Past research suggests that young women perceive their same-sex friends as both facilitating the pursuit of desirable mates and competing for access to desirable mates. We propose that similar levels of physical attractiveness between young adult female friends might be one explanation for the opposing forces in their friendships. Forty-six female friendship pairs completed questionnaires about themselves, their friend, and their friendship; in addition, each woman’s picture was rated by a set of nine naive judges. Friends were similar in (...) both self-rated and other-rated level of attractiveness. Within-pair analyses revealed that women agreed on which friend was more attractive, and the less attractive members of each friendship pair (by pair consensus as well as outside judges’ ratings) perceived more mating rivalry in their friendship than did the more attractive members of each friendship pair. We offer directions for research on women’s friendships over the lifespan. (shrink)

Abstract:This article analyzes contrasting descriptions and prescriptions for women’s friendships in six recent books in comparison with earlier Second Wave idealizations. “A History” of “the Social Sex,” “Tales of Sisterhoods and Fierce Friendships,” and “In Solidarity: Friendship, Family, and Activism Beyond Gay and Straight” provide optimistic, progressive pictures in comparison with skepticism about “Postfeminist Sisterhood,” while a memoir chronicles a “Yearlong Search for a New Best Friend” and a self-help book tells us how to choose, lose, and (...) keep up with friends. (shrink)

Rousseau's Julie, ou La Nouvelle Héloise is two novels in one: a story of wifely virtue and a counterstory of women's friendship. Whereas the virtue story exemplifies what feminist readers since Mary WoRstonecraft have considered to be the most oppressive of Rousseau's prescriptions for women, the friendship counterstory questions the ethical foundations and social manifestations of the model of patriarchal authority that Rousseau ordinarily defends. In this essay, I read the novel with an eye for both stories and the tension (...) between them. (shrink)

본 논문은 전지구화 시대 유목적 삶을 살아가는 제3세계 여성들의역량강화를 살펴본다. 제3세계 여성들이 새로운 장소에서 생존하고 좋은 삶을살아가기 위해 필요한 세 가지 주제들, 즉 권력, 주체 그리고 공동체를 젠더라는 분석틀을 가지고 논의한다. 푸코의 권력 분석 이후에 권력에 대한 새로운 패러다임이 학계의 주목을 받고 있다. 그러나 나는 여성의 역량강화를 위해서 푸코 이전의 권력 분석이 여전히 유효한 것임을 주장한다. 자원의 통제 능력, 의제의 장악 등은 젠더화되어 있고 인종 차별적인 사회에서 여전히 중요하다고 생각한다. 권력의 균등을 위해서도 제3세계 여성 주체 개념이 요구되는데, 육체페미니즘으로 돌아 선 (...) 포스트구조주의적 여성주의의 한계를 지적하면서 상호 연결과 관계 속에서 요청되는 권리와 자율성의 의미를 주목한다. 그렇지만 나는더 나아가 주체는 공동체와 불가분적인 것임을 주장하는데, 그 이유는 주체는공동체 속에서 자신의 삶의 의미와 지표를 발견하고 스스로 만들어 나가는 존재이기 때문이다. 공동체는 어떤 의미에서는 정형화된 것이 아닌 주체들이 어떻게만들어 나가는 것이냐에 따라 그 정체성이 형성될 수 있음을 주목한다. 마지막으로 나는 모한티의 상호성, 신뢰성, 공통의 이해관계를 기반으로 하는 연대를차용하면서, 다양하고 다층적인 위치에 있는 제3세계 여성들의 연대의 가능성을위해 우정의 덕이 필요함을 강조한다. (shrink)

Cultural critics of the “feminization of love” have argued that heterosexual love has been feminized by a stress on emotional expressivity that masks “masculine” love, with its greater emphasis on instrumental behaviors. Using survey data, this article examines the extent to which the feminization-of-love hypothesis can be extended to same-sex friendships. Data analyses revealed that women's friendships were more expressive than men's only when a narrow, positive definition of expressivity was employed; men's friendships were found to be (...) more aggressive, but no more instrumental, than those of women. These and other findings support the conclusion that women's friendships are more similar to the cultural images of heroic friendship and sisterhood than to the narrower image of feminized love. (shrink)

In recent years feminists have begun arguing for various political conceptions of ‘care’. I have argued, by contrast, for the intimate connection between the women’s movement of the last half century, and the growing realization of the necessity of civic friendship as a condition for genuine justice. I only repeat the outlines of my argument here, for my goal is to look at various institutions which might help realize not merely ‘public care’ – contemporary theories of which I argue (...) need a far more careful normative account – but a civic friendship between all citizens. Indeed, I argue that the ideal of civic friendship provides that normative account of political care lacking in contemporary theories. (shrink)

This paper examines Kant's accounts of friendship and marriage, and argues for what can be called an ideal of “moral marriage” based on Kant's notion of moral friendship. After explaining why Kant values friendship so highly, it gives an account of the ways in which marriage falls far short, according to Kant, of what friendship has to offer. The paper then argues that many of Kant's reasons for finding marriage morally impoverished compared with friendship are wrong‐headed. The paper further argues (...) that a few of Kant's views about friendship are false. The main point is that, when we slightly revise Kant's account of friendship and jettison Kant's misguided notions about marriage, we see that marriages can aspire to much of the same moral richness as friendships. Finally, the paper argues that this friendship model of marriage does not obscure the important ways in which marriages and friendships differ. (shrink)

