According to Dewey, we are responsible for our conduct because it is “ourselves objectified in action”. This idea lies at the heart of an increasingly influential deep self approach to moral responsibility. Existing formulations of deep self views have two major problems: They are often underspecified, and they tend to understand the nature of the deep self in excessively rationalistic terms. Here I propose a new deep self theory of moral responsibility called the Self-Expression account that addresses these issues. (...) The account is composed of two parts. The first part answers the question, What is a deep self? Theorists have tended to favor cognitive views that understand the deep self in terms of rationally formed evaluative judgment. I propose instead a conative view that says one’s deep self consists of a distinctive kind of pro-attitude, cares, and I provide an account of cares in terms of their distinctive psychological functional role. The second part answers the question, When does an action express one’s deep self? I criticize the agentially demanding conditions set out in existing views and propose a more minimalist alternative. I show that the Self-Expression account handles issues that bedeviled traditional deep self views, including how to explain moral responsibility for spontaneous, out of character, and weak-willed actions. (shrink)

Although Luce Irigaray is critical of Merleau-Ponty's late work, I argue in this chapter that her approach to speaking-with suggests an important affinity with Merleau-Ponty's early account of expression.

Mitchell S. Green presents a systematic philosophical study of self-expression - a pervasive phenomenon of the everyday life of humans and other species, which has received scant attention in its own right. He explores the ways in which self-expression reveals our states of thought, feeling, and experience, and he defends striking new theses concerning a wide range of fascinating topics: our ability to perceive emotion in others, artistic expression, empathy, expressive language, meaning, facial expression, and speech (...) acts. He draws on insights from evolutionary game theory, ethology, the philosophy of language, social psychology, pragmatics, aesthetics, and neuroscience to present a stimulating and accessible interdisciplinary work. (shrink)

The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Ponty’s career, “The phenomenology of perception fulfills itself as a philosophy of expression.” In _Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology, _Véronique M. Fóti_ _addresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the “new biology” in the second of (...) his lecture courses on nature of 1957–58, and in his late ontology, articulated in 1964 in the fragmentary text of _Le visible et l’invisible _. With the exception of a discussion of Merleau-Ponty’s 1945 essay “Cezanne’s Doubt,” Fóti engages with Merleau-Ponty’s late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Ponty’s thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy. (shrink)

Expressions of emotion pose a serious challenge to the view that we perceive other people’s emotions directly. If we must perceive expressions in order to perceive emotions, then it is only ever the expressions that we are directly aware of, not emotions themselves. This paper develops a new response to this challenge by drawing an analogy between expressions of emotion and perceptual media. It is through illumination and sound, the paradigmatic examples of perceptual media, that we can see and hear (...) objects around us. Instead of screening these objects from view, however, they enable our perception while being transparent to us. With reference to perceptual constancy and transparency, I show how expressions show up in our experience of emotions in a surprisingly similar way. Given this, we can understand expressions as the media _through_ which we perceive emotions and overcome the above challenge to an otherwise attractive view. (shrink)

Expressive writing is life-based writing that focuses on authentic expression of lived experience, with resultant insight, growth and skill-building. For decades, it has been the province of journals, memoirs, poets, and language arts classrooms. Social science research now provides indisputable evidence that expressive writing is also healing.

_ Source: _Volume 45, Issue 3, pp 369 - 385 In “The Vestige of Art,” Jean-Luc Nancy argues that art is neither representation nor inscription, but rather _exscription_. The figure is the vestige of an expressive gesture; it represents neither a separable idea nor the one who traced it but, rather _exscribes_ their presence and their world in the event of expression. As such, Nancy’s aesthetics in _The Muses_ deploys a certain logic of expression best understood in the (...) tradition of Merleau-Pontian phenomenology. Echoing Merleau-Ponty’s notion of speech accomplishing, rather than translating, thought, Nancy’s understanding of the expressive gesture suggests an event that brings forth a self that does not pre-exist its expression and that is paradoxically always already past, always already fallen into material vestiges. By connecting Merleau-Ponty’s notion of a “past that has never been present” to Nancy’s concept of _exscription_, I argue that reading Nancy’s _The Muses_ and Merleau-Ponty’s “Eye and Mind” together suggests an importantly restructured “phenomenology” of painting that is in fact more of an ontology of intercorporeality. (shrink)

Many philosophers hold that punishment has an expressive dimension. Advocates of expressive theories have different views about what makes punishment expressive, what kinds of mental states and what kinds of claims are, or legitimately can be expressed in punishment, and to what kind of audience or recipients, if any, punishment might express whatever it expresses. I shall argue that in order to assess the plausibility of an expressivist approach to justifying punishment we need to pay careful attention to whether the (...) things which punishment is supposed to express are aimed at an audience. For the ability of any version of expressivism to withstand two important challenges, which I call the harsh treatment challenge’ and the ‘publicity challenge’ respectively. will depend on the way it answers them. The first of these challenges has received considerable discussion in the literature on expressive theories of punishment; the second considerably less. This is unfortunate. For careful consideration of the publicity challenge should lead us to favor a version of the expressive theory which has been under-discussed: the view on which punishment has an intended audience, and on which the audience is society at large, rather than—as on the most popular version of that view—the criminal. Furthermore, this view turns out to be better equipped to meet the harsh treatment challenge, and to be so precisely because of the way in which it meets the publicity challenge. (shrink)

