The Sea as Mirror traces the pressing and repressed material and symbolic presence of the Mediterranean Sea and the Atlantic Ocean from Plato to Heidegger. To do so, Wu Yi employs the maritime as a lens to understand the drive of philosophy as both a response to and moment within the impetus of Western colonization. Yi examines how philosophy has again and again constructed itself as a genre in opposition to the movement of deterritorialization and fluidity of mimesis. (...) She does so via the method (meta, “after” + hodos, “way, journey”) of a series of essayings (in the original sense of trial, measure, attempt) across a geopolitical topography of discourses. These include philosophical texts drawn from a constellation of historical topoi at the critical moments of their encounter with the maritime: Plato and Euripedes’s work from fifth-century Athens; Augustus and Plautus’s writings from republican and early imperial Rome; Shakespeare’s creations from Elizabethan England; Kant and Rousseau’s texts from enlightenment continental Europe; and the thinking of Husserl and Heidegger from interwar Germany of the twentieth century. For each historical topos, Yi juxtaposes different representations of and responses to the maritime through the reading of a philosophical text vis-à-vis the reading of a literary text. In so doing, she lays bare the deep political and moral ambiguity attributed to the ocean in Western philosophical and literary imaginaries. (shrink)

The article considers the conceptual pair of violence and the sacred as a commonplace ("topos”) of French scientific, philosophical, and religious thought of the 20th-21th centuries and explains why this pair was so relevant and attracted many dissimilar thinkers. Six authors are taken as the main examples: G. Bataille, R. Caillois, R. Girard, E. Levinas, M. Eliade, and J. Kristeva. For analytic purposes, the author identifies three "common factors” that unite them. Firstly, the influence of the French sociological school (...) (Durkheim, Hubert and Moss, Dumezil, Hertz etc.). Among other things, these scholars studied the religious meaning of blood, violent ascetics and sacrifice, conceptualizing violence as a pledge of social cohesion (Durkheim) or as a factor of transition from the profane to the sacred world (Hubert and Moss). Secondly, the ideas of these six thinkers were inspired by real violence, which they tried to comprehend via the concept of the sacred. In particular, their reflection was influenced by the cultural and personal experience of world wars. Third, this conceptual pair is value-charged and used to create a new religion or interpret the existing ones in heterodox way. As starting point for this creative process, Catholic or Orthodox Christianity, Christian atheism, and Judaism are taken. The author concludes that even if this topos is forgotten today, it undoubtedly remains significant for the history of sociology and philosophy, as well as for cultural history. (shrink)

Tidak bisa disangkal bahwa filsafat Barat dewasa ini hampir identik dengan wacana filosofis (philosophical discourse), berupa konsep, teori, atau sistem, yang umumnya berkembang dinamis dan dipelajari sebagai disiplin keilmuan dalam lingkungan akademis melalui satuan kurikulum perguruan tinggi modern. Maka tidak mengherankan bila filsafat cenderung identik dengan filsafat akademis (academic philosophy). Namun berkat dua buku Pierre Hadot (1922-2010) kita terbantu untuk menyadari hilangnya sebagian besar pemahaman filsafat itu sendiri terutama wawasan klasik yang mengungkapkan fokus utama penghayatan maupun lintasan peralihan fokus (...) utama tersebut dalam perkembangan sejarah. Hadot berpendapat bahwa filsafat pada awalnya adalah bios atau way of life (manie de vivre). Filsafat sebagai way of life terungkap dalam serangkaian latihan rohani (melete dalam arti Platonis, askesis dalam arti Stoa dan Kekristenan Yunani, atau exercitium spirituale dalam arti Kekristenan Latin awal), dengan mengembangkan berbagai wacana filosofis sebagai sarana panduan untuk membentuk (to form) alih-alih hanya menginformasikan (to inform) pilihan hidup dan kebebasan eksistensial seseorang menurut bingkai penghayatannya dalam sekolah filsafat. Tujuannya adalah memandu pilihan hidup dan mengembangkan kebebasan eksistensial mereka sesuai kodrat insaninya (phusis tou anthropou), seperti menguasai diri (enkrateia) atau kemandirian diri (autarkheia) di hadapan pengaruh eksternal, serta menyadari tempat (topos) mereka dalam kosmos (phusis tou kosmou). Nilai absolut aktivitas berfilsafat lebih menekankan tindakan baik alih-alih mengetahui kebaikan. Berwacana filosofis tanpa pembalikan sekaligus penentuan arah baru (peristrophe - periagoge) melalui pelatihan rohani hanya akan membentuk seseorang menjadi sofistik atau ahli retorika alih-alih sosok filsuf. Pihak pertama dalam sejarah Yunani antik abad kelima dan keempat SM memang dikenal sebagai sosok terpelajar yang licin bersilat kata (elenkhos) memperdagangkan seni kecakapan dan pengetahuan demi memuaskan hasrat ego. Namun, pihak terakhir sosok filsuf selalu sadar akan ketidaktahuan maupun kekurangan diri (bahwa ia bukan sage atau orang bijak) sehingga ia selalu memandu hasratnya untuk terus mencintai dan mendekatkan diri ke arah kebijaksanaan. Hadot berupaya menjelaskan pandangannya, filsafat sebagai way of life, setidaknya melalui dua pembacaan. Dalam PWL (4 bagian dan 11 bab), ia membingkai pandangannya melalui pembacaan eksegese untuk menguraikan klaimnya dengan mengembangkan metode, materi, tokoh, dan tema terkait. Dalam PAW (3 bagian dan 12 bab), ia mengembangkan pembacaan eksegesenya dengan menelusuri fenomena kerohanian dalam sejarah filsafat Barat, meliputi awal kemunculannya pada era antik, peralihannya pada monastisisme Kristen, keterputusannya pada Abad Pertengahan, dan jejak kesinambungannya pada era modern. [] Akhirnya, dalam PWL dan PAW, Hadot benar-benar menyajikan bingkai pemahaman yang kokoh terhadap klaimnya mengenai filsafat sebagai way of life, termasuk implikasinya dalam merangsang diskusi lebih lanjut baik untuk mengungkap persetujuan atau bantahan maupun kemungkinan alternatif atas klaim tersebut berdasarkan sumber teks serupa. Selain itu, layak untuk diperhatikan bahwa melalui uraiannya yang rinci dan seksama dalam mendekati setiap konteks lintasan filsafat seturut Sitz im Leben, Hadot rupanya juga menawarkan pesan inspiratif dan relevan bagi pembaca budiman ahli, pengajar, pelajar, peminat filsafat, atau siapa saja yang selalu berhasrat mencintai kebijaksanaan untuk bertanya: apa makna berfilsafat dewasa ini? (Haryanto Cahyadi, peneliti filsafat dari Keuskupan Timika, Papua.). (shrink)

