This thesis is about meaning, expression and language in Merleau-Ponty’s philosophy, and their role in the phenomenological project as a whole. For Merleau-Ponty, expression is the taking up of a meaning given either in perception or in already acquired forms of expression, thereby repeating, transforming or congealing meaning into gestures, utterances, artworks, ideas or theories. Contrary to the predominant view in the literature, the relation of expression to meaning, and in particular the problem of expressing new meanings, was of (...) fundamental importance to Merleau-Ponty from the very beginning, in that it was intrinsically related to the overcoming of what he termed “objective thought”. Admittedly, there is an evolution of his philosophy in this respect: from the early stance where the recasting of certain basic categories is taken as pivotal for the development of a new form of thinking, with arguments drawn also from various empirical and social sciences, to what appears to be an effort at an all-pervading reformulation of philosophical language during his last years. But the remoulding of categories was never for Merleau-Ponty a matter simply of finding a few, better adapted concepts, but from the outset an endeavour to think philosophical arguments through to a point where they reveal their inherent inconsistencies. Recasting philosophical expression is thus a risky enterprise, and this is a point I explore further in Essay 1, that focuses especially upon creative expression in painting and to some extent in literature. In Essay 2 I discuss the notion of Gestalt and how it serves this general project, whereas Essay 3 deals with verbal language, on the basis of Merleau-Ponty’s reading of Saussure’s linguistics. Essay 4 examines bodily expression from the point of view of feminist phenomenology and in particular Judith Butler’s early reading of Merleau-Ponty, and finally Essay 5 discusses expression in the art of dance. (shrink)

As we all know, metaphysics and objective truth are basically antagonistic, while dialectical materialism and objective truth are uniform. This is the common sense of Marxist philosophy and needs no argument. What, then, is the relationship between formal logic as a science and objective truth? This involves the problem of the correctness of thought form and the truthfulness of thought content. As shown, this problem is still an unsettled dispute in philosophy and logic circles. There (...) are two opposite views: one view holds that formal logic should concern itself with the correctness of thought form and the truthfulness of thought content; the other holds that formal logic should concern itself only with the correctness of thought form, but not the truthfulness of thought content. The substance of the issue involves the problem of the relationship between formal logic and objective truth. We consider that the science of formal logic itself does not and cannot assume the task of solving objective truth, since it is basically distinguished from the philosophy of dialectical materialism. However, formal logic does not exclude objective truth. It differs basically from metaphysics in that formal logic is a science. Thus, there is no inherent and necessary link between formal logic and objective truth. Formal logic does not study the problem of objective truth. (shrink)

When unknowingly experiencing a perceptual hallucination, a subject can attempt to think specifically about what is, as far as he or she can tell, the perceived object. Is the subject then deceived about his or her cognitive situation? I answer negatively. Moreover, I argue that this answer is compatible with holding that thought specifically about a certain object – singular thought – is object-dependent. By contrast, both critics and advocates of the view that singular thought is object-dependent (...) have assumed this view to be committed to postulation of illusions of object-dependent thought in cases like that mentioned. The core ingredient in my illusion-free version of the view is a special form of disjunctivism. Alleged cases of illusion are not considered parasitic on ‘the good case’ where the object thought about is perceived. (shrink)

In philosophy, “singular thought” refers to our capacity to represent entities as individuals, rather than as possessors of properties. Philosophers who defend singularism argue that perception allows us to mentally latch onto objects and persons directly, without conceptualizing them as being of a certain sort. Singularists assume that singular thought forms a unified psychological kind, regardless of the nature of the individuals represented. Empirical findings on the special psychological role of persons as opposed to inanimates threaten singularism. (...) They raise the possibility that tracking individuals specifically as persons might require conceptualizing them in certain ways, for example, as persons. In this paper, we take such a possibility seriously but ultimately reject it. Instead, we propose to revise a prominent singularist theory, the theory of mental files, in order to accommodate data on the psychological distinctiveness of persons: We advocate the postulation of perceptual person-files. Perceptual tracking via person-files is different from object-tracking but also from descriptive classification under the sortal concept PERSON. (shrink)

Formal logic is an antiquated science, but there have been no convincing solutions of such theoretical problems as its scientific object and its scientific character. The political report of the Eighth National Party Congress has called on us "to engage in the study of the basic theories of Marxism-Leninism and of the scientific sectors closely related to Marxism-Leninism." Since there is a consensus that formal logic is a discipline that is closely related to the philosophy of Marxism-Leninism, it is therefore (...) necessary to study and clarify some of the basic problems of formal logic. (shrink)

It is generally assumed that if it is possible to believe that p without believing that q, then there is some difference between the object of the thought that p and the object of the thought that q. This assumption is challenged in the present paper, opening the way to an account of epistemic opacity that improves on existing accounts, not least because it casts doubt on various arguments that attempt to derive startling ontological conclusions from seemingly innocent (...) epistemic premises. (shrink)

What are the objects of thought? To consider a familiar case, may we assert that the proposition “I am thinking of a unicorn” entails that there is some object which is being thought of? Theories of subsistent objects provide an affirmative answer and seem to be based on the consideration that we are thinking of something when we think of a unicorn. Otherwise, to paraphrase G. E. Moore's well known statement of the argument, we would be thinking of (...) the same thing whether we thought of a unicorn or a griffen, namely, nothing. But, as G. E. Moore has shown, subsistence theories fail to distinguish between the logical and grammatical forms of such statements as “I am thinking of a unicorn” and “I am hunting a lion”. The latter is of the form · φx · Ψx; the former is not since it does not assert that the property of being a unicorn and the property of thought of by me both belong to something. But the problem that suggests itself is the nature of the contention that something is being thought of when, for example, we think of a unicorn. To begin with, is there no acceptable alternative to the various forms of the theory of subsistent objects according to which it would be correct to say that the proposition “I am thinking of a unicorn” entails the proposition “·x is being thought of”? And if saying that we are thinking of something, when we think of a unicorn, does not mean that there exists something that is being thought of, what is the force of the contention that we are thinking of something? (shrink)

The argument from thinking in Aristotle’s On Ideas deals with the problem of ‘presence in absence’. It argues that, to solve it, one must posit Forms. Scholars claim that Aristotle takes the argument as valid either for Forms or for his own universals. I argue against both alternatives, for Aristotle thinks that the problem that motivates the argument does not require a metaphysical solution, but only a psychological solution.