This article explores the ways in which friendships between women may promote gender transformation. The study is based on 25 in-depth interviews with young women in Geneva disposed to gender transformation but not necessarily considering themselves to be ‘feminist’. The findings, based on a dispositional and contextual analysis, show that female friendships provide women with a place where they find respite from men, become aware of gender relations, take action to further their emancipation and receive support for changes (...) made. Furthermore, this research shows the way in which women are shaped by their friendships, but also how they shape them actively to model their emerging critical dispositions. It therefore indicates how women are active in modelling their dispositions within the dynamics of gender relations and other social forces. (shrink)

Narrative desire, according to philosopher Adriana Cavarero, is the desire for one’s own history. What can semiotics of literature say about friendship as a dialogic phenomenon and the narrative desire for personal-historical knowledge in friendship, and how is this kind of knowledge semiotically different from knowledge achieved by science and scholarship? As an interpersonal relation, friendship is discussed here from the perspective of semiotics and precarious knowledge, i.e., as a historically contingent relation that can be semiotically modelled (represented by mappings (...) that are to some degree cognitively adequate and emotionally convincing) both within fiction literature and academic disciplines such as philosophy, anthropology, sociology, psychology and history. Friendship as a complex phenomenon has recently received increased attention from many distinct theoretical perspectives and disciplines. There are forms of “hidden interdisciplinarity” in friendship studies, as well as mono- and multidisciplinary approaches. A good case in point is recent discussions on how well a novel can model friendship. The opposite claims of philosopher Alexander Nehamas and literary critic Gregory Jusdanis on the adequacy of the novel for describing friendship will be discussed. By considering ‘The Neapolitan Novels’ by Elena Ferrante, depicting a close, difficult, life-long friendship between two women and its concerns with precarious dialogues and knowledge (like what the two very different persons really know about each other), as well as recent scholarship on Ferrante’s work, I show how her novels are not just inspired by, but also indirectly a critical comment upon the work on narrative friendship by Cavarero. Friends differ, and some of their differences constitute a challenge for universal models of friendship and narrative desire. Furthermore, Ferrante’s novels add a challenging complexity to a central insight analysed by Santaella as Peirce’s dialogism – that the action of signs is not merely individual but social, and that this applies as well to the person, whose thoughts are what she is “saying to that other self that is just coming into life in the flow of time” (CP 5.421; Santaella 2004: 132). The novels can be seen as modelling the very genesis of that dialogic self in the precarious process of finding a balance between dependency and autonomy between the friends. (shrink)

According to some scholars, Mary Astell’s feminist programme is severely limited by its focus on self-improvement rather than wider social change. In response, I highlight the role of ‘virtuous friendship’ in Astell’s 1694 work, A Serious Proposal to the Ladies. Building on classical ideals and traditional Christian principles, Astell promotes the morally transformative power of virtuous friendship among women. By examining the significance of such friendship to Astell’s feminism, we can see that she did in fact aim to bring about (...) reformation of society and not just the individual. (shrink)

This article seeks to re-read and reassess the significance of the famous novel Kokoro by Natsume Sôseki (1867-1916), one of the main figures of Japanese modern literature. The novel is about two consecutive stories of friendship. A young student establishes friendship with an older man, the Master, who himself experienced a very strong friendship with a young man from the same village in his youth, until a love affair tragically separated them. We consider the ambiguous links, contrasts, and parallels between (...) the different bonds in the novel, issues of generation gaps, relationships with the family, philosophical loneliness, and the belittling of women in the portrayal of friendship in the novel. (shrink)

This was to have been a confutation. My intention was to rebut and for the record’s sake to correct certain fashionable errors concerning the life of Virginia Woolf. What could be more proper, and what, it has to be said, more tedious? If the defence of truth had remained my only objet, I should have left these words unwritten, or at least should have addressed them to a very small audience. But the pursuit of truth sent me back to my (...) sources, and there I found a story, in many ways sad, but also funny and certainly instructive. It seemed worth extracting this record of a friendship from the great mass of evidence in which it is embedded. I hope that the reader will agree with me in finding it interesting in itself but, just as Prince’s Hal’s “plain tale” is made livelier by being contrasted with Falstaff’s “eleven buckram men,” so too the simple facts are made more striking by the intentions of Virginia’s recent interpreters. Let me therefore begin with a quotation from one of them.Volume I [of Virginia Woolf’s Letters] has a rarely preserved portrait of a female artist in the making, love and work intensely intertwined in her relations with women who encouraged her to write, read, and think, and gave her the nourishment of womanly love and literary criticism, which she was to seek and find in female friendship all her life. Bloomsbury fades into insignificance as an “influence” next to the radiance of Woolf’s relationships with Margaret Llewelyn Davies, head of the Cooperative Working Women’s Guild, Janet Case, her Greek teacher, violet Dickinson, Madge Vaughan, and her aunt Caroline Stephen, the Quaker whom she called “Nun.”1These words were written by Professor Jane Marcus, a person of great charm and ability, whose opinions are, I understand, accepted by a multitude of admirers. In those articles by her which I have read, she hardly disguises her contempt for me as a biographer. But, painful though it is to have incurred the disdain of so influential a personage, it much be allowed that, if the influence of Virginia Woolf’s husband, her sister, and her closest friends “fades into insignificance” when compared with that of Miss Caroline Stephen and Mrs. W. W. Vaughan, then indeed I have gone sadly astray. Quentin Bell is the author of, among other works, Virginia Woolf: A Biography, Bloomsbury, Ruskin, and On Human Finery. His previous contributions to Critical Inquiry include “Art and the Elite” and “Bloomsbury and ‘the Vulgar Passions’ ”. (shrink)

This review essay on Janice Raymond's A Passion for Friends, sympathetic to the author's inquiry into the institutional contexts of female friendship, criticizes as unnecessary its rejection of feminist separatism and of the “lesbian continuum” and formulates a possible connection of its account of sources of passionate friendship among women to the new research on women and violence.