The Topos of Music is the upgraded and vastly deepened English extension of the seminal German Geometrie der Töne. It reflects the dramatic progress of mathematical music theory and its operationalization by information technology since the publication of Geometrie der Töne in 1990. The conceptual basis has been vastly generalized to topos-theoretic foundations, including a corresponding thoroughly geometric musical logic. The theoretical models and results now include topologies for rhythm, melody, and harmony, as well as a classification theory (...) of musical objects that comprises the topos-theoretic concept framework. Classification also implies techniques of algebraic moduli theory. The classical models of modulation and counterpoint have been extended to exotic scales and counterpoint interval dichotomies. The probably most exciting new field of research deals with musical performance and its implementation on advanced object-oriented software environments. This subject not only uses extensively the existing mathematical music theory, it also opens the language to differential equations and tools of differential geometry, such as Lie derivatives. Mathematical performance theory is the key to inverse performance theory, an advanced new research field which deals with the calculation of varieties of parameters which give rise to a determined performance. This field uses techniques of algebraic geometry and statistics, approaches which have already produced significant results in the understanding of highest-ranked human performances. The book's formal language and models are currently being used by leading researchers in Europe and Northern America and have become a foundation of music software design. This is also testified by the book's nineteen collaborators and the included CD-ROM containing software and music examples. (shrink)

ABSTRACT Topos quantum theory is standardly portrayed as a kind of ‘neo-realist’ reformulation of quantum mechanics.1 1 In this article, I study the extent to which TQT can really be characterized as a realist formulation of the theory, and examine the question of whether the kind of realism that is provided by TQT satisfies the philosophical motivations that are usually associated with the search for a realist reformulation of quantum theory. Specifically, I show that the notion of the quantum (...) state is problematic for those who view TQT as a realist reformulation of quantum theory. 1Introduction 2Topos Quantum Theory 2.1Phase space 2.2Hilbert space 2.3Beyond Hilbert space 2.4Defining realism 2.5The spectral presheaf 2.6The logic of topos quantum theory 3Interpreting States in Topos Quantum Theory 4Interpreting Truth Values and Clopen Subobjects in Topos Quantum Theory 4.1Interpreting the truth values 4.2Interpreting Subcl 5Neo-realism 5.1The covariant approach 6Conclusion. (shrink)

_Purpose._ The article aims to analyse the consciousness of masses in the communication system of the 20th century projecting the individual level onto the social one. _Theoretical basis._ In the fields of philosophy and other humanities since the middle of the last century there has dominated an opinion that the category of mass and its communication are second-rate and non-elitist phenomena. Condensing the experience of human history (especially – the nineteenth century – the time of the bourgeois revolutions and (...) the two world wars), such parameters were set by the creators of social psychology Gustave Le Bon and Sigmund Freud in their basic research "The Crowd: A Study of the Popular Mind", "Group Psychology and the Analysis of the Ego". Since ancient times the masses have really resembled immoral emotional neoformations, which minimized the individual qualities of the components of the whole and showed the features of a predominantly animal nature. It is no coincidence that those masses were called emotional, or just a crowd, regardless of the topos of existence: streets and squares, or the infospace of the first mass media (newspapers, radio, cinema, television). However, analysing the crowd, the scientists noted that this is only an extreme modification of the mass, and, in addition to it, there may be others – quite the opposite in their nature. With the advent of the World Wide Web, the situation has changed: scientists and futurists have been talking about the mass of intellectuals, which seems to be formed and combined in the field of information technology. And it surpasses the traditional elite in many respects. _Originality._ Having analysed the works of classic and modern researchers, we came to the conclusion that in fact the masses, like individuals (according to C. G. Jung), are divided into four types. Correspondingly, each of them has its own behaviour, psychology, philosophy etc. This article focuses on beliefs and ideological positions as the basis for the functioning of emotional, sensory, intuitive and rational masses in the context of 20th century philosophy. The object of our analysis was the philosophical schools of neo-positivism, hermeneutics, psychoanalysis, existentialism, pragmatism, anthropology, phenomenology, and others. _Conclusions._ According to our assumption, regardless of the type of mass and direction of modern philosophy as a field of its implementation, rationalism comes to the fore everywhere (as a primary source and theoretical basis or motivation). Thus, it can be concluded that the rational mass now dominates, not emotional (which was thoroughly described by Le Bon and Freud). And this is quite natural in the age of digital technology. (shrink)

