A correct observation to the effect that a does not exist, where ‘a’ is a singular term, could be true on any of a variety of grounds. Typically, a true, singular negative existential is true on the unproblematic ground that the subject term ‘a’ designates something that does not presently exist. More interesting philosophically is a singular, negative existential statement in which the subject term ‘a’ designates nothing at all. Both of these contrast sharply with a singular, negative existential in (...) which the subject term is a name from fiction. I argue that such singular, negative existential statements are false. My account of fictional characters differs significantly from Kripke’s. It is shown that an objection to my account rests on a serious misunderstanding. Finally, a crucial aspect of the account is emphasized. (shrink)

Why broach and challenge the question of neutrality? For some urgent reasons. The neuter is generally considered to be the condition of objectivity. However, historically, this is asserted by a subject which is masculine and not neuter. Claiming that truth and the way of reaching it are and must be in the neuter amounts to a misuse of power and a falsification of the real. Living beings are not naturally neuter; they are sexuate somehow or other. Subjecting them to the (...) neuter as a condition of their objective status transforms living beings into cultural products deprived of their own origin and dynamism, and builds a world in which the development and the sharing of life are impossible.In this book, four contributors explore this basic mistake of our culture starting from the work of Heidegger and his insistence on maintaining that our being in the world - our Dasein - must be in the neuter. They question the nature of the truth which is then at stake and the political mistakes that it can cause. It is not here a question of sexuality strictly speaking nor of sexual choice. The concern of the two men and the two women who participate in this volume is with the sexuate determination of all living beings. Is not Heidegger’s Dasein, as neutered and supposedly neutral, a kind of technical device which prevents living beings from entering into presence? If so, where might that ultimately lead? (shrink)

Eleven original essays discuss a range of puzzling philosophical questions about fictional characters, and more generally about fictional objects. For example, they ask questions like the following: Do they really exist? What would fictional objects be like if they existed? Do they exist eternally? Are they created? Who by? When and how? Can they be destroyed? If so, how? Are they abstract or concrete? Are they actual? Are they complete objects? Are they possible objects? How many (...) fictional objects are there? What are their identity conditions? What kinds of attitudes can we have towards them? This volume will be a landmark in the philosophical debate about fictional objects, and will influence higher-level debates within metaphysics, the philosophy of mind, and the philosophy of language. (shrink)

Our research focuses on the perception of difference in the evaluations of positive and negative options. The literature provides evidence for two opposite effects: on the one hand, negative objects are said to be more differentiated, on the other, people are shown to see greater differences between positive options. In our study, we investigated the perception of difference between fictitious political candidates, hypothesizing greater differences among the evaluations of favorable candidates. Additionally, we analyzed how positive and negative information (...) affect candidate evaluation, predicting further asymmetries. In three experiments, participants evaluated various candidate profiles presented in a numeric and narrative manner. The evaluation tasks were designed as individual or joint assessments. In all three studies, we found more differentiation between positive than negative options. Our research suggests that after exceeding a certain, relatively small level of negativity, people do not see any further increase in negativity. The increase in positivity, on the other hand, is more gradual, with greater differentiation among positive options. Our findings are discussed in light of cognitive-experiential self-theory and density hypothesis. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:150 PERCEPTIONS, OBJECTS AND THE NATURE OF MIND In this paper I consider the relation between perceptions and objects for Hume and the bearing which this has on his conception of the mind as composed of perceptions. But first it is necessary to distinguish at least two senses in which he uses the term 'object'. In the first, "perceptions of the human mind" — both impressions and (...) ideas — are referred to as "our objects" (T 1,2). Objects in this sense are intentional objects. Hume almost consistently uses the noun 'perception', rarely the verb 'to perceive'. This serves to emphasize that for him perception is an object, not the perceiving of an object — a departure from the tradition of Locke and Berkeley for whom perceptions are cognitive acts having objects. That perception is not conceived by Hume as a cognitive act or form of awareness but purely as an object of awareness is evident when he says, For since all actions and sensations of the mind are known to us by consciousness, they must necessarily appear in every particular what they are, and be what they appear. Everything that enters the mind, being in reality a perception, 'tis impossible anything shou'd to feeling appear different. This were to suppose, that even when we are most intimately conscious, we might be mistaken (T 190). 1 Or again, "The only existences, of which we are certain, are perceptions, which being immediately present to us by consciousness, command our strongest assent...." (T 212). In its other sense the term 'object' is used to denote bodies, or that to which we attribute a continued existence "distinct from the mind and perception", or, borrowing Locke's expression "external 151 objects". It is just because we attribute a continued and independent existence to bodies that we distinguish them from perceptions, for "all impressions are internal and perishing existences, and appear as such" (T 194). But while we make this distinction in our everyday role of common man, the difference between a perception and an (external) object is really only a difference between two types of perceptions, on the one hand those that are characterized in their occurrence by constancy and coherence, and on the other those, for example the passions, which exhibit a different type of "regularity" in their occurrence (T 195). The constancy and coherence which some perceptions exhibit, together with a natural tendency of the mind "to bestow on the objects a greater regularity than what is observ'd in our mere perceptions" (T 197) causes us to attribute to these perceptions an uninterrupted and independent existence, an existence which is, of course, fictitious, because all perceptions are really internal and perishing. 'Tis certain, that almost all mankind, and even philosophers themselves, for the greatest part of their lives, take their perceptions to be their only objects, and suppose, that the very being, which is intimately present to the mind, is the real body or material existence (T 206). This is not to say, however, that "what any common man means by a hat, or shoe, or stone" (T 202) he also believes to be a perception. What he does believe is that the hat or the shoe is immediately present to the mind, or directly appears to his consciousness. It is Hume, the philosopher, who is here interposing the philosophical doctrine that "no beings are ever present to the mind but perceptions" (T 212). This is, of course, not an empirical generalization. It is the definition of a perception as "whatever can be present 152 to the mind" (Abstract 647). It is this definition which gives sense to the statement "their perceptions are their only objects", the term "objects" here referring to "external objects". And the common man would, no doubt, be surprised to learn that these hats, shoes, etc., which directly appear to his consciousness, are by that circumstance really only his own perceptions which he has imagined, falsely, to have a continued and independent existence. Only a few experiments, however, are needed for the philosopher to realize that perceptions, i.e., what is present to the mind, do not have a continued and independent existence. Unable to give up his vulgar... (shrink)

Those who are – in the tradition of Meinong – willing to accept the claim that there are objects that do not exist usually argue that the ontological commitment to nonexistent objects allows to resolve a variety of problems of reference and intentionality, such as: the problem of singular negative existential statements, the problem of discourse on past and future objects, the problem of discourse on fictitious objects, the problem of counterfactual existentials, the problem of (...) allegedly necessary truths on nonexistent objects (e. g., "The round square is round".) It seems that the ontological commitment to nonexistent objects enables us to explain both the obvious truth of many predicative sentences whose subject terms do not denote anything existent and the possibility of intentional acts whose objects do not exist. The aim of this paper is to show that the commitment to nonexistents does not resolve any of these problems. Furthermore, some alternative solutions are delineated. (shrink)

