Although being generally safe, the use of Deep Brain Stimulation has been associated with a significant number of patients experiencing postoperative psychological and neurological harm within experimental trials. A proportion of these postoperative severe adverse effects have lead to the decision to medically prescribe device deactivation or removal. However, there is little debate in the literature as to what is in the patient’s best interest when device removal has been prescribed; in particular, what should be the conceptual approach to ethically (...) guide the decision to remove or maintain implants. The purpose of this article is to examine the ethical issues raised when patients refuse brain device explantation despite medical prescription. In order to illustrate these issues, we report and discuss a clinical case involving a patient suffering from treatment resistant depression who experienced forms of postoperative self-estrangement, as well as suicidal attempts, but who resists giving consent to device explantation. (shrink)

Since Socrates, and through Descartes to the present day, the problems of self-knowledge have been central to philosophy's understanding of itself. Today the idea of ''first-person authority''--the claim of a distinctive relation each person has toward his or her own mental life--has been challenged from a number of directions, to the point where many doubt the person bears any distinctive relation to his or her own mental life, let alone a privileged one. In Authority and Estrangement, Richard Moran argues (...) for a reconception of the first-person and its claims. Indeed, he writes, a more thorough repudiation of the idea of privileged inner observation leads to a deeper appreciation of the systematic differences between self-knowledge and the knowledge of others, differences that are both irreducible and constitutive of the very concept and life of the person.Masterfully blending philosophy of mind and moral psychology, Moran develops a view of self-knowledge that concentrates on the self as agent rather than spectator. He argues that while each person does speak for his own thought and feeling with a distinctive authority, that very authority is tied just as much to the disprivileging of the first-person, to its specific possibilities of alienation. Drawing on certain themes from Wittgenstein, Sartre, and others, the book explores the extent to which what we say about ourselves is a matter of discovery or of creation, the difficulties and limitations in being ''objective'' toward ourselves, and the conflicting demands of realism about oneself and responsibility for oneself. What emerges is a strikingly original and psychologically nuanced exploration of the contrasting ideals of relations to oneself and relations to others. (shrink)

THE FIRST STAGE OF COMMUNISM, FOR MARX, IS A MODIFIED EXCHANGE ECONOMY. THUS IT SHOULD BE MARKED BY ALIENATION OR FETISHISM. BUT MARX DENIES THIS IN CHAPTER 1 OF VOLUME I OF "CAPITAL". THE REASON BEING THAT THE WORKERS WOULD BE IN CONTROL OF THEIR EXCHANGE RATHER THAN CONTROLLED BY IT. IN EARLIER WRITINGS, THIS CONTROL SEEMED TO REQUIRE A POWERFUL STATE APPARATUS, AND THUS POLITICAL ESTRANGEMENT. IN SOME, BUT NOT ALL, OF HIS LATER WRITINGS, MARX ARGUES THAT SUCH (...) A STATE APPARATUS WOULD NOT BE NECESSARY. THIS CONFLICT IS DUE TO THE FACT THAT MARX EMPLOYS TWO DIFFERENT MODELS FOR THE TRANSITION TO SOCIALISM. (shrink)

Why do laws and regulations marking boundaries between humans and other animals proliferate amid widespread proclamations of the waning of the species concept and the consensus that life is a continuum? Here I consider a recent spate of new guidelines and regulations in the United Kingdom and United States that work to estrange human bodies from other animals in biomedicine. Using the idea of a bioconstitutional moment to understand how state institutions deliberate over “human–animal chimeras,” I address how nations differently (...) establish separations between humans and other animals. New chimeric entities, containing human hereditary material, have consecrated regulatory ground and signify increased attention to fields of research that have long used interspecies mixing. Regulators and policy makers now find themselves in a curious position. On the one hand, they continue to regulate the estrangement between humans and other animals, but on the other, they support the creation of chimeric life––a form of life that draws into question the very basis of such separations. (shrink)