This book proposes a novel interpretation of Nietzsche’s thinking about friendship, a topic that remains understudied. Verkerk’s project takes its point of departure from questions about the nature of friendship and its relation to other themes in Nietzsche. Primary among these are the intellectual conscience, the ubiquity of the agon, the project of “becoming who you are,” the relation between ego and self, the free spirit, the critique of pity, the multiplicity and knowability of the drives, the will to power, (...) and relations between men and women.How successful is Verkerk’s elucidation of Nietzsche’s thinking about friendship? At one level, the book does admirably what it sets out to do. It... (shrink)

Mary Astell’s theory of friendship has been interpreted either as a version of Aristotelian virtue friendship, or as aligned with a Christian and Platonist tradition. In this paper, I argue that Astell’s theory of friendship is determinedly anti-Aristotelian; it is a theory of spiritual friendship offered as an alternative to Aristotelian virtue friendship. By grounding her conception of friendship in a Christian–Platonist metaphysics, I show that Astell rejects the Aristotelian criteria of reciprocity and partiality as essential features of the friendship (...) bond and that she develops a theory of friendship that is neither reciprocal nor partial. Further, I argue that Astell’s theory of friendship advances her feminist aims by providing a justification for female–female spiritual bonds in contradistinction to female–male marriage bonds. Astell argues that the female–female bond of spiritual friendship is sanctioned by God, and is, therefore, a divinely authorized alternative to the male–female bond of marriage. Through her theory of spiritual friendship, Astell marks out a central place for female–female bonds and provides women with a justification for resisting marriage. (shrink)

This paper will show that Mary Wollstonecraft developed a modern feminist version of virtue ethics. Virtue ethics is an all-encompassing moral theory which holds that the best life for individuals is commensurate with a good society. Simply, self-interest and our public duties are argued as identical and not at odds when we realize what is truly good for ourselves and for others. In the Western philosophic cannon, the most common version of virtue ethics is Aristotle’s, with the Nicomachean Ethics as (...) the definitive presentation. Wollstonecraft’s argument for the political, social, economic, and personal equality of women utilizes ideas that are reminiscent of classical virtue ethics. Her novel and effective addition is to show that the explicit inclusion of women requires a reconsideration of the duties needed for happy lives to be led and for a good society, and good families, to exist. (shrink)

The author critiques two widely-used works in Women's Studies for their hetero-relational content and the ways in which they minimize the necessity for affinities between women. Dinnerstein and Chodorow give us in theory what movies such as Kramer vs. Kramer depict in the film. It is not co-parenting and the inclusion of the male in an equal parenting role that will remedy present "sexual arrangements," without first giving attention to women's relations with each other.

Women thinking and writing about friendship in the early modern period were indebted to traditional interest in this topic dating back to Plato and Aristotle. This tradition was deeply misogynistic: real friendship was often claimed to be beyond the grasp of women. However, some women philosophers—most notably Marie le Jars de Gournay, Mary Astell, and Gabrielle Suchon—wrote about friendship in ways that both emerge from the history of Western philosophy and yet resist this inegalitarian framework. This chapter explores the views (...) of these three philosophers: for each, real friendship represents a means to obtain a different kind of meaningful freedom. For Gournay, friendship is a means to epistemic freedom and epistemic justice; for Astell, friendship is a means to moral freedom and relational autonomy, and for Suchon, friendship provides support that facilitates political freedom—freedom from institutional commitments or constraints. (shrink)

L’objet de cet article est de se demander comment les assistantes sociales de l’entre-deux-guerres envisagent les enjeux de la relation de care qui les lie aux usagers des services sociaux. Les assistantes ont en effet un rôle double : prendre soin des familles populaires mais aussi les surveiller et les contrôler. Comment concilient-elles ces impératifs paradoxaux en cherchant la « bonne distance » avec leur public? Pour répondre à cette question, nous nous tournons vers les archives de la formation professionnelle. (...) En effet, les écoles de service social contribuent à définir les attentes de la relation de care et à établir le cadre dans lequel prennent place ces interactions. Nous nous penchons dans un premier temps sur le discours de la vocation chez les postulantes au métier d’assistante, puis sur la manière dont la formation professionnelle régule ces aspirations. Nous concluons sur la force de la notion de care, qui permet de penser l’imbrication entre rapports de domination et bienveillance envers autrui. (shrink)

At times in the works of the middle period, Friedrich Nietzsche accepts that higher friendship is possible between men and women, and holds love and marriage in high esteem. Sometimes, he even models marriage on friendship. While he does say some damning things about love and marriage, this chapter tries to balance his critical comments against his more positive ones to allow for a clearer, albeit more complex, appreciation of his stance to be achieved. This analysis also requires some reconsideration (...) of the commonplace view that Nietzschean free spirits abjure marriage and family life. (shrink)