At the center of both Humean and Kantian experience is a connection between the objectivity of perception and the concept of substantial identity. In the course of examining both systems as responses to structurally similar problems of perceptual objectivity, I argue that Kant's conception of substantial persistence is superior to Hume's account of the idea of identity. ;There are deep tensions in Hume's account of perception that are partially explicable in terms of his complex and naturalistic 'moderate scepticism' and the (...) conflict in the faculties of causal reasoning and imagination upon which it rests. Despite the subtlety of his explanatory scepticism, however, there remains a damaging vacillation in Hume between perceptible phenomena understood as the objects of 'vulgar' direct realism on the one hand, and as the subjective images of the causal-representationalist philosophy on the other. There are also difficulties with Hume's idea of perfect identity, the foundation of both the vulgar and philosophical systems of belief in body. Starting from an assumption of radical perceptual diversity, Hume unsuccessfully attempts to build an idea of substantial identity upon the fiction of a duration without change. ;The tension in Hume concerning the direct objects of perception is paralleled by the subjective/objective ambiguity of Kant's perceptual content terms. In Kant, however, the ambiguity reflects a coherent account of conceptualization, perceptual judgment, and self-conscious temporal experience. I examine Kant's arguments for the persistence and absolute permanence of substance and show that they are largely successful if premises are supplied from the general account of objective judgment and the unity of consciousness. ;Hume's theory of perceptual belief is ingenious but ultimately unsatisfactory according to his own criteria. His failure to construct an idea of identity upon a fictitious duration casts favorable light on Kant's contention that substantial identity is a condition on having any cognition of duration. The two philosophers' dispute concerning identity is conceptually connected to their differing treatments of the 'given' element in perception. (shrink)

The concept of totalitarianism was particularly prevalent in intellectual and political debate in Germany in the 1970s, and was motivated largely by anti-totalitarian convictions. Although it did not enter everyday language, it persists in political rhetoric, where it is used today as a political football in speeches and constitutional reports. In response to historical approaches to the concept of totalitarianism, which generally contextualise the term and put forward alternative terms, this article probes the meaning of this term as it is (...) actually used and misused in political and educational contexts in contemporary Germany. It concludes by highlighting the fictitious (figurative, semantic and epistemological) dimensions of the rhetoric of anti-totalitarianism, and calls for a more genuinely liberal, non-totalitarian, posture. (shrink)

This article focuses on documents made by the Soviet military secret service detailing the arrest, interrogation, trial and execution of Sergei Tret’iakov in Moscow in 1937. The original documents were published in Russian in 1997 as part of Return my Freedom, a collection of archival records edited by Vladimir Kolyazin that details the fate of Russian and German cultural figures who fell victim to the Stalinist terror. This record of Tret’iakov’s violent death has received little attention, even in Russia or (...) in Russian studies. The book presents facsimiles of 60 separately numbered and dated sheets containing records of Tret’iakov’s arrest and the search of his home. There are two written confessions; a first short admission of guilt and a second longer account of his supposed crimes that also claims parts of the first to be fictitious. These are followed by a transcript of his interrogation, a very brief account of his trial and the even briefer report of his execution. A historical gap separates these from documents of Tret’iakov’s official rehabilitation in 1954 which his wife, Olga Tret’iakov was instrumental in securing. Return my Freedom also contains the record of her arrest, interrogation and release in 1937. The article presents translated extracts from the official record of Tret’iakov’s interrogation and execution for the first time in English, and it explores these documents in relation to core strategies and critical commitments that shaped Tret’iakov’s influential conception of Factography. (shrink)

There are remarkable parallels between Hume and Nagarjuna in their denial of substantiality and independence in objects and their subsequent attitude toward our ordinary world. Acknowledging a deep-rooted human tendency to take objects as independent entities, they both argue that there is nothing intrinsic in those objects that make them unitary and independent, and that those characters are, strictly speaking, merely fictitious, mental constructs. They nonetheless affirm the existence of our ordinary world as real. Although their (...) main purposes of the philosophical inquiry are different (epistemological for Hume, and soteriological for Nagarjuna), their accounts of the nature of our world allow us to accept it in the way we ordinarily believe with the deeper understanding of it. It is only in this world where we think, act, and interact with others that an epistemology grounded in human sentiment and experience (for Hume) or humans liberation (for Nagarjuna) is possible. (shrink)

ARTHUR PRIOR once wrote that "philosophical discussion of the notion of existence, or being, has centred on two main problems...." One of them was the problem of what to say about the existence of fictitious objects, and the other the problem of what to say about abstract objects. Historically, however, this claim is hardly correct; for the existence of individuals that are real rather than fictitious, and concrete rather than abstract, has been at least as central (...) a topic as those mentioned by Prior. It is with the existence of such individuals that I shall be concerned in this paper. (shrink)

The general topic of this paper is the ontological commitment to so-called "fictitious objects", that is, things and characters of fictional stories, like Sherlock Holmes and Pegasus. Discourse about fiction seems to entail an ontological commitment to fictitious entities, a commitment that is often deemed inconsistent with empirical facts. For instance, "Pegasus is a flying horse" seems to entail "There are flying horses" as well as "Pegasus exists" (according to some widely accepted logical principles). I discuss two (...) solutions that have been proposed in the literature. The first one amounts to rejecting sentences like "Pegasus is a flying horse" as false, at least if they are taken at face value. This solution is called the "story operator strategy". It consists in paraphrasing sentences like "Pegasus is a flying horse" by means of the expression "according to a story" such that they are interpreted as an elliptic formulation of, e.g., "According to a story, Pegasus is a flying horse". I spell out the difficulties of the story operator strategy and opt for a realist ontology of fiction. A novel interpretation of the story operator "according to a story" is given, which is not only consistent with but even sheds new light on such a realist ontology. In particular, it is shown how the story operator can be used as a tool to introduce the so-called "modes of predication distinction" (which is an essential ingredient of many realist ontologies of fiction) in a commonsensical way. (shrink)

In this paper, I shall examine two types of assertions in literary narrative fiction: direct assertions and those I call literary assertions. Direct assertions put forward propositions on a literal level and function as the author’s assertions even if detached from their original context and applied in so-called ordinary discourse. Literary assertions, in turn, intertwine with the fictional discourse: they may be, for instance, uttered by a fictional character or refer to fictitious objects and yet convey the author’s (...) genuine assertions. The structure of the paper is twofold. The first, descriptive part is a question–answer type of discussion in which I shall introduce general philosophical arguments against assertions in fiction and present counter-arguments to them, paving the road to my account of literary assertions. In the second, argumentative part, in turn, I shall examine the nature of literary assertions, such as their semantic and ‘aspectival’ characteristics and their peculiar illocutionary force as well as the reader’s stance toward them. (shrink)

