Compared to standard liberal approaches to public reason and justification, the asymmetric convergence model of public justification allows for the public justification of laws and policies based on a convergence of quite different and even publicly inaccessible reasons. The model is asymmetrical in the sense of identifying a broader range of reasons that may function as decisive defeaters of proposed laws and policies. This paper raises several critical questions about the asymmetric convergence model and its central but ambiguous presumption against (...) coercion. By drawing on the theory of structural coercion, a main conclusion of the paper is that the asymmetric convergence model ultimately encounters the very incompleteness problems that its proponents often associate with more familiar consensus models of public justification. The paper also develops an alternative, Rawlsian-inspired account of public justification that includes elements of both convergence and consensus but not asymmetry. The Rawlsian model enables us to understand how democratic decisions may possess a degree of procedural, but still morally significant, liberal legitimacy under conditions of pluralism even when citizens fail to agree fully about either the premises of or conclusions to their political arguments. (shrink)

The concept of reasonableness is essential to John Rawls’s political liberalism, and especially to its main ideas of public reason and liberal legitimacy. Yet the somewhat ambiguous account of reasonableness in Political Liberalism has led to concerns that the Rawlsian distinction between the reasonable and the unreasonable is arbitrary and ultimately indefensible. This paper attempts to advance a more convincing interpretation of reasonableness. I argue that the reasonable applies first to citizens, who then play an important role in determining which (...) comprehensive doctrines and political conceptions of justice are reasonable. In addition, while Rawls fails to specify explicitly the meaning of the reasonable in his standard of political justification (i.e. the liberal principle of legitimacy based on the criterion of reciprocity), I offer an interpretation of what it means for citizens to present reasonable claims and arguments to one another in public reason. (shrink)

A recent essay by Jürgen Habermas revisits political liberalism and takes up the question of the extent to which democratic citizens and officials should rely on their religious convictions in publicly deliberating about and deciding political issues. With his institutional translation proviso, a proposed alternative to Rawls' idea of public reason, Habermas hopes to dodge familiar (and often overstated) criticisms that liberal requirements of citizenship are unfair or disproportionately burdensome to religious believers. I argue that, due in part to its (...) sharp contrast between the obligations attributed to political officials and those attributed to ordinary citizens, Habermas' position is beset by additional, quite considerable difficulties. I conclude that Habermas' account of religion in the public sphere does not present a genuine alternative to the leading liberal theory of citizenship and public reasoning. (shrink)

Some public reason liberals identify coercive law as the subject matter of public justification, while others claim that the justification of coercion plays no role in motivating public justification requirements. Both of these views are mistaken. I argue that the subject matter of public justification is not coercion or coercive law but political decision-making about the basic institutional structure. At the same time, part of what makes a public justification principle necessary in the first place is the inherent coerciveness of (...) a legally organized basic institutional structure. While most public reason liberals seem to presuppose that the meaning of “coercion” is sufficiently obvious so as not to warrant further analysis, my defense of the essay’s main thesis explicitly draws on an account of coercion as a powerful agent’s employment of enforceable constraints to determine the will of another agent. (shrink)

Ryan Muldoon has recently advanced an interesting and original bargaining model of the social contract as an alternative to Rawlsian social contract theory and political liberalism. This model is s...

Is it permissible for a citizen or political official to exercise coercive political power on the basis of a political justification associated with a religiously motivatedconception of justice? In this paper I accept John Rawls’s general approach to this question, but attempt to show how the Rawlsian approach is more inclusive ofreligious reasoning than many have supposed. My paper focuses specifically on the 1986 Catholic bishops’ pastoral letter on the U.S. economy. The bishops’ letter is certainly part of what Rawls (...) calls a “comprehensive doctrine.” But, as I argue in the paper, the letter is also consistent with political liberalism’s core idea of reasonableness, supports a reasonable political conception of justice and satisfies the Rawlsian “proviso” concerning the public-political use of religious argument. From the standpoint of political liberalism, the bishops’ letter may be interpreted as a form of public reason. (shrink)

Public reason liberals disagree about the relationship between public justification and deliberative democracy. My goal is to argue against the recent suggestion that public reason liberals seek a ‘divorce’ from deliberative democracy. Defending this thesis will involve discussing the benefits of deliberation for public justification as well as revisiting public reason’s standard Rawlisan restraint requirement. I criticize Kevin Vallier’s alternative convergence-based principle of restraint and respond to the worry that the standard Rawlsian restraint requirement reduces the likelihood of public justification (...) by limiting the diversity of inputs into the justificatory process. (shrink)