This introductory article provides a contextual and theoretical overview to this special issue of Body & Society. The special issue presents five selected case studies – focusing on the contexts of transplantation, psychiatry, amputation and war, and a transvalued media ecology of cancer – to offer meditations on a number of interlinked questions. The first of these is the entanglement of biomedical governance – political/economic as well as self-disciplinary – with the nexus of estrangement, which can denote both the (...) distancing of otherness and self-division. Second is the realm of feeling, of phantasmatic projection and of the ways in which the biopolitical becomes reciprocally, discursively, enmeshed in a wider cultural imaginary. Third is the shifting terrain of gender and feminist politics, a key dimension of which is the necessary reworking of feminist thought in the wake of a radically altered biomedical and biotechnological landscape. Under the rubric of Estranged Bodies, the collection considers themes of dissolution and the fragility of the body/subject read through bodily catastrophe, radical body modification and extreme medical intervention. Also considered is the notion of assemblage – the provisional coming together of disparate parts – which encourages a rethinking of questions of reconstituted, displaced and re-placed bodies. (shrink)

In this paper I address the question of what it is to be alienated from nature. The focus is alienation in the sense of estrangement, a ‘being cut off from’ a wider world. That we are so estranged is a claim associated with ecological critique of contemporary society. But what is it to be estranged from nature given that everything we are, do and produce, always remains within a wider nature? I explore the possibility that this might be understood (...) with reference to Merleau-Ponty’s notion of ‘flesh’. I set the scene for this with some discussion of Honneth’s recent account of reification as a ‘distorted praxis’ and then, drawing upon Merleau-Ponty’s phenomenology of perception and especially his later ontology of flesh, develop the idea of estrangement from the natural world as an inadequate participation in a ‘primordial’ perceptual relation. This idea of estrangement brings together various elements of ecological critique. However, I argue that although this idea of estrangement might inform and help to articulate such a critique, it cannot be the sole concern of an environmental political philosophy: other kinds of alienation within the humanised environmental context need to be considered too. (shrink)

By taking seriously the state of moral estrangement, we may learn something about the conditions of moral participation. Yet analytic discussions of this topic (for instance, by Hare and Nagel) have frequently been handicapped by an inadequate understanding of the intentionality of emotion. In the work of Albert Camus, we find a superior appreciation of the sense in which the individual’s revolt against prevailing values could be a justified response to objective conditions. Although a sense of the absurd is (...) itself a hindrance to moral agency, it provides us with some insight into our subjective capacity for wholehearted involvement in the world. (shrink)

This article is in praise of the labor of reading profound and rich texts, in this case the essay on 'estranged labor' by Karl Marx. Comparing in detail what Marx wrote on estranged labor with current social practices of learning and education leads us to comprehensive ideas about learning - including the social practices of alienated learning. We then emphasize the importance of distribution in the institutionalized production of alienated learning. And we end this article with critical reflections on the (...) importance of alienation for the relationship between teaching and learning in the social practice of scholars. (shrink)

During his period of exile in Scandinavia, Bertolt Brecht wrote “I don’t think the traditional form of theatre means anything any longer. Its significance is purely historic; it can illuminate the way in which earlier ages regarded human relationships […] [but] a modern spectator can’t learn anything from them”. To create a modern theatre fit for a modern audience, Brecht holds that not only would the content of plays have to change, but the experience of theatrical spectatorship itself. To fully (...) capture how Brecht’s work differs from that of previous playwrights, a close analysis of spectatorial experience and perception is required. In this paper, I compare the aesthetic techniques used in Brecht’s epic theatre to the genetic phenomenology of Edmund Husserl. Reading Brecht’s Verfremdungseffekt through a Husserlian lens, I argue that Brecht mobilizes phenomenological methodology in order to suspend the audience’s preconceived notions of theatre and to cultivate self-conscious, critically aware, and socially motivated spectatorship. Just as Husserl describes phenomenology as a presuppositionless science, so too does Brecht offer epic theatre as a way to free “[…] socially-conditioned phenomena from the stamp of familiarity”. (shrink)

