In the Tractatus Logico-Philosophicus Wittgenstein appeals to clarity when he characterises the aim, task and results of philosophy. In this essay I suggest that his ‘picture theory’ of language implies that clarity has aesthetic significance in philosophical work. Wittgenstein claims that the task of philosophy is to make thoughts clear. In the ‘picture theory’ of thought and language, a thought expressed in language is a proposition with a sense and a proposition is a picture of (...) reality. The question I pose is: how should we construe clarity, if making a thought clear is making clear a picture of reality? Following a close analysis of the picture theory, paying particular attention to the notions of depicting, presenting and mirroring, I conclude that the result of philosophical work – the clarification of propositions – will be pleasurable, inexpressible and intrinsically valuable. For these reasons I suggest that the attainment of a clear thought is an aesthetic experience. (shrink)

I argue that the current view (as held by, eg., Warnock, Anscombe and Stenius) of Wittgenstein's theory of language in the Tractates is mistaken. This view maintains that Wittgenstein's theory is one of 'isomorphism'; that, roughly, a sentence has meaning in virtue of its being a facsimile of a fact or possible fact. But a detailed study of significant passages in the Tractattis shows that Wittgenstein held no such view. His use of important terms, such as (...) Salz, Bild, Sachverhalt, Tatsache , etc., has been crucially misunderstood. There is no isomorphism. The theory is not about sentences at all, but about talking sense. (shrink)

I rely on Frascolla's interpretation of the Tractatus ontology to develop an account of depiction in which a picture is conceived of as a visual structure constituted by pixels that are conceived of, in their turn, as elementary propositions. Then I argue that such an account is complementary to the considerations about «noticing aspects» in the Philosophical Investigations, to the extent that the visual structure constituted by pixels provides a design allowing the picture’s viewer to notice aspects. Finally (...) I argue that a joint reading of the considerations about pictures in the Tractatus and in the Philosophical Investigations allows us to address some important issues in the contemporary philosophical debate about depiction. (shrink)

In a paper published in this journal, Vol. 5, No. 1, 1962, pp. 46?64, Mr. H. R. G. Schwyzer has argued that ?the current view (as held by, eg., Wamock, Anscombe and Stemus) of Wittgenstein's theory of language in the Tractatus is mistaken?. The editor of the journal has asked me for a reply. My reply concerns only my own book, and it amounts to the statement that Mr. Schwyzer's attack on the book has very little to do (...) with what is said in it. (shrink)

The proposition 'seattle is west of spokane' has three parts: two\nproper names and the predicate 'is west of.' the fact pictured has\ntwo: seattle and spokane. but the picture theory holds that there\nmust be a one-to-one correspondence between fact and proposition.\nhow does wittgenstein solve this problem in the 'tractatus'? on one\ninterpretation the fact contains a third part, a relation, corresponding\nto the predicate (evans and stenius). on another the proposition\nis transformed by analysis into a two-dimensional diagram, the predicate\ndisappearing in the (...) process (copi and anscombe). both are rejected.\ntwo new suggestions are offered: (1) the number of possible configurations\nof 'simple' objects is not greater than the number concatenations\nof names, so no predicate is needed in 'elementary' propositions;\n(2) or the predicate can be taken as the analogue of the direction\narrow on a map and not counted as a part of the proposition. (shrink)

In this paper, I draw attention to the often-overlooked Tractarian distinction between representing and depicting, provide a clear account of it and examine how it affects our understanding of the notions of ‘being a picture’, meaningfulness, truth, and falsity in the Tractatus. I also look at the recent debate in the literature on the notion of truth and show that Glock’s claim that the official theory of the Tractatus is to be accounted in terms of obtainment only and (...) deflationary accounts such as Hacker’s derive from a failure to notice the distinction between representing and depicting or a misconception of depicting. Finally, I argue against the idea that either representing or depicting should be dispensed with. Both are necessary for Wittgenstein to account for every case of a proposition being a picture of reality. (shrink)

The author presents a rejoinder to mister schwyzer, arguing against\nschwyzer's claim that the author's view of wittgenstein's theory\nof language in the 'tractatus' is mistaken. (staff).

I develop one account of propositions as pictures sharing logical form with what they depict. Two concepts of simplicity in the "tractatus" are then isolated. Since characterization of sachverhalten as configurations of referential simples does not entail their inferential simplicity, By rejecting the tractarian theory of inference, I retain the picture theory without commitment to atomistic ontology. Interpretation of inference as performance then gives rise to a second sense of picturing.