For ten years, between 1903 and 1913, Gertrude Stein saw human relationships as painful mathematical puzzles in need of solutions. Again and again, she converted the predicaments of her personal life into literary material, the better to solve and to exorcise them. The revelation that relationships had a structural quality came to her during the composition of Q.E.D. , when she grasped the almost mathematical nature of her characters' emotional impasse. Stein's persona in the novel comments on their triangular affair, (...) "Why it's like a piece of mathematics. Suddenly it does itself and you begin to see."1 The theory encouraged her to examine such situations as if they were case histories: she continued to study the same piece of mathematics from different angles in Fernhurst , Three Lives , and The Making of Americans . But whatever the sexual arrangements in these triangles, the powerful generally managed to impose their wills upon the less powerful, and the triangles resolved themselves into oppositional structures, pitting two against one. Gradually, when the couple began to replace the triangle as her structural model, Stein composed numerous verbal portraits of couples and their relationships. In two of these, "Ada" and "Two Women," Stein applied her general theory of relationships to the particular puzzle of female friendships because, I think, she felt that women's characters were most intensely molded in same-sex involvements. Although she attempted to "prove" these theories in distanced, deliberately depersonalized prose, we as readers must examine "the complex interplay of self-discovery and writing" from which her portraits emerged.2Stein's portraits of women entangled in familial and erotic bonds seem to invite us into "the process whereby the self creates itself in the experience of creating art"; to read them, we must "join the narrator in reconstructing the other woman by whom we know ourselves."3 This task of reconstruction implies that we must also rethink the place of biography—generally dismissed by New Criticism and its subsequent post-structuralist permutations as "mere" biography—in feminist critical projects. If it is true that "in reading as in writing, it is ourselves that we remake," then feminist critics have a special stake in understanding the biographical, and autobiographical, impulses at work in these activities.4 Stein's portraits, which hover between fiction and biography, raise important questions about the ways in which biographical information can justify our suspicion that female writers may be "closer to their fictional creations than male writers are."5 Recently, feminist critics have adapted psychoanalytic theory to examine the particular closeness of female characters in women's writing or to suggest a related closeness between the female author and her characters. We find it useful to speak of the pre-Oedipal structures and permeable ego boundaries that seem to shape women's relationships. Although Stein used very different psychological paradigms, she approached these same issues in her own studies of female friendships. Realizing that she preferred to write about women, she observed, "It is clearer…I know it better, a little, not very much better."6 In spite of her qualifications, she knew that she could see the structuring principles of relationships with greater clarity when writing from her own perspective.1. Stein, "Fernhurst," "Q.E.D.," and Other Early Writings, ed. Leon Katz , p. 67.2. Elizabeth Abel, "Reply to Gardiner," Signs 6 : 444. For a very useful critical discussion of this complex issue, see Abel, "Merging Identities: The Dynamics of Female Friendship in Contemporary Fiction by Women," and Judith Kegan Gardiner, "The es of dentity: a Response to Abel on 'Merging Identities,'" in the same issue of Signs .3. Gardiner, "The es of dentity," p. 442.4. Jonathan Morse, "Memory, Desire, and the Need for Biography: The Case of Emily Dickinson," The Georgia Review 35 : 271. See also J. Gerald Kennedy's suggestive remarks on the "tension between personal confession and implacable theory" in Barthes' later work .5. Abel, "Reply to Gardiner," p. 444.6. Stein, The Making of Americans, cited in Richard Bridgeman, Gertrude Stein in Pieces , p. 78.Carolyn Burke, an Affiliated Scholar at the Center for Research on Women, Stanford University, has published articles on French feminist writing and on Mina Loy, whose biography she is now completing. The theoretical implications of this essay will be explored in her related study in progress on feminist biography. (shrink)

The work of Michèle Le Dœuff creatively disrupts established notions of what philosophy might be. Far from being a discipline about the leader and the disciple, a hierarchy of knowledge and paternalism, Le Dœuff proposes a philosophy of dialogue and friendship. The conversations in this book explore how this philosophy can be enacted and explored, and show how openness and generosity can be the starting point of truly rigorous thinking. Introduced and curated by the late philosopher, Pamela Sue Anderson, In (...) Dialogue with Michèle Le Dœuff explores themes like contemporary feminism, joy in philosophy, memory, the significance of friendship to thinking and a key Le Dœuffian concept, the imaginary. Le Dœuff's interlocutors, including Penelope Deutscher, Elizabeth Fallaize and Meenda Dhanda, are some of the most significant thinkers in the fields of feminism and continental thought and provide insights and ways into considering philosophy as a profoundly dialogical exercise. (shrink)

This interview was conducted with one of the closest friends of the visual artist Ray Johnson, the late photographer and writer William S. Wilson. Johnson was a fixture of the New York downtown art scene in the late 1940, 1950s, and 1960s. He was influenced by Abstract Expressionists and Pop artists alike, but was a true original, widely considered to be the founder of “mail art” and also an important collagist and performance artist. Wilson helped Johnson to formulate the idea (...) of “mail art” as they exchanged correspondence, thoughts, ideas, experiences, and much else besides. In this interview, Wilson discusses Johnson's sexuality, sadomasochistic practice, and philosophy of friendship. He provides hitherto unknown details about Johnson's intimate relations with the artist Richard Lippold and life at Black Mountain College. Wilson also recounts details of Johnson's relation to women in terms of art, friendship, love, and sex. But more than anything, this interview captures the atmosphere of queer life in the middle decades of the twentieth century and Johnson's particular experiences of that era. (shrink)

Pamela Sue Anderson urges feminist philosophers to embrace Michèle Le Doeuff’s revaluation of women in philosophy through according “fair value” to intuition as an intellectual faculty, a view of intuition articulated by Henri Bergson. She asks whether women who follow Bergson could be given fair value along with intuition. She turns from Le Doeuff’s writings on intuition to writings by Bergson and by Beauvoir, but periodically returns to Le Doeuff herself. In the end, a picture of freedom, friendship and feminism (...) emerges from readings of all three. This is a portrait of confident and capable interactions in creativity and dynamic projects, which transform our becoming within life, on the assumption that the love of friendship is between like-minded, embodied and interrelated selves. She explores whether we transform our lives in freedom and in love between friends. Although attracted to the human – and humane – solidarity in freedom of “great souls,” as in Beauvoir’s women of action, she instead aligns herself with Le Doeuff’s critical caution against naturalizing a timelessly abstract female soul for contemporary feminist philosophers. She concludes her proposed orientation with a Le Doeuffian feminist image of living life freely for and with friends. (shrink)