Expressing ‘essence’ in the translation and commentary of Timaeus by Calcidius depends on Platonist terminology which is not completely stabilised. We will see how, in his translation, Calcidius translated Greek words as οὐσία or φύσις, but also how he used the word substantia whereas there was no expression of essence in the Greek text. The Latin commentator used both essentia and substantia, but the latter quite often. However, in doing so, he weakened the meaning of the word substantia. Lastly, (...) Calcidius translated into Latin and used Greek no‑Platonist expressions with a very specific signification of ‘essence’. (shrink)

Metaphorical utterances are construed as falling into two broad categories, in one of which are cases amenable to analysis in terms of semantic content, speaker meaning, and satisfaction conditions, and where image-construction is permissible but not mandatory. I call these image-permitting metaphors, and contrast them with image-demanding metaphors comprising a second category and whose understanding mandates the construction of a mental image. This construction, I suggest, is spontaneous, is not restricted to visual imagery, and its result is typically somatically marked (...) sensu Damasio. IDM’s are characteristically used in service of self-expression, and thereby in the elicitation of empathy. Even so, IDM’s may reasonably provoke banter over the aptness of the imagery they evoke. (shrink)

The discourse concerning musical expression hinges on a fundamental analogy between music and language. While the extant literature commonly compares music to language, this essay takes the reverse direction, following Wittgenstein’s approach. The discussion contrasts the theoretical underpinnings of the “music as language” simile with those of the “language as music” simile. The emphasis on characterization, performance, mutual tuning-in relationships, the interaction between language and music, and the open-ended effort to reorient ourselves as we draw in significance challenges the (...) “informing paradigm” that has been paramount across contemporary philosophical theories of musical expression. One of the most promising philosophical avenues that emerges as we move beyond the “informing paradigm” is recognizing the inseparable relationship between musical expression and our power to shape our own language. (shrink)

Many philosophers favour the simple knowledge account of assertion, which says you may assert something only if you know it. The simple account is true but importantly incomplete. I defend a more informative thesis, namely, that you may assert something only if your assertion expresses knowledge. I call this 'the express knowledge account of assertion', which I argue better handles a wider range of cases while at the same time explaining the simple knowledge account's appeal. §1 introduces some new data (...) that a knowledge account of assertion well explains. §2 explains the simple knowledge account's advantage over two of its main competitors. §3 presents a problem for the simple account and offers a solution, which is to adopt the express knowledge account. §4 encapsulates the case for the express knowledge account, and offers a unifying vision for the epistemology of belief and assertion. §5 answers an objection. §6 briefly sums up. Even those who ultimately reject my conclusion can still benefit from the new data presented in §1, and learn an important lesson from the problem discussed in §3, which demonstrates a general constraint on an acceptable account of the norm of assertion. (shrink)

John Searle's Speech Acts made a highly original contribution to work in the philosophy of language. Expression and Meaning is a direct successor, concerned to develop and refine the account presented in Searle's earlier work, and to extend its application to other modes of discourse such as metaphor, fiction, reference, and indirect speech arts. Searle also presents a rational taxonomy of types of speech acts and explores the relation between the meanings of sentences and the contexts of their utterance. (...) The book points forward to a larger theme implicit in these problems - the basis certain features of speech have in the intentionality of mind, and even more generally, the relation of the philosophy of language to the philosophy of mind. (shrink)

Kaplan (1999) argued that a different dimension of expressive meaning (“use-conditional”, as opposed to truth-conditional) is required to characterize the meaning of pejoratives, including slurs and racial epithets. Elaborating on this, writers have argued that the expressive meaning of pejoratives and slurs is either a conventional implicature (Potts 2007) or a presupposition (Macià 2002 and 2014, Schlenker 2007, Cepollaro and Stojanovic 2016). We argue that an expressive presuppositional theory accounts well for the data, but that expressive presuppositions are not just (...) propositions to be added to a common ground. We hold that expressives, including pejoratives and slurs, make requirements on a contextual record governed by sui generis norms specific to affective attitudes and their expressions. (shrink)