The first aim of the paper is to proffer a series of objections to the God machine thought experiment, as presented by Savulescu and Persson, The Monist, 95, 399-421,. The second aim is to show that these objections must be overcome by any form of direct moral intervention by technological means, not just the God machine. The objections raised against the god machine involve questioning its intelligibility in light of established views on the relationship between beliefs, desires, intention and (...) intentional action, pointing out the seeming inability of individuals to attribute warranted moral praise to others or themselves in the case of abstentions from grossly immoral acts identifying a problematic ‘slippery slope’ argument, and questioning the rationale underlying the Freedom Lover’s intention to enrol on a moral enhancement course, as well as arguing that that Savulescu and Persson’s notion of ‘complete freedom’ is too stringent. (shrink)

A reply to Arda Denkel's argument that it is not possible to have matter without objects. I argue that the argument assumes that having a 'form' is being sufficient for the existence of an object, which the opponent should not be thought to grant.

In this dissertation I explore Plato's views about the nature of language and thought, and their relations to the world. Plato is sometimes thought to hold that meaningful terms do not require referents at all. Others argue that he holds a referential theory of meaning according to which the meaning of a term just is its referent. I reject both of these views, arguing that Plato thinks that a significant term must have a referent but that the referent (...) of a term does not exhaust its signification: there is also a descriptive component. On my view, Plato embraces a mixed account according to which naming and thought are descriptive and object dependent. Moreover, according to Plato, language is prior to thought, and the way the world is---what objects there are---ultimately determines what we can talk and think about. ;I focus on the Cratylus, Theaetetus and Sophist, the dialogues in which Plato develops his most sophisticated discussions of language and thought. In the Cratylus , Plato articulates an account of the signification of names, and he reveals his views about the nature and role of nominal definitions---the clusters of descriptions that linguistically competent speakers have in mind when they use terms from their language. A name signifies a nominal definition by convention; it signifies a real nature by nature. Plato defends an account of the necessary conditions on thought in the Theaetetus where the account of thought Plato ultimately embraces is not, as some have argued, a form of Russellian acquaintance. For Plato, thought is object dependent and at the same time conceptual. The commitment to object dependence and to the fundamental status of the world is evident in all three dialogues, but it is only explicitly defended in the Sophist. Plato argues that discourse and thought are hostage to what there is. Actual, countable objects determine the possible contents of language and thought. (shrink)

Charles Parsons examines the notion of object, with the aim to navigate between nominalism, denying that distinctively mathematical objects exist, and forms of Platonism that postulate a transcendent realm of such objects. He introduces the central mathematical notion of structure and defends a version of the structuralist view of mathematical objects, according to which their existence is relative to a structure and they have no more of a 'nature' than that confers on them. Parsons also analyzes the concept of (...) intuition and presents a conception of it distantly inspired by that of Kant, which describes a basic kind of access to abstract objects and an element of a first conception of the infinite. (shrink)

“The longer you work, the more the mystery deepens of what appearance is, or how what is called appearance can be made in another medium."—Francis Bacon, painter This, in a nutshell, is the central problem in the theory of art. It has fascinated philosophers from Plato to Wittgenstein. And it fascinates artists and art historians, who have always drawn extensively on philosophical ideas about language and representation, and on ideas about vision and the visible world that have deep philosophical roots. (...) John Hyman’s _The Objective Eye_ is a radical treatment of this problem, deeply informed by the history of philosophy and science, but entirely fresh. The questions tackled here are fundamental ones: Is our experience of color an illusion? How does the metaphysical status of colors differ from that of shapes? What is the difference between a picture and a written text? Why are some pictures said to be more realistic than others? Is it because they are especially truthful or, on the contrary, because they deceive the eye? _The Objective Eye_ explores the fundamental concepts we use constantly in our most innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to Renaissance perspective, from anatomy in ancient Greece to impressionism in nineteenth-century France. Philosophers, art historians, and students of the arts will find _The Objective Eye_ challenging and absorbing. (shrink)

Cet article a pour but de montrer comment le recours au concept de sphère, issu des travaux de la psychologie expérimentale de l’école de Würzburg, révèle une évolution remarquable du traitement de la signification (Bedeutung) par Karl Bühler dans ses recherches en psychologie puis en théorie du langage. En 1907, le concept de sphère était introduit comme le corrélat de la visée (meinen) dans le but de remettre en cause la définition de la signification comme association de représentations (Vorstellungen). Mais, (...) si le concept de visée apparaît alors comme le levier de l’argumentation, il ne constitue pas l’essence de la signification – laquelle se réalise dans les trois fonctions du modèle instrumental du langage. Or, le retour du concept de sphère au rang des « auxiliaires matériels » du champ symbolique de la représentation (Darstellung) dans la Théorie du langage, contribue à réévaluer les conditions de compréhension et de réalisation de la signification, en introduisant dans la fonction de représentation même une prise en compte des choses du monde sous la forme d’un savoir factuel. (shrink)

In his final monograph, Barry Stroud argues that certain fundamental concepts, like the concept of causation, are not only indispensable to any thought of an objective, independent world, but that they are also, therefore, invulnerable to skeptical attack. Given some assumptions about thought and objectivity, this leads him into the following metaphysical aporia: We can neither metaphysically establish that the objective, independent world is as we must think of it nor that it is not that way. (...) I will argue that the source of this aporia is a notion of objectivity in terms of the complete independence from any relation to thought whatsoever. This is a notion never explicitly argued for, as Stroud does not identify its origin. I then argue that a Kantian notion of objectivity can both be justified by tracing it to its origin in what we understand thinking and perceiving to be and dissolve Stroud’s aporia. If there is a way we must think of the world, and if we conceive of this world as completely independent of any relation to thought, then it is indeed hard to see why the world would agree with the fundamental form of thought. But if the objective, independent world is instead conceived of in relation to thought rather than independently of it and in terms of the independence from subjects and acts of thinking and perceiving, then it becomes intelligible how the world in relation to thought can agree with our fundamental concepts, while the world independent of any relation to thought might not. (shrink)