Connecting several strands of Aristotle's thought, Zoli Filotas sheds light on one of the axioms of Aristotle's ethics and political philosophy - that every community has a ruler - and demonstrates its relevance to his ideas on personal relationships. Aristotle and the Ethics of Difference, Friendship, and Equality reveals a pluralistic theory of rule in Aristotle's thought, tracing it through his corpus and situating it in a discussion among such figures as Gorgias, Xenophon, and Plato. Considering the similarities and differences (...) among various forms of rule, Filotas shows that for Aristotle even virtuous friends must exercise a version of rule akin to that of slaveholders. He also explores why Aristotle distinguishes the hierarchical rule over women from both the mastery of slaves and the political rule exercised by free and equal citizens. In doing so, he argues that natural and social differences among human beings play a complex, and troubling, role in Aristotle's reasoning. Illuminating and thought-provoking, this book reveals Aristotle's ambivalence about political relations and the equal treatment they involve and offers an engaging inquiry into how he understood the common structures of human relationships. (shrink)

William Molyneux's friendship with John Locke helped make Locke's ideas well known in early eighteenth-century Dublin. TheEssay Concerning Human Understandingwas placed on the curriculum of Trinity College in 1692, soon after its publication. Yet there has been very little discussion of whether Irish women from this period read or knew Locke's work, or engaged more generally in contemporary philosophical debate. This essay focuses on the work of Laetitia Pilkington (1709–1750) and Mary Barber (1685–1755), two of the Dublin women writers of (...) the so-called ‘Triumfeminate’, a literary and intellectual circle connected to Jonathan Swift which met and discussed ideas at the home of Patrick Delaney. Pilkington and Barber were particularly influenced by Locke's ideas on obstetrics and childhood in hisSome Thoughts Concerning Educationand especially by his discussion of memory in theEssay Concerning Human Understanding. Both authors engage playfully and imaginatively with Locke's theories, especially in a domestic context. Not all philosophical debates took place in the public male spaces of school, coffee house and university. This essay attempts to recreate the contexts in which intellectually curious women of the ‘middling sort’ encountered and engaged with philosophical ideas, especially those of Locke, and how these shaped their writing. (shrink)

Essays discuss the division of household labor, anti-semitism, violence against women, reproductive freedom, parenting, friendship between women, and feminist theology.

This book examines the contributions of seventeenth- and eighteenth-century French women philosophers and intellectuals to moralist writing. Moralist writing, a distinctively French genre, draws on philosophical and literary traditions extending back to classical antiquity. Closely connected to salon culture and influenced by Augustinianism, it engages social and political questions, epistemology, moral psychology, and virtue ethics. The first half of the book analyzes women’s use of moralist forms such as the essay, maxim, and “character” or portrait to explore classical topics: (...) self-knowledge and knowledge of the self, the ethics and obligations of friendship, the relation of the passions to happiness. The second half focuses on topics that relate directly to women’s lifeworld: the critique of the institution of marriage, the status of older women, and the question of women’s nature and capabilities. Each chapter traces the evolution of women’s moralist thought from the late seventeenth century to the Enlightenment and the decades immediately following the French Revolution, a period of tremendous change in the horizon of possibilities for women as public figures and intellectuals. (shrink)

Contains over thirty essays which explore the complex contexts of political engagement--family and intimate relationships, friendships, neighborhood, community, work environment, race, religious, and other cultural groupings--that structure perceptions of women's opportunities for political participation.

Although Christianity's clout on sexuality has generally declined in Britain due to secularization, contemporary conservative Protestantism continues to encourage a conventional construction of sexuality — sex is only for the context of heterosexual marriage. Qualitative interviews with 26 heterosexual women and two lesbian women on how their Protestant church involvement impacted their sexuality revealed the pervasive discourse of a marital-confined sexuality and participants' sense of `accountability' to the group for carrying this out. Such accountability can result in a repressed sexuality (...) that is oppressive. Alternatively, it can produce a `sense of community' that functions as a source of empowerment. The oppressive and empowering nature of accountability, however, can be difficult to untangle because of women's religious commitment and supportive friendships found in church life. Relying on participants' accounts, this article addresses the oppression and empowerment young women experience when they negotiate their gendered identities in relation to a marital-confined sexuality. (shrink)