Recently, commentators such as Kenny and Hacker have disagreed about whether Wittgenstein's early picture theory of meaning is at all compatible with his later theory of “meaning‐as‐use”. Arguing in favor of their compatibility, Kenny finds that meaning‐as‐use supplements, rather than rivals the earlier conception of meaning.

Some philosophers have argued that Wittgenstein’s hinges, the centrepiece of his book On Certainty, are the “ungrounded ground” on which knowledge rests. It is usually understood by this that hinges provide a foundation for knowledge without being themselves epistemically warranted. In fact, Wittgenstein articulates that hinges lack any truth-value and are neither justified nor unjustified. This inevitably places them wholly outside the categorial framework of JTB epistemology. What I call the “groundlessness interpretation”, inspired by OC 166, understands the fundamental pieces (...) of our cognitive scaffolding this way. The view has been largely successful. I argue that this interpretation is incomplete for two basic reasons: first, it is not based on undisputed evidence; second, by assuming that hinges are committed to reality by epistemic fiat, it looks as if Wittgenstein is asking us to blindly trust them regardless of their actual content. Contrary to this, I argue that Wittgenstein describes hinges as illuminating world-pictures that reflect reality and are answerable to facts in a derivate way. As the book shows, hinges originate in our engagement with reality and, while considered unquestionable, could be challenged, reassessed, and replaced by new ones. This indicates that hinges are both the result of knowledge-acquisition and somewhat continuous with one’s set of beliefs. It follows that hinges are ultimately rational, and so, apt instruments to confront scepticism. (shrink)

Some philosophers have argued that Wittgenstein’s hinges, the centrepiece of his book On Certainty, are the “ungrounded ground” on which knowledge rests. It is usually understood by this that hinges provide a foundation for knowledge without being themselves epistemically warranted. In fact, Wittgenstein articulates that hinges lack any truth-value and are neither justified nor unjustified. This inevitably places them wholly outside the categorial framework of JTB epistemology. What I call the “groundlessness interpretation”, inspired by OC 166, understands the fundamental pieces (...) of our cognitive scaffolding this way. The view has been largely successful. I argue that this interpretation is incomplete for two basic reasons: first, it is not based on undisputed evidence; second, by assuming that hinges are committed to reality by epistemic fiat, it looks as if Wittgenstein is asking us to blindly trust them regardless of their actual content. Contrary to this, I argue that Wittgenstein describes hinges as illuminating world-pictures that reflect reality and are answerable to facts in a derivate way. As the book shows, hinges originate in our engagement with reality and, while considered unquestionable, could be challenged, reassessed, and replaced by new ones. This indicates that hinges are both the result of knowledge-acquisition and somewhat continuous with one’s set of beliefs. It follows that hinges are ultimately rational, and so, apt instruments to confront scepticism. (shrink)

It is suggested that wittgenstein's picture theory of meaning is, In part a synthesis and resolution of the early metaphysics of moore and the theory of judgment held by russell about 1910. Moore's theory of the objective existence of concepts and their propositional role is considered. Russell's unsuccessful attempt at the problem of the false proposition is discussed. The ptm offers a more successful solution, Through the concept of logical form, Akin to the russellian concept (...) of order. But this solution still fails because it does not hold for ordinary language. (shrink)

In his classic work on Wittgenstein’s Tractatus Erik Stenius described Wittgenstein’s study as a critique of pure language, thus pointing to a connection between Wittgenstein’s philosophy and Kant’s critique of pure reason. Besides similarities, there also seems be important differences between the two philosophers. In Kant’s critique, one discerns a subject who does something, namely, constructs the world of experience, while Wittgenstein draws a picture in which neither an agent nor an act is visible. Like Kant and Wittgenstein, contemporary (...) normative theories of assertion are also interested in limits, although in limits set to assertions. They appear to pay special attention to the one who asserts and to the act of asserting. This paper is an effort to search for the traces of normative theories of assertion in Wittgenstein’s Tractatus by focusing on the one who uses language and on the limits of that use. It is shown that both in Wittgenstein and in normative theories of assertion, there is an important ethical dimension, which, however, plays different roles in the two approaches. It is argued that despite the differences in the ways of construing the limits of language, Tractatus and normative theories of assertion share similar ethical concerns. (shrink)

This book is intended to challenge Frege's Begriffsschrift as the foundation of philosophical work which either uses formal methods or is inspired by them s it attempts the synthesis of the antithetical ideas associated with Wittgenstein, the Picture-Theory, and the language-game conceived as the untimate level of explanation.