Abstract: Philosophers who have addressed the problems of enduring racial injustice have been suspicious of the role played by ideal theory in ethics and political philosophy generally, and in contemporary liberal political philosophy in particular. The theoretical marginalization of race in the work of Rawls has led some to charge that ideal theory is at the very least unhelpful in understanding one of the most significant forms of contemporary injustice, and is at worst ideological in the pejorative sense. To explore (...) these concerns, I formulate five related criticisms of ideal theory and examine each as it would be applied to Rawls's political philosophy. My thesis is that the strongest criticisms—namely, that ideal theory is essentially ideological and cannot provide adequate grounds for justifying race-conscious, equality-securing measures—ultimately miss the mark. But other criticisms of ideal theory are more plausible, and most plausibly directed to an area of Rawls's thought often ignored in discussions of liberalism and race, namely, his account of citizenship and public reasoning. (shrink)

This valuable resource provides academic and student affairs practitioners with the tools to make informed legal and ethical decisions in their college and university contexts. Law is constantly changing and is interpreted differently from campus to campus based on institutional culture and history. This text provides higher education practitioners with tools to anticipate practical and responsible action, engaging readers in anticipatory and reflective practice. In this text, Boettcher and Salinas introduce the Institutional Intelligence Model, a helpful framework that guides (...) practitioners in examining a wide variety of campus issues. Throughout the book, readers can explore perspectives from current practitioners and utilize case studies to examine specific topics including admissions, academics, student living, confidential resources, and graduate student experiences. By using the strategies in this book, practitioners will be equipped to successfully navigate legal and ethical issues on their campuses. This text is ideal for graduate students, student and academic affairs professionals, and those in leadership positions responsible for working with and supporting students and staff teams. (shrink)

This paper looks at recent efforts within the Cherokee Nation of Oklahoma to expel descendants of the freedmen, persons of African descent held as slaves until their emancipation and subsequent adoption as tribal citizens according to the terms of an 1866 treaty. The unavoidable racial dimensions of this controversy lead me to examine it as an example of the internal minorities problem, i.e., the problem of minorities within minority cultures, familiar from the literature on liberal multiculturalism. I argue that while (...) no single approach to the internal minorities problem is fully adequate for resolving the controversy, the balance of reasons drawn from these approaches shows expulsion of the freedmen descendants to be unjust. Furthermore, in contrast to leading theoretical approaches, a deliberative approach to multiculturalism can best account for the need to encourage critical public dialogue about underlying notions of blood, race and Cherokee identity. (shrink)

In diesem Aufsatz soll versucht werden, die praktische Möglichkeit eines Verfahrens einer "externen" Sicht auf die Probleme der Wissenschaftstheorie zu demonstrieren. Da es sich um ein u. W. bisher unerprobtes Verfahren handelt, könnte es nur durch eine konkret ausgewiesene reductio ad absurdum eliminiert werden. Um jedoch den Anschein eines naiven Instrumentalismus zu vermeiden, seien zwei erläuternde Bemerkungen vorangeschickt. Es ist anzunehmen, daß die drei gesonderten Fachrichtungen bemüht sind, jenseits ihrer Grenzen von einem fachlich nicht spezialisierten Publikum rezipiert oder zumindest begriffen (...) zu werden. Das heißt, jede einzelne wendet sich an den allgemeingebildeten Leser, ohne sich bewußt zu sein, daß die beiden anderen das gleiche Ziel verfolgen. Dies impliziert die Möglichkeit, den unreflektierten Anspruch auf Gemeinverständlichkeit zu hinterfragen. Dementsprechend läßt sich vermuten, daß die wachsende Verschwommenheit des Gegenstandes der Wissenschaftsforschung die Kehrseite der erstrebten Gemeinverständlichkeit ist. Ein äußerliches Merkmal unseres Verfahrens manifestiert sich in der vielfachen Verwendung des der Alltagssprache entlehnten Wortes "Vokabular". Darin äußert sich lediglich ein sprachlicher Kunstgriff, um eine langwierige sprachanalytische Auseinandersetzung zu vermeiden. Worauf es ankommt, ist allein die Feststellung, daß den untersuchten Vokabularen strukturelle Regelmäßigkeiten anhaften, die innerhalb der konventionellen Wissenschaftsforschung nicht erklärt werden könne. Ähnlich ist auch die statistische Darstellungsweise nur ein vorläufiges Hilfsmittel zur Veranschaulichung dieser Beobachtungen: ein Gerüst, das, im Sinne Wittgensteins , nach dem Gebrauch nicht mehr benötigt wird. (shrink)