In this paper, I will explore the concept that healing activities shape the objects of therapy and seek to construct those objects through therapeutic activities. Objects of therapy are the persons, patients, human bodies, diseases, physiological processes and personal suffering—that which clinical medicine constructs through its distinctive formative processes, practices and knowledge. The rationale for choice of philosophical sources namely, Cassirer, Foucault, the anthropological perspective of Good and the sociological account of Frank will be discussed. The claim articulated by Good (...) will be examined and its relationship to culture, illness, medical knowledge, practice, truth, and science. I then focus on Frank's concepts of the patient and the body and how medical knowledge and practices affects it. The concept that the medicalization of the illness narrative silences the patient's voice requiring an ethic of listening will be emphasized, described and further supported by Charon's (2006, Narrative medicine: Honoring the stories of illness. New York, NY: Oxford University Press) and Cassell's (2015, The nature of suffering and the goals of medicine. New York, NY: Oxford University Press) thoughts on narrative of illness in clinical medicine. My position concludes that healing activities construct the objects of therapy: as the medical culture's way of seeking truth; as medicine's way of mediating and organizing forms of reality through culture and symbolic forms; and, as medicine's way of entering the body and constructing the disease. Lastly, I suggest that in spite of the remarkable progress in the control of disease, the failure to address the interpretation of illness meanings is a fundamental flaw in the work of “doctoring.” The experience and meanings of illness are at the centre of clinical practice and is a moral, political, ethical and professional obligation. The person is a cultural construct, a complex and culturally shaped way of experiencing self and other, and cultural “work” is required to constitute the person who is the object of medical attention and it also necessitates the ethic of listening. (shrink)

Rationality is the constitutive ideal of the mental. Therefore it is important to understand the sort of rationality at issue here. It is often assumed that rationality just is instrumental rationality, but this leaves us with too thin a notion of desire: Desires centrally involve the notion of things mattering or being significant, for their objects must normally be worth pursuing to the subject. Such significance is simply unintelligible in terms of instrumental rationality. Consequently, understanding significance and its rational connections (...) to desire and action is essential to understanding rationality as a constitutive ideal. In particular, it is a crucial step in vindicating the idea of animal thought. ;I argue that significance, as well as desire, must be understood in part in terms of the emotions. Many prominent theories of emotions illegitimately conceive of significance as conceptually prior to the capacity for having emotions, in that things can be significant to a creature that does not have any emotions at all. In contrast, I argue first that a creature must have the capacity for emotions in order to be a subject of significance because to be significant is in part to be a suitable object of emotions generally. Second, emotions are essentially feelings not because they "involve" bodily sensations but because they are a distinctive kind of awareness of the significance of the world to the subject; particular occurrent emotions therefore presuppose that things are already significant to the subject. Consequently, emotions and significance form a conceptual package, with neither being prior to the other: Significance and the emotions emerge together in a pattern of instrumental and non-instrumental rationality that can be articulated in terms of their interconnected explanatory roles. ;Being a subject of beliefs and desires therefore requires more than simply rationally mediated goal-directedness, as Dennett believes. Rather, it requires being open, through the emotions, to the significance of the world and to the reasons that significance provides for action. This conclusion is shown to have important ramifications for our understanding both of a minimal sense of agency and of what it is to be a person. (shrink)

Jairo Moreno adapts the methodologies and nomenclature of Foucault’s "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions—musical, philosophical, and historical—that "make a certain form of thought about music necessary and possible at the time it emerges." Musical Meaning and Interpretation—Robert S. Hatten, editor.

In this paper I take issue with Allison's ‘two aspect’ view of Kant's transcendental distinction between appearances and things-in-themselves. Unlike those of Allison's critics, who criticize him, and by implication Kant, based on some form of the ‘two world’ view, I argue that, even Allison's methodological, more moderate interpretation, nevertheless includes an excessive commitment to the role of things-in-themselves in Kant's theoretical philosophy, a commitment which is both unnecessary and incompatible with Kant's text. I offer an alternative interpretation which, in (...) my view, is at once more accurate, and more defensible against the familiar claim that Kant's philosophy is either incompatible with itself or it inevitably leads to idealism. (shrink)

In this article, I re-examine Kant’s many senses of cognition, thought, and object in order to better understand his account of logic, and, in particular, transcendental logic. In laying out the multiple and conflicting ways Kant defines each of those terms, the relation between transcendental logic and pure general logic can be revealed as analogous to, and, indeed, linked to, the isomorphism that exists between the categories of the understanding and the logical forms of judgment, which are equivalent (...) if one ignores the manifold of intuition. This means transcendental logic is a general logic, even as a logic of (some) cognizing. (shrink)

The _Symbolic Forms_ has long been considered the greatest of Cassirer’s works. Into it he poured all the resources of his vast learning about language and myth, religion, art, and science—the various creative symbolizing activities and constructions through which man has expressed himself and given intelligible objective form to this experience. “These three volumes alone make an outstanding contribution to epistemology and to the human power of abstraction. It is rather as if ‘The Golden Bough’ had been written in (...) philosophical rather than in historical terms.”—F.I.G. Rawlins, _Nature_. (shrink)

This essay explores the lines of thought focused on the relationship between gesture and technique, examining the theories which have conceptualized the transfer of gestural matrices into inert matter, and understood technique as a result of this process. Although associated mainly with the writings of the palaeontologist André Leroi-Gourhan, this thought actually predates his work, and consists of multiple branches: having first taken root at the end of the nineteenth century, it became diffused throughout the following decades in (...) different forms. These nevertheless shared a constant reference to cinema, both as a privileged place that captures gestures, and as a technique that can absorb their quintessence. From Espinas to Simondon, via Jousse and Eisenstein, the theory of gestural transmission breaks down various polarities, such as body and environment, organic and inorganic, animated and inanimate, performativity and inner life. It foregrounds the imaginative logic of the body and the many forms of somatic thinking developed by man. Such forms lie at the heart of the creative processes and have found their highest appreciation in cinema, as a machine that, from its very origins, has been grafted not only on the eye but on the whole body. (shrink)

The _Symbolic Forms_ has long been considered the greatest of Cassirer’s works. Into it he poured all the resources of his vast learning about language and myth, religion, art, and science—the various creative symbolizing activities and constructions through which man has expressed himself and given intelligible objective form to this experience. “These three volumes alone make an outstanding contribution to epistemology and to the human power of abstraction. It is rather as if ‘The Golden Bough’ had been written in (...) philosophical rather than in historical terms.”—F.I.G. Rawlins, _Nature_. (shrink)