Many of the psychological studies carried out within virtual environments are motivated by the idea that virtual research findings are generalizable to the non-virtual world. This idea is vulnerable to the paradox of fiction, which questions whether it is possible to express genuine emotion toward a character (or event) known to be fictitious. As many of these virtual studies are designed to elicit, broadly speaking, emotional responses through interactions with fictional characters (avatars) or objects/places, the issue raised by (...) the paradox seems particularly apt. This paper assesses the extent to which the paradox of fiction constitutes a legitimate challenge to psychological research within virtual environments, and argues that any alleged conflict is in fact a product of an overly simplistic view of emotions which a more complete understanding resolves. Moreover, through a more detailed analysis of why the paradox cannot be sustained, one finds justification for the claim that emotions elicited through interactions with virtual (fictitious) objects/events are valid. However, their generalizability to the non-virtual world must still be treated with caution. (shrink)

In this paper, I place Mary Leng’s version of mathematical instrumentalism within the context of the debate in mathematical realism/anti-realism as well as within the context of the platonism/nominalism debate. I maintain that although her position is able to show how the conjunction of Quinean naturalism and confirmational holism does not necessarily lead to the conclusion that mathematical objects must necessarily exist for they are indispensable in our best scientific theories; her usage of both theses still leads to platonism. (...) Such is the case for her characterization of scientific theories as akin to a set-theory that accommodates fictitious objects and statements within it is untenable due to the dependence of fictions on a realist ontology. Keywords: fictionalism, mathematical instrumentalism, indispensability argument, Mary Leng, platonism, nominalism. (shrink)

"Philosophical discussion of the notion of existence, or being, has centered on two main problems which have not always been very clearly distinguished. First, there is the problem of what we are to say about the existence of fictitious objects, such as centaurs, dragons, and Pegasus; second, there is the problem of what we are t o say about the existence of abstract objects, such as qualities, relations, and numbers. Both problems have tempted philosophers to say that (...) there are inferior sorts of existence a s well as the ordinary straightforward sort, and they therefore often suggest that we use the word "being" to cover both kinds but restrict "existence" to "being" of the common, non-fictitious, non-abstract sort. (Sometimes the term "reality" is proposed for "existence" or for "being.") T he problems of fiction and abstraction are different, how ever, for there are both real and fictitious abstractions. For example, the integer between two and four is real, but the integer between two and three is fictitious. On the other hand, there are both concrete and abstract fictions; for example, the winged horse of Bellerophon and the integer between two and three. Accordingly, philosophers have often dealt with the two problems in quite different ways and perhaps ought to do so. While these are the two main problems, there are others, f or example, that of what we are to say of the being of objects which have not yet begun, or have now ceased, to exist. The history of this subject, moreover, has been tangled with theological issues, to which it will be necessary to refer at certain points.". (shrink)

Shadows are intriguing phenomena. They do not have mass or energy. So, they are unable to have some basic characteristics of the objects of which they are shadows: they cannot move by themselves and they cannot experience the same kind of changes. At first sight, any theory of perception can skip this optical phenomenon or look at it only as a side-effect. Actually, in order to be seen objects must be illuminated and one of the consequences of this (...) is that they project a shadow over the surrounding space. Is that all? In this paper I will argue that, from a phenomenological point of view (or at least from a Husserlian oriented phenomenology), shadows, with their specific hyletic data, must be considered as an element of the process of constitution of spatial-temporal objectivities. In other words, shadows no less than other predicates, like extension or hardness, although in a different manner, belong to the a priori structure of those objectivities. This means that their ontological status is quite different from that of fictitious objects or hallucinations. To show this I will draw mainly in Husserl’s Lesson Thing and Space, from 1907, and other unpublished texts during Husserl’s lifetime, like the second volume of the Ideas and the Lesson of 1925 on Psychological Phenomenology. (shrink)

The purpose of this article is to try to get a clearer picture of a criterion which may be used to distinguish between genuine names of objects and pseudo-names, between names of existent and non-existent objects, between facts and fictitious states of affairs. Meinong's idea of incomplete objects serves as the theoretical notion for the description of fictitious objects. The distinction between imported (immigrant) and native objects in fiction is denied and a necessary (...) connection between fictious and real objects maintained. (shrink)

Nelson Goodman’s paper ‘About’ (1961) was a milestone in aboutness theory. Although it has been much discussed, an interesting fact about it has so far been completely ignored: the important debt it owes to two papers it cites by Gilbert Ryle. With Ryle’s ‘About’ (1933) it shares much more than the title – it, too, offers a three-fold account of different ways a sentence can relate to a subject matter and a separate account for fictitious objects. More importantly, (...) although Goodman’s approach is quite different, the inspiration for the crucial element in his account, ‘differential consequence’, may well have come from a parenthetical suggestion of entailment in Ryle’s ‘About’. The second essential tool Goodman uses, viz. compound predicates which incorporate the (fictitious) object, is also the crucial element in Ryle’s ‘Imaginary Objects’ (also 1933). Goodman turns them into a predicate schema for fictitious subject matters as well as for a nominalist version of his account. (shrink)

The aim of this book is to investigate the nature and ontological status of fictional characters on the one hand (i. e., entities like Sherlock Holmes, Hamlet, or Anna Karenina) and literary works on the other. The overall question is: What kinds of objects are fictional characters and literary works, and how are they related to our everyday world? Thomasson advocates a realist, non-reductionist theory of fictitious objects whose main principles are: Fictional characters exist – just as (...) literary works exist. Fictional characters as well as literary works are abstract objects (i. e., lack spatiotemporal location), are created (and thus contingent), are brought into existence through the intentional acts of an author, can go on existing without intentional acts of an author, and are existentially dependent objects in a variety of ways. Thomasson develops a subtle theory of ontological dependence. The review contains a detailed account of Thomasson's "artifactual theory" as well as detailed criticism of some pivotal points. While I am, in principle, sympathetic to the non-reductionist approach, I object against some of Thomasson's specific dependency claims. Furthermore, I defend so-called "Meinongian" theories of fiction against Thomasson's objections. Finally, I raise questions concerning, among other things, the relation between a literary work and its "text", the proposed identity conditions for literary works, the relation between a literary work and its (fictitious) objects. (shrink)

Objectives: This study aimed to determine attitudinal and self reported behavioural variations between medical students in different years to scenarios involving academic misconduct.Design: A cross-sectional study where students were given an anonymous questionnaire that asked about their attitudes to 14 scenarios describing a fictitious student engaging in acts of academic misconduct and asked them to report their own potential behaviour.Setting: Dundee Medical School.Participants: Undergraduate medical students from all five years of the course.Method: Questionnaire survey.Main measurements: Differences in medical students’ (...) attitudes to the 14 scenarios and their reported potential behaviour with regards to the scenarios in each of the years.Results: For most of the scenarios there was no significant difference in the response between the years. Significant differences in the responses were found for some of the scenarios across the years, where a larger proportion of year one students regarded the scenario as wrong and would not engage in the behaviour, compared to other years. These scenarios included forging signatures, resubmitting work already completed for another part of the course, and falsifying patient information.Conclusion: Observed differences between the years for some scenarios may reflect a change in students’ attitudes and behaviour as they progress though the course. The results may be influenced by the educational experience of the students, both in terms of the learning environment and assessment methods used. These differences may draw attention to the potential but unintentional pressures placed on medical students to engage in academic misconduct. The importance of developing strategies to engender appropriate attitudes and behaviours at the undergraduate level must be recognised. (shrink)

Roderick M. Chisholm’s A Realistic Theory of Categories is a metaphysics treatise of extraordinary breadth and precision. Published in the year of its author’s eightieth birthday, Categories is a lean exposition of Chisholm’s systematic metaphysics, including his views on attributes, propositions, possible worlds, numbers, classes, relations, intentionality, events, time, space, material objects, persons, appearances, fictitious objects, and God. Chisholm develops his metaphysics with the resourcefulness, elegance, and intellectual integrity that have been a hallmark of his work.