The dissertation considers what is at stake when theoretical wonder ceases to be an originating affect for speculative thought and becomes, instead, a limiting concept for critical philosophy. It attempts to show that: wonder functions for its classical proponents in an entirely different context than that presupposed by the aesthetics of the sublime . This difference can be ascribed to the way in which the feeling of the sublime is operative in the overcoming of modern theodicy , whereas wonder (...) is an intimation of what Edward O. Wilson has recently called, the "consilient perspective" . Whereas, wonder suggests the beginnings of an overarching conceptual unity linking together mind and nature, the sublime, by contrast, is part of an ontology of freedom, in which our subjective capacity to withstand the blows of natural contingency without resorting to conceptual redescription or aesthetic totalization reveals the workings of an underlying "faculty of resistance." The resultant ambivalence of the sublime feeling is elucidated differently by Kant and Schiller, such that the former regards it as the cognitive lucidity resulting from the self-cancellation of the passions, whereas the latter views it as a function of the will, insofar as it suggests a subjective capacity to attend to things differently. Finally, it is suggested that the true source of sublimity in Kant and Schiller is the force of personality to lend unity and meaning to phenomena which would otherwise lack such. (shrink)

In this essay Elizabeth de Freitas follows Tim Ingold's groundbreaking anthropological work on lines and their cultural and material significance to argue that the line is the engine of theory, be it the drawn line of inscription or mathematical measure, the exclusionary line of delineation, or the undulating generative line of flight. De Freitas focuses on contemporary theories of perception that deploy the line — and mobilize the force of theory — so as to encode and reconfigure the student's body. (...) She draws on the work of Gilles Deleuze to develop a topological approach to the line, and argues that such an approach aligns with current philosophical approaches to social interaction that might be termed “topo-philosophy.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.2 (2000) 343-346 [Access article in PDF] The Paradox Topos Lisa Gorton As William Egginton points out, 1 when Dante and Beatrice step outside the cosmos, they step into another set of concentric spheres. 2 These surround our (supposedly) geocentric cosmos, and yet they center upon God. The image affronts our logic of space. If these concentric spheres encompass us, how can (...) they center upon something somewhere else? The notion seems to turn space inside-out. But Dante's spatial paradox is not in truth a paradox of space. Instead, it is a spiritual paradox, set in terms of space. When Dante and Beatrice step outside the cosmos, they step outside space into an old philosophical topos, a spatial image of God. For that reason, Dante's image is not really akin to the spatial paradoxes of modern astrophysics, although Egginton's comparison of the two does provoke some fascinating comments upon medieval concepts of space. Egginton assesses Dante's paradox in light of medieval debates about space, place, and God. However, he overlooks the most important source for Dante's paradox--the symbolic geometry of Neoplatonic philosophy. 3Neoplatonic philosophers use spatial forms to imagine spiritual relationships. They develop a symbolic geometry, a spatial language of thought, which borrows nothing from physical space but its shapes: the center, the circle, and concentric spheres. Neoplatonists use this symbolic geometry because it offers a spatial way to imagine the relationship between a cause and its effect, without importing time differences into that relationship. In this way they seek to avoid the problems of time and causality, which the creation-myth in Timaeus introduced into Plato's philosophy: how and when could a timeless being make time? 4 [End Page 343]Plotinus, the first Neoplatonist, uses symbolic geometry to design an "Intellectual Cosmos," which he treats as quite distinct from our physical cosmos. 5 He imagines the source of life as a center: The Highest cannot be divided and allotted... thus a centre is an independent unity; everything within the circle has its own term in the centre, and to the centre the radii each bring their own. (Enneads, V. 1. 11). The "Highest" exists as the center of this "Intellectual Cosmos." Plotinus treats a center's geometric qualities as metaphysical attributes. Like an undimensioned central point, the "Highest" does not exist in space or time, and yet space and time radiate from it as a circumference radiates from its center.The bare symbolic space of Plotinus's "Intellectual Cosmos" has emotional connotations. Plotinus holds that "the center of a circle is distinctively a point of rest" (Enneads II. 2. 1). Lesser beings must turn sequentially through all the angles their center holds altogether at once: There is, we may put it, something that is centre; about it, a circle of light shed from it; round centre and first circle alike, another circle, light from light; outside that again, not another circle of light but one which, lacking light of its own, must borrow. (Enneads, IV. 3. 17) In Plotinus's "Intellectual Cosmos" life emanates from the center in concentric spheres. 6Dante and Beatrice step into such an "Intellectual Cosmos" when they step outside the physical world. They step into a spatial image that stands outside time and space, at the spiritual center of the poem, when they step into spheres that center upon a light too bright to look upon. Dante wonders where that center could be, and Beatrice responds to his silent question: "The nature of the universe, which holds the center still and moves all else around it, begins here as if from its turning point" (XXVII, 106-9). Egginton comments, "Dante's description of this absolute center as the origin of all movement and force in the universe" is "an 'eerie' likeness of what he [the modern astrophysicist, Robert Osserman] terms the retro-verse." More relevantly, it also refers to the "Intellectual Cosmos" of Neoplatonic philosophy, where the "Highest" is a center of rest, the starting point of light, movement, and life. [End Page 344]Plotinus... (shrink)

In order to clarify Nishida’s notion of topos, I trace its forma­tion, starting with the notion of “pure experience,” of which he says: “To experience is to know the thing as it is.” By taking the act of “to know” as the thread that connects the ideas of pure experience and topos, I examine his early writings leading up to 1929, going beyond 1926, when Nishida’s essay “Basho” was published. Over against the commonly held “objectified” view of the (...) topos as a “location” or “field” in which the individual exists, a radically ontological reading of this notion emerges, requiring us to shift the vantage point from which we approach it. I conclude that Nishida introduced into his philosophi­cal system a locative dimension as an ontological feature, and we, con­scious beings, exist in this world “topologically”. The topos refers to the very logico-ontological mode of our being.In order to clarify what knowledge is, we need to begin with [the investigation of] reflective consciousness, rather than starting out with intellectual judgment. Consciousness pertaining to judgment cannot include the one [who judges] within it. It is an incomplete awareness that looks at the self externally. The explanation of how we know begins with the critical reflection of self-consciousness itself. Therein, we obtain the standpoint of genuine epistemology.Our real knowledge starts out with “I exist.” That “I exist” means that the topos is directly in the topos, and this is the standpoint of both inner perception and actual experience. (shrink)