Critics have argued that human-controlled avatar interactions fail to facilitate the kinds of expressivity and social understanding afforded by our physical bodies. We identify three claims meant to justify the supposed expressive limits of avatar interactions compared to our physical interactions. First, “The Limited Expressivity Claim”: avatars have a more limited expressive range than our physical bodies. Second, “The Inputted Expressivity Claim”: any expressive avatarial behaviour must be deliberately inputted by the user. Third, “The Decoding Claim”: users must infer or (...) figure out the expressive meaning of human-controlled avatars’ behaviour through cognitively onerous processes. With the aim of critically assessing all three claims, we analyze data collected through observations of and interviews with expert players of the avatar-based video game League of Legends. Focusing on Daniel Stern’s (2010) notion of vitality, we analyze the participants’ descriptions of seeing and interacting with other avatars during performance. Our analysis shows that the informants experience human-based avatarial interactions as qualitatively different than interactions with bots, that the informants see the movements of other players’ avatars as having different expressive styles, and that the informants actively use and manipulate this avatarial expressivity during performance. The results of our analysis, we argue, provide reasons for loosening or resisting the three claims concerning the limits of avatarial expressivity. (shrink)

The concept of expression in the arts is Janus-faced. On the one hand expression is an author-centered notion: many Romantic poets, painters, and musicians thought of themselves as pouring our or ex-pressing their own emotions in their artworks. And on the other hand, expression is an audience-centered notion, the communication of what is expressed by an author to members of an audience. Typically the word “expression” is used for the author-centered aspect of expression as a (...) whole, and the word “expressiveness” is used for the audience-centered aspect, and I shall keep to this usage. In this paper I shall argue that although expression is closely related to expressiveness, the two concepts are distinct and, in particular, expressiveness cannot be analyzed in terms of expression, as has been recently suggested by Stephen Davies and Jerrold Levinson. Nonetheless, the richest examples of expression in the arts involve both expression and expressiveness. (shrink)

According to an influential view about directed expressive duties (e.g., duties to express gratitude to benefactors, remorse to victims, forgiveness to wrongdoers), these duties do not have rights as their correlates, because they are not demandable and enforceable. The chapter argues that this view is mistaken. Like other directed duties, directed expressive duties are demandable and enforceable. While this does not entail that these duties have rights as their correlates, it does create a strong presumption of this being the case. (...) This shifts the burden of proof from those who hold that expressive duties correlate with rights to those who deny it. (shrink)

This paper proposes that human expression of pain in the presence or absence of caregivers, and the detection of pain by observers, arises from evolved propensities. The function of pain is to demand attention and prioritise escape, recovery, and healing; where others can help achieve these goals, effective communication of pain is required. Evidence is reviewed of a distinct and specific facial expression of pain from infancy to old age, consistent across stimuli, and recognizable as pain by observers. (...) Voluntary control over amplitude is incomplete, and observers can better detect pain that the individual attempts to suppress rather than amplify or simulate. In many clinical and experimental settings, the facial expression of pain is incorporated with verbal and nonverbal vocal activity, posture, and movement in an overall category of pain behaviour. This is assumed by clinicians to be under operant control of social contingencies such as sympathy, caregiving, and practical help; thus, strong facial expression is presumed to constitute an attempt to manipulate these contingencies by amplification of the normal expression. Operant formulations support skepticism about the presence or extent of pain, judgments of malingering, and sometimes the withholding of caregiving and help. To the extent that pain expression is influenced by environmental contingencies, however, “amplification” could equally plausibly constitute the release of suppression according to evolved contingent propensities that guide behaviour. Pain has been largely neglected in the evolutionary literature and the literature on expression of emotion, but an evolutionary account can generate improved assessment of pain and reactions to it. Key Words: adaptation; evolutionary psychology; facial expression; pain. (shrink)

The Epicureans are hedonists who believe that pleasure is the only intrinsic good. Since pleasure is the only intrinsic good, other things are only worthwhile for the sake of pleasure. Tranquility is the final Epicurean telos, i.e., all of our actions should aim for freedom from bodily and mental pain. According to the Epicureans, tranquility is the limit of the magnitude of pleasures so that there is no pleasure beyond tranquility. Once we free ourselves from all pain, there are no (...) further pleasures to pursue. This poses the following problem. Since hedonism is true and something is only worthwhile for the sake of pleasure, but there are no further pleasures for those who have achieved tranquility to pursue, then it seems that nothing is worthwhile to the tranquil. This poses a problem for Epicureans because they should reject this consequence and they seem to want to do so, but they cannot without contradicting themselves about the nature and limit of pleasure. I call this the Nothing is Worthwhile to the Tranquil Problem. This paper develops a strategy that Epicureans can adopt to solve NWP. I develop this strategy in three stages. First, I explain NWP: Epicurean claims about the limit and nature of pleasure suggest that nothing can be worthwhile to the tranquil. Second, I show that this problem is analogous to the Problem of Creation, which claims that an impassible God has no reasons to create. Third, I argue that a prominent solution to PoC can also solve NWP. That solution goes as follows. Some activities are worthwhile to the tranquil because these activities express tranquility, just as creating is worthwhile to God because it expresses God’s perfections. In the final section, I raise three objections to this solution. None of them is strong enough to defeat the solution for which I argue, and so I conclude that it merits consideration as a solution to NWP. (shrink)