Jeder wissenschaftlichen Theorie und jedem alltäglichen Weltbild liegen "ontologische Festlegungen" zugrunde, also Annahmen betreffend die Existenz bestimmter Gegenstände. Manchmal widersprechen implizite Existenzannahmen expliziten Überzeugungen und sind in diesem Sinne unerwünscht. Unerwünschte ontologische Festlegungen werfen unter anderem die folgenden Fragen auf: Nach welchen Kriterien kann entschieden werden, worauf jemand ontologisch festgelegt ist? Gibt es so etwas wie ein "ontologisch neutrales" Sprechen? Gibt es verschiedene "Weisen des Seins"? Wie können unerwünschte Festlegungen (etwa auf abstrakte, fiktive oder vergangene Gegenstände) vermieden werden? Welche Rolle (...) spielen dabei Paraphrasierungen, nicht-gegenständliche Deutungen der Quantifikation oder existenzfreie Logiken? Aus dem Inhalt: I. Ontologische Festlegung – 1. Was ist ontologische Festlegung? – 2. Ontologische Festlegung und Wirklichkeit – 3. Carnaps ontologischer Pragmatismus – 4. Prinzipien der ontologischen Festlegung. II. Gibt es ontologisch neutrale Äußerungen? – 1. Die Paraphrasierungsstrategie – 2. "Kontextuelle Semantik" – 3. Ist die Objektsprache ontologisch neutral? – 4. Seinsweisen. III. Ontologie und Logik – 1. Natürliche und reglementierte Sprachen – 2. Ontologisch neutrale versus gegenständliche Quantifikation – 3. Existenzfreie Logiken – 4. Ist Existenz ein Prädikat? IV. Probleme der ontologischen Festlegung – 1. Fiktive Gegenstände – 2. Das Problem der nichtexistierenden intentionalen Gegenstände – 3. Das Problem der vergangenen und zukünftigen Gegenstände – 4. Das Problem der möglichen und unmöglichen Gegenstände. (shrink)

The article investigates how and why we treat works of art as persons. From rhetoric to jurisprudence, various disciplines have dealt with the practice of attributing human features and abilities to insensate objects. The agency of works of art acting as fictitious persons is not only rec­ognized at the level of aesthetic experience, but also outside it, because there have been cases in which they were subject to legal liability. Per­sonhood is not reducible to individual human beings. However, (...) since works of art lack senses and consciousness, there is ultimately a limit to the personifying metaphor. (shrink)

The aim of this book is to investigate the nature and ontological status of fictional characters on the one hand (i. e., entities like Sherlock Holmes, Hamlet, or Anna Karenina) and literary works on the other. The overall question is: What kinds of objects are fictional characters and literary works, and how are they related to our everyday world? Thomasson advocates a realist, non-reductionist theory of fictitious objects whose main principles are: Fictional characters exist – just as (...) literary works exist. Fictional characters as well as literary works are abstract objects (i. e., lack spatiotemporal location), are created (and thus contingent), are brought into existence through the intentional acts of an author, can go on existing without intentional acts of an author, and are existentially dependent objects in a variety of ways. Thomasson develops a subtle theory of ontological dependence. The review contains a detailed account of Thomasson's "artifactual theory" as well as detailed criticism of some pivotal points. While I am, in principle, sympathetic to the non-reductionist approach, I object against some of Thomasson's specific dependency claims. Furthermore, I defend so-called "Meinongian" theories of fiction against Thomasson's objections. Finally, I raise questions concerning, among other things, the relation between a literary work and its "text", the proposed identity conditions for literary works, the relation between a literary work and its (fictitious) objects. (shrink)

Being able to categorize objects as similar or different is an essential skill. An important aspect of learning to categorize is learning to attend to relevant features and ignore irrelevant features of the to-be-categorized objects. Feature variability across objects of different categories is informative, because it allows inferring the rules underlying category membership. In this study, participants learned to categorize fictitious creatures. We measured attention to the aliens during learning using eye-tracking and calculated the attentional focus (...) as the ratio of attention to relevant versus irrelevant features. As expected, participants’ categorization accuracy improved with practice; however, in contrast to our expectations, their attentional focus did not improve with practice. When computing the attentional focus, attention to the aliens’ eyes was disregarded, because while eyes attract a lot of attention, they did not vary across aliens. Yet, an explorative analysis of attention to eyes suggested that participants’ attentional focus did become somewhat more efficient in that over time they learned to ignore the eyes. Results are discussed in the context of the need for instructional methods to improve attentional focus in learning to categorize. (shrink)

The ontology of fictional objects in fictional literary texts is one of the most debated issues of a general theory of fiction. This contribution starts out from considerations by Rudolf Haller, connecting them with the model of the Possible Worlds Theory (PWT). A particular strength of this theory is that it does not only analyse the borders of fiction, which lie between the real and the text world, but that it offers in particular a more accurate differentiation within the (...) text world itself by drawing attention to the issue of what is possible, impossible and necessary within a Textual actual world (TAW). In this way, for example, the ‘Wunschwelt’ of individual characters and their confrontation with what will be possible or actual within a particular text world, can be described in detail and, as in the case of Ovid’s exile poems Tristia, the literary play with different levels of fictitiousness can be analysed. (shrink)

This chapter contains section titled: What are Ideas? Formal vs Objective Reality Innate, Adventitious, and Fictitious Ideas Clarity and Distinctness.

[Draft of October 2024] David Lewis acclimated us to talk of “nonactual concreta that exist,” regarding talking donkeys and the like. I shall argue that this was not for the best, and try to normalize a way of describing them as “actual concreta that do not exist.” The basis of this is a defense of the Meinongian thesis “there are objects of which it is true that there are no such objects,” re: fictitious and illusory objects. (...) I first formulate the problem of negative existentials in a novel way, and discuss why this new version is more forceful against anti-Meinongians. Additional data is also pressed against anti-Meinongians--e.g., the truth of ‘Pegasus is imaginary’, and a reading of ‘There actually are illusory objects’ where it comes out true. The Meinongian, in contrast, easily and uniformly explains the same data, by allowing the existence Pegasus, pink elephants, and the like. But contra Meinong, these cases suggest that the nonexistent objects are mind-dependent objects, and I clarify and defend this suggestion from several objections. The resulting Meinongianism is thus “conservative” in that it merely acknowledges the sense in which there are mind-dependent objects, imaginary and illusory objects being prime examples. Of special note, the “ideology” is conservative as well in that the typical Meinongian jargon of “nuclear” or “encoded” properties is paraphrased away. New suggestions about the ontology of abstracta, mere possibilia, and impossibilia are sketched in light of this. Comparisons are also made with Crane and McGinn, among others. (shrink)