Wittgenstein's middle period work has been brought into the current debate on rule following and representation by Kripke and the Hintikkas. In my dissertation, I argue that approaches which aim at a consistent reconstruction of Wittgenstein's argument, while valuable in their own right, fail to do justice to his focus on the conflicting intuitions that lie behind philosophical theory building. For this hidden and ambiguous side to his thought is the turning point in his philosophical development. ;One (...) can summarise my findings as follows: In 1929, Wittgenstein recognised that the analysis of colour propositions forced him to give up the Tractarian doctrine that analysis must end in logically independent elementary propositions. From this point, his work branched out in two main directions. On the one hand, he worked on 'philosophical grammar': analyses of the rules we follow in talking about such matters as colour, visual experience, intention, time, memory and the philosophical subject. Here, the picture theory provided the basis for an account of how the mind represents the world. On the other hand, he also thought of language as a 'secondary' system, to be contrasted with direct apprehension of the 'primary' phenomena. This view, which is set out most fully in several chapters of an unpublished typescript , led to a seemingly inexpressible solipsism on which 'all is in flux.' The attempt to reconcile the two conceptions of the pictorial analogy--language as a system of representational conventions and experience as a direct presentation of the phenomena--ultimately led him to see the dangers in that analogy and thus to his later notion of a 'philosophical picture.'. (shrink)

The dissertation analyzes the theory of "logical space" developed by Ludwig Wittgenstein in his Tractatus Logico-Philosophicus, I show how this idea represents a development of arguments first put forward by Hermann von Helmholtz, the physicist and physiologist. Helmholtz--instead of honouring Kant's distinction between on the one hand time and space, and, on the other, empirical qualia --stretched the Kantian spatial manifold to cover the other qualia as well: the qualia are also organized in manifolds; and this new, extended manifold (...) is the "space" of all possible human experience. He explained this a priori mesh as being a consequence of the physiological constitution of our bodies, and the physical constitution of the world in which they are situated. The subject is enclosed in an inner world whose structure is the network of possible sensation; outside of her is a world of unknown complexity; and separating the two is what Heinrich Hertz called the "no-man's-land" of sense-physiology, a border zone regulating all traffic between the two realms, common to both, yet proper to neither. ;Wittgenstein, in his Tractatus, adapted the picture-theories of Helmholtz and Hertz to his analysis of logic. He too was confronted with the problem of defining a field of possible experience, of possible facts: his analysis of Russell's and Frege's logical theories had led him to the conclusion that the fundamental properties of logic could not be accounted for without assuming such an a priori space. Thus he assimilated Russell's types to the dimensions of a manifold, the elements of which were his Sachverhalte, or elementary facts. The truth-functions of our logic are defined on top of this space: it is the basis on which all symbolic systems, including those of the natural sciences, are erected. (shrink)

I shall start by considering the apparently paradoxical doctrines that Wittgenstein put forward about knowledge: they show how the concept of knowledge is, as he says, specialized. This is not, as I shall show, a very important issue in itself, but it leads on to other points, of more interest: how it comes about, for example, that not all corrections of our beliefs are on the same level. I shall then discuss the idea that we inherit a certain picture (...) of the world that forms the background of our experiments and researches. This idea, which is not of course unique to Wittgenstein, is, however, developed with many fresh insights. I end with some discussion of Wittgenstein's reported views on religious belief, which should not, in my opinion, be regarded as part of his contribution to philosophy, the interest of them being, perhaps, more biographical than philosophical. (shrink)

The Picture Theory based on a realist ontology is central to the argument of the Tractatus. Wittgenstein, however, makes idealist claims while discussing the notion of the metaphysical subject. In this paper, I develop an interpretation of this text in which realism and idealism are reconciled. The task is accomplished by focusing on the later remarks of the Tractatus in general and the remarks on death in particular.