Merleau-Ponty suggests in his Nature lectures that myth provides the best way into thinking the relation of strange kinship between humanity and animality. He goes on to refigure Husserl’s paradigm of the two hands touching to extend beyond merely human-to-human relations, invoking in the process the myth of Narcissus. By carefully examining Merleau-Ponty’s late refiguration of that paradigm, alongside the revised conception of narcissism that it helps him to develop, we find that while human-animal empathy is made possible by a (...) ground of intercorporeal kinship, human-animal estrangement makes possible the emergence of an ethical relation to other animals, contingent upon the sublimation of animal desire. Holding human-animal kinship and estrangement in tension reveals a nascent ideal present implicitly in the early stages of childhood development: a vision of the possibility of interspecies harmony, rooted in the bodily reciprocity that drives the process of self-maturation. (shrink)

The disposal of limbs remains absent from our understandings of amputation, with ‘estranged limbs’ occupying a liminal position. Despite acceptance that the appropriate disposal of human tissue matters on moral, ethical and legal grounds, limbs and their disposal is estranged from these discourses, mirroring the experience of the limbs themselves. This article then examines this absence around disposal, considering both the options which exist for the disposal of limbs after amputation, as well as why disposal itself remains sidelined from our (...) broader understandings of the body. Practices for disposal that encompass both traditional clinical approaches and more unusual patient choices will be discussed – through the discussion of these as potential ‘disposalscapes’. Utilising concepts from the work of Crawford, Shildrick and Steinberg and Slatman and Widdershoven, the potential importance of the disposal of limbs to patients and the role of disposalscapes within this are considered. (shrink)

This paper describes the stakes of ongoing conversations in areas of queer theory and black studies on the epistemological, ethical, and political role of unintelligibility. In line with longstanding philosophical questions about the value of aporia as gap or absence in our understanding, thinkers like Lee Edelman and Frank Wilderson III have articulated how black and queer people have regularly fallen into spaces of unintelligibility as they have run against given formations of the social world. These thinkers have theorized what (...) this unintelligibility – what they will call this queerness or blackness – is other than an impetus for integration. The paper describes the dichotomy between two key positions in this conversation, resistance and refusal, suggesting these positions offer challenges better addressed through a conception of estrangement. (shrink)

Abstract:This essay traces the ambivalent work of ghurba (estrangement, exile, alienation) across four ethnographic scenes: Orthodox Christian activists in austerity Beirut refuse to abandon the corrupted world; a Syrian Islamic scholar in Jordan insists on the patient work of rehabilitation; Orthodox ascetics in a monastic community outside Tripoli turn to the hidden alienation borne in the world; and a Muslim calligrapher in Canada relinquishes the guarantee of ethical relation. Taken together, these scenes form a tableau of estrangement in (...) the shared vocabulary of Eastern Christianity and Islam. Drawing on Ibn Khaldun's Muqaddimah–in its articulations of soul, community, and world always already shadowed by their undoing–we then situate these four scenes along spatio-temporal axes of destruction and production, city and desert, paradise and hellfire: a purgatorial topology which modulates what Agamben calls the contemporary destruction of experience. (shrink)

Authority and Estrangement addresses a set of questions about self-knowledge and seeks to answer them in the context of the broader differences between the first-person and third-person perspectives on oneself. Attention to these broader differences takes the discussion from epistemology to moral psychology, and seeks to relate some of the issues of contemporary philosophy of mind to the concerns with self-consciousness in post-Kantian thought.

We investigate the parallelism between aesthetic experience and the practice of phenomenology using Viktor Shklovsky’s theory of “estrangement”. In his letter to Hugo von Hofmannsthal, Husserl claims that aesthetic and phenomenological experiences are similar; in the perception of a work of art we change our attitude in order to concentrate on how the things appear to us instead of what they are. A work of art “forces us into” the aesthetic attitude in the same way as the phenomenological epoché (...) drives us into the phenomenological one. The change of attitudes is a condition of possibility of aesthetic and/or phenomenological experience. Estrangement is an artistic device that breaks the routinized forms of perception: one sees the thing as new and does not just “recognize” it automatically. Shklovsky insists that it is possible if one experiences or feels the form of the work of art—in an affective and even sensuous way. We claim that this is similar to the phenomenological seeing, or intuition, which, according to Husserl, should be devoid of all understanding. Phenomenological epoché can also be described as a philosophical technique that aims to arrest the “ready-made,” “taken for granted,” “pre-given” meanings in order to access a new meaning which is not yet stabilized, the “meaning-in-formation.” It is not enough to turn from what appears to how it appears; one has to oscillate between these conflicting attitudes, or rather to keep them both at the same time thus gaining a kind of a 3D-vision of meaning in its becoming. This double life in two different attitudes can be clarified in terms of Roman Jakobson’s theory of antinomic coexistence between the poetic and communicative functions of language. The notion of “double life in two attitudes” uncovers the role that ostranenie can play in the philosophical transformation of the subject based on variety and essential mobility of the affective components involved. Proposing a phenomenological interpretation of a passage from Samuel Beckett we show how the radicalization of ostranenie can lead even to “meta-estrangement”: to estrangement of the everyday “lack of estrangement.” We conclude with a remark on the productivity of this form of estrangement in the phenomenological context. (shrink)