The question naturally arises: Is public art inherently violent, or is it a provocation to violence? Is violence built into the monument in its very conception? Or is violence simply an accident that befalls some monuments, a matter of the fortunes of history? The historical record suggests that if violence is simply an accident that happens to public art, it is one that is always waiting to happen. The principal media and materials of public art are stone and metal sculpture (...) not so much by choice as by necessity. “A public sculpture,” says Lawrence Alloway, “should be invulnerable or inaccessible. It should have the material strength to resist attack or be easily cleanable, but it also needs a formal structure that is not wrecked by alterations.”12 The violence that surrounds public art is more, however, than simply the ever-present possibility of an accident—the natural disaster or random act of vandalism. Much of the world’s public art—memorials, monuments, triumphal arches, obelisks, columns, and statues—has a rather direct reference to violence in the form of war or conquest. From Ozymandias to Caesar to Napoleon to Hitler, public art has served as a kind of monumentalizing of violence, and never more powerfully than when it presents the conqueror as a man of peace, imposing a Napoleonic code or a pax Romana on the world. Public sculpture that is too frank or explicit about this monumentalizing of violence, whether the Assyrian palace reliefs of the ninth century b.c., or Morris’s bomb sculpture proposal of 1981, is likely to offend the sensibilities of a public committed to the repression of its own complicity in violence.13 The very notion of public art as we receive it is inseparable from what Jürgen Habermas has called “the liberal model of the public sphere,” a dimension distinct from the economic, the private, and the political. This ideal realm provides the space in which disinterested citizens may contemplate a transparent emblem of their own inclusiveness and solidarity, and deliberate on the general good, free of coercion, violence, or private interests.14 12. Lawrence Alloway, “The Public Sculpture Problem,” Studio International 184 : 124.13. See Leo Bersani and Ulysse Dutoit, “The Forms of Violence,” October, no. 8 : 17-29, for an important critique of the “narrativization” of violence in Western art and an examination of the alternative suggested by the Assyrian palace reliefs.14. Habermas first introduced this concept in The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger and Frederick Lawrence . First published in 1962, it has since become the focus of an extensive literature. See also Habermas’s short encyclopedia article, “The Public Sphere,” trans. Sara Lennox and Frank Lennox, New German Critique 1 : 49-55, and the introduction to it by Peter Hohendahl in the same issue, pp. 45-48. I owe much to the guidance of Miriam Hansen and Lauren Berlant on this complex and crucial topic. W. J. T. Mitchell, editor of Critical Inquiry, is Gaylord Donnelly Distinguished Service Professor of English and art at the University of Chicago. His recent book is Iconology: Image, Text, Ideology. (shrink)

For about a hundred years there has been an intermittent but sometimes vigorous debate1 on the question whether Quintus Smyrnaeus and Tryphiodorus directly used the Second Aeneid as a source for their epic descriptions “of the capture and destruction of Troy. Heyne thought that they did not; but towards the end of the nineteenth century it appeared more likely that they did. Heinze opposed the general belief: but it was reaffirmed for Quintus by Paschal and Becker4 and for Tryphiodorus by (...) Dr. E. Cesareo on internal evidence. Meanwhile Professor Samuel E. Bassett had concluded that Quintus was not after all dependent on Vergil: and still more recently Dr. J. W. Mackail, reviewing Cesareo's monograph, has maintained with emphasis that the Aeneid is certainly not the source of the late epic. Accordingly the controversy cannot even now be considered closed. (shrink)

I might as well say at the outset that, although I can return Christensen’s compliment, and call his response “thoughtful,” I am most interested in those places where the fullness of his thought, and particularly of his own language, has paralyzed his thought in compulsively repetitious patterns, and led him into interpretive maneuvers that he would surely be skeptical about in the reading of a literary text. Even more interesting is the way Christensen’s antipathy to the film, and the violence (...) of the language in which eh expresses the antipathy, has prevented him from registering the plainest sensory and perceptual elements of the film text. In a rather straightforward and literal sense, Christensen has neither seen nor heard Do the Right Thing, but has screened a fantasy film of his own projection. To say Christensen has projected a fantasy, however, is not to say that his response is eccentric or merely private. On the contrary, it is a shared and shareable response, a reflex in the public imaginary of American culture at the present time. As such, it deserves patient and detailed examination. W. J. T. Mithcell, editor of Critical Inquiry, is Gaylord Donnelly Distinguished Service Professor of English and art at the University of Chicago. His most recent book is Iconology: Image, Text, Ideology. (shrink)