"The purpose of this book is to examine and explicate a definition given in Philosophical Investigations. The definition of the meaning of a word is that "the meaning of a word is its use in the language." Hallet understands this as a definition in the strict sense of the word. In Chapter I, the author look to the Tractatus for its treatment of the picture theory of meaning and the Bedeutung/Sinn distinction. The conclusion which he pulls from the (...) early work is that, for Wittgenstein, meaning was already in a proposition by way of the meaning of names. Yet, only in the use or application, i.e. in a proposition with sense is meaning revealed. Although the Tractatus is far from saying that meaning is use, certain guiding themes are elaborated and carried into later works; namely, the search for meaning, the impossibility of meaning outside use, and meaning as revealed by use. Chapter II, III, and especially IV bear the brunt of establishing Hallet's thesis that Wittgenstein presented a significant and sound definition. He begins by showing what Wittgenstein proved meaning not to be: meaning is not images, objects, mental referents, nor feelings. All of these theories have convincing confirmation in certain respects, yet analysis, i.e. observation of the actual working of language, shows each to be too narrow. In making his transition to the true definition, the author shows Wittgenstein elaborating theses that meaning is to be found in the system or context of language. These are elaborated only to be cast aside as were the previous suggestions. The pattern elicited from these examinations is that meaning is use and, hence, defined as such. To explicate the definition, Hallett presents and examines seven characteristics of use: complexity, regularity and utility, abstraction, openness, vagueness, variety, and family resemblances. The book concludes with a consideration of the major objections to Wittgenstein's definition."-The Review of Metaphysics. (shrink)

When in May 1930, the Council of Trinity College, Cambridge, had to decide whether to renew Wittgenstein's research grant, it turned to Bertrand Russell for an assessment of the work Wittgenstein had been doing over the past year. His verdict: "The theories contained in this new work . . . are novel, very original and indubitably important. Whether they are true, I do not know. As a logician who likes simplicity, I should like to think that they are not, (...) but from what I have read of them I am quite sure that he ought to have an opportunity to work them out, since, when completed, they may easily prove to constitute a whole new philosophy." "[ Philosophical Remarks ] contains the seeds of Wittgenstein's later philosophy of mind and of mathematics. Principally, he here discusses the role of indispensable in language, criticizing Russell's The Analysis of Mind . He modifies the Tractatus 's picture theory of meaning by stressing that the connection between the proposition and reality is not found in the picture itself. He analyzes generality in and out of mathematics, and the notions of proof and experiment. He formulates a pain/private-language argument and discusses both behaviorism and the verifiability principle. The work is difficult but important, and it belongs in every philosophy collection."--Robert Hoffman, Philosophy "Any serious student of Wittgenstein's work will want to study his Philosophical Remarks as a transitional book between his two great masterpieces. The Remarks is thus indispensible for anyone who seeks a complete understanding of Wittgenstein's philosophy."--Leonard Linsky, American Philosophical Association. (shrink)

This chapter focuses on picture theory, which is sometimes spoken of as a theory of the proposition. By a proposition, Wittgenstein like Frege means something that determines its sense by means of a correlation between the mode of combination of its constituent symbols and the structure of its sense. It has been an orthodoxy amongst Tractatus interpreters, and continues to be such in the wider philosophical community, that Wittgenstein follows the Russell in offering a correspondence theory (...) of truth. The expression of a Tractarian fact provides that fact's mode of combination, and from here there can be no further question as to the ontological types of its constituents. Tractarian facts, it is however added, are not truth conditions but items whose existence explains the obtaining of truth conditions: a Tractarian atomic fact is not a truth condition but a truthmaker. (shrink)

José L. Zalabardo puts forward a new interpretation of central ideas in Wittgenstein's Tractatus Logico-Philosophicus concerning the structure of reality and our representations of it in thought and language. He presents the picture theory of propositional representation as Wittgenstein's solution to the problems that he had found in Bertrand Russell's theories of judgment. Zalabardo then attributes to Wittgenstein the view that facts and propositions are ultimate indivisible units, not the result of combining their constituents. This is (...) Wittgenstein's solution to the problem of the unity of facts and propositions. Finally, Zalabardo shows that Wittgenstein's views on the analysability of everyday propositions as truth functions of elementary propositions arise from his views on the epistemology of logic: this offers a new perspective on the nature of Tractarian analysis. (shrink)

The purpose of the article is to explain two curious doctrines maintained by frege and rejected by wittgenstein in the 'tractatus logico-philosophicus'. that a special assertion sign is necessary was maintained by frege because he wanted to apply his concept-writing to ordinary language, and it was rejected by wittgenstein because his concern in the 'tractatus' was with scientific assertions only. frege's paradoxical notion that 'the concept horse is not a concept' was a consequence of his symbolizing functions by 'unsaturated' expressions. (...) wittgenstein's picture theory eliminated expressions for relations and thereby avoided the fregean paradox. (shrink)