Linguists and philosophers of language have shown increasing interest in the expressions that refer to quantifiers: determiners like ‘every’ and ‘many’, in addition to determiner phrases like ‘some king’ and ‘no cat’. This thesis addresses several puzzles where the way we understand quantifier expressions depends on features that go beyond standard truth conditional semantic meaning. One puzzle concerns the fact that it is often natural to understand ‘Every king is in the yard’ as being true if all of the kings (...) at the party are in the yard, even though the standard truth conditions predict it to be true if and only if every king in the universe is in the yard. Another puzzle emerges from the observation that ‘Every American king is in the yard’ sounds odd relative to contexts where there are no American kings, even though the standard truth conditions predict it to be trivially true. These puzzles have been widely discussed within linguistics and philosophy of language, and have implications for topics as diverse as the distinction between semantics and pragmatics and the ontological commitments of ordinary individuals. Yet few attempts have been made to incorporate discussions from the linguistics literature into the philosophical literature. This thesis argues that attending to the linguistics literature helps to address these puzzles. In particular, my solutions to these puzzles rely on notions from work on information structure, an often overlooked area of linguistics. I will use these notions to develop a new theory of the pragmatics of ordinary discourse, in the process of resolving the puzzles. In the first two chapters, I provide accessible overviews of key notions from the literature on quantifier expressions and information structure. In the third chapter, I discuss the problem of contextual domain restriction. In the fourth chapter, I consider the problems posed by empty restrictors. In the final chapter, I tackle the issue of category mistakes. (shrink)

We investigate expressiveness and definability issues with respect to minimal models, particularly in the scope of Circumscription. First, we give a proof of the failure of the Löwenheim-Skolem Theorem for Circumscription. Then we show that, if the class of P; Z-minimal models of a first-order sentence is Δ-elementary, then it is elementary. That is, whenever the circumscription of a first-order sentence is equivalent to a first-order theory, then it is equivalent to a finitely axiomatizable one. This means that classes of (...) models of circumscribed theories are either elementary or not Δ-elementary. Finally, using the previous result, we prove that, whenever a relation Pi is defined in the class of P; Z-minimal models of a first-order sentence Φ and whenever such class of P; Z-minimal models is Δ-elementary, then there is an explicit definition ψ for Pi such that the class of P; Z-minimal models of Φ is the class of models of Φ ∧ ψ. In order words, the circumscription of P in Φ with Z varied can be replaced by Φ plus this explicit definition ψ for Pi. (shrink)

According to the expressive view of voting, a voter derives expressive utility from casting a vote. We present two possible sources of expressive utility: social interaction with voters having the same political preferences, and interestingness of the election. First, it has been suggested that a voter's expressive utility may increase when there are more voters having the same political preference. We extend this line of study and test the hypothesis that a voter's expressive utility increases as the number of voters (...) having the same political preferences increases in the local community, where interaction occurs more frequently with others than it does with others in distant communities. Second, we propose and test the other hypothesis, that voters’ expressive utility is larger when the election is more interesting. Using 2008 parliamentary election data from Korea, where the election consists of both 245 single-member districts and only one nationwide district for proportional representatives, we find supporting evidence for these two arguments: the turnout rate is significantly and positively related to the share of proportional representation votes for the largest party in each single-member district; the turnout rate is also significantly and positively related to the number of polls for single-member district election conducted by major broadcasting companies, which we use as a proxy variable for interestingness of the election. (shrink)

Rigorously studying the inexpressible expression provoked by the silenced testimony of the Holocaust survivor, in Jean-François Lyotard's The Differend, and the religious faithful, in Pseudo-Dionysius' The Divine Names, proves to dissolve the apparent heterogeneity of postmodernism and Neoplatonist Christian mysticism and open radical new lines of dialogue. Expressing the Inexpressible critically evaluates each thinker and tradition, rethinks witnessing, testimony, sublimity, and apophaticism, and then engages them together to forge a new reading of silence and eros.