In this book, a general type ontology of works is defended and developed in detail. A wide concept of “work” is used here, such that “work” roughly corresponds to “artefact”. Though the focus is on works of art, the theory is meant to be applicable, in principle, to works of science and technology and to everyday items of all sorts as well. Among others, the following questions are discussed: To what ontological category or categories do works belong? Is there a (...) principled ontological divide between linguistic and musical works, on the one hand, and works of the visual arts on the other? What is the relationship between works and such diverse things as performances, manuscripts, scores, blueprints, stagings, film screenings, printing plates, data carriers, and others? What is the relationship between works and interpretations? In what way do works come into existence? Can works, once they are finished, be changed and/or cease to exist, and if so, under what conditions? Which sorts of parts can be distinguished within a work? Is the context of origin constitutive of a work’s identity? Can a translation be identical with the original linguistic work? Who is the author of a computer-generated work? The central thesis is that works of all kinds are abstract artefacts, i. e., types that are instantiated in concrete particulars, that is, in material or mental objects and events. The relationship between works and their “realizations” is defined by means of a modes of predication distinction, as it is used in a variety of Meinongian logics. An extensive chapter is dedicated to the relation between “representing works” and their represented worlds, with a focus on fictitious worlds and their objects. The latter are modeled as parts of fictional works. (shrink)

The debate on the problems in aesthetics now is focused on the most basic question, the question of whether beauty is subjective or objective. More than a year of debate has shown that idealism still has great influence. The reason for this is that, on the one hand, idealist aesthetics offers explanations, which although fictitious, are capable of misleading people; and on the other hand, mechanical materialist aesthetics provides only mechanical and vulgar explanations of the problems in aesthetics, and (...) it leaves loopholes in its attacks on idealist aesthetics. (shrink)

As the interpretation of Plutarch’s prooemium to the Parallel Lives of Sertorius and Eumenes shows, an author’s capacity of irony often lies in the eyes of the beholder: While most historians take for granted that this passage is meant to make fun of Plutarch’s contemporaries for drawing ridiculous conclusions from historical parallels like namesakes or similar external attributes, most translators fail to see its humorous undertone. It becomes clear, though, that it is possible to establish objective criteria for ironic speech (...) in Plutarch that can be found in the prooemium as well, if one takes a closer look at ironic strategies in his polemical or colloquial writings. One of these is the ironic use of allusive names for dialogue partners or even the invention of characters bearing telling historical names. With this special ironic technique in mind one might even reconsider the authenticity of (Ps.‐)Plutarch’s Parallela Minora commonly termed spurious because of its cunning invention of fictitious sources on similar principles as those of the ironic Plutarch. (shrink)

We present five studies investigating the effects of approach and avoidance behaviours when individuals do not enact them but, instead, learn that others have performed them. In Experiment 1, when participants read that a fictitious character (model) had approached a previously unknown product, they ascribed to this model a liking for the object. In contrast, they ascribed to the model a disliking for the avoided product. In Experiment 2, this result emerged, with a smaller effect size, even when it (...) was clear that the behaviours followed specific instructions from a third party. The model had been a mere executor instead of behaving autonomously. Finally, in Experiments 3, 4, and 5, we showed, with direct and indirect measures of attitudes, that reading that the model had approached vs avoided products was sufficient to create preferences in the participant for the approached one, regardless of whether it was explained that the model was a mere executor. This research highlights the largely unexplored effects of vicarious approach/avoidance behaviours. Theoretical and practical implications and possible developments of this line of research are discussed. (shrink)

SummaryMethodological questions are discussed from a point of view which the author calls open transcendentalism. In the first paragraphs the importance of normative practices is stressed and the application of the method to philosophical problems concerning ontology, analyticity and necessity is illustrated. Against Quine's holism a truely pluralistic view is defended according to which various logical or linguistic systems may be used with regard to the needs in different human activities.In the second part, arguments in favor of a instrumentalistic conception (...) of logic are advanced. Several objections against possible‐worlds‐semantics and proposals for an adequate treatment of counterfactuals suggest that contexts must be taken into account and that a distinction must be made between a descriptive and a fictional use of languages. Accordingly, fictitious entities have to be introduced in the ontology. A notion of counterpart is developped which, in contrast to D. Lewis'one, creates no difficulties with regard to identity.RésuméL'auteur traite de quelques questions de méthode d'un point de vue qu'il nomme transcen‐dantalisme ouvert. Dans les premiers paragraphes, il met en évidence l'importance de certaines activités normatives et il illustre l'application de sa méthode à des problèmes de philosophie en donnant quelques exemples tirés des domaines de l'ontologie, de la sémantique et de la métaphysique . Contre l'holisme de Quine il défend une position authentiquement pluraliste qui nous permet d'investir, selon les besoins du moment, des systèmes linguistiques ou logiques très divers.Dans les parties ultérieures, il avance des arguments en faveur d'une conception instrumentaliste de la logique. Plusieurs objections envers la sémantique des mondes possibles et un traite‐ment approprié des propositions conditionnelles suggèrent qu'il est indispensable de tenir compte du contexte tout en faisant une distinction marquée entre un usage des‐criptif et fictif de la langue. Nous sommes ainsi obligés d'accepter des entités fictives dans notre univers. Une notion de pendant est introduite qui, contrairement à celle proposée par D. Lewis, ne crée aucune difficulté quant au critere d'identityé.ZusammenfassungMethodische Fragen werden von einem Standpunkt angegangen, den der Verfasser offenen Transzendentalismus nennt. In den ersten Abschnitten wird die Wichtigkeit normativer Prakti‐ken hervorgehoben, um dann die Anwendung der Methode an philosophischen Fragen, die dieOntologie, die Analytizität und den Begriff der Notwendigkeit betreffen, zu illustrieren. Gegen Quines Holismus wird eine echt pluralistische Auffassung vertreten, wonach je nach Bedarf sehr verschiedenartige logische oder linguistische Systeme für das Fortkommen auf alien Gebieten menschlicher Tätigkeit eingesetzt werden können.Im zweiten Teil werden Argumente zugunsten einer instrumentalistischen Konzeption der Logik angeführt. Einwände gegen die Mögliche‐Welten‐Semantik und Vorschläge für eine adäquate Behandlung von irrealen Konditionalsätzen legen die beiden zentralen Anliegen der Berücksichtigung von Kontexten sowie der Unterscheidung von deskriptiven und fiktionalen Sprachverwendungen nahe, wobei entsprechend in der Ontologie die Annahme von fiktiven Entitäten erforderlich wird. Es wird ein Begriff des Gegenstücks oder Duplikats eingeführt, der im Gegensatz zu D. Lewis'Aufsatz bezüglich des Identitätskriteriums keine Schwierigkeiten bereitet. (shrink)