Traditional accounts hold that reference consists in a relation between the mind and an object; the relation is effected by a mental act and mediated by internal mental contents (internal representations). Contemporary theories as diverse as Fodor’s [Fodor, J.A., 1987. Psychosemantics: The Problem of Meaning in the Philosophy of Mind. MIT Press, Cambridge, MA] language of thought hypothesis, Dretske’s [Dretske, F., 1988. Explaining Behaviour: Reasons in a World of Causes. MIT Press, Cambridge, MA] informational semantics and Millikan’s [Millikan, R.G., 1984. (...) Language, Thought and Other Biological Categories: New Foundations for Realism. MIT Press, Cambridge, MA] teleosemantics share this act– content–object picture (which was also held by several early modern philosophers, in particular Locke). The core of the traditional view is the thesis that reference and intentionality are relational (‘thesis RR’). Although deeply problematic, RR is entrenched also in psychology, linguistics, cognitive science and Artificial Intelligence. Using for the most part arguments employed by Wittgenstein, we mount a case against RR and advance a deflationary account of reference and intentionality according to which neither is relational. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.2 (2003) 281-282 [Access article in PDF] Matthew B. Ostrow. Wittgenstein's Tractatus: A Dialectical Interpretation. New York: Cambridge University Press, 2002. Pp. xi + 175. Paper, $20.00. This contribution to the new readings of the early Wittgenstein presents in detail how one might read the Tractatus as a sustained attack on Frege's and Russell's philosophical and logical conceptions while at the same (...) time presuming Wittgenstein to have always been in some sense a "late Wittgensteinian," that is, already embarked on the therapeutic task of setting down "the way of release" from philosophical confusion and "ensnarement of thought" (1). Taking seriously the passage in the Tractatus (6.54) in which Wittgenstein assesses his "elucidations" as "nonsensical," Ostrow places himself among those readers who infer that straightforward theory-making was not Wittgenstein's aim, but differs from them in his original and challenging account of how the propositions of the Tractatus are nonsense.Wittgenstein, Ostrow contends, employed such (apparent) doctrines as the picture theory, the showing doctrine, the notion of tautology, and so forth dialectically, that is, as self-detonating attempts to expose philosophical nonsense in situ which were not themselves intended to be argued pro or con as philosophical assertions or theories. Wittgenstein's purpose in speaking in the Tractatus in avowedly though not patently nonsensical ways is, the author argues, to encourage us instead to see philosophical nonsensicality as "given in and through" the process of making such philosophical assertions, and in seeing how they "change their character, how they undermine their initial presentation as straightforward truth claims" (12). Thus the "central notions" and propositions in the Tractatus, according to Ostrow, "only have their life in relation to the philosophical temptations that the book aims to eradicate" (43).Such a reading involves the author (and his readers) in a task that is both detailed and delicate. Ostrow's work is detailed because he reads Wittgenstein as engaged in a systematic attempt to expose philosophical theories as nonsense case-by-particular-case, that is, by "working through philosophy from the inside, without making appeal to any kind of fixed criteria of sense and nonsense" (99). It is for this reason that Wittgenstein's articulation of the many structures in the Tractatus is necessary, and Ostrow's work, which he views as largely descriptive, must trace the same path.Ostrow's task is a delicate one because he must explore the themes in Wittgenstein's Tractatus (pictures, significant propositions, logical propositions, etc.) without appearing to contradict his position that the Tractatus offers no general doctrines meant to be taken as they stand. Thus, for instance, when Ostrow argues that for Wittgenstein pictorial form is constituted by a picture's application to reality and not an independent entity, he must remind the reader that he is not attributing to Wittgenstein a doctrine of "constitution of form" offered up as a philosophical alternative. Just as we are not to make pictorial form and its emergence in the Tractatus into a substantive theory in its own right but rather see it as having a role only in Wittgenstein's battle to expose such shibboleths (44), so too for all other parts of the Tractarian structure. Thus Wittgenstein's apparent explanation of the [End Page 281] possibility of depiction in terms of isomorphism is said to aim at showing that as an explanation, "talk of an isomorphism is empty" (39); Wittgenstein's show/say distinction is taken as a foil used to expose the logician's desire to get at essence (42), and so forth. Even the notion of tautology is, according to Ostrow, "as dialectical a move as any other," not one "put forth as a self-standing claim, an attempt to offer an overarching characterization of truth" (105).This book engages in its daunting task very ably and in fluid, confident prose. The author is clearly aware of the various challenges he is likely to meet and suggests ways of doing battle with them. To cite one case, Ostrow examines Wittgenstein's later comments on his... (shrink)