Whatever may be said about contemporary feminists’ evaluation of Descartes’ role in the history of feminism, Mary Astell herself believed that Descartes’ philosophy held tremendous promise for women. His urging all people to eschew the tyranny of custom and authority in order to uncover the knowledge that could be found in each one of our unsexed souls potentially offered women a great deal of intellectual and personal freedom and power. Certainly Astell often read Descartes in this way, and Astell herself (...) has been interpreted as a feminist – indeed, as the first English feminist. But a close look at Astell’s and Descartes’ theories of reason, and the role of authority in knowledge formation as well as in their philosophies of education, show that there are subtle yet crucial divergences in their thought – divergences which force us to temper our evaluation of Astell as a feminist. -/- My first task is to evaluate Astell’s views on custom and authority in knowledge formation and education by comparing her ideas with those of Descartes. While it is true that Astell seems to share Descartes’ wariness of custom and authority, a careful reading of her work shows that the wariness extends only as far as the tyranny of custom over individual intellectual development. It does not extend to a wariness about social and institutional customs and authority (including, perhaps most crucially, the institution of marriage as we see in her Reflection on Marriage). The reason for this is that Astell’s driving goal is to help women to come to know God’s plan for women – both in their roles as human and in their roles as women. According to Astell, while it is true that, as individuals, women must develop their rational capacities to the fullest in order to honor God and his plan for women as human, as members of social institutions, including the institution of marriage, women must subordinate themselves to men, including their husbands, in this case so as to honor God and his plan for women as women. Once we understand the theological underpinnings of her equivocal reaction to authority and custom, we can see that Astell may be considered a feminist in a very tempered way. -/- My second task is to use these initial conclusions to re-read her proposal for single-sexed education that we find in A Serious Proposal to the Ladies. It is true that Astell encourages women to join single-sexed educational institutions for the unique and empowering friendships that women can develop in such institutions. Still, my argument continues, the development of such friendships is not entirely an end in itself. Rather, Astell encourages women to develop such friendships such that they can re-enter the broader world armed with the tools that will help them endure burdensome features of the lives that await them in the world, including their lives as subordinated wives –burdens that Astell does not, in principle, challenge. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Women Are Up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics by Benjamin J. B. LipscombAmy Gilbert RichardsLIPSCOMB, Benjamin J. B. The Women Are Up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics. New York: Oxford University Press, 2022. xxx + 326 pp. Cloth, $27.95In The Women Are Up to Something, Lipscomb demonstrates in form (...) and content the inextricable link between philosophical theory and personal story and character. The book tells two stories: "first, a story [End Page 148] about four women, their overlapping friendships, and their struggle to establish themselves as philosophers in an often-hostile context; second, a story about two conflicting approaches to ethics." These two stories connect through the role these women played in the development of the second of the conflicting approaches—a challenge to the mid-twentieth-century Oxbridge orthodoxy in metaethics, what Lipscomb later calls a "minority report."Chapter 1 centers on the fact–value divide. The consequence of this divide for ethics lies in its banishment of all evaluative terms from the realm of possible facts, thereby demoting them to matters of "opinion." Lipscomb here offers a genealogy of the divide. He also introduces the insight that will become the seed of the minority report: The picture of the world offered by the fact-value divide is just that, a picture. Bringing to light the deep background pictures that undergird our understanding of the world is one of the most difficult intellectual tasks. But the picture rooted in the fact–value divide includes the claim that the divide itself is simply a "fact"—not a picture at all, and therefore not contestable. Lipscomb labels this view "the Dawkins' sublime."The next three chapters continue the work of stage-setting. Chapter 2 immerses us in the Oxford of the women's undergraduate years—an Oxford temporarily but dramatically altered by World War II, where female students made up a much larger percentage of the undergraduate population than was usual, and where professors were in a new way open to mentoring women. Chapter 3 briefly recounts all four childhoods, lived in the aftermath of the first World War. Chapter 4 returns to Oxford and narrates the graduate degrees of the four women. It also offers a perceptive primer on the history of analytic ethics, culminating in the state of the field at the point when the women were on the cusp of entering it—the precise shape of the approach to ethics the women would eventually abjure.Each of the next four chapters traces the development of the mature philosophy of one of the four women—in order: Murdoch, Anscombe, Foot, and Midgley. Despite deep differences among their philosophical and theological outlooks, they all four came to defend a version of the thesis, commonplace in ancient and medieval philosophy, that there are things that are good for human beings qua human being, that our moral lives are largely a matter of seeing and responding—well or poorly—to these elements of the human good that are given as part of our nature. In other words, there are facts about values. We in crucial ways discover rather than invent morality.The last chapter serves as an epilogue to both stories: It traces the ways in which the writing and lives of these four women produced a decisive change in the landscape of Anglo-American philosophy. Lipscomb notes which strains in contemporary Anglo-American philosophy owe their existence to the minority report. Figures like Korsgaard feature as contemporary representatives of an ethics grounded in the fact–value [End Page 149] divide. Figures like MacIntyre and Hursthouse feature as inheritors of the philosophical legacy of the book's heroines.In this final chapter Lipscomb also offers brief portraits of the later life and death of each of the women in turn. At the end of the final portrait, the book rounds to a poetic close—not offering a final philosophical statement but reflecting on the fruits of friendship and the power of its legacy for those who come after.It is difficult to pin down Lipscomb's precise philosophical... (shrink)

This essay argues that the depiction of two female characters’ situations, friendship, and self-understandings in The Mandarins (Les mandarins, 1954) develops Beauvoir's theorization of feminine complicity in The Second Sex (Le deuxième sexe, 1949). Through its prolonged focus on the concrete situations of two female characters, the novel enables Beauvoir to explore the (hetero)sexual and metaphysical sources of feminine complicity in depth. The result is that The Mandarins illustrates why women who are, to greater or lesser degrees, complicit with the (...) structures of their own oppression can be understood neither as agents of gender-based oppression nor as passive victims of it, but only as human beings forced to invent means to survive the mutilation of their transcendence. (shrink)

Focusing on Correspondence from the Double-Cassia Studio (Shuanggui xuan chidu 雙桂軒尺牘), a collection of letters by a gentlewoman named Ding Shanyi 丁善儀 (1799–after 1861), this paper examines how elite women in mid-nine- teenth-century China applied epistolary conventions in their social life. Com- pared to other literary collections of individual women in late imperial China, Ding’s letter collection is exceptional in recording the life of its author through the epistolary genre and in revealing the sociopolitical dynamics that underlay elite women’s (...) epistolary gentility. Ding’s letters are indicative of the noticeable concerns shared by gentlewomen in mid-nineteenth-century China and provide specific contexts for understanding some of the epistolary techniques used by lit- erary women to facilitate social networking. This paper uncovers Ding’s life and explores three major themes in her epistolary collection: her responses to crises, concerns about health, and cultivation of friendship. Ding’s letters show how elite women evinced sophistication and erudition in their epistolary composition, which was an important way for them to express themselves and demonstrate their mas- tery of language and rhetorical tradition. (shrink)