There are genuine references to non?existent objects, as can be seen through elucidating reference in common language and applying the criteria enumerated to expressions used in writing and speaking about fiction. The concept of a fictitious entity is simply accepted in the adoption of the ?language?game? of fiction and has no undesirable ontological consequences. To think otherwise is to fail to attend to the conceptual status of such talk. Accounts of fictional discourse by Russell, Ryle, and Chisholm are (...) found objectionable. The concept of existence is touched on, and consequences concerning reference to abstract and other objects and also concerning method in ontology mentioned. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.1 (2002) 143-156 [Access article in PDF] The Vicious Habits of Entirely Fictitious People: Hume on the Moral Evaluation of Art Eva M. Dadlez DAVID HUME'S ESSAY, "Of the Standard of Taste," identifies aesthetic merits and defects of narrative works of art. 1 There is a passage toward the end of this essay that has aroused considerable interest among philosophers. In it, Hume writes of (...) cases in which "vicious manners are described, without being marked with the proper characters of blame and disapprobation" ("ST," p. 246). He maintains that works which include such descriptions are aesthetically flawed, adding that we neither can nor should enter into their writers' sentiments or "bear an affection to characters, which we plainly discover to be blameable" ("ST," p. 246).There is no reason to ascribe to Hume a Platonic moralism that condemns art's disinhibition of emotion. Neither does Hume advocate some extravagant form of political correctness that evaluates art by looking to the propriety of its subject matter. As later examples in the quoted essay make clear, Hume is speaking of cases in which fiction not only depicts vicious manners, but endorses them. I will argue that such endorsements are stigmatized neither because a low estimation of depicted behavior infects the estimation of a work's merit nor because we take the endorsement to be mistaken or unwarranted. Fictional endorsements of conduct otherwise regarded as vicious constitute defects because they curtail the aesthetic experience. Hume's claim, then, is as much about human psychology as it is about morality. We cannot divorce morality from narrative art because, for Hume, morality finds its basis in the very sentiments such art is intended to arouse. The content of the works under fire is objectionable because it prompts the [End Page 143] imaginative disengagement of the reader or viewer just when engagement and emotional participation are necessary for full appreciation. As Noël Carroll maintains in his objection to autonomism, a moral defect "will count as an aesthetic defect when it actually deters a response to which a work aspires." 2 This is a view for which I will endeavor to offer an explanation based on Hume's philosophy, and that I will attempt to defend against typical objections. I It would be a mistake to associate the position ventured above with some of those appearing in the recent critical literature. There, a work is sometimes taken to endorse any character's behavior which is not explicitly condemned or which is accompanied by some depiction of positive traits. Thus Nabokov's Lolita is suspected of subtle endorsement of Humbert's behavior mainly because Humbert is described as urbane and intelligent. There is a clear mistake here about what it is that can be taken to constitute an endorsement on the part of a work of fiction. To suggest that Lolita endorses child molesting because we are occasionally allowed to glimpse a sympathetic side of the molester is on a par with claiming that Shakespeare's Macbeth endorses killing for personal gain because we are allowed to glimpse a sympathetic side of the title character. Our reactions to complex characters can be, and usually are, correspondingly complex. We can admire one trait and deplore another without being forced into the kind of all-or-nothing evaluation that writers of serious fiction seldom want to elicit. In any case, it seems clear that the endorsement of a character in toto would probably involve a good deal more than the depiction of a few attractive traits. The grim undoing of the two characters under consideration, coupled with their misery and hopelessness, hardly suggests endorsement. Similarly, an aesthetically pleasing depiction of an event we consider tragic should not be taken as an endorsement of that event. Aesthetic and distressed responses are not mutually exclusive. They can constitute distinct responses to distinct aspects of the same state of affairs. The graceful arrangement of the bodies of Romeo and Juliet is surely not an endorsement of their tragic death or their suicide... (shrink)

A recurrent candidate for exemplification of intertheoretic reduction, put forward over past decades within philosophy of science, is the proposition "pitch is identical with sound-frequency." Paul Churchland revives this nominal ontological reduction, placing it beside others as "lightning is an electrical discharge," and "heat is high kinetic energy." Yet no matter whether frequency is considered physically or merely semantically, there is no conceivable format in which such an identity is viable. An analysis of objective qualia said to represent the ground (...) of such equations indicates their fictitious existence, save as misidentified percepts. The criterion of logical identity cannot bridge sensory and stimulus field divisions of perception, hence Churchland's objective qualia, said to straddle both fields, cannot furnish an intelligible or sound basis for identification. Naive realism and its intellectualization as direct realism are shown to be at bottom of confoundment of these fields, generating pseudo-problems involving the putative nature and localization of qualia. These conclusions collectively would then disallow the usual attempts to extrapolate from such fictive identities to a further positing of mind-brain identity, by analogy therewith. It is suggested that the method employed in refutation of "pitch is frequency" may have a more general application. The misemployment of the concept and method of intertheoretical identification in connection with phenomenological experience and science of perception is made explicit. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:125 HUME ON PERCEPTIONS AND PERSONS Hume's account of personal identity,1 though defective by his own lights as an answer to the questions he frames, is not as wildly unacceptable as many readers have supposed. An indication of its power and a feature that many recent readers have missed is that Hume can cite any bit of data which we could in the course of trying to ascertain the (...) identity of a person. Now, it seems pretty evident that facts about the body of a person are relevant to a determination of identity or "oneness" of that person. It is not commonly recognized that such facts are fully available to the would-be Knower within Hume's perspective. It is possible, I surmise, that twentieth century readers have been misled in their reading of Hume by their own assumptions about "mind" and "mental objects;" there may be some assumptions which we take for granted, but which Hume would not accept. Below I will offer some brief speculations about this matter, though it is not my main concern. Mainly I want to show that Hume's persons can have bodies. First I will present what I take to be the standard way of reading Hume's account of personal identity nowadays. Next I will show that a careful reading of the Treatise supports my claim that Hume's perspective does not rule out as inadmissible data concerning the physical aspect of being a person. Our problem here is to determine what perceptions are for Hume. Finally I will illustrate the effect my view has when it comes to understanding what a person is. I. The Standard View Let me sketch "the person" whose identity we are to investigate, according to the standard way of reading Hume when we take up the topic of personal 126 identity. I shall use for my sketch several works by 2 Terence Penelhum. Penelhum's view of the matter is widely accepted, typical, and it has the virtue of being clear and explicit on the topic which concerns us. We may conveniently begin by recalling the way in which Hume attacked those philosophers who hold that each of us is intimately conscious of our self and is certain of its "perfect identity and simplicity." Against this claim Hume reported that his own introspection never reveals anything but "some particular perception or other." (T 252) He concludes from this that a person is "... nothing but a bundle or collection of different perceptions." His problem, of course, is that we do not ordinarily think of a person as1 being nothing but a bundle or collection of anything, much less one constituted by perceptions. It strikes us that a person has greater unity, and a different kind of unity, than any bundle or mere collection would have. Hume proceeds to construct an explanation of why we have "so great a propension to ascribe an identity to these successive perceptions, and to suppose ourselves possest of an invariable and uninterrupted existence thro' the whole course of our lives." (T 253) The explanation Hume offers in the subsequent discussion is not our present concern; briefly, his view is that "in our common way of thinking" we confuse two ideas. One is that of an object that remains the same over some period of time (the idea of identity) and the other is that of several related objects existing in succession (the idea of diversity). It happens that distinct things can blend together for the human mind, provided that the things are sufficiently alike. The imagination passes smoothly over the differences and it feels the same to 127 us as one thing does. So the identity we are talking about is really "fictitious." Having glanced at the explanation Hume offers, let us go back for a moment to the question which calls for the explanation in the first place. Regarding the character of Hume's question, Penelhum makes the following observation....the question [which Hume asks about personal identity]... is importantly restricted. It is a question about our ascription of unity to a succession of perceptions; i.e. it is about what we call a mind, rather than what we... (shrink)