Are there objects that are “thin” in the sense that their existence does not make a substantial demand on the world? Frege famously thought so. He claimed that the equinumerosity of the knives and the forks suffices for there to be objects such as the number of knives and the number of forks, and for these objects to be identical. The idea of thin objects holds great philosophical promise but has proved hard to explicate. This book attempts to develop (...) the needed explanations by drawing on some Fregean ideas. First, to be an object is to be a possible referent of a singular term. Second, singular reference can be achieved by providing a criterion of identity for the would-be referent. The second idea enables a form of easy reference and thus, via the first idea, also a form of easy being. Paradox is avoided by imposing a predicativity restriction on the criteria of identity. But the abstraction based on a criterion of identity may result in an expanded domain. By iterating such expansions, a powerful account of dynamic abstraction is developed. (shrink)

The debate over the objects of episodic memory has for some time been stalled, with few alternatives to familiar forms of direct and indirect realism being advanced. This paper moves the debate forward by building on insights from the recent psychological literature on memory as a form of episodic hypothetical thought (or mental time travel) and the recent philosophical literature on relationalist and representationalist approaches to perception. The former suggests that an adequate account of the objects of episodic (...) memory will have to be a special case of an account of the objects of episodic hypothetical thought more generally. The latter suggests that an adequate account of the objects of episodic hypothetical thought will have to combine features of direct realism and representationalism. We develop a novel pragmatist-inspired account of the objects of episodic hypothetical thought that has the requisite features. (shrink)

Abstract: This paper traces a Kantian and pragmatist line of thinking that connects the ideas of conceptual content, object cognition, and modal constraints in the form of counterfactual sustaining causal laws. It is an idea that extends from Kant’s Critique of Pure Reason through C. I. Lewis’s Mind and the World-Order to the Kantian naturalism of Wilfrid Sellars and the analytic pragmatism of Robert Brandom. Kant put forward what I characterize as a modal conception of objectivity, which he developed as (...) an extended argument stretching from the transcendental deduction through the analogies of experience to the regulative maxims of reason and reflective judgment. In related ways in Lewis and Sellars, the very idea of an object of knowledge (and of intentionality more generally) is connected with a certain lawfulness or modal constraint the necessary representation of which, they argue, is an achievement of conceptualization. While Sellars agreed with the spirit of Lewis’s famous pragmatic conception of the a priori, Sellars’s conception of meaning and conceptual content differed in crucial ways with important consequences for this issue. I argue furthermore that a certain phenomenalist temptation threatens to spoil this insight both among some of Kant’s interpreters and in Lewis’s thought. Finally, I point out that Brandom’s “Kant-Sellars thesis” provides new support for this line of thought. Although questions concerning idealism continue to raise controversies for neo-Kantians and pragmatists, the line of thought itself represents a distinctive and still promising approach to questions concerning intentionality and conceptual content. (shrink)

This book investigates the thought of two of the most influential philosophers of antiquity, Plato and his predecessor Anaxagoras, with respect to their metaphysical accounts of objects and their properties. The book introduces a fresh perspective on these two thinkers' ideas, displaying the debt of Plato's theory on Anaxagoras's, and principally arguing that their core metaphysical concept is overlap; overlap between properties and things in the world. Initially Plato endorses Anaxagoras's model of constitutional overlap, and subsequently develops qualitative overlap. (...) Overlap is the crux to our understanding of objects participating in Forms in Plato's metaphysics; of Plato's account of relata without relations; of the role of Forms as causes; of the metaphysics of necessity; and of the role of the Great Kinds and of the paradeigma in the development of Plato's thought. Anna Marmodoro argues that Plato is ground-breaking in the history of metaphysics, in different ways from those acknowledged so far, and with respect to more metaphysical questions than had been hitherto appreciated; e.g. Plato's treatment of structure as property; of complexity; and his introduction of the first ever account of metaphysical emergence. In addition to these results, Marmodoro makes Anaxagoras's and Plato's systems philosophically accessible to us, today's philosophers, by applying conceptual tools from analytic metaphysics to the study of ancient metaphysics. In this way, the book brings Anaxagoras's and Plato's ideas to bear on todays' philosophical discussions and opens up new venues of research for current philosophical discussions. (shrink)