This article analyzes the conditions that facilitate or hinder office-worker activism. Participant observations in Baltimore Working Women, a local affiliate of 9 to 5, and interviews with 72 members and nonmembers revealed the dilemmas of organizing women office workers. Early joiners recruited themselves and then brought in friends for whom the costs of activism were greater. Job security, supportive bosses, and experience in protesting inequities eased the difficulties associated with activism, and commitment to working women's issues sustained activism. Those who (...) feared reprisals from unsupportive bosses and coworkers but joined for friendship tended not to be active. Nonmembers' loyalty to employer and family demands limited their potential as recruits. (shrink)

W0mcn’s liberation, it is oftcn said, strikes closer t0 home than othcr forms of human liberation. Although basic shifts in attitudes arc required for thc liberation 0f, for example, workers 0r blacks and othcr ethnic minorities, thcsc types of liberation could bc accomplished without fundamental changes in what we call 0ur “privatc" lives or 0ur personal relationships. The liberation 0f blacks 0r workers is largely an affair 0f public roles and institutions, 21 matter 0f socialjusticc, and it is thus carried (...) 0ut relatively impcrsonally and anonymously in the marketplace and workplace, thc university and governmental institutions. Granted, if thc liberation 0f blacks and workers is t0 bc complete, I might have t0 bc willing t0 have some in my club and my suburb. Somc 0f my bcst friends might then bc blacks 0r workers, and I might even have t0 bc willing t0 have my daughter marry 0nc. Nonetheless, it might well be truc that my club and neighborhood, my friendships, and my relationship t0 my daughter could go 0n pretty much as bcforc, 0ncc "thcy” had been admitted. (shrink)

SummaryThe Fair Intellectual Club was the earliest female intellectual sociability on record in Britain in the eighteenth century. A study of the club provides insights into the motivations for founding such a society. The reading list of the club contains some twenty pamphlets on a variety of subjects including the education of both sexes, friendship and moral issues. The particular question in mind while assessing these materials will be, as far as this club is concerned, what kind of philosophical understanding (...) of sociability inspired these ladies. The Fair Intellectual Club also provides a platform for discussion of questions about the identity, the responsibility, and the gender of learned persons, in addition to their role as active agents in the production of knowledge in the eighteenth century. (shrink)

This chapter shows how Mary Astell and Margaret Cavendish can reasonably be understood as early feminists in three senses of the term. First, they are committed to the natural equality of men and women, and related, they are committed to equal opportunity of education for men and women. Second, they are committed to social structures that help women develop authentic selves and thus autonomy understood in one sense of the word. Third, they acknowledge the power of production relationships, especially (...) class='Hi'>friendships among women, in cultivating fulfilling lives for women. All three forms of feminism promote greater liberty for women. Moreover, the chapter establishes that many of these conclusions are especially forceful given Cavendish’s use of the genre of literature, and given the method that literature allows, namely that of presenting alternate points of view. (shrink)

In response to the rise of conservative women, the author engaged in a long and meaningful Socratic dialogue with two self-identified conservative women. The paper describes the conversation, then analyzes it according to various political trends, Jungian and other psychological theories, the author’s dialectical teaching methodology, the value of a traditional liberal arts education and the failure of the intellectual elite in the past 50 years to create and sustain meaningful friendships with fellow citizens from all social sectors and (...) educational levels. Athenian democracy also degenerated into authoritarianism because of the professional elite’s corruption and/or detachment. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:preface This special issue of Feminist Studies presents an eclectic view of women ’s friendships from across Western history and from several different cultures. Several of the articles question whether identity or sameness is a prerequisite for friendship and ask what friendships across difference look like, including charting the difficulties of making and sustaining such friendships. The articles in this issue contrast the variety and functions (...) of women’s friendships with the narcissistic masculinist ideals of classical Western thought about friendship in which friends serve as reflections of a person—typically a male and upper-class person. The authors in this issue present women’s friendships that are more pragmatic and more vulnerable and that contend more fully with difference. Some authors reflect on the high expectations placed on friendship within Second Wave feminism in the United States, noting how competition and feelings of betrayal can suffuse friendships; others trace more autonomous, productive, and forgiving contemporary visions of friendship. The issue opens with Susan Van Dyne’s archival study of student friendships in a pioneering US women’s college, revealing how love, flirtation, and desire between women was expressed in Smith College’s class of 1883. In another historical study, sociologist Harriet Bjerrum Nielsen contrasts the narratives of Norwegian girls and young women from the late nineteenth century with those of present-day women and girls, noting differences between rural and urban contexts. Ivy Schweitzer 272Preface surveys classical Western masculinist ideals of friendship from Aristotle to Montaigne and traces the transformation of this tradition into the present quest for equality without hierarchy. Alexandra Verini addresses models of female friendship in the European Middle Ages, arguing that Christine de Pizan and Margery Kempe illustrate a “viable female alternative ” to classical models. The vulnerability of women’s close relationships comes to the fore in Nancy K. Miller’s moving elegies for deceased feminist friends, while Judith Taylor explores the more open and autonomous friendships adumbrated in contemporary fictions by Zadie Smith and Jillian and Mariko Tamaki, themes also addressed in Judith Kegan Gardiner’s review essay of advice books on friendships between women and other studies of women’s friendships. Richa Nagar’s interview articulates an ideal of feminist friendships that “enable continuous evolution of our beings and mindsets... without feeling threatened by one another.” If our articles focus on the close bonds between women, our News and Views pieces in this issue point to collective ties formed in response to political and social threats: Dalia Abd El-Hameed and Nadine Naber describe responses by Egyptian feminists to government crackdowns, and our forum “Orlando: Observances” offers a selection of first-person accounts from vigils organized to mark the massacre at the Pulse nightclub this summer. This issue also presents internal negotiations of identity, identification, and body image in Stephanie Han’s short story and in the vivid and bold transgressions of Wangechi Mutu’s collages as described by Sarah Jane Cervenak. In “‘Abracadabra’: Intimate Inventions by Early College Women,” Susan Van Dyne takes us on a fascinating journey into the “the early formation of a homosocial student culture and the bonds between women” at Smith College in the late nineteenth century. Mining an archive of diaries, letters, photos, and other materials from a group of friends from the class of 1883, she focuses on two kinds of written evidence: one, the inchoate expressions of homoerotic desire in one student’s journal at a moment when “lesbian” did not yet exist as an identity, and the other, a love poem to two students, written as a parody by one of their women professors, but which reverberated beyond the college and ignited male opprobrium. In her discussions of these developments, rather than ascribing identity, Van Dyne navigates the “messiness” of the archive, keeping her eye trained on the “only partially intelligible strategies of self-representation that can’t be translated or reduced to the modern Preface 273 language of sexual self-recognition.” What is most surprising in her account is not that young women would feel desire for one another, nor that male peers or authorities might find this threatening, but that the fabric of the students’ homosocial community had such resilience, nurturing... (shrink)