Understanding Wittgenstein's Tractatus provides an accessible and yet novel discussion of all the major themes of the Tractatus. The book starts by setting out the history and structure of the Tractatus. It then investigates the two main dimensions of the early Wittgenstein's thought, corresponding to the division between what language can say by means of its propositions and what language can only show. It goes on to discuss picture theory, logical atomism, extensionality, truth-functions and truth-operations, semantics, (...) metalogic and mathematics, solipsism and value, metaphysics, and finally, Wittgenstein's idea of the duty of maintaining silence. Frascolla also proposes a new interpretation of the ontology of the Tractatus. Based on the identification of objects with qualia, the argument put forward in the book challenges the currently prevalent ideas of the ‘New Wittgenstein'. The paradoxical nature of the Tractatus itself, and the theme of "throwing away the ladder", are thus revisited in a new key. _Understanding Wittgenstein's Tractatus_ is essential reading for anyone wishing to further their insight into one of the most influential works of twentieth-century philosophy. (shrink)

Wittgenstein's philosophy of mathematics has long been notorious. Part of the problem is that it has not been recognized that Wittgenstein, in fact, had two chief post-Tractatus conceptions of mathematics. I have labelled these the calculus conception and the language-game conception. The calculus conception forms a distinct middle period. The goal of my article is to provide a new framework for examining Wittgenstein's philosophies of mathematics and the evolution of his career as a whole. I posit the Hardyian (...) Picture, modelled on the Augustinian Picture, to provide a structure for Wittgenstein's work on the philosophy of mathematics. Wittgenstein's calculus period has not been properly recognized, so I give a detailed account of the tenets of that stage in Wittgenstein's career. Wittgenstein's notorious remarks on contradiction are the test case for my theory of his transition. I show that the bizarreness of those remarks is largely due to the calculus conception, but that Wittgenstein's later language-game account of mathematics keeps the rejection of the Hardyian Picture while correcting the calculus conception's mistakes. (shrink)

This article proposes an interpretation of Wittgenstein’s so-called picture theory of propositions that forgoes the attribution of unsayable truths or theses to the Tractatus. Consequently, the interpretation avoids describing the Tractatus as entangled in a paradox of nonsensical theses. Rather, I argue, the proper expression for Wittgenstein’s logical insights is a logical symbolism into whose structure they are encoded. This also applies to his account of propositions as pictures. Its purpose is to clarify the principles governing a correct (...) logical language that makes perspicuous how symbols symbolize, and is expressive of what Wittgenstein calls ‘the correct logical conception’. (shrink)

The idea that the function of language is its use is commonly ascribed to the Later Wittgenstein. In this paper, I argue that there is textual evidence already coming from the early manuscripts proving that Wittgenstein's philosophical development is culminating in the idea of function as use around 1929–30. I interpret a passage from Ms‐107 in order to show that Wittgenstein's practical turn has sources in different stages of his philosophical development, each of which is dominated by different (...) ideas: the idea of a picture theory; the idea of a phenomenological language and the idea of function as use. (shrink)

This article undertakes a comparison between Wittgenstein's philosophy of the early and late periods with the musical theories of Wittgenstein's contemporary, Heinrich Schenker, an influential Viennese theorist of tonality, as well as those of their contemporary Arnold Schoenberg. Schenker's reductive analytical procedure was designed to unveil fundamental and uniform ways in which all works of music function, unfolding a deep structure constituting their essence. Schoenberg deplored this line of thought, and for reasons strikingly parallel to those that led (...) Wittgenstein back to what he called the ‘rough ground’ in his Philosophical Investigations. Ultimately, for Wittgenstein, the abstracted picture of the musical work as a platonic entity is nourished by grammatical conflations as well as by the Platonic and Cartesian legacies. (shrink)

The book is published in the International Library of Philosophy and Scientific Method. It proceeds under the assumption that the Tractatus and the later works of Wittgenstein are mutually illuminating. The general program is to present the Tractarian picture theory, to explain why it was abandoned and a new theory of language adopted, and to explicate the new theory of use. Conceptually the book is arranged around the problem of intentionality. Bogen believes that Wittgenstein’s chief concern (...) was with the problem of false belief. (shrink)

This is an indispensable volume for the study of Wittgenstein's philosophy and is also, in a certain manner, an introduction to many of the problems which have beset Anglo-American philosophy as a whole since the first appearance of the Tractatus. The thirty articles, reviews, and notes are arranged chronologically—with the exception of Ryle's quasi-expository article which begins the volume—and run from Ramsey's 1923 review to David Keyt's 1964 article, "Wittgenstein's Picture Theory of Language." All the articles (...) are complete with the exception of a review of Stenius' book by Shwayder. A comprehensive bibliography of items relating to the Tractatus is included as is an index of references to the propositions of the Tractatus. Credits for the Zemach and second Keyt articles were omitted from the proper place, evidently by mistake; they are given in the bibliography. Wittgenstein's own "Some Remarks on Logical Form" is included—with a proxy disclaimer as to its relevance by Wittgenstein through Anscombe. Also included is a satirical "Epistle" written by Julian Bell in 1932. The book as a whole is a model example of what a critical anthology should be.—E. A. R. (shrink)