This article develops the concepts of the public sphere, cultural malaise and social suffering in critical theory to think of social struggles as forms of social protest and political protest that occurred since October 2019 in Chile. The article explores the thesis on social discontent, which maintains that recent social struggles are a public expression of the unrest cultivated by processes of social modernization. According to the author, beyond the normative justification in reasons and arguments regarding the conditions of (...) injustice that affect the agents in struggle, the social critique emerges from the social suffering that finds its place in the materiality of the discourses, images and bodies in the public sphere. (shrink)

ABSTRACT The main objective of this article is to make evident the relationship between expressivity and performativity trying to reveal the continuities, tensions and ruptures concerning the ways of understanding the sexed body in Merleau-Ponty's Phenomenology of Perception and the poststructuralist perspective of Judith Butler. On the one hand, the body as a sexual being is approached to demonstrate how the critiques to the anonymous body and the preexistence of the operative locus made by feminism do not fully grasp the (...) ideas of the French philosopher. On the other hand, the notions of expressivity and performativity are approached to reveal the displacement from theatricality to dramatization. RESUMEN El objetivo central de este artículo es evidenciar la relación entre expresividad y performatividad, tratando de revelar las continuidades, tensiones y rupturas entre la manera de comprender el cuerpo sexuado desde la Fenomenología de la Percepción de Merleau-Ponty y la perspectiva postestructuralista de Judith Butler. En primer lugar, se efectúa una aproximación al cuerpo como ser sexuado para demostrar cómo las críticas elaboradas desde el feminismo sobre el cuerpo anónimo y la preexistencia de un locus operativo no comprenden plenamente la propuesta del filósofo francés. En segundo lugar, se abordarán las nociones de expresividad y performatividad, para revelar el desplazamiento de la teatralidad a la dramatización. (shrink)

Humor and social dilemmas are two disparate areas that have been linked to emotions. However, they tend to have been studied apart from considerations of emotion and emotional expression. We provide an overview of how such areas might be illuminated by Vigil's socio-relational framework, and how capacity and trustworthiness are communicated in humor and social dilemmas.

This paper proposes a semantics for free choice permission that explains both the non-classical behavior of modals and disjunction in sentences used to grant permission, and their classical behavior under negation. It also explains why permissions can expire when new information comes in and why free choice arises even when modals scope under disjunction. On the proposed approach, deontic modals update preference orderings, and connectives operate on these updates rather than propositions. The success of this approach stems from its capacity (...) to capture the difference between expressing the preferences that give rise to permissions and conveying propositions about those preferences. (shrink)

Née sous le signe d'une exigence descriptive radicale, la phénoménologie ne pouvait éviter cette confrontation entre langage et perception que toute description met en jeu. Cet article se propose d'examiner les ressources dont disposent les Recherches logiques de Husserl pour répondre aux difficultés que cette tension entre intuition et signification impose à toute phénoménologie. L'analyse de la "grammaire" propre à la description phénoménologique des vécus rend problématique l'opposition entre exprimer et décrire, et elle engage ainsi une réévaluation de la fonction (...) méthodologique de l' expression dans les Recherches . Loin d'être simplement une partie de la théorie husserlienne de la signification, la théorie de l'expression doit nous donner la mesure des possibilités descriptives de la phénoménologie, dans la mesure où c'est à elle qu'il revient de définir l'accès que nous pouvons avoir à nos propres vécus, ainsi que le "format" sous lequel ils pourront seulement être décrits. (shrink)

Expressives like damn and bastard have, when uttered, an immediate and powerful impact on the context. They are performative, often destructively so. They are revealing of the perspective from which the utterance is made, and they can have a dramatic impact on how current and future utterances are perceived. This, despite the fact that speakers are invariably hard-pressed to articulate what they mean. I develop a general theory of these volatile, indispensable meanings. The theory is built around a class of (...) expressive indices. These determine the expressive setting of the context of interpretation. Expressives morphemes act on that context, actively changing its expressive setting. The theory is multidimensional in the sense that descriptives and expressives are fundamentally different but receive a unified logical treatment. (shrink)

Human expression is open-ended, versatile, and diverse, ranging from ordinary language use to painting, from exaggerated displays of affection to micro-movements that aid coordination. Here we present and defend the claim that this expressive diversity is united by an interrelated suite of cognitive capacities, the evolved functions of which are the expression and recognition of informative intentions. We describe how evolutionary dynamics normally leash communication to narrow domains of statistical mutual benefit, and how expression is unleashed in (...) humans. The relevant cognitive capacities are cognitive adaptations to living in a partner choice social ecology; and they are, correspondingly, part of the ordinarily developing human cognitive phenotype, emerging early and reliably in ontogeny. In other words, we identify distinctive features of our species' social ecology to explain how and why humans, and only humans, evolved the cognitive capacities that, in turn, lead to massive diversity and open-endedness in means and modes of expression. Language use is but one of these modes of expression, albeit one of manifestly high importance. We make cross-species comparisons, describe how the relevant cognitive capacities can evolve in a gradual manner, and survey how unleashed expression facilitates not only language use, but also novel behaviour in many other domains too, focusing on the examples of joint action, teaching, punishment, and art, all of which are ubiquitous in human societies but relatively rare in other species. Much of this diversity derives from graded aspects of human expression, which can be used to satisfy informative intentions in creative and new ways. We aim to help reorient cognitive pragmatics, as a phenomenon that is not a supplement to linguistic communication and on the periphery of language science, but rather the foundation of the many of the most distinctive features of human behaviour, society, and culture. (shrink)