This thoughtful, learned, well-written, extensively illustrated, and heavily documented study deserves to be regarded as a landmark in art history. Traditional art history has dealt for the most part with the “fine arts” (chiefly painting, drawing, sculpture, and architecture), whereas other human creations that take physical form (such as furniture, ceramics, textiles, and metal and glass items), whether utilitarian or decorative (or both at once), are considered “craft” or “applied art” and are studied by folklorists, anthropologists, and archaeologists and often (...) displayed in different museums. Cooke wishes to break down this “hierarchical taxonomy,” this “fragmented, hierarchical field,” that emerged from Western Europe's “misunderstanding of art,” which valued “the cerebral over the manual.” His goal, in other words, is to outline “a more inclusive human history of art”— “a connected art history.” This phrase from his subtitle refers not simply to connecting “fine art” with “applied art” but also to crossing temporal and regional boundaries. Still another act of connecting is to examine all parts of an object's life history, and thus the three main divisions of the book deal with the making of objects, their circulation from one person and place to another (and “their ability to transmit ideas” in the process), and their meaning for the persons who possessed or encountered them.Over the years I have repeatedly said that all objects made by human beings are worthy of preservation and study because they bring us into direct contact with the past and, as part of our surroundings, affect our thoughts in the present. Every object, I have argued, including copies of a single printed edition of a book (so-called duplicates), is an independent witness to the past. I am particularly pleased, therefore, to welcome a major book that explores in detail, with a wealth of examples from many centuries and cultures, the place of objects in human history. Cooke's pursuit is “object-driven,” beginning with the nature of the materials and finally coming to “the inherent power of the object itself to influence human thought and action.” (Compare the subtitle of Sherry Turkle's 2007 anthology Evocative Objects: Things We Think With.) Cooke's refusal to separate “materials” from “people,” or “technologies” from “values,” reminds me of John Szarkowski's approach to photographs. In Photography until Now (1989), Szarkowski points out that histories of photography generally treat technical matters separately from artistic ones—a split between the “empirical” and the “intuitive” that he finds indefensible, for “these two ways of knowing meet in the process of making things.” He adds, “The meeting can be cordially symbiotic or aggressively competitive, but its resolution defines the character and meaning of the thing that is made.” This statement has been a favorite of mine as an elegant characterization of the nature of art, and it is one that Cooke would clearly agree with.Cooke does not discuss photography, but he makes clear that he is not attempting a “comprehensive history that charts the complete ebb and flow of objects over time.” Rather, his book is meant to be a “suggestive guide” to the “principles of material literacy,” a “kit of tools for future complex constructions of history.” Even so, I find some of the omissions puzzling. Why, for example, are glass objects not taken up, when he so thoroughly deals with other common materials? More serious, in my opinion, is the exclusion of the fine arts. (Of the 215 illustrations, five are of oil paintings and one is of a Japanese print, but they are present only as the sources for information drawn from their pictorial content; one Hogarth engraving is shown because its image was often reproduced on punch bowls; and there is a very brief passage on the “uneasy relationship” between sculpture and material culture, but no sculptures are illustrated or used as examples for discussion.) Presumably Cooke felt it was unnecessary for his book to encompass the fine arts after demonstrating that functional objects are just as sophisticated artistically and culturally as products of the fine arts are. Yet those products also belong to the universe of “entangled objects” (How could they not?), and it would have been illuminating to see them adduced among the examples Cooke cites. One could argue that by excluding them—and by referring to the makers of the objects he does discuss as “artisans” and “craftspeople”—he comes close to reinforcing the division he wishes to eliminate.Less easy to explain is Cooke's omission of books, for they have been one of the largest and most widely circulated classes of utilitarian objects. Most people never think about books as objects, treating them only as disposable receptacles for transmitting verbal texts in tangible form (which is why so many books are destroyed when their texts supposedly become available in another form). Such people do not realize that texts have connections with their physical embodiments. (For example, books, whether manuscript or printed, often contain clues revealing how their texts were affected by the production process; and readers’ attitudes toward texts can be influenced by their presentation.) Cooke, however, with his deep understanding of the way objects function and his impressive knowledge of the scholarship, cannot be one of these uninformed people. He would obviously be aware of the vast literature devoted to leather and cloth bookbindings and their decoration, as well as to the myriad styles of letters and the varieties of paper and parchment; he would also know how letterforms and binding designs reflect a complex interplay of social, political, and artistic forces. Bibliographers have long studied books as Cooke advocates studying other objects: “working from the inside out,” beginning with the evidence in books themselves for reconstructing the routines that were followed in their creation. And book historians are recognizing the necessity for an international approach like Cooke's, since many of the books circulating in one country originated in other countries. Books would have been a prolific additional source for illustrating Cooke's analyses.My admiration for Cooke's book is not altered by these few disappointments. Even without discussions of paintings, sculptures, and books, it is still exhilarating in its scope and depth. One hopes that art and material-culture historians will pay attention to it. But it ought to have a wider audience, for the daily lives of all of us would be enriched by a greater appreciation of the objects that make up a significant part of our environment. (shrink)

The idea that science is objective, or able to achieve objectivity, is in large part responsible for the role that science plays within society. But what is objectivity? The idea of objectivity is ambiguous. This paper distinguishes between three basic forms of objectivity. The first form of objectivity is ontological objectivity: the world as it is in itself does not depend upon what we think about it; it is independent of human thought, language, conceptual activity or experience. (...) The second form of objectivity is the objectivity of truth: truth does not depend upon what we believe or justifiably believe; truth depends upon the way reality itself is. The third form of objectivity is epistemic objectivity: this form of objectivity resides in the scientific method which ensures that subjective factors are excluded, and only epistemically relevant factors play a role in scientific inquiry. The paper considers two problems that arise for the notion of epistemic objectivity: the theory-dependence of observation and the variability of the methods of science. It is argued that the use of shared standard procedures ensures the objectivity of observation despite theory-dependence. It is argued that the variability of methods need not lead to epistemic relativism about science. The paper concludes with the realist suggestion that the best explanation of the success of the sciences is that the methods employed in the sciences are highly reliable truth-conducive tools of inquiry. The objectivity of the methods of the sciences leads to the objective truth about the objective world. (shrink)

Object perception deploys a suite of perceptual capacities that constrains attention, guides reidentification, subserves recognition, and anchors demonstrative thought. Objects for perception—perceptual objects—are the targets of such capacities. Characterizing perceptual objects for multisensory perception faces two puzzles. First is the diversity of objects across sensory modalities. Second is the unity of multisensory perceptual objects. This paper resolves the puzzles. Objects for perception are structured mereologically complex individuals. Perceptual objects are items that bear perceptible features and have perceptible parts arranged (...) to form a unified whole. This circumscribes the targets of object perception where neutral talk concerning intentional objects and objects of perception cannot. Nonetheless, it is more permissive than identifying perceptual objects with material bodies, which excludes too much and leans too heavily on vision. The account thus is tailored to capture the role of objects in perception beyond vision: tactual, auditory, and olfactory objects are individuals with differing structures. Its flexibility also enables the account to accommodate shared objects for multisensory perception: multisensory perceptual objects are mereologically complex individuals with hybrid structure. For instance, one can bimodally perceive a common whole with parts accessible to one but not both modalities. Each sense provides a partial perspective on a complex whole that is perceptible through the coordinated use of multiple senses. Understanding perceptual objects as structured mereologically complex individuals thus provides a theoretically useful notion of an object for multisensory perception that resolves the puzzles of diversity and of unity. (shrink)

What capacities for discrimination must a subject possess in order to entertain singular thoughts? Evans has suggested that a subject must be able to discriminate his referent from all other entities in order to be able to do so; what he calls Russell's Principle. Evans' view has few followers, and he has been repeatedly accused of presenting no argument in its favour. In this paper I present what I take to be Evans' argument. I suggest that he has been misinterpreted (...) as introducing Russell's Principle for the purpose of fixing reference. Rather, he introduces it in order to ensure that our conceptual capacities have the functional complexity to allow for objective thought. I suggest that the logical types of our thought are constituted by their inferential potential and argue that, even though singular thought may be possible without the satisfaction of Russell's Principle, singular thought that forms part of an objective world view is not. (shrink)