: In his philosophy of nothingness, Kitar Nishida illuminates the matrix of transformation of the world ‘‘from the Created to the Creating’’ (tsukuru mono kara tsukurareta mono e) through shintai, or the body. In this matrix, shintai enters into the stage of an action-sensation continuum and emerges as the immaculate iconic tool of nothingness to create new figures as extended self. This idea of shintai has resonance with the development of postwar art in Japan. The ‘‘Space of Transparency’’ put (...) forth by Ufan Lee, the leader of Monoha, is the principal example. This essay investigates Nishida’s notion of shintai and its influence on Lee’s theory of art. (shrink)

Conceptualizing the nature of reality and the way the world functions, Ekaterina Yahyaoui Krivenko analyzes the foundations of human rights law in the strict subject/object dichotomy. Seeking to dismantle this dichotomy using topo-logic, a concept developed by Japanese philosopher Nishida Kitaro, this topical book formulates ways to operationalize alternative visions of human rights practice. Subject/object dichotomy, Yahyaoui Krivenko demonstrates, emerges from and reflects a particular Western worldview through a quest for rationality and formal logic. Taking a metaphysical and epistemological perspective, (...) this book explores the alternative views of reality and logic, developed by Kitaro, to demonstrate how topo-logic can enable both a theoretical and a practical renewal of human rights and overcome the subject/object dichotomy. Examining the recent growth of social movements, decolonization and diversification of discourses about human rights, and substantive equality, the book identifies these developments in contemporary human rights as indications of a movement towards a topo-logical view beyond the subject/object dichotomy. Students and scholars of critical legal studies, legal theory and philosophy, and international human rights law will find this book to be an invigorating read. Laying ground for the possible renewal and enhancement of human rights law, it will also be a useful resource for practitioners of human rights law. (shrink)

ABSTRACT Effective communication relies on the use of rhetorical devices and strategies to make ideas present in the minds of an audience. By employing the concept of cognitive environments, we can use the visual analogy of making an idea “present” to its fullest effect, empowering our rhetorical skills and helping influence audience reception. In this article, the author argues that while cognitive environments do indeed provide a significant and important conceptual tool for understanding and anticipating an audience’s experiences, beliefs, and (...) knowledge, a more robust sense of agreement is necessary. The article proposes the concept of a topos that serves as a shared meeting place within cognitive environments within which both author and audience contribute their background assumptions to find common ground and commonalities in interpretations. It is in figuring the topos effectively that cognitive environments can be more accurately and effectively mapped onto each other, and breaches between such environments can be productively bridged. (shrink)

In his philosophy of nothingness, Kitarō Nishida illuminates the matrix of transformation of the world "from the Created to the Creating" (tsukuru mono kara tsukurareta mono e) through shintai, or the body. In this matrix, shintai enters into the stage of an action-sensation continuum and emerges as the immaculate iconic tool of nothingness to create new figures as extended self. This idea of shintai has resonance with the development of postwar art in Japan. The "Space of Transparency" put forth (...) by Ufan Lee, the leader of Monoha, is the principal example. This essay investigates Nishida's notion of shintai and its influence on Lee's theory of art. (shrink)

The older topos ›historia magistra vitae‹ – which was coined by Cicero, borrowing from a Hellenistic pattern – lasted almost unbroken into the eighteenth century, also thanks to its flexibility in accommodating the most different conclusions. As demonstrated by R. Koselleck, the common place was emptied of meaning just between the eighteenth and nineteenth century, at the same time and in connection with the invisible and sudden semantic process, through which in the German language area the naturalized foreign world (...) Historie and the plural ›die Geschichten‹ were displaced by the collective singular ›die Geschichte‹. This paper aims to frame Fichte’s position in the process of dissolution of the topos, described by Koselleck. For this purpose, the paper will be articulated in the following steps. Firstly, it reconstructs the most important and probable filters, through which Fichte has received Cicero’s topos. The second part will examine deeply the criticisms that Fichte moves to the different versions of the formula, during his whole speculative itinerary. Finally, the conclusive part considers how Fichte recovers and reworks the topos – since his first works – by transposing it in the completely different theoretical frame of his own philosophy of history and of his theory of the State. Die Wendung ›historia magistra vitae‹ – die in Anlehnung an hellenistische Vorbilder von Cicero geprägt wurde – währte fast ungebrochen bis in das achtzehnte Jahrhundert, wobei eine solche Dauerhaftigkeit auch und zunächst auf seiner Elastizität beruhte, die die unterschiedlichsten Schlüsse zuließ. Wie R. Koselleck gezeigt hat, wird die Formel lediglich zwischen dem achtzehnten und dem neunzehnten Jahrhundert – gleichzeitig und parallel mit dem unmerklichen und unbewussten Vorgang, der im deutschen Sprachgebiet die Pluralform von ›die Geschichte‹ zu einem Kollektivsingular verdichtet hat – sinnentleert. Der vorliegende Beitrag geht darauf aus, Fichtes eigentümliche Stellung in dieser Auflösung des alten Topos zu verdeutlichen. Dazu untersucht man zuerst die Quelle, die Fichtes Rezeption des Topos ermöglichen und vermitteln. Im zweiten Teil betrachtet man alle Stelle tiefgehend, wo Fichte im Lauf seiner ganzen philosophischen Untersuchung an den Topos kritisch aufweist. Am Schluss wird die radikale neue Auslegung illustriert, die Fichte auf Grund seiner Philosophie der Geschichte und seiner Auffassung der Staatslehre anbietet. (shrink)