Richard Moran, Authority and Estrangement: An Essay on Self Knowledge.

Out of what the West now terms contemporary art, some would construct the synthesis and final accomplishment of every civilization, of all the great forms of art that have followed one another, blending and overlapping ever since man has existed and began expressing himself, like a fugue with innumerable developments that always returns to focus on the same theme, headed in the same direction. This evolution, as strangely loaded with analogies as it is rigidly anachronous, has borne, followed and determined (...) without failing, the mutations in our image. Art of the West in particular, in all its principal incarnations from ancient mythologies all the way to Rodin, from the Romanesque pilgrimage down to Daumier and Picasso—moving through culminating points of extreme harmony or tension: Rembrandt, Goya, Soutine—is presented as the great figure of a God in human appearance. Around this figure has been formed an entire world in which the real has continually been re-invented as art renewed its statements of it. Did this God and this world lose soul and memory on the day when the photographer's lens, a disastrously incorruptible witness, indicated the limits of very strict anthropomorphism? (shrink)

In this strikingly bold and original work, Kemp argues that the Western idea of time reversed itself between the fourteenth and the eighteenth century from a static and syncretic image of a temporal world in which all time is uniform, the past is the arbiter of truth and all inherited knowledge is eternally viable, and no secrets lie hidden in time waiting to be revealed to a future age; to a dynamic and supersessive model of history in which the past (...) dispenses only ignorance and error. Kemp describes these two opposed historical worlds, these "time texts," and traces the transition between them, its mechanism, and its motivation, concluding by drawing out the epistemological consequences of supersessive history for the modern intellect. (shrink)

Alienation is a double-edged concept adaptable to both positive and negative or critical accounts of the individual, culture and society. It is also elastic enough to describe very different economical and cultural effects, and thus it is a potential source of confusion and inconsistency. Alienation is characterised by a Janus-faced adaptability to both neutral/positive and negative uses: the former may be considered as endemic, the latter as historical. In some respects alienation is neither avoidable in education nor wholly undesirable.

This essay argues that philosophy can be combined with qualitative research without sacrificing the aims of either approach. Philosophers and qualitative researchers have articulated and supported the idea that human meaning-constructions are appropriately grasped through close attention to “consequences incurred in action,” in Dewey’s words. Furthermore, scholarship in both domains explores alternative possibilities to familiar constructions of meaning. The essay explains by means of a concrete example the approach I took to hybridizing these approaches. It describes an ethnographic and philosophical (...) study of how children made meaning of justice and solidarity through their practice of democratic citizenship in an extracurricular program called Village. At Village, children built and ran a miniature town. Their actions and conversations around the political challenges that inevitably arose exemplify meaning-making of ideals in response to actual problems. The meaning of solidarity and justice for these children emerged through the consequences of previous and present actions they took in communication with others. This essay details the methods I used for designing the study, collecting data, and analyzing my findings. (shrink)

“This title, I chose it because I don’t understand Hebrew and because it was very short, because it was opaque and a little unbreakable, like an atomic nucleus. For the first screening of the film at the Empire Theater, George Cravenne asked me: ‘What is the title of the film?’ ‘Shoah.’ ‘What does it mean?’ ‘I don’t know.’ ‘But how, you must translate it! No one will understand!’ And I said: ‘It’s what I want, that no one understands.’”1The common denominator (...) of any translation is delay: this delay is a matter of time and space, a temporal displacement, a delay that exacerbates the ontological differentiation process between sign and meaning.2 Between the moment.. (shrink)