The most popular interpretation of musical meaning is stated generally as 'music is a tonal analogue of emotive life.' the article demonstrates the failure of the expression theory to provide adequate ground for a metalanguage of music. The theory's chief fault is that it attempts to make a science of musical signification and that this science is primarily psychological and secondarily musical. Musical signification lies in four areas rather than one: semantic, Symbolic, Figural, And behavioral (j.P. Guilford). A proper (...) metalanguage can only be built on methodology which demonstrates these mutually important modes of cognition. (shrink)

According to limitarianism, it is morally impermissible to be too rich. We consider three main challenges to limitarianism: the redundancy objection, the inconclusiveness objection, and the commitment objection. As a distributive principle, we find that limitarianism fails to overcome the three objections—even taking recent theoretical innovations into account. Instead, we suggest that the core commitment of limitarianism can be drawn from the excess intuition. It entails that at some point, people's claims to retain wealth become qualitatively different: they become preposterous (...) from the point of view of interpersonal morality and justification. Extreme wealth, we argue, adds a distinctive expressive reason to worry about inequality and insufficiency, compounding these other distributive injustices. In retaining or wasting excess wealth while others have too little, the wealthy send a message of complete disregard for the interests of their co-citizens. They express that their disadvantaged compatriots have a diminished moral standing. (shrink)

Scepticism has been the driving force in the development of Greco-Roman culture in the past, and the impetus for far-reaching scientific achievements and philosophical investigation. Early Jewish culture, in contrast, avoided creating consistent representations of its philosophical doctrines. Sceptical notions can nevertheless be found in some early Jewish literature such as the Book of Ecclesiastes. One encounters there expressions of doubt with respect to Divine justice or even Divine involvement in earthly affairs. During the first centuries of the common era, (...) however, Jewish thought, as reflected in rabbinic works, was engaged in persistent intellectual activity devoted to the laws, norms, regulations, exegesis and other traditional areas of Jewish religious knowledge. An effort to detect sceptical ideas in ancient Judaism, therefore, requires a closer analysis of this literary heritage and its cultural context. This volume of collected essays seeks to tackle the question of scepticism in an Early Jewish context, including Ecclesiastes and other Jewish Second Temple works, rabbinic midrashic and talmudic literature, and reflections of Jewish thought in early Christian and patristic writings. Contributors are: Tali Artman, Geoffrey Herman, Reuven Kiperwasser, Serge Ruzer, Giuseppe Veltri, Cana Werman, and Casten Wilke. (shrink)

Based on conversations between 10 Chinese children with Autism Spectrum Disorders and five therapists in the context of Naturalistic Intervention, this study investigated the therapists’ agreement expressions in this typical setting. The study found that the therapists mainly used four agreement strategies: acknowledgment, positive evaluation, repetition and blending. These four strategies could be used individually or in combination. The first three strategies and their combinations were used frequently during the therapeutic conversation. With the major occurrences in the post-expansion position, the (...) agreement expressions in the therapeutic conversation mainly performed three functions, namely, creating a supportive therapeutic relationship, serving as positive reinforcers and implementing interventions pertinent to communication skills. This study proposed that the therapists’ preferred use of agreement expressions in the intervention process could be explained by the features of Naturalistic Intervention. (shrink)

Cet article présente une manière particulière de déterminer un nom, qui consiste à dire le degré associé à ce qui est représenté par ce nom. A partir de la Théorie des Opérations Prédicatives et Enonciatives, nous abordons l’opération de détermination comme un repérage par délimitation, qui peut se faire à l’aide d’autres éléments que des déterminants spécifiques. Nous montrons que la grande quantité, lorsqu’elle est associée à un effet d’emphase, peut s’approcher de l’expression du degré, du point de vue (...) sémantique. Cependant pour exprimer le degré, il est nécessaire de travailler sur une propriété gradable munie d’un gradient orienté. Nous montrons d’une part que quantité et degré sont intimement liés dans la comparaison scalaire, et d’autre part que le haut degré s’établit en fonction de l’orientation du gradient par rapport au centre attracteur. Cela permet de construire les superlatifs relatif et absolu, comme ceux qui sont fournis dans le discours à l’étude : the best ; very ; so ; such puis this. (shrink)

In this article, Professors Wolff and Koppelman offer a critical analysis of the free speech claims that were asserted by the law schools and law faculty that sought to challenge the Solomon Amendment. Solomon is a federal statute that requires law schools to grant full and equal access to military recruiters during the student interview season. The military discriminates against gay men and lesbians under its t Ask, Don policy, and the law professors claimed a right to exclude the military (...) under the First Amendment doctrine of arguing that the presence of discriminatory recruiters would interfere with the ability of faculty to express their own message of inclusion toward their gay students. Those claims were ultimately rejected by the Supreme Court in Rumsfeld v. FAIR. Wolff and Koppelman argue that the law professors' litigation efforts, though well intentioned, were deeply misguided, seeking to extend a recent and aberrational decision in the law of expressive association to unsustainable lengths and, in the process, offering a characterization of the manner in which faculty engage in their own expression that is inconsistent with the ideals that should govern institutions of higher learning. (shrink)