Este ensayo se enfrenta a la conocida tendencia del siglo XX de declarar la “muerte de la epistemología”. A tal fin se presenta una relectura de los textos wittgensteineanos de principios de los años 30, evidenciando la epistemología paraláctica que éstos encaminan. Posibles objeciones se contestan mediante un diálogo ficticio con un imaginario epistemólogo tradicional. Se concluye que la lección de Wittgenstein consiste en hacernos experimentar tanto la fragilidad de nuestras certezas y saberes como su riqueza, dentro de un espacio (...) vital constituido simultáneamente por la experiencia humana y el mundo .Palabras clave: “Muerte de la epistemología”, epistemología paraláctica, certezas y saberes, espacio vital, Wittgenstein.This essay confronts the well-known 20th century tendency of declaring the “death of epistemology.” A summarized re-reading of Wittgenstein’s texts from the early 1930s is presented, illustrating the parallactic epistemology to which those texts point. Possible objections are answered by means of a fictitious dialogue with an imaginary traditional epistemologist. The conclusion is that Wittgenstein’s lesson consists of making us experience the fragility as well as the richness of our certainties and knowledge within a vital space simultaneously constituted by human experience and the world .Key words: “Death of epistemology,” parallactic epistemology, certainties and knowledge, vital space, Wittgenstein. (shrink)

Karl Popper attempted to give an account of scientific research as the rational pursuit of the truth about nature without any appeal to what he took to be the fictitious notion of non-demonstrative or inductive support. Deductive inference can be seen to be inference enough for science, he claimed, once we appreciate the power of data to refute theory. Many of the standard objections to Popper's account purport to show that his deductivism actually entails a radical scepticism about the (...) possibility of scientific knowledge. Some of these objections appear unanswerable in the context of the traditional analysis of knowledge as justified true belief; but this is neither a conception of knowledge that Popper himself accepted nor one that is currently in fashion. Reliabilism, the view that knowledge is a true belief generated by a reliable method, is now a popular replacement for the traditional analysis and one that is closer to Popper's own conception of knowledge. My aim in this essay is to consider in brief compass the prospects of a reliabilist reading of Popper's account of science. Such a reading makes it possible to turn some of the standard objections and helps to show which of Popper's views should be accepted and which rejected. (shrink)

. Standard considerations of philosophy of science are reformulated in psychological terms and arguments, suggesting a fundamental change in life perspective: subjective experiences or introspective data are subject to motivational biases and therefore not admitted as objective empirical facts in science, However, we never experience objects or events of the external world, i.e., so called objective facts, but exclusively subjective percepts or mental events. They are merely assumed to, but may or may not be accurate or distorted mental representations (...) of objects or events of an external world. Accordingly, the latter are theoretical constructs, i.e., constructs of the fictitious but most successful predictive (implicit) theory, called external world, which seems to be constructed from regularities observed in mental events and serves as a reference fiction for, erroneously called empirical, tests of predictions of scientific theories. (shrink)

In his essay the author draws attention to two 16th century humanists who engaged in the debate on Cicero the Man. In 1534, Ortensio Lando, a man of letters, published Cicero relegatus & Cicero revocatus, which was a collection of objections to Cicero’s character and habits brought forward in an imaginary conversation, as well as of arguments in his defence proposed in an equally fictitious public hearing, thus producing an apparent equilibrium. Lando, however, did not leave us guessing about (...) his meaning, but gave us hints about his own attitude to Cicero. In 1537, Sebastiano Corrado, an editor and commentator of various Ciceronian writings, published In M. T. Ciceronem Quaestura, a collection of textual emendations to his œuvres. In order to make it more attractive reading, he wrote it in dialogue form and called the readings he approved of, ‘gold coins’, those he rejected, ‘false coins’, thus building a stock of allegedly reliable readings. The coin metaphor recurred in Corrado’s Egnatius, sive Quaestura which was an attempt to lay, in form of dialogue, the foundations of a reliable biography of Cicero. Here three scholars discuss all the information provided by Cicero himself, his contemporaries and later sources on his life and work. Information they approve of is treasured as gold coin, the rest is rejected as false coin. It turns out, however, that Corrado was strongly prejudiced against Greek sources shedding an unfavourable light on Cicero. The result was an apology rather than a biography of Cicero. (shrink)

Drug recalls and lawsuits against pharmaceutical manufacturers are accompanied by announcements emphasizing harmful drug side-effects. Those with elevated health anxiety may be more reactive to such announcements. We evaluated whether health anxiety and financial incentives affect subjective symptom endorsement, and objective outcomes of cognitive and physiological functioning during a mock drug recall. Hundred and sixty-one participants reported use of over-the-counter pain medications and presented with a fictitious medication recall via a mock Food and Drug Administration website. The opportunity to (...) join a class-action lawsuit was manipulated. We assessed health anxiety, recalled drug usage, blood pressure, heart rate, and performance on a computerized Trail Making Test. Symptom endorsement was strongly predicted by health anxiety. When combined, three health anxiety measures explained 28.5% variance. These effects remain strong after controlling for depression and anxiety. Litigation condition did not predict symptom endorsement. Blood pressure and heart rate were modestly predicted by health anxiety, but not by litigation condition. TMT performance was consistently predicted by health anxiety, with higher scores associated with poorer performance. Although there were no main effects for litigation, interactions consistently emerged for the TMT, with generally poorer performance for those with higher health anxiety in the non-litigation condition; whereas health anxiety was unrelated to performance for the litigation condition. All but one participant joined the litigation when given the opportunity, despite a healthy sample and minimal use of pain medication. Subsequent data from 67 individuals with no mention of the FDA scenario or litigation showed that health anxiety still significantly predicts symptom endorsement, but the explained variance is less than half that obtained in the FDA scenario. The findings suggest that health anxiety plays a significant role in adverse symptom reporting, beyond anxiety or depression, and this effect is independent of the presence of the FDA recall. The lack of differences for health anxiety and symptom endorsement between litigation and non-litigation conditions rules out malingering. Although it is general practice in drug recalls to list potential adverse side effects caused by medications, this may elicit unintended symptom experiences and health anxious individuals may be more susceptible. (shrink)