A milestone in Wittgenstein scholarship, this collection of essays ranges over a wide area of the philosopher's thought, presenting divergent interpretations of his fundamental ideas. Different chapters raise many of the central controversies that surround current understanding of the Tractatus, providing an interplay that will be particularly useful to students. Taken together, the essays present a broader and more comprehensive view of Wittgenstein's intellectual interests and his impact on philosophy than may be found elsewhere.The thirteen chapters treat topics from (...) both periods of Wittgenstein's work: More than half are devoted to his early thought, the Tractatus Logico-Philosophicus of 1921, reflecting a growing interest today among philosophers in reexamining this seminal book, while three chapters treat the Philosophical Investigations, published posthumously in 1953. The remaining chapters discuss such "nonstandard" topics as philosophy of religion, aesthetics, and anthropology.Contents: The Early Wittgenstein and the Middle Russell, Kenneth Blackwell; Frege and Wittgenstein, Michael Dummett; Wittgenstein and the Theory of Types, Hide Ishiguro; The So-called Realism of Wittgenstein's Tractatus, Brian McGuinness; The Logical Independence of Elementary Propositions, David Pears; The Rise and Fall of the Picture Theory, Peter Hacker; The Picture Theory and Wittgenstein's Later Attitude to It, Erik Stenius; Wittgenstein's Early Philosophy of Mind, Anthony Kenny; A Theory of Language?, G. E. M. Anscombe; Im Anfang war die Tat, Peter Winch; Wittgenstein's Full Stop, D. Z. Phillips; Quote: Judgments from Our Brain, Paul Ziff; Wittgenstein and the Fire Festivals, Frank Cioffi, Index.Irving Block is Associate Professor in the Philosophy Department at The University of Western Ontario. (shrink)

Wittgenstein in his early work viz. Tractatus argued that there is a common, essential, underlying structure that links logic, language and the world. He also argued about the need for an analysis of ordinary language in terms of a perspicuous symbolism that would display a one to one relationship between a proposition and a fact – when both of them are broken down to their simplest components – viz. to atomic propositions and atomic states of affairs. All propositions are ultimately (...) truth-functional combinations of atomic propositions – thus all language is resolvable to a unique constant. So for early Wittgenstein, though there is an apparent complexity and diversity of propositions still there lies a uniform, essential structure of truthfunctional propositions and that can be reduced to a single constant. And language to have a determinate sense must be ultimately based on objects – the absolutely simple logical atoms of the world. These objects imbibe their range of combination with other objects, which implies that any genuine propositions – however unusual and unconventional it may seem to be – must ultimately be constrained by the permissible range of combination of the objects. In this way early Wittgenstein sought to secure an essential metaphysics via an essential structure of language. However in Philosophical Investigations Wittgenstein attacked essentialism by rejecting the picture theory, and the search for commonality and uniformity. He denied essence, the universal, the common element present in all the objects of a class and accepted only an indeterminate and incomplete flow of the criss-crossing, the overlapping features. For him language is constituted by an ever expanding flow of uses, which he called language-games. The significance of the term ‘language-game’ lies in the fact that like games language too is not based on any ontology that would confer a common essence across all the widely divergent uses. Nor did Wittgenstein accept any hidden essence behind appearance. In PI the later Wittgenstein denied both analysis and essence and propagated description of usage and behaviours as the only method of philosophy. Later Wittgenstein will neither commit himself to ontological necessity, nor to necessity being a matter of scheme-relative propositions in the Quinean sense. For later Wittgenstein all attempts to establish essences, or the contrary exercises to relativise them to a particular set of presumptions, are themselves language-games – they boil down to usage and practices that do not rest on any foundation. (shrink)

The thesis of my article, ?Wittgenstein and the Naming Relation? (Inquiry, Vol. 7 [1964], No. 4), was that Wittgenstein solved some early problems with a picture theory of language. The solution assumed that the units of language are words which are names of simple objects. Its undesirable consequences are exposed in my ?Wittgenstein's Notebooks 1914?1916? (Inquiry, Vol. 12 [1969], No. 3). Because of these consequences Wittgenstein was led to analyze the idea of a name. This analysis, together (...) with a new philosophic method, was developed in The Blue and Brown Books and the Investigations. The present article concerns this development and supports a theme of the first article that there was a central tendency in all Wittgenstein's work: radical empiricism. (shrink)