Contemporary scholars have begun to document the extensive influence of the sixth to seventh century Buddhist philosopher Dharmakīrti on Pratyabhijñā Śaiva thought. Utpaladeva and Abhinavagupta’s adaptation of Dharmakīrti’s apoha theory provides a striking instance of the creative ways in which these Śaivas use Dharmakīrti’s ideas to argue for positions that Dharmakīrti would emphatically reject. Both Dharmakīrti and these Śaivas emphasize that the formation of a concept involves both objective and subjective factors. Working within a certain perceptual environment, factors (...) such as a subject’s desires, habits, and conditioning lead him or her to form a concept based on excluding what is not relevant to the accomplishment of his or her goal. However, the two differ in their account of the relationship between concepts and subject/object duality itself. While Dharmakīrti claims that the division of a cognition into subject, object, and awareness is nonconceptual, the subtly shifted definition of a concept that these Śaivas employ allows them to claim that the error of subject/object duality is actually conceptual. This seemingly small difference in their respective evaluations of the nature of subject/object error has surprisingly large consequences. If, as these Śaivas claim, any awareness involving a duality is conceptual, then subject and object are concepts. Moreover, if the formation of a concept requires desire, then some kind of desire must be inherent to consciousness itself before the formation of a limited subject/object pair. In short, ultimate consciousness must be Śiva, who possesses the freedom to will any and all possible realities. (shrink)

What are the conceptually necessary and sufficient conditions for a person, or organism, to perceive a given object? More precisely, what is the nature of our ordinary thought about perception that gives rise to our willingness or unwillingness to say that S perceives O? Some form of causal theory of perception is now, I think, widely accepted. Such a theory maintains that it is part of our concept of perception that S perceives O only if O causes a percept, (...) or perceptual state, of S. I accept this causal requirement, though with some qualification. The crucial problem for the theory of perception is what must be added to the causal requirement. Not all causes of a percept are said to be perceived. Smith looks at a tree illuminated by the sun, when the sun is not itself in view. His visual percept is caused by the tree, but not only the tree. The percept's causal ancestry includes the sun and the array of light two inches from Smith's eyes. Why do we say that he sees the tree, but not the sun or the array of light? What principles underlie this invidious choice among causes? Similarly, we think of a bat as perceiving objects in his path, but not as perceiving himself. Yet, since he emits the sonar signals these objects reflect, he is himself a cause of his percepts. Why don't we say he perceives himself? (shrink)

How might we change ourselves without ending our existence? What could we become, if we had access to an advanced form of bioengineering that allowed us dramatically to alter our genome? Could we remain in existence after ceasing to be alive? What is it to be human? Might we still exist after changing ourselves into something that is not human? What is the significance of human extinction? Steven Luper addresses these questions and more in this thought-provoking study. He defends (...) an animalist account, which says that we are organisms, but claims that we are also material objects. His book goes to the heart of the most complex questions about what we are and what we might become. Using case studies from the life sciences as well as thought experiments, Luper develops a new way of thinking about the nature of life and death, and whether and how human extinction matters. (shrink)

It typically taken for granted that agents can be morally responsible for such things as, for example, the death of the victim and the capture of the murderer in the sense that one may be blameworthy or praiseworthy for such things. The primary task of a theory of moral responsibility, it is thought, is to specify the appropriate relationship one must stand to such things in order to be morally responsible for them. I argue that this common approach is (...) problematic because it attempts to explain the way in which an agent can be morally responsible for something that is external to her, the agent. Since, I argue, everything that matters for moral responsibility is internal to the agent, the accounts that emerge from this approach are committed to a particular form of moral luck. Instead, we should reject this form of moral luck, and with it, the possibility of moral responsibility for objects external to the agent. We are, I argue, morally responsible only for our inner willings. Thus, a form of internalism about moral responsibility is defended. (shrink)

I address here the question what sense to make of the idea that there can be thought prior to language. I begin by juxtaposing two familiar and influential philosophical views, one associated with the work of Paul Grice, the other associated with the work of Donald Davidson. Grice and Davidson share a broad, rationalist perspective on language and thought, but they endorse conflicting theses on the relation between them. Whereas, for Grice, thought of an especially complex sort (...) is a precondition of linguistic meaning, for Davidson, there can be no genuine thought without language. I argue that both views present us with unpalatable alternatives concerning our understanding of the natural origins of objective thought and meaningful language. Drawing on what I take to be key insights from Grice and Davidson, I then lay out some broad desiderata for an intermediate position. I finally turn to a certain form of nonlinguistic communication of the sort of which both prelinguistic children and languageless animals are capable, viz., expressive communication. I propose that a proper appreciation of the character and function of expressive communication can help us trace the outlines of the desired intermediate position. (shrink)

Are there nonexistent objects, i.e., objects that do not exist? Some examples often cited are: Zeus, Pegasus, Sherlock Holmes, Vulcan (the hypothetical planet postulated by the 19th century astronomer Le Verrier), the perpetual motion machine, the golden mountain, the fountain of youth, the round square, etc. Some important philosophers have thought that the very concept of a nonexistent object is contradictory (Hume) or logically ill-formed (Kant, Frege), while others (Leibniz, Meinong, the Russell of Principles of Mathematics) have embraced it (...) wholeheartedly. This entry is an examination of the many questions which arise in connection with the view that there are nonexistent objects. The following are particularly salient: What reasons are there (if any) for thinking that there are nonexistent objects? If there are nonexistent objects, then what kind of objects are they? How can they be characterized? Is it possible to provide a consistent theory of nonexistent objects? What is the explanatory force of a consistent theory of nonexistent objects (if such a thing is possible)? (shrink)