A categorical, higher dimensional algebra and generalized topos framework for Łukasiewicz–Moisil Algebraic–Logic models of non-linear dynamics in complex functional genomes and cell interactomes is proposed. Łukasiewicz–Moisil Algebraic–Logic models of neural, genetic and neoplastic cell networks, as well as signaling pathways in cells are formulated in terms of non-linear dynamic systems with n-state components that allow for the generalization of previous logical models of both genetic activities and neural networks. An algebraic formulation of variable ‘next-state functions’ is extended to a (...) Łukasiewicz–Moisil Topos with an n-valued Łukasiewicz–Moisil Algebraic Logic subobject classifier description that represents non-random and non-linear network activities as well as their transformations in developmental processes and carcinogenesis. The unification of the theories of organismic sets, molecular sets and Robert Rosen’s (M,R)-systems is also considered here in terms of natural transformations of organismal structures which generate higher dimensional algebras based on consistent axioms, thus avoiding well known logical paradoxes occurring with sets. Quantum bionetworks, such as quantum neural nets and quantum genetic networks, are also discussed and their underlying, non-commutative quantum logics are considered in the context of an emerging Quantum Relational Biology. (shrink)

In this article, I elucidate the significance of Heidegger’s ‘question of being’ from a topological point of view by explaining the relationship between his thought of place and language. After exploring various hermeneutic strategies of reading Heidegger’s oeuvre, I turn to Richard Capobianco’s interpretation of Heidegger and critically engage with his idea of the experience of being itself as the ‘luminous self-showing of logos’. In doing so, I explain the later turn from ‘truth’ to ‘place’ and articulate why logos needs (...) to be conceived as the gathering site of the presencing of being. In arguing against the primacy of passive receptivity and active projection, I put forward the primacy of language as the topos and logos of being. In returning to the Capobianco-Sheehan debate, I conclude by explaining why Heidegger’s place-related notions cannot be thought metaphorically. (shrink)

N. Ya. Danilevsky is often mentioned as one of the predecessors of the Eurasian movement without the spheres of similarity and difference being clearly defined. This paper shows that both Danilevsky's theory of cultural-historical types and Eurasianism can be interpreted as philosophies of history based on anti-Darwinian models of thought. However, the idea of convergence through contiguity which constitutes the geographical, linguistic, and cultural unity of Eurasia is not found in Danilevsky. War against Europe as a unifying bond in Danilevsky's (...) Panslavic programme is discussed in Darwinian terms which is in opposition to his own theory of cultural-historical types, whereas self-sufficiency in foreign politics corresponds to the basic principles of Eurasian philosophy of history. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Philosophers of Nothingness: An Essay on the Kyoto School, and: A Buddhist-Christian Logic of the Heart: Nishida's Kyoto School and Lonergan's "Spiritual Genome" as World BridgeAmos YongPhilosophers of Nothingness: An Essay on the Kyoto School. By James W. Heisig. Honolulu: University of Hawai'i Press, 2001. xi + 380 pp.A Buddhist-Christian Logic of the Heart: Nishida's Kyoto School and Lonergan's "Spiritual Genome" as World Bridge. By John Raymaker. Lanham, (...) MD: University Press of America, 2002. x + 214 pp.These are two very different types of books. Heisig, research fellow (since 1978) and former director (1999-2001) of the Nanzan Institute for Religion and Culture and well known to readers of this journal as author, book editor, and translator extraordinaire, [End Page 271] has produced the definitive exposition of the Kyoto School in the English language with Philosophers of Nothingness. Raymaker, a longtime Roman Catholic missionary to Japan and student of Lonergan's work, attempts in A Buddhist-Christian Logic of the Heart to establish points of contact between Lonergan's transcendental method and Nishida's pure experience. Let me briefly summarize the two volumes before making some comparative observations.Philosophers of Nothingness is divided into five sections: an "Orientation" (introduction) and a "Prospectus" (transitional epilogue) flanking the three sections on Nishida, Tanabe, and Nishitani, each constituting approximately twenty short chapters. In each case, Heisig combines intellectual biography and history of ideas approaches, thus both setting forth the wider social, political, and intellectual contexts of the Kyoto School thinkers and elaborating on their distinctive ideas. Those interested in the latter will not be disappointed. Nishida's "pure experience," "active intuition," "absolutely contradictory self-identity," "logic of locus" (or basho, topos, place), and "historical world," among other themes, are all given special attention within the broader framework of his philosophical project. In the case of Tanabe, unique concepts such as "absolute mediation," "logic of species," and "metanoetic philosophy" (or philosophy of repentance) are illuminated. And, of course, the contributions of Nishitani are fully represented: "nihilism," "the standpoint of emptiness," and the sunyata of time and history.At the same time, those looking for background discussion will also find Heisig's exposition helpful, and that along (at least) the following three lines. First, an attempt is made to take seriously the self-understanding of Kyoto School thinkers of doing philosophy in the world context. This is, of course, a bold undertaking which some in our time might summarily dismiss either as hubris or as ignorance. Yet beginning with Nishida and continuing through Tanabe, Nishitani and others (such as Tanabe's student, Abe Masao), the task was to engage as Japanese philosophers with Western thinkers and ideas. Here, of course, the tension between particularity and universality is most intense, and the Kyoto philosophers proceeded with full awareness of the issues at stake. Now while their endeavors can be criticized from either direction, what cannot be criticized without self-refutation is their motivating belief that they could understand the West and vice versa.Second, and connected with the first, is the social and political twentieth-century context of Japan and its relationship with modernity and with the Western world. Here, Heisig brilliantly negotiates between laying out the facts and locating the passions and failures of the Kyoto philosophers. This requires that he correctly identify their contributions as Japanese thinkers engaging modernity without ignoring their blind spots. As such, longstanding questions concerning Kyoto School philosophy as an ideology for Japanese nationalism are confronted head-on. Heisig shows how political naīvete resulted in political entanglements. At the same time, his discussion illuminates the sociopolitical backdrop that informs and shapes all philosophizing. The result is a balanced presentation that is neither apologetic on the one side nor condemnatory on the other.Finally, the question of religion and its relationship to Kyoto School philosophy [End Page 272] is also taken up. Nishida's practice of zazen is thus shown to inform his philosophizing, if only implicitly (on Nishida's own account), even while Tanabe's experience of metanoia (conversion) as mediated through the "Other-power" matrix of Shinran's religious thought is shown to impact his philosophy explicitly... (shrink)