The thesis of my article, 'Wittgenstein and the Naming Relation' ( Inquiry, Vol. 7 [1964], No. 4), was that Wittgenstein solved some early problems with a picture theory of language. The solution assumed that the units of language are words which are names of simple objects. Its undesirable consequences are exposed in my 'Wittgenstein's Notebooks 1914-1916' ( Inquiry, Vol. 12 [1969], No. 3). Because of these consequences Wittgenstein was led to analyze the idea of a name. This (...) analysis, together with a new philosophic method, was developed in The Blue and Brown Books and the Investigations. The present article concerns this development and supports a theme of the first article that there was a central tendency in all Wittgenstein's work: radical empiricism. (shrink)

The thesis of the author's article, ?Wittgenstein and the Naming Relation? (Inquiry, Vol. 7 (1964), No. 4), was that Wittgenstein solved some early problems he faced by developing a picture theory of language. This solution assumed that the units of language are words which are names of simple objects. The present article traces the development of this solution through the Notebooks, 1914?1916. This serves to substantiate another thesis of the earlier article, that Wittgenstein's work from the Tractatus (...) to The Remarks on the Foundations of Mathematics was all of one piece and that there is a continuous line of development from the earliest work through all of the Wittgensteinian material which has been published. (shrink)

Wittgenstein’s first account of meaning was that sentences are pictures: the meaning of a sentence is a state of affairs it portrays. States of affairs are arrangements of some basic entities, the Objects. Sentences consist of names of Objects; an arrangement of such names, i.e., a sentence, shows how the named Objects are arranged. A sentence says that the state of affairs it thus pictures exists, hence it is true or false. That theory of meaning as picturing is based (...) on a primitive relation of naming, but what it is for an item to name another the Tractatus does not say. (shrink)

Wittgenstein’s Picture Theory of language holds that one fact can represent another, and that propositions are pictures of states of affairs. What makes a fact into a picture of a given s tate of affairs are the correlations between picture elements and objects and the correlations between relations among picture elements and relations among objects. But a problem sometimes raised is that propositions can’t be pictures, as pictures—unlike propositions—do not say anything. An interpretation (e.g. Anscombe’s) (...) holds that the above‐mentioned correlations do make the picture into a proposition. But this neither handles the objection, nor is it Wittgenstein’s view. Further, Wittgenstein’s own account faces serious difficulties in addressing these issues, and the Anscombe‐type interpretation obscures this fact. (shrink)

The German physicist Heinrich Hertz played a decisive role for Wittgenstein's use of a unique philosophical method. Wittgenstein applied this method successfully to critical problems in logic and mathematics throughout his life. Logical paradoxes and foundational problems including those of mathematics were seen as pseudo-problems requiring clarity instead of solution. In effect, Wittgenstein's controversial response to David Hilbert and Kurt Gödel was deeply influenced by Hertz and can only be fully understood when seen in this context. To comprehend (...) the arguments against the metamathematical programme, and to appreciate how profoundly the philosophical method employed actually shaped the content of Wittgenstein's philosophy, it is necessary to make an intellectual biographical reconstruction of their philosophical framework, tracing the Hertzian elements in the early as well as in the later writings. In order to write Wittgenstein's biography, we have to take seriously the coherence of his thought throughout his life, and not let convenient philosophical ideologies be our guidance in drawing up a “Wittgensteinian philosophy”. To do so, we have to take a second look upon what he actually wrote, not only in the already published material, but in the entire Nachlass. Clearly, this is not easily done, but it is a necessary task in the historical reconstruction of Wittgenstein's life and work. (shrink)

In his later philosophy, Wittgenstein unlike Russell offers no theories, because he believes that philosophical theories are never explanatory. They try to imitate scientific theories, but they lack the empirical basis that gives science its explanatory power. Two examples of his deconstructive work are discussed. One is his critique of the theory that the direct objects of perception are always sense-data, describable in a radically private language. Austin too criticized the theory of sense-data, but Wittgenstein's critique, unlike (...) Austin's, included an attempt to show what had made it so attractive to its supporters: it presented a picture of the human predicament that appealed to their imaginations. The second example is his critique of the theory of the pure ego, which tended to collapse into solipsism. This critique was developed in his first book, Tractatus Logico-Philosophicus , and his later deconstructive work was modelled on it. (shrink)