Over the past century or so, questions concerning the word ‘meaning’ have been understandably prominent in the field of the philosophy of language. There is, however, a historical aspect to the debate that is of especial interest to literary critics – the fact that verbs and expressions of meaning have been applied to different kinds of things in a number of languages spanning the western literary tradition. I shall introduce the topic by focussing on the Latin expressionsibi uelleand on how (...) Roman authors exploited its ambiguities for the purposes of humour (§§ I and II). I shall then move on to a discussion of a later Latin phrase familiar from the pages of the Virgilian commentator Servius,hoc uult dicere, and argue that the assumptions we have about expressions of meaning may lead us to adopt a particular interpretation of it (§§ III and IV). In the final part of the paper (§§ V, VI and VII) I shall proceed to a discussion of why it is important for modern literary critics to pay attention to how they use verbs such as ‘to mean’: I argue that the different functions of the verb facilitate a personification of the text that allows us to equivocate about the role of the author. (shrink)

People dedicate significant attention to others’ facial expressions and to deciphering their meaning. Hence, knowing whether such expressions are genuine or deliberate is important. Early research proposed that authenticity could be discerned based on reliable facial muscle activations unique to genuine emotional experiences that are impossible to produce voluntarily. With an increasing body of research, such claims may no longer hold up to empirical scrutiny. In this article, expression authenticity is considered within the context of senders’ ability to produce (...) convincing facial displays that resemble genuine affect and human decoders’ judgments of expression authenticity. This includes a discussion of spontaneous vs. posed expressions, as well as appearance- vs. elicitation-based approaches for defining emotion recognition accuracy. We further expand on the functional role of facial displays as neurophysiological states and communicative signals, thereby drawing upon theencoding-decodingandaffect-inductionperspectives of emotion expressions. Theoretical and methodological issues are addressed with the aim to instigate greater conceptual and operational clarity in future investigations of expression authenticity. (shrink)

The paper defends Wollheim’s account of aesthetic expressive perception by showing that it may fruitfully be extended to artistic genres other than painting. The paper hopes to show the richness of Wollheim’s theory of expressive projection as an account of aesthetic perception. In investigating the application of Wollheim’s account of artistic expression to literature, I shall illustrate how understanding expression as the result of the projective activity of the writer is a useful way of understanding some of the (...) expressive properties of two poems by Wordsworth. I shall also attempt to show how Wordsworth’s poems require and facilitate the activity of projection by the reader, so as to allow for the appreciation of the work’s expressive properties. In exploring the application of Wollheim’s account of expression-as-projection to poetry, this paper will also attempt to defend Wollheim’s account against some objections raised by Malcolm Budd. (shrink)

This paper extends a notion of local grammars in formal language theory to autosegmental representations, in order to develop a sufficiently expressive yet computationally restrictive theory of well-formedness in natural language tone patterns. More specifically, it shows how to define a class ASL\ of stringsets using local grammars over autosegmental representations and a mapping g from strings to autosegmental structures. It then defines a particular class ASL\ using autosegmental representations specific to tone and compares its expressivity to established formal language (...) grammars that have been successfully applied to other areas of phonology. (shrink)

This chapter analyzes how Wittgenstein explicitly addresses the possibility of distinguishing between word types, and not only in the form of presentation of examples. Wittgenstein might be using the terms “kind of word” and “part of speech” in a quite unusual way. The author focuses on just one language, thus no longer being concerned with the possibility of developing diverse new languages without limit. It is not surprising that in the natural languages very many more word types than did “the (...) logicians,” above all Frege, Russell, and the Wittgenstein of the Tractatus, particularly if one does not limit one's interest in language to the expression of a “judgeable content.”. Wittgenstein hints that the classification of words or sentences by their ways of usage on one hand and by their belonging to different types on the other, is a result of two different standpoints on the classification of elements of language. (shrink)

In his book The Principles of Art Robin George Collingwood presents a theory of art as the expression of emotion. The connection between his view and the theories of the Italian neo-idealists Benedetto Croce and Giovanni Gentile is both well known and well documented. What seems to be less known, however, is the intellectual link R. G. Collingwood’s father, William Gershom Collingwood, formed between his son and John Ruskin, the great Victorian essayist, critic and reformer. There are some references (...) in the literature to the fact that W. G. Collingwood was Ruskin’s friend, pupil, assistant and private secretary, later on his intellectual interpreter and biographer. It has also been argued that since R. G. Collingwood was until the age of thirteen exclusively educated by his father, there must have been an educational link between Ruskin and the younger Collingwood. But when it has come to pointing out theoretical similarities between the aesthetic theories of Ruskin and Collingwood, philosophers of art have, by and large, kept a remarkably low profile. (shrink)