The view that toposes originated as generalized set theory is a figment of set theoretically educated common sense. This false history obstructs understanding of category theory and especially of categorical foundations for mathematics. Problems in geometry, topology, and related algebra led to categories and toposes. Elementary toposes arose when Lawvere's interest in the foundations of physics and Tierney's in the foundations of topology led both to study Grothendieck's foundations for algebraic geometry. I end with remarks on a categorical view of (...) the history of set theory, including a false history plausible from that point of view that would make it helpful to introduce toposes as a generalization from set theory. (shrink)

Capitalist socialism? -- Crisis as shock therapy -- The structure of enemy propaganda -- Human, all too human-- -- The "new spirit" of capitalism -- Between the two fetishisms -- Communism, again! -- The new enclosure of the commons -- Socialism or communism? -- The "public use of reason" -- --in Haiti -- The capitalist exception -- Capitalism with Asian values-- in Europe -- From profit to rent -- "We are the ones we have been waiting for.".

In lieu of an abstract, here is a brief excerpt of the content:Buddhist Philosophy and New Testament TheologyYagi SeiichiPrologueBy way of Buddhist-Christian dialogue we Christians can become aware of the latent motifs in our own tradition. The dialogue gives us opportunities to rethink the Christian tradition, not to interpret it from Buddhist viewpoint but, based on these actualized motifs, to find a more adequate interpretation of its own. In this way Buddhist-Christian dialogue is relevant also for the construction of (...) New Testament theology.On the Philosophy of Nishida, Hisamatsu, and NishitaniThe central problems of Nishida Kitaro’s philosophy were (1) keiken (immediate experience) in his early period, (2) jikaku (seeing oneself in oneself) in his middle period, and (3) basho (topos) in his last years. 1 It should be noted that these terms together cover the essential fields of Buddhist cognition.Nishida began his book Studies of the Good 2 with statements concerning immediate experience. After the publication of the book, he felt compelled to consider the nature of the subject of philosophical cognition at the scene of immediate experience, for the subject in this case is not reason in the sense of Western philosophy. Thus in his middle period, jikaku became the main theme of his reflection. Jikaku means that the self sees itself in itself, and Nishida named the deepest, ultimate self, the self that embraces and sees all levels of cognition in “the field of transcendental predicate.” Then in his last years, Nishida grasped it anew as the topos, in which the individuals work on one another. The structure of the topos was defined as the “unity of the contradictory,” for in the topos the absolute and the relative define each other.His student, Hisamatsu Shin’ichi, made jikaku his central theme, whereas the thinking of Nishitani Keiji, another eminent student of Nishida, was centered mainly on topos. Nishida’s understanding of jikaku reminds us somewhat of the Hegelian Geist, for it concerns primarily the subject of cognition. Hisamatsu, however, spoke simply of ‘kaku’ (awakening) of the Formless Self. It means that the ego is awakened to the Formless Self. At the same time it is the awakening of the Formless Self to [End Page 165] Itself. We should note that kaku is not simply self-cognition but rather the actualization of the Self. As is well known, Hisamatsu rejected theism. God or Buddha as ‘other’ or ‘over against’ is at best a secondary human construction and not primary reality. So, if we call God the absolute Other, God must be at the same time the ultimate Self: God as the absolute Other, in Hisamatsu’s view, must be at the same time God who acts as the ultimate subject of humanity. 3 On the other hand, Nishitani preferred the terms common to Mahayana-Buddhism in general: ku (nothingness), engi (dependent orinination), and jijimuge (infinite-fold mutual penetration of the individuals). In his book What Is Religion, 4 Nishitani tried to rethink such Christian themes as personality, time, and history from the standpoint of ku. Remarkably, he stated that the topos of ku is the field of power: “As far as all beings penetrate one another in their being, they are not what they are. On the other hand they are as such what they are. This relation of mutual penetration itself is the power which gathers and binds all beings into one, the power which makes the world the world. The field of ku is the field of power.” 5 As is well known, from the viewpoint of jijimuge, the infinite-fold mutual penetration of the individuals, there is nothing transcendent. Therefore Nishitani, when he speaks of this aspect of reality, does not refer to the paradoxical unity of the absolute and the relative. The field of ku is simply the field of power in which mutual penetration of the individuals is realized.If we combine three keywords of these three philosophers, namely Nishida’s “immediate experience,” Hisamatsu’s “awakening to the Self,” and Nishitani’s “field of ku as the field of power,” they seem to me more genuinely Buddhist than Nishida’s terms: keiken, jikaku, and basho. Whereas Nishida—who as a pioneer attempted to construct a philosophical system from... (shrink)

New cross-cultural approaches to philosophy of religion seek to move it beyond the preoccupations of Christian theology and the abstractions of ‘classical theism’, towards an appreciation of a broader range of religious phenomena. But if the concept of religion is itself the product of extrapolation from modern, Western, Christian understandings, disseminated through colonial encounter, does the new philosophy of religion simply reproduce the deficiencies of the old, under the guise of a universalizing, albeit culturally and historically particular, category? (...) This article argues that it is necessary to interrogate the secular episteme within which religion is thematized as a discrete topos. (shrink)