This may be an especially favorable moment in intellectual history to come to some understanding of notions like “abstraction” and “the abstract,” if only because these terms seem so clearly obsolete, even antiquated, at the present time. The obsolescence of abstraction is exemplified most vividly by its centrality in a period of cultural history that is widely perceived as being just behind us, the period of modernism, ranging roughly from the beginning of the twentieth century to the aftermath of the (...) Second World War.1art is now a familiar feature of our cultural landscape; it has become a monument to an era that is passing from living memory into history. The experiments of cubism and abstract expressionism are no longer “experimental” or shocking: abstraction has not been associated with the artistic avant-garde for at least a quarter of a century, and its central masterpieces are now firmly entrenched in the tradition of Western painting and safely canonized in our greatest museums. That does not mean that there will be no more abstract paintings, or that the tradition is dead; on the contrary, the obsolescence we are contemplating is in a very precise sense the precondition for abstraction’s survival as a tradition that resists any possible assault from an avant-garde. Indeed, the abstract probably has more institutional and cultural power as a rearguard tradition than it ever did as an avant-garde overturning of tradition. For that very reason its self-representations need to be questioned more closely than ever, especially its account of its own nature and history. This seems important, not just to set the record straight about what abstract art was, but to enable critical and artistic experimentation in the present, and a more nuanced account of both pre-and postmodern at, both of which are in danger of being swallowed up by the formulas of abstract formalism. If art and criticism are to continue to play an oppositional and interventionist role in our time, passive acceptance and reproduction of a powerful cultural tradition like abstract art will simply not do. 1. I define modernism and “the age of abstraction” here in familiar art historical terms, as a period extending from Kandinsky and Malevich to Jasper Johns and Morris Louis. There are other views of this matter which would trace modernism back to the emergence of an avant-garde in the 1840s , or to romanticism , or to the eighteenth century . My claim would be that “the abstract” as such only becomes a definitive slogan for modernism with the emergence of abstract painting around 1900. W. J. T. Mitchell, editor of Critical Inquiry, is professor of English and a member of the Committee on Art and Design at the University of Chicago. His most recent book is Iconology: Image, Text, Ideology. (shrink)

This book contains three essays: "The Mask and the Face: The Perception of Physiognomic Likeness in Life and Art" by Gombrich, the renowned art historian and critic; "The Representation of Things and People" by psychologist, Julian Hochberg; and "How Do Pictures Represent" by philosopher, Max Black. The book is based upon lectures delivered in the Johns Hopkins 1970 Thalheimer Lectures, where, taking off from the question "how there can be an underlying identity in the manifold and changing facial expression of (...) a single individual," there is an interdisciplinary attempt at clarifying the problem of representation. Gombrich’s central thesis is that the key to artistic representation is empathy and projection, which is guided by the interlocking display of the permanent and mobile features of the object represented. Perceptual activity and empathy rely more on the muscular imitation than on passive visual reception. He holds that what is singled out as the likeness-factor uniting the permanent and mobile features in, for example, the photograph of the four-year old Lord Russell and such factors in the ninety-year old Russell is the "general tonus, the melody of transition from given ranges of relaxations to forms of tenseness." Hochberg’s essay spells out the position that perception is purposive behavior, wherein the purpose is the information sought and behavior is the "succession of glances in different directions." Holding that perceptual activity is grounded in expectations, he lays aside Gombrich’s muscularity-thesis in favor of a learned expectation of feature characteristics. Black’s essay is a conceptual analysis of "depiction," or more precisely, of "P displays a subject S if and only if R, where R ‘will constitute the necessary and sufficient condition for P displaying S'." The essay, which proceeds in a Wittgensteinian Investigations-type fashion ends where the reader would hope it begin. He concludes that the problem can only be adequately answered by moving from logical investigation to the world of the artisan and art lover. To arrive at this conclusion he debunks six candidates that claim to meet the depiction conditions: causal history, selective information, intention, mimesis, resemblance, and "looking-like." At best, depiction may be considered a "cluster" concept of all six. Further determination, he holds, requires knowledge of the purpose of a particular depiction, and this takes us out of logic and into art; and so Black stops, unfortunately.—W. A. F. (shrink)

A massive series of meticulous clarifications and arguments is marshalled to attempt to refute, first, the doctrine that all relations are "internal", next, the claims that coherence is the sole criterion of the nature of truth, and finally, the theory of degrees of truth and falsity. The author's great familiarity with the literature of the coherence theorists proves almost a drawback: he prefers to cite texts extensively, but must then acknowledge important differences among them. There is little in the way (...) of a constructive alternative theory of truth, but the criticism is formidable.--W. L. M. (shrink)