Embryonic stem cells are derived from the preimplantation embryo and can differentiate into virtually any other cell type, which is governed by lineage specific transcriptions factors binding to cis regulatory elements to mediate changes in gene expression. The reliance on transcriptional regulation to maintain pluripotency makes ESCs a valuable model to study the role of distal CREs such as enhancers in modulating gene expression to affect cell fate decisions. This review will highlight recent advance on transcriptional enhancers, focusing (...) on studies performed in ESCs. In addition, we argue that the Nanog locus, which encodes for an ESC-critical TF, is particularly informative because it contains multiple co-regulated genes and enhancers in close proximity to one another. The unique landscape at Nanog permits the study of ongoing questions including whether multiple enhancers function additively versus synergistically, determinants of gene specificity, and cell-to-cell variability in gene expression. Nanog encodes a transcription factor required to maintain ESC pluripotency. The Nanog locus is an ideal model to study enhancers because it contains multiple highly potent super-enhancers within a small region. Nanog and three super-enhancers are in close physical proximity but only two SEs are required for Nanog expression. (shrink)

In this paper, the aim is to explore how there can be a role for expression of affect in illocution, drawing upon some ideas about expression put forward by Karl Bühler. In a first part of the paper, I map some active discussions and open questions surrounding phenomena that seem to involve “expression of affect”. Second, I home in on a smaller piece of that larger puzzle; namely, a consideration of how there may be non-conventional expression (...) of affect. I provide some examples of what I take that to involve and set out some premises for approaching it. In a third section, I motivate such an interest by pointing to a question in speech act theory concerning ‘force conventionalism’. This is whether and how illocution can be performed non-conventionally—that is, whether (at least some) utterances can be communicated with illocutionary force without need of convention. I propose that where expression of affect may occur non-conventionally, it may in turn constitute one important route through which at least some kinds of illocution are achieved. In the fourth part of the paper, I sketch an account of such non-conventional expression of affect for the purposes of illocution, by exploring a broadly Bühlerian account of some affects; namely, that some affects are teleological in character, that coordinations may be involved in their satisfactional states, and that uptake of the expressed affect constitutes one subset of such satisfactional states. That exposition points to the contemporary relevance of the “action theory of expression” proposed by Bühler. (shrink)

Natural deduction systems were motivated by the desire to define the meaning of each connective by specifying how it is introduced and eliminated from inference. In one sense, this attempt fails, for it is well known that propositional logic rules underdetermine the classical truth tables. Natural deduction rules are too weak to enforce the intended readings of the connectives; they allow non-standard models. Two reactions to this phenomenon appear in the literature. One is to try to restore the standard readings, (...) for example by adopting sequent rules with multiple conclusions. Another is to explore what readings the natural deduction rules do enforce. When the notion of a model of a rule is generalized, it is found that natural deduction rules express “intuitionistic” readings of their connectives. A third approach is presented here. The intuitionistic readings emerge when models of rules are defined globally, but the notion of a local model of a rule is also natural. Using this benchmark, natural deduction rules enforce exactly the classical readings of the connectives, while this is not true of axiomatic systems. This vindicates the historical motivation for natural deduction rules. One odd consequence of using the local model benchmark is that some systems of propositional logic are not complete for the semantics that their rules express. Parallels are drawn with incompleteness results in modal logic to help make sense of this. (shrink)

The question is how to explain expressions of emotion. It is argued that not all expressions of emotion are open to the same sort of explanation. Those expressions which are actions can be explained, like other sorts of action, by reference to a belief and a desire; however, no genuine expression of emotion is done as a means to some further end. Certain expressions of emotion which are actions can also be given a deeper explanation as being expressive of (...) a wish. Expressions of emotion which are not actions cannot be given a belief-desire explanation: no belief is involved, and a desire is involved only in an honorific sense of 'desire'. The distinction amongst expressions of emotion between those which are actions and those which are not is not a precise one, and the paper concludes with some speculative remarks about borderline cases such as jumping for joy. (shrink)

The central question of Hans Urs von Balthasar’s Theo-Logic is how the infinite truth of God can be manifested in the finite structures of the created world. In the course of answering this question, Balthasar presents a philosophical understanding of expressive form and a theology of Christ as the expression of divine truth in the world. The philosophical discussion of truth provides support for the intelligibility of the theological claim that God’s truth has been manifested in the world in (...) Christ. The fullest expression of divine truth and the highest realization of worldly truth are found together in Christ, whom Balthasar calls the “truth of God.” Balthasar’s philosophical and theological understanding of expression, as set forth in the Theo-Logic, provides helpful insights for comparing his thought to that of Karl Rahner. (shrink)