When we hear the term "Japanese philosophy" we think of Zen Buddhism or the Shinto scriptures. Yet one of the great 20th century interpreters of Western philosophy, Nishida Kitaro, lived and wrote in the Japanese islands all his life, laboring at an ultimate synthesis of oriental thought and Western hermeneutics. To be sure, Nishida's aim was to understand his own cultural influences in relation to the Western world. What distinguished him, however, was his passion for rendering oriental metaphysics (...) understandable in the language of Western philosophy, and his attempts to contrast the paradoxicality of Buddhist logic with the logical strategies of Aristotle, Kant, or Hegel. Featured in this book is an interpretation of Nishida's writings. Professor Carter focuses on the Japanese thinker's notion of "basho," a concept of nothingness as field, place or topos as borrowed from Plato's Tim'us. Expounding on the logical foundations and archaic elements in Nishida's work, and carefully explaining Nishida's critical approach to the questions of God, religion and morality, and pure existence, this discerning book offers students of Western philosophy and oriental thought alike a highly readable introduction to the teachings of a true world philosopher. (shrink)

This paper investigates the objections that were raised by the philosopher ‘Abd al-La&tdotu;īf al-Baghdādī against al-&Hdotu;asan ibn al-Haytham’s geometrisation of place. In this line of enquiry, I contrast the philosophical propositions that were advanced by al-Baghdādī in his tract: Fī al-Radd ‘alā Ibn al-Haytham fī al-makān, with the geometrical demonstrations that Ibn al-Haytham presented in his groundbreaking treatise: Qawl fī al-Makān. In examining the particulars of al-Baghdādī’s fragile defence of Aristotle’s definition of topos as delineated in Book IV of (...) the Physics, which was rejected on mathematical grounds by Ibn al-Haytham, a special attention is also given to highlighting the systemic distinctions between the entities that are studied within the speculative physical doctrines of common sense and immediate experience, and the postulated ‘objects’ of scientific and mathematical research. (shrink)

This article examines the definitions of place or location (topos) and as a consequence, space, in Byzantine philosophy, from Maximos the Confessor to Photios. These philosophers draw, on one hand, on the Aristotelian, Platonic, and Neoplatonic sources, and on the other hand, on the Judeo-Christian tradition. Firstly, Maximos the Confessor sets out a novel definition in which place is conceptually inseparable from time, is needed for substances to exist, and in which place is the boundary between the created (...) and uncreated. In Anastasios of Sinai’s writing, God is the archetypical place for all things and is likewise necessary for substances. John of Damascus, in contrast, extends Aristotle’s definition of place in the Physics in new directions, by investigating the place of angels, which is determined by their incorporeal limits. Finally, Photios produces a systematic and astute account of how the properties of the containing and contained bodies come together to make places. The article concludes with an evaluation of these theories, and briefly considers their relationship to theories of place and location in modern physics. (shrink)

Se examina la defensa que de la filosofía en cuanto episteme, elaboró el aristotélico renacentista Cesare Cremonini (1550-1 631), al introducir el curso de lecciones sobre la Física de Aristóteles, según la redacci6n todavía inédita del Ms.200-2 de la Biblioteca Universitaria de Padua. Mediante un topos ya clásico, y actual, los temas en discusión son además de la falta de certitudo y la inconsistencia veritativa que afectan las conclusiones de la filosofía de la naturaleza, la inutilidad e incluso la (...) peligrosidad que, desde el punto de vista ético- político, parecen descalificar la labor del filósofo ociosamente levantar sospechas y alarma. La interpretación de la réplica cremoniniana intenta establecer conexiones entre el perfil conceptual de los argumentos esgrimidos, y algunos episodios de la biografía intelectual y académica de Crernonini sin dejar de tomar en cuenca las implicaciones políticas que pueden derivarse, en perspectiva histórica, del amplio debate que caracterizó la vida académica y cultural del estudio de Padua y de la república veneciana, durante la segunda mitad del siglo XVI.The defence of philosophy as episteme is examined, as elaborated by Renaissance Aristotelian philosopher Cesare Cremonini (1550 - 1 631) in his as yet unpublished manuscript numbered 200-2 by t he University of Padua. Which purported to be an introduction for a course on Aristotle's Physics. Following a topos both classic and contemporary, the issues arc, in addition to the lack of certitudet and the inconsistency of truth concerning the philosophy of nature. The uselessness and even the ethical-political danger arising from the work of the idle philosopher devoted to the contemplation of truth, whose presence in society may stir suspicion and unrest. The analysis of Cremonini’s arguments intends to establish the connections between the philosopher's views and his own academic and intellectual circumstances. Also the political implications are taken into account that resulted from the wide-range debate typical of academic and cultural life in the Studio of Padua and the Republic of Venice during the second half of the 16th Century. (shrink)