In the fifth of his Meditations on First Philosophy, Descartes offers a version of the ontological proof for the existence of God. As Caterus argues in the First Objections, however, it seems that if this argument were valid, then so also would be any number of absurd arguments, for insofar as Descartes infers that God exists from the fact that existence belongs to His essence, we should also be able to infer that other objects---the fictitious existing lion, say---exist (...) on similar grounds. Descartes's lone defense against this objection is to distinguish true and immutable essences from fictitious ones , a distinction that, in its details, seems to imply a realistic view of essences. Such a view of essences, though, conflicts with Descartes's explicit rejection of Platonism in the Principles of Philosophy , among other places. ;In this dissertation, I offer an interpretation of the Fifth Meditation that resolves this problem by treating true and immutable natures as nothing more than ideas, and I argue that, by a careful reading of several crucial yet rarely noticed texts, we can bring Descartes's cryptic and confusing Fifth Meditation claims under an anti-Platonic rubric. As an upshot of this interpretation, I propose an unusual reading of Descartes's ontological proof, one that draws it much closer to the proof of the Third Meditation and one that, in the end, forces us to reevaluate Descartes's connection to three great figures in the tradition of the ontological proof. St. Anselm, St. Thomas, and Kant. (shrink)

Context Physicians are regularly confronted with research that is funded or presented by industry. Objective To assess whether physicians discount for conflicts of interest when weighing evidence for prescribing a new drug. Design and setting Participants were presented with an abstract from a single clinical trial finding positive results for a fictitious new drug. Physicians were randomly assigned one version of a hypothetical scenario, which varied on conflict of interest: ‘presenter conflict’, ‘researcher conflict’ and ‘no conflict’. Participants 515 randomly (...) selected Fellows in the American College of Obstetricians and Gynecologists' Collaborative Ambulatory Research Network; 253 surveys (49%) were returned. Main object measures The self-reported likelihood that physicians would prescribe the new drug as a first-line therapy. Results Physicians do not significantly discount for conflicts of interest in their self-reported likelihood of prescribing the new drug after reading the single abstract and scenario. However, when asked explicitly to compare conflict and no conflict, 69% report that they would discount for researcher conflict and 57% report that they would discount for presenter conflict. When asked to guess how favourable the results of this study were towards the new drug, compared with the other trials published so far, their perceptions were not significantly influenced by conflict of interest information. Conclusion While physicians believe that they should discount the value of information from conflicted sources, they did not do so in the absence of a direct comparison between two studies. This brings into question the effectiveness of merely disclosing the funding sources of published studies. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:69 HUME, DEMONSTRATIVES, AND SELF-ASCRIPTIONS OF IDENTITY I. In his A Treatise of Human Nature1(hereafter referred to as the Treatise and, for purposes of citation, abbreviated as 'T'), Hume says that "[T]he identity, which we ascribe to the mind of man, is only a fictitious one..." (T 259) Although some commentators read this as tantamount to the claim that we can have no idea of a mind, this (...) seems too strong. To see what Hume is getting at, we need to return to the beginning of the section entitled "Of Personal Identity" where he says: There are some philosophers, who imagine we are every moment intimately conscious of what we call our SELF; that we feel its existence and its continuance in existence; and are certain, beyond the evidence of a demonstration, both of its perfect identity and simplicity. (T 251, my emphasis) "Unluckily", he continues, we do not have "any idea of self, after the manner it is here explain'd." (T 251, my emphasis) What this suggests, I think, is that it is only the idea of a simple, changeless mind that ought to be called fictitious. With respect to the question "What kind of an idea of mind à o we have?", Hume suggests what has come to be called the "Bundle Theory of Mind". According to the bundle theory, every object of awareness is an individual perception and "what we call a mind, is nothing but a heap or collection of different perceptions, united together by certain relations..." (T 207) In other words, Hume is saying that what we are aware of is a stream of perceptions, none of whose members is a perception of a simple, changeless mind. However, given Hume's account of (strict/perfect) identity, an acceptance of the bundle theory seems to entail the rejection of the 70 continuous existence of any mind. Put differently, if true the theory seems to require that the very idea of a mind continuous through time is a fiction. This raises the following problem which Hume must address: Since the ordinary (vulgar) person has a great propensity to ascribe identity through time to minds (T 253), then, from the point of view of a study of human nature, it is important to provide an answer to the question: "why do the vulgar have such a propensity?" Understanding Hume's answer to this question is, I believe, dependent upon the recognition that it is only the idea of a simple, changeless mind that Hume believes is fictitious. Once this is seen, it follows that the ascription of strict identity through time to a mind must, on Hume's account, be a result of the activity of the imagination (see T 209). As Hume says:...identity is nothing really belonging to these different perceptions, and uniting them together; but is merely a quality, which we attribute to them, because of the union of their ideas in the imagination, when we reflect upon them (T 260). Although the qualities that unite ideas typically include causation, resemblance and contiguity, Hume excludes contiguity as a factor in the case of ascriptions of strict identity through time to minds (T 260) and restricts his attention to the relations of resemblance and causation. Of these two relations, a 2 number of commentators have found the relation of resemblance especially problematic. Accordingly, in what follows I will consider whether Hume's explanation of the role of resemblance is sufficient to account for and justify self-ascriptions of strict identity through time. Contrary to the judgement that Hume's explanation of the role of resemblance fails as an account of self-ascriptions of strict identity through time, I will suggest that by recognizing a primitive 71 theory of demonstrative content in Hume's explanation of the role of resemblance many of the problems that the explanation seems to give rise to can be avoided. II. I begin with Hume's description of the role of resemblance: To begin with resemblance; suppose we cou'd see clearly into the breast of another, and observe that succession of perceptions, which constitutes his mind or thinking principle, and suppose that he always preserves the memory of... (shrink)

Quine's writings on indeterminacy of translation are mostly abstract and theoretical; his reasons for the thesis are not based on historical cases of translation but on general considerations about how language works. So it is no surprise that a common objection to the thesis asserts that it is not backed up by any positive empirical evidence. Ian Hacking (1981 and 2002) claims that whatever credibility the thesis does enjoy comes rather from alleged (fictitious) cases of radical mistranslation. This paper (...) responds to objections of that kind by exhibiting actual cases of indeterminacy of translation. (shrink)

A primary function of mind is to form and manipulate representations to identify and choose survival-enhancing behaviors. Representations are themselves physical systems that can be manipulated to reason about, predict, or plan actions involving the objects they designate. The field of knowledge representation and reasoning turns representation upon itself to study how representations are formed and used by biological and computer systems. Some of the most versatile and successful KRR methods have been imported from computational physics. Features of a (...) problem are mapped onto dimensions of an imaginary physical system in which solution quality is inversely related to energy. Simulating the fictitious physical system on a digital computer yields a low-energy, and hence high-quality, solution to the original problem. This paper suggests a rethinking of the traditional metaphor of cognition as execution of algorithms on a digital computer. It may be both more fruitful and more accurate to conceive of representation as mapping problem features to an energy surface, learning as identifying representations that map good solutions to low free energy, and problem solving as efficient search for low free energy states. This conception of cognition is in natural accord with Stapp's theory of efficacious conscious choice. Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}. (shrink)