abhinavagupta; this comparison provides evidence that supports the hypothesis that a determinate symbol like “God” can be used and has been used to refer to an indeterminate, non-personal, naturalistic ground of being. Therefore, theology need not be iconically theistic. In Peircean terms, these philosophical theologians all claim that the sign “God” (Sanskrit: Īśvara, Nārāyaṇa, or Parameśvara; also, Kṛṣṇa or Śiva) stands, in one or perhaps several respects, for the object (“the Ground of Being” or “nirguṇa Brahman”) to an interpreter without implying that the object of interpretation is like the sign that points to it. All three of these philosophical theologies avoid the personal, agential being understanding of [End Page 60] “God” that is so frequently and justly the object of religious naturalist critique. The argument of the article is thus very simple on Peircean grounds, so long as the ground-of-being case studies do in fact illustrate the use of God as an index to the ontological ground of nature. The first part of the article, therefore, provides a semi-detailed discussion of Peirce’s semiotics; the second part demonstrates how Tillich, Śaṅkara, and Abhinavagupta have employed theistic symbols to engage the naturalistic ground of being.Two additional hypotheses undergird this inquiry as “premises.”3 First, naturalism can be a legitimate and important constraint on theological inquiry or a correction to theological hypotheses. Second, at least some ground-of-being theologies find compatibility with religious naturalisms, while iconic theisms do not. Each of these premises requires qualifications.First, as Robert Neville has pointed out, religious naturalism gets several things right as an ideology: (1) it rejects authoritarianism in favor of empirical and experiential inquiry, and (2) it rejects “literal supernaturalism [and supra-naturalism, cf. Tillich] as having explanatory or hermeneutical power.”4 In these respects, naturalism does provide appropriate constraints on theological inquiry. While literal, or iconic, supernaturalism, or theism, lacks explanatory power, part of the argument of this article is that theism can be used indexically to engage the depth dimension of nature, including its ontological ground, which is nothing apart from the things grounded (see the later discussion of Abhinavagupta’s “ābhāsa-vāda” theory).5 This indexical theism provides a pragmatic approach to “effing the ineffable,” as Wesley Wildman would say.6 [End Page 61]However, naturalism also can be “so easily wrong.”7 Alfred North Whitehead argued that philosophy (or theology) has a vital role to play in relation to science: philosophy must both critique science’s abstractions (and reductions) and engage in speculative flights of the imagination.8 While science engages parts of reality with exceptional clarity, it is reductive to the categories of (primarily) mathematics. Moreover, as Neville and Donald Crosby argue, science almost always excludes value from its account of reality.9 Science is thus partially inadequate to experience and, ironically, less empirical than (good) philosophy in this respect. In this regard, philosophy or theology can also be an appropriate constraint... (shrink)

Since the nineteenth and twentieth century, information has been pivotal both in the cultural tradition and then in the economic tradition. While the Fordism economic model and its specialisation requirements originated a simplistic zoning and single-use development approach to the design of a city. It, however, determined a fragmented growth of cities. Inevitably, the zoning as an urban strategy affected the architectural scale. Nevertheless, the idea of information, commercial goods and thereby people freely able to flow through the city allowed (...) architects and urban designer to conceive new types of urban infrastructures. For example, trains, which were designed on the model of urban “arteries and veins.” Over time, the persistence of urban and architectural segmentation has strengthened social and economic inequalities among urban society. In addition, information has played a more vital role in this strengthening process. The technological achievements of the twenty-first century such as information technologies have significantly affected cities. The new informational patterns have provided new ways of designing, and in turn how societies experience cities. These “quantified cities” consist of digital data that dynamically interacts with “quantified human beings.” Consequently, a renewed urban semiotics is established, which is built around an alternate sociological comprehension. Is this new urban semiotics able to heal an ill and divided urban body? The paper will investigate a new concept of “quantified city” based on the notion of “Hyper-Reality,” and its inhabitants who are entering in a “post-human” condition while living in a dynamic urban environment. In particular, the critical analysis will be used as a “tool” for redefining the perception of the city through inhabitants’ relational patterns which are technologically mediated. The more traditional notion of urbanisation is questioned with a focus on how the an urban society is embedded within the digital condition and the notion of a city. (shrink)

What is the value of interdisciplinary theory? Are there any boundaries left which social theory must recognize? This book argues that the vital questions in theory are being posed and followed at the interdisciplinary level. Our awareness of this is curtailed by the institutional organization of social theory which still tends to assume a canon and clear boundaries. According to Gary Genosko, postmodernism has provided the main challenge to institutional myopia. Yet postmodernism is too often treated as an aberration or (...) a blind alley. The challenge for social theorists today is to develop and practice `undisciplined theories' which constantly question the limits of the canon and expose the porous character of boundaries. The book contains rigorous and original analyses of the writings of Baudrillard, Deleuze, Guattari, McLuhan, Freud and St Augustine. The author uses these materials to point the way to credible forms of undisciplined theory. Three tasks emerge as urgent issues for social theory: the need to think and feel ambivalence; to track the circulation of anomalies in theoretical texts; and to learn from the fascination with interpretative boundlessness. Undisciplined Theory will be of interest to academics of social and cultural theory. (shrink)

Stanley Kubrick is regarded as a filmmaker of complex imagery. Yet the vitality of his more metaphysical works lies in what is unseen. There is an embodiment to Kubrick’s films that maintains a sense of subjectivity, but one which is unapparent and non-visual. This opens another way into Kubrick’s works, that of conditions of audibility, affectivity, and signs. To think of embodiment from such an audible perspective requires one to subvert film spectatorship and instead enter the reality of the (...) film’s immanent, borderless unfolding as itself. This essay applies Gilles Deleuze’s semiotic concepts of cinema, metaphysics, and subjectivity to conditions of audibility and unseeing, a connection Deleuze largely ignored in his writings. These dual concepts of audibility and unseeing break prevailing analytical norms in cinema discourse that affirm limitations via material, visual, textual, and spatial reification: subjective-objective delineations, the body and the gaze, sound as necessarily spatial/material, and the dominance of images in regard to aesthetics, surveillance, and evidence. Instead, this essay moves through Kubrick’s constructions of milieu that are unseen in the midst of an otherwise visual unfolding, and audible in the midst of an otherwise sonic unfolding. To consider Kubrick’s films through their audible embodiment, one must detach the microphone from its adherence to space, the body from its visual gaze. Here, sounds, images, and objects become secondary to hearing and signs in a temporal unfolding, resulting in a cinema that is experiential rather than representational. This opens to an actuality of spirit within the world of the film, offering new opportunities for creativity in the cinematic form. (shrink)