The essay "Augustine's View of Reality" was originally delivered by Dr. Bourke at St. Louis University as the 1963 Saint Augustine Lecture. To it, he has added here seventy-five pages of bilingual texts from Augustine, in which various metaphysical matters are treated, and four "appendices" in which Dr. Bourke carries out in greater detail the ideas advanced in his lecture. Dr. Bourke intends to explore the specifically metaphysical aspects of Augustine's writings, and in effect compares Augustine's Christian Platonism with Thomistic (...) metaphysics. He discusses Augustine's conception of the relation between being and essence, and his conception of the being of God. In the appendices, Dr. Bourke considers Augustine's approach to the subjects of Participation, Causality, Analogy, and the idipsum of God. While Dr. Bourke acknowledges from the start the extraction of a metaphysical system from the specifically theological writings of St. Augustine cannot do the entirety of those writings justice, it remains doubtful that this comparison of St. Augustine's thought with Thomism on the ground of the latter, is at all a fruitful way of understanding the real religious insights of the bishop of Hippo.—A. W. W. (shrink)

In this study of aesthetics during the eight decades from 1755 to 1833, Will argues that those thinkers who steered away from the dualistic, neo-classical concern with ideal beauty and turned to a monistic, organic approach to the intelligibility of beauty were pushing the Platonic-Plotinian tradition toward clearer thought concerning beauty, and were also laying the groundwork for Hegel's idealism. He concludes that Hegel's systematization of this strand of thought constitutes "an oblique argument in favor of the major tradition of (...) philosophical idealism."--D. W. S. (shrink)

The central themes of the indicated company of ethical theorists are set forth in simple terms. --E. W.

A symposium by twelve English thinkers of various Christian backgrounds. The papers investigate the possibility of incorporating traditional metaphysics and the insights of contemporary continental philosophers into the empirical and analytic tradition. The concept of intuition or immediate apprehension is explored in several of the papers as a possible key to the problem. Though the writers often fail to face up to hard problems, the book offers an important, if cautious, effort at integration.--F. W. N.

A persuasive attack on Ryle's notion that "remember" is an achievement verb, and on Russell's view that all acts of memory might be entirely misleading. Although we can never be sure in any particular case that our memories are veridical, we need not adopt total scepticism. The book suffers from awkwardness of style and unnecessary repetition.--F. W. N.

An interpretation of the Platonic corpus which takes as its guiding theme the paradoxes and ironies built into the Socratic notion of self-knowledge. Ballard develops the theme of the knowledge which is aware of its own limitations by distinguishing between the kinds of unity involved in a self trying to know itself and the unity of the Platonic forms, with a consequent distinction between two kinds of participation. He finds the participation of forms in each other as spelled out in (...) the Sophist to be entirely satisfactory, but material participation, or the relation between sensibles, including the human self, is, in principle, not entirely intelligible. The intrinsic unintelligibility of material participation receives its explanation in the form of myth, particularly the myth of the Timaeus. According to Ballard, the interplay between precise doctrine and myth constitutes the context in which the Socratic quest must be understood. The author offers a suggestive interpretation of the Parmenides as a dialogue which marks out the limits of rational discourse and makes explicit the conception of a functional whole with an ideal unity. It is this kind of unity which is attributable to the self, the arts, the state, and the forms, with significant distinctions in each case. In the course of his analysis, Ballard rejects the view of immortality presented in the Phaedo as part of Plato's final philosophy. Similarly, the notion of the self-predication of the forms is denied. The book should be welcomed by students of Plato as much for its illuminating insights into a central Platonic theme as for its bolder speculations into a comprehensive view of Plato's total philosophic enterprise.—L. W. (shrink)

A compact, lucidly written book by a formal logician dealing with "the application of the laws of logic to various fields". After an introductory section in which the author fixes his terminology and clarifies the specific intent of the book, four "methods" are systematically discussed: the phenomenological, the semiotic, the axiomatic, and the reductive. According to Bochenski, the book is not intended to be philosophical in a primary sense. That is, the author is not himself immediately concerned with the justification (...) of any one of the "methods." This does not mean, however, that the problems intrinsic to each of the "methods" are not pointed out, problems such as the possibility of carrying out a phenomenological reduction in the Husserlian sense, the difficulties in the semantic definition of truth, the significance of the relativity of systems of logic, and the justification of inductive procedures. In each case Bochenski mentions alternative solutions that have been suggested. The book is extremely helpful in spelling out the consequences involved in the choice of a particular problem. It should prove informative to philosophers regardless of their allegiance to any one of the four "methods" discussed by Bochenski.—L. W. (shrink)