In this paper I shall suggest that philosophy which bases itself firmly inlife is incompatible with idealism. The example of such a philosophy to be discussed is the later work of Wittgenstein, and I shall define in what sense this is ‘based in life’, with particular reference to his concept of ‘Lebensform’, or ‘life-form’. I shall understand idealism to be, in general terms, the doctrine that idea is the primary, or the only, category of being. Various kinds of idealism may (...) then be distinguished according to the precise definition each gives of ‘idea’, and of the category, if any, which is held to be less fundamental. Thus, in brief, in Platonic idealism, absolute immaterial being is ontologically prior to the changing world given to sense-experience; in the idealistic systems of more modern thought, mind is more fundamental than matter; or again, subject, or spirit, is more fundamental than object. While the various systems of idealism are properly classed together so far as they assign priority to the concept idea , it is clear that they differ in their interpretations of the concept. When one has in mind these differences, it is of course misconceived to speak of idealism as a single doctrine; nevertheless, it is plausible to suppose that philosophers have been led to apply the term ‘idealism’ to various systems despite their differences, because there is indeed a common tendency of thought to be found in them. The present paper takes this supposition as a working hypothesis, with the particular aim of establishing that philosophy based in life is incompatible with philosophy based in idea, whatever be reasonably meant by ‘idea’. In brief my argument will be this: that life is no idea. (shrink)

This essay explores an ideal notion of form (mathematical structure) that embraces logical, phenomenological, and ontological form. Husserl envisioned a correlation among forms of expression, thought, meaning, and object—positing ideal forms on all these levels. The most puzzling formal entities Husserl discussed were those he called ‘manifolds’. These manifolds, I propose, are forms of complex states of affairs or partial possible worlds representable by forms of theories (compare structuralism). Accordingly, I sketch an intentionality-based semantics correlating (...) these four Husserlian levels of form—thereby integrating logic, phenomenology, and ontology. (shrink)

This book provides a formal ontology of senses and the belief-relation that grounds the distinction between de dicto, de re, and de se beliefs as well as the opacity of belief reports. According to this ontology, the relata of the belief-relation are an agent and a special sort of object-dependent sense (a "thought-content"), the latter being an "abstract" property encoding various syntactic and semantic constraints on sentences of a language of thought. One bears the belief-relation to a (...) class='Hi'>thought-content T just in case one (is disposed as one who) inwardly affirms a certain sentence S of one’s language of thought that satisfies what T encodes, which in turn requires that S’s non-logical parts stand in appropriate semantical relations to items specified by T. Since these items may include other senses as well as ordinary objects, beliefs of arbitrary complexity are automatically accommodated. Within the framework of the formal ontology, a context-dependent compositional semantics is then provided for a fragment of regimented English capable of formulating ascriptions of belief—a semantics that treats substitutional opacity as a genuine semantic datum. Finally, the resulting picture of belief and its attribution is defended by showing how it solves standard puzzles, avoids objections to rival accounts, and satisfies certain adequacy conditions not fulfilled by traditional theories. Along the way, clarification and defense is offered for the ingredient conception of object-dependent senses, and it is shown how adoption of the language of thought hypothesis permits Bertrand Russell’s obscure doctrine of logical forms to be understood in a way that not only vindicates his Multiple Relation theory of de re belief but also reveals the connection between these logical forms and thought-contents. (shrink)

There is a growing pessimism about objects based on the view that objects are mysterious unobservables. According to this line of thought objects can disturb our senses or measuring devices only indirectly, via properties or relations – only properties or relations are observables, not the objects per se. As a result, inaccessible objects open a gap between science and reality and scientific realism is lost. Defenders of objects may respond that the scope of this reasoning is rather limited, because (...) its truth is restricted to very specific views of objects and scientific realism. The paper is concerned with three forms of scientific realism confronting them with three basic ontologies of objects. It appears, then, that seen from the perspective of scientific realism the least problematic picture of objects is given by the Spinozian conception of objects and their modes. However, even this conception faces some difficulties and it seems that the traditional metaphysics is not able to provide a scientifically unproblematic notion of object. (shrink)

ArgumentAt the turn of the twentieth century the Norwegian market flourished with milk products intended for infants. But medical doctors argued in favor of “going back to nature”: Women ought to breastfeed their children. This paper explores how a re-naturalization of mother's milk emerged within experimental medicine. The prescribed “natural way” did not develop within medicine alone. The paper demonstrates how the natural developed within a relational space of different versions of milk: the free-market milk, the dirty and decaying milk, (...) and the non-nutritional milk. But why did Norwegian mothers, in contrast to the development in for instance the US, continue to breastfeed their infants? Drawing on the work of the leading pediatrician Theodor Frølich, the paper suggests that this may in part be explained by the development of a distinct version of care: A matter-of-fact, pragmatic and flexible version of care that nevertheless came to enact mother's milk as the supreme form of nutrition to which there was hardly a competing or healthy alternative. “The natural way” became a thought style and was made integral to everyday culture. (shrink)

In the 7th century, when Islam emerged, the Arabian peninsula was under the influence of the Sassanid empire, one of the two great world powers, culturally as well as economically/politically. Like the Sasanian/Zoroastrian belief system, the Arabs of the Ignorance period had a dualist cosmology in essence. In the world of the Arabs of Ignorance, who think of man as a being between "good" and "evil" forces, it is believed that evil forces such as "jinn and devils" can have an (...) effect on people, as well as Allah. In the period of ignorance, which is generally accepted to be understood through "idol worship", idols actually function as a form for the embodiment of these metaphysical powers. Therefore, idols themselves are not gods; Just like the manifestation of the human spirit in the body, they are worshiped because they enable metaphysical entities to "take on flesh and bones", that is, to occupy a place in the visible realm. However, in accordance with the dualist belief, the polytheists place idols around the Kaaba in the center of the city so that the angels can be incarnated, they also place idols in the wild and desolate places and build temples and altars for demonic forces. According to Ibn al-Kalbī, for example, the idol of al-ʻUzzā is a female devil and its altar is located in the Batn al-Nahle valley, 45 km northeast of Mecca. As a result, the main characteristic feature of the cosmology of the Age of Ignorance is the belief that evil metaphysical beings can affect human life as well as benevolent forces. What happens to human beings caught between these two metaphysical powers is also explained by the concept of "Dahr", which means time, which occurs as a result of the synthesis of the conflict between the two. Islam flatly denies the ability of a power other than Allah to have such an effect on existence in the universe. Polytheism, which Islam qualifies and condemns as "shirk", is essentially this dualism. In the Qurʾān, this is emphasized as " Take not (for worship) two gods: for He is just One Allah." (an-Naḥl, 16/51.). By making only the will of Allah valid in the universe, Islam also unifies the order in the physical world and the mind. Thus, an important step has been taken towards rational thinking in the universe where the rule of a single mind is valid. Even in the Qurʾān, it is emphasized that the Prophet was a "human" like other people, did not have any supernatural abilities, and did not know the "unseen", that is, events beyond what time or material means allowed. As a matter of fact, since the Prophet did not have any superhuman claims, the polytheists accuse him of "ordinariness" and claim that what he tells is only the "word of man". However, Islam does not stay here either, it declares the end of prophethood with Muhammad. According to this, it will not be possible for Allah to address another person after Muhammad as the carrier of a divine message that must be socially obeyed. From now on, human beings will walk the rest of the way on their own in a world where a single rational, consistent mind is valid. Of course, in this journey, the light of the Qur'an, the last revelation, and all the acquis of humanity up to that time will be benefited, but the guidance of a living prophet will no longer be in question. This situation, which is described as the "sealing of the prophethood" in the classical literature, represents a new stage for human beings in terms of the history of thought. However, all this rationalization fails when the parties to the conflict in the history of Islam after the death of the Prophet tend to justify their political positions with occultist arguments. Especially in the Umayyad period, political legitimacy is based on metaphysical claims rather than being taken from the society itself. According to classical sources, the expression "the shadow of God on earth" is used for the first time for Muʿāwiya. With the same method, it is possible to provide theological explanations for tragic events such as the events in Karbala. This situation leads to the reproduction of the dialectical relationship between good and evil forces, which were known in the Ignorance period and revealed the concept of Dahr, this time by attributing "evil" (shar) to Allah. Objections to all these interpretations also form the basis of the first debates about the essence of God in Islamic thought. (shrink)