This chapter explores the cognitive and moral significance of the kind of imaginative experience poetry offers. It identifies two forms of imaginative experience that are especially important to poetry: ‘experiencing-as’ and ‘experience-taking’. Experiencing-as is ‘inherently first-personal, embodied, and phenomenologically characterized’ while in experience-taking one ‘takes the perspective of another, simulating some aspect or aspects of his psychology as if they were his own’. Through a sensitive and probing reading of Paul Celan’s Psalm, the chapter shows the role these two forms (...) of experience play in producing the unique form of ethical and epistemic value poetry can bear. The chapter’s argument for this has important implications for our understanding of the poetic imagination and nature of our experience of meaning in poetic contexts. (shrink)

Authority and Estrangement addresses a set of questions about self-knowledge and seeks to answer them in the context of the broader differences between the first-person and third-person perspectives on oneself. Attention to these broader differences takes the discussion from epistemology to moral psychology, and seeks to relate some of the issues of contemporary philosophy of mind to the concerns with self-consciousness in post-Kantian thought.

The servant lives within the social relations of feudal class estrangement. He is a natural moralist who keeps his eyes and his mind open, amidst the compromises, intricacies, and oppression of being a servant, and he sees and understands a good deal more than those around him. Above all, he is a craftsman of experience who, in making history with only a few resources, lives an examined life, and turns estrangement into a life lived for others. Along the (...) way, and ever sensitive to mundane hope and sorrow—even at the point of death—the servant offers educative insight into some of life’s questions. Within a broadly materialist and pragmatic framework, this article examines the concrete particularity of estrangement in terms of the servant’s actions, desires and relations with others. (shrink)

For decades, Darko Suvin has enjoyed a worldwide reputation as a distinguished science fiction and utopian scholar, best known for his seminal work Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre, equally important for both SF and utopian studies. Suvin's introduction of the Russian formalist/Brechtian–inspired concept of estrangement proved to be revolutionary in both academic fields of research. His definition of utopia is now one of the recognized stepping-stones in the study of utopia.1However, it (...) is less known that Suvin is not just a dedicated and fruitful theoretician but an accomplished poet, and a utopian one at that.... (shrink)

While most discussions of the relationship between art and technology focus on “new media” practice, there are substantial opportunities to consider technology through “traditional media” such as painting and sculpture. Art and technology intersect through the process and desire of imagination and, in particular, through the attempt to imitate life itself in terms of creation. In this paper, I consider the practice of Beijing-based artist Zhou Song, who images and imagines new worlds as constituted by social robots. Drawing on the (...) frameworks of estrangement, the uncanny, and Gilles Deleuze’s notion of the encounter, I analyze several of Zhou’s works in order to understand possibilities for thinking through the figuration of social robots in relation to our broader understandings of alterity. I argue that Zhou’s hyperrealistic images, which use quotation as a device through which to balance the uncanny with the familiar, prompt an encounter that challenges the cognitive ordering of the world. This research contributes to the developing discourse on social robots through a cultural lens. (shrink)

A thoughtful Christian counter-offensive on the popular interpretation of Marxism as the absolute antithesis of all that is Christian and democratic. The author's explicit intention is to break down the barrier to understanding and communication constituted by that image. He examines the Judeo-Christian heritage of Marxism and traces the influences which led to Marx's estrangement from that heritage. Elements of the heritage which survived the estrangement are then elucidated and the author concludes with an eminently reasonable appraisal of (...) the legitimate points of contact and conflict between the two doctrines.--J. M. W. (shrink)

The goal of this article is to shed light on Deep Brain Stimulation (DBS) postoperative suicidality risk factors within Treatment Resistant Depression (TRD) patients, in particular by focusing on the ethical concern of enrolling patient with history of self-estrangement, suicide attempts and impulsive–aggressive inclinations. In order to illustrate these ethical issues we report and review a clinical case associated with postoperative feelings of self-estrangement, self-harm behaviours and suicide attempt leading to the removal of DBS devices. Could prospectively identifying (...) and excluding patients with suicidality risk factors from DBS experimental trials—such as history of self-estrangement, suicide attempts and impulsive–aggressive inclinations—lead to minimizing the risk of suicidality harm? (shrink)