Mary Taylor, Charlotte Bront"e's closest and lifelong friend, did indeed fulfill Bront"'s prediction in both her life and her writings. Recently, however, the authenticity of Taylor's feminist classic, Miss Miles, has been put into question. A controversy is now raging among experts and scholars of Victorian fiction over the true authorship of Miss Miles. Did Mary Taylor labor over this novel from her early womanhood until the end of her life, and offer it as her last great act of friendship (...) to women? Or is it the last work of Charlotte Bront"e, taken from her home to prevent its destruction, then published posthumously under Taylor's name? Regardless of its authorship, Miss Miles is a passionate and compelling novel, well deserving of its literary status on its own terms, and fascinating as a part of the Bront"e world. In this, the only edition of Miss Miles available, Taylor breaks with tradition by creating a profoundly feminist and morally intense novel which depicts female friendships as sustaining life and samity through the vicissitudes of Victorian womanhood. Set in the small Yorkshire village of Repton against the backdrop of starvation in the wool districts and the rise of Chartism in the 1830s, this extraordinary work chronicles the lives of four socially disparate women as they learn to find their own voices and support one another. Taylor's own courage and allegiance to her friends is wonderfully reflected in each of these individually ambitious women, while the novel's emphasis on the healing power of women's friendships echoes the relationship between Bront"e and Taylor herself. Originally published in 1890, Miss Miles continues to stand as an eloquent polemic in favor of a women's personal obligation to support herself. It is a classic that will delight all lovers of fine literature. (shrink)

of the tension between universality and singularity in the constitution of political community. Politics for Derrida refers to demands for universal justice, while friendship stands in for demands to recognize the incomparable uniqueness of each person. Derrida develops the incompatibility between these demands to its furthest extreme while arguing that democracy paradoxically requires meeting the demands of both claims. The result is a democracy that is never achieved but always present only in the form of a desire for democracy. This (...) article evaluates Derrida’s position that political community is simultaneously impossible and necessary in light of similar proposals by Judith Butler and Luce Irigaray. It also asks whether the political community Derrida imagines is one in which women’s desires are represented. Key Words: Derrida • friendship • Irigaray • politics • sexual difference. (shrink)

This article analyses Averroes/Ibn Rushd´s (d. 1198) views on motherhood in his commentary on Plato´s Republic. The starting point for this inquiry is Averroes´ comparison of the women in his society to plants. Averroes argues that performing the duties of motherhood, i.e. being children´s primary caregiver, does not constitute nor involve any form of human virtue. Averroes´ low esteem for activities of motherhood has hitherto been ignored. This paper argues that the comparison of women to plants does not hinge on (...) societal criticism solely but on at least two additional factors: Aristotle on plants in De Anima and on this low appreciation for tasks of parenthood. Furthermore, this paper aims to show that the latter is incompatible with Aristotle´s views in his ethics and biology, which emphasize, respectively, the friendship that characterizes the parent-child relationship and the intelligence and virtue needed to raise the next generation. (shrink)

Using data from 52 in-depth interviews with working-class and professional men and women, I examine gender differences in friendships. Men and women respond to global questions about friendship in culturally specific ways. Men focus on shared activities, and women focus on shared feelings. Responses to questions about specific friends, however, reveal more variation in same-sex friendships than the literature indicates. Men share feelings more, whereas women share feelings less; furthermore, the extent to which they do so varies by (...) class. I argue that conceptualizing gender as an ongoing social construction explains the data better than do psychoanalytic or socialization accounts. (shrink)

Friendship arguably offers itself as the freest of all human associations. A weakness of cultural prescription opens a terrain in which intimacy can be lived in a trust relationship that personifies equality, justice and respect. Friendship’s ‘relational freedom’ enables the mutual development of selves; it is generative. Therein lies ‘the beauty of friendship’, as Agnes Heller has reminded us. But the freedom of intimacy is limited. Embedded in a society that attributes different repertoires of intimacy to women and men and (...) privileges male homosociality, friendship’s freedom is curtailed. Especially cross-sex friendships continue to show evidence of persisting tensions. ‘Erotic friendships’ that seek to realize sexual intimacy but eschew the commitments of coupledom continue to face normative-practical challenges. In this paper, I view central aspects of heterosexual intimacy through the small world of intimate friendship, a prism that refracts gendered tensions in the world at large. (shrink)