In this paper we address the classical but still pending question regarding Thought Experiments: how can an imagined scenario bring new information or insight about the actual world? Our claim is that this general problem actually embraces two distinct questions: how can the creation of a just imagined scenario become functional to either a scientific or a philosophical research? and how can Thought Experiments hold a strong inferential power if their structures “do not seem to translate easily into (...) standard forms of deduction or induction”? :534–541, 1999). We contend that, in order to answer both questions, we should consider the relation between the creation of the imagined scenario and the inferential power of Thought Experiments. Specifically, we will analyze Thought Experiments from an eco-cognitive point of view as goal-oriented objects, explaining their inferential power considering their generation as the result of abductive cognition and the construction of an imagined scenario as a process of scientific modeling. This will lead us to consider the creation of a Thought Experiment as a case of sophisticated model-based abduction. (shrink)

An account of non-existing objects called 'classical possibilism', according to which objects that don't actually exist do exist in various other ways, is implemented in a two-dimensional modal logic with non-traditional predication theory. This account is very similar to Priest's, but preserves bivalence and does not endorse dialethism. The power of classical possibilism is illustrated by giving some examples that makes use of a description theory of reference. However, the same effect could also be achieved in a more Millian fashion. (...) It is argued that classical possibilism is ontologically more neutral than is commonly thought, because it allows for the formulation of various forms of reductionism within the object language. (shrink)

How do we acquire thoughts and beliefs about particulars by looking at pictures? One kind of reply essentially compares depiction to perception, holding that picture-perception is a form of remote object-perception. Lopes’s theory that pictures refer by demonstrative identification, and Walton’s transparency theory for photographs, constitute such remote acquaintance theories of depiction. The main purpose of this paper is to defend an alternative conception of pictures, on which they are not suitable for acquainting us with particulars but for acquainting us (...) with certain kinds of properties. This conception is outlined in §4, where it is argued that pictures are useful devices for what Heal has called indexical predication. In §2 and §3, I explain why I believe that remote acquaintance theories are false, and why picture-perception cannot function as a form of extended or remote object-perception. The main reason is that the contents of picture-perceptions do not themselves provide the kind of numerical and contextual information required for singular thought. Picture-reference is instead secured by independent beliefs or linguistic communication about the causal history of pictures as objects. In other words, it is beliefs about the numerical identity of pictures as objects that anchors the reference of the representational contents of pictures. (shrink)

Object-Oriented Ontology (OOO) is a contemporary form of realism concerned with the investigation of “objects” broadly construed. It may be characterised in terms of a metaphysical pluralism to the extent that it recognises infinitely many different kinds of emergent entities, and this fact in turn leads to a number of questions concerning the nature of objects and emergence in OOO: what is the precise meaning of an emergent entity in OOO? How has emergence been denied throughout the history of Western (...) thought? Is there a specific object-oriented account of emergence? What is the causal mechanism which provides the conditions of possibility for the generation of emergent entities? In this article, I aim to answer all these questions by constructing the first extensive account of real emergence in the context of Object-Oriented Ontology, and I also seek to tie this analysis to the notion of “vicarious” or indirect causation. (shrink)

In this paper I am discussing the concept of “objective world”, its hope and aim as vigorously presented in Husserl’s famous discourse of the Fifth Meditation. In this manner, the first part of my work focuses on Husserl’s intentionality as knowledge of the “I” or “my ego” as my primordial identity, in relation to “my culturalcommunity” as its primordial one, too. The thesis will then develop into “intersubjectivity” in which “the other” and his “cultural community” as primordially constituted are (...) objective to be fully understood in terms of synthetic knowledge; namely through psychological, cultural, historical and social forms and contents. The second part of my paper takes off from where transcendental phenomenology is grounded to look into the problem of Globalization and questions of value. If the first part followed Husserlian theoretical investigations, sometimes called interpretive philosophy to hopefully acquire universal principles, the second onecan be called practical doctrine, which studies cases presented by a number of specialists who focus on praxis and consequences of Globalization – a theme for economic concerns, but inherently it affects the stability of the community of mankind. This new world order overtly and covertly critiques traditional concepts of nation and culture as it redefines democratic concept, coming home to human rights. Its challenge has been already about the doubts and contradictoriness of “values” in broadest and “reduction” sense. OBJECTIVITY as a noun, and OBJECTIVE, an adjective and noun are terminologies of extremely complicated shades of meaning in Husserl’s Cartesian Meditations, particularly in the fifth one where such terms are used interchangeably to fit the concept of intersubjective Nature; which I will explore and further put it in current economic and political drive to Globalization. In this regard my theme will deal simultaneously with both the critique of Husserlian thought and neo-liberalism (liberal democracy), a twist of democracy for preserving capitalism in what is called a new world order by ordinance and defense of Imperialism as well as the states that so desire to join the world market. (shrink)