While new generations of implantable brain computer interface devices are being developed, evidence in the literature about their impact on the patient experience is lagging. In this article, we address this knowledge gap by analysing data from the first-in-human clinical trial to study patients with implanted BCI advisory devices. We explored perceptions of self-change across six patients who volunteered to be implanted with artificially intelligent BCI devices. We used qualitative methodological tools grounded in phenomenology to conduct in-depth, semi-structured interviews. Results (...) show that, on the one hand, BCIs can positively increase a sense of the self and control; on the other hand, they can induce radical distress, feelings of loss of control, and a rupture of patient identity. We conclude by offering suggestions for the proactive creation of preparedness protocols specific to intelligent—predictive and advisory—BCI technologies essential to prevent potential iatrogenic harms. (shrink)

The first part of the paper, “Foyer: feeling, look- ing, between-us” establishes the role of touch in intersubjectivity. Starting with Irigaray’s notion of the entre-nous, the “between-us,” I use touch as an example of deeply intersubjective communi- cation, an attempt to overcome estrangement. The ambiguity of touching, the physical action of touching and the affective reaction of feeling, is central to this. The second section, “Reception: receptivity, orderings of the sensible,” consolidates this experience of intersubjective touching within the confines (...) of the demarcated spatial divisions of the hotel, which leads to insights concerning the physical and psychical architecture of the archetypal hotel. We return to examine the notion of “estrangement,” questioning how and why it is altered by spatial layout and sequencing. In this section I subject the usual discussion of Freud’s unheimlich or “uncanny” to some affective spatial observations, and suggest Caillois’ idea of “psychasthenia” (1987) as a useful supplement to think about touching and feeling in the unhomely home of the hotel. The third section, “Room: the caress,” of Levinas’ notion of the caress and Irigaray’s reading of this, from which I grasp towards an ethical-affective relation of between-ness, as much through non-touching as through physical touching. (shrink)

In the debate about heterologous embryo transfer (HET), or embryo adoption, within marriage, discussion to date has proceeded predominantly from the perspective of the acting woman, with less attention paid to the effects on her spouse. In directing the focus of this paper to the man’s experience, the author is confirmed in his opinion that HET is contrary to the man’s dignity as husband and father. It is an infidelity to the exclusive union of his marriage, an affront to the (...) husband’s right to be the means by whom his wife becomes a mother, and a sacrilege to the sacrament by which his fatherhood is called to be an expression of God’s creative love. National Catholic Bioethics Quarterly 13.2 (Summer 2013): 287–297. (shrink)

This working paper uses the works of philosophers like Hegel, Marx, and Rawls to explore political philosophy and estrangement.

Various attempts have been made recently to bring Husserl into the contemporary analytic discussion on sensory illusion and hallucination. On the one hand, this has resulted in a renewed interest in what one might call a ‘phenomenology of sense-deception.’ On the other hand, it has generated contrasting—if not utterly incompatible—readings of Husserl’s own account of sense perception. The present study critically evaluates the contemporary discourse on illusion and hallucination, reassesses its proximity to Husserl’s reflection on sensory perception, and highlights the (...) philosophical limits and structural deficiencies of the current debate in light of some of Husserl’s insights. The analysis first provides a synopsis of the argumentative structures, aims, and assumptions informing the conjunctivism-disjunctivism debate. This assessment is then critically elaborated through the lens of Husserlian phenomenology in its historical and theoretical distance from the recent debate. Contrary to certain readings of Husserl, the reconstruction of some cardinal phenomenological themes provides all the elements necessary to dislocate his own account from the conjunctivism-disjunctivism dispute, by means of both a ‘global’ and a ‘local’ analysis, and both exegetically and theoretically. Most importantly, a ‘return’ to Husserl shows the philosophical untenability of the whole controversy as not only leaving untouched the core problem of perception but also altering some of its essential traits. This critique of the image of experience portrayed in the contemporary discussion is conducted through a phenomenological clarification of perception as a distinct ‘structure of rules’ of consciousness and, more specifically, by means of a descriptive analysis centered on the core notion of horizonal-intentionality. (shrink)