Contents/Inhalt: Preface. Vorwort. Abbreviations/Siglen. I. JASPERS ON WORLD PHILOSOPHY AND WORLD HISTORY OF PHILOSOPHY/JASPERS ÜBER WELT-PHILOSOPHIE UND WELTGESCHICHTE DER PHILOSOPHIE. Nekrolog von Karl Jaspers selbst verfaßt. Obituary by Karl Jaspers himself. Karl JASPERS: Weltgeschichte der Philosophie - Zweites Buch: Geschichte der Gehalte: Einleitung. Karl JASPERS: World History of Philosophy - Second Volume: History of the Substantive Contents of Philosophic Thought. Introduction. II. INTRODUCTION/EINLEITUNG. Leonard H. EHRLICH: Opening Remarks. Introduction of Jeanne Hersch, Honorary President of the Conference. Jeanne (...) HERSCH: Von der Wirkung einer "philosophia negativa". III. LEGACY AND TASK. VERMÄCHTNIS UND AUFGABE. Leonard H. EHRLICH: Ausblick: Vernunft, Geist, Geschichte. Sawako HANYU: the Concept of the "Encompassing" in World Philosophy. Andreas RINOFNER: Periechontologie und Weltgeschichte der Philosophie. Systematische Bemerkungen zu einem aufschlußreichen Verhältnis. Richard WISSER: Projekt und Vision einer "Weltgeschichte der Philosophie" und "Weltphilosophie" als Folgen der "Grundverfassung" von Karl Jaspers. IV. DIMENSIONS OF COMMUNICATION/RÄUME DER KOMMUNIKATION. Andreas CESANA: Grenzen der Rationalität und Kommunikation. Brenio ONETTO-BÄCHLER: Existentielle Kommunikation bei Jaspers. Czes_awa PIECUCH: Es ist gleichgültig, wer die Wahrheit ausspricht. Über die Uneigennützigkeit der existentiellen Kommunikation. Oswald O. SCHRAG: Existence, Existenz, and Social Organization. Vladimir KATASONOV: The Gadfly, Stinging the Sluggish Horse: The Socratic Mission of Jaspers's Philosophy. V. COMMUNICATIVE WORLD HISTORY OF PHILOSOPHY/KOMMUNIKATIVE WELTGESCHICHTE DER PHILOSOPHIE. Albrecht KIEL: Die Weisen des Umgreifenden, die der Mensch ist: Wege zu Jaspers' Periechontologie. Maria Luisa BASSO: K. Jaspers - N. Berdiaeff: une confrontation entre deux philosophies de l'histoire. Convergence et divergence d'affirmations. Inigo BOCKEN: Kommunikation und Mutmaßung. Versuch eines Vergleichs zwischen Jaspers' Idee einer Philosophie der Kommunikation und Nikolaus von Kues' Kunst der Mutmaßungen. Boles_aw ANDRZEJEWSKI: Jaspers' Stellung zur Romantik im Lichte seiner Sprachphilosophie. Endre KISS: Karl Jaspers' Auslegung Nietzsches als eines Metaphysikers der Immanenz. Danièle MOYAL-SHARROCK: Genie et Folie selon Jaspers. Milan UZELAC: The World and Existence. Pablo LÓPEZ-LÓPEZ: Das Studium der Philosophie als Studium der Weltgeschichte der Philosophie. VI. COMMUNICATIVE WORLD PHILOSOPHY: EAST AND WEST/KOMMUNIKATIVE WELTPHILOSOPHIE: OST UND WEST. Wonjae LEE: Karl Jaspers und das Weltproblem des interreligiösen Dialogs. Silvia MARZANO: Comunicazione mondiale, kantismo e frattura dell'essere in Karl Jaspers. Una "terza via" fra Occidente e Oriente? Indu SARIN: Jaspers's Quest for Existential Communication. Mohammed MARUF: Jaspers and Iqbal on Self, Freedom and Communication. Subhadr PANYADEEP: Ich und Nicht-Ich bei Jaspers und im Buddhismus. Kazuteru FUKUI: Das Wesen des Buddhismus und Jaspers' Philosophie. Yukio MASUBUCHI: Jaspers und Nishida. Eine Theorie des "Topos" in der Lehre von der Kommunikation. Hans SANER: Weltphilosophie und Globalkultur im interkulturellen Vergleich mit den Konzepten "Weltmusik" und "Weltkunst". Gerhard RAUCHE: The Paradox of " Das Scheitern " as a World Formula. VII. COMMUNICATIVE WORLD PHILOSOPHY: FREEDOM AND TOLERANCE/KOMMUNIKATIVE WELTPHILOSOPHIE: FREIHEIT UND TOLERANZ. Anna MASÓ-MONCLÚS: Libertad y autoridad en Hannah Arendt y Karl Jaspers. Otmar KLEIN: "Weltverabsolutierung" und Verantwortungsverlust. Kurt SALAMUN: Grenzen der Toleranz. Zum Offenheits- und Toleranzparadigma in der Philosophie von Karl Jaspers. Giorgio PENZO: Politik als Ethos und das Problem der Freiheit bei Jaspers. Gerhard KNAUSS: Von der Weimarer Republik zur Weltpolitik. Wandlungen in Jaspers' Auffassung und Wertung der Politik von der Heidelberger Frühschrift "Die geistige Situation der Zeit" bis zu den Basler Spätschriften. Hermann-Josef SEIDENECK: Freiheit und Wiedervereinigung auf dem Prüfstand. Prognose und Ergebnis unter dem Blickwinkel von existentieller Kommunikation im Welthorizont. Appendix/Anhang. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Dante's Inferno as Poetic Revelation of Prophetic TruthWilliam FrankeIDante's Inferno demands to be understood as the culmination of a series of visits to the underworld in ancient epic tradition. Dante's most direct precedent is Aeneas's journey to meet his father in Hades, as told by Virgil in Book VI of the Aeneid. Aeneas's voyage is modeled in turn on Odysseus's encounter with shades of Hades in Book XI of (...) the Odyssey. The epic quest in each of these models pivots, in various ways, on a visit to the world of the dead, a discensus ad inferas, as a climactic episode at its center. However, Dante makes this episode the general framework of the whole poem: from beginning to end, Dante's poem represents a voyage through the world beyond the grave. In this respect, Dante's Inferno, and indeed the whole Divine Comedy, is conceived primarily as an expansion of the ancient epic motif of the katabasis or "going down" of the protagonist to the underworld for a revelation of his destiny from beyond the threshold of death. Like Virgil, Dante interprets history prophetically, finding in it the essential pattern of things to come. But this projection now reaches to an eschatological future beyond history altogether—to an uncannily dynamic realization of eternity.The other world that is visited by Dante asserts itself unequivocally as ultimate reality. It is not just some shadowy world of bloodless phantasms like the shades that approach Odysseus, nor is it vacuous and inane, as are Virgil's "houses void and empty realms of Dis" ("domos Ditis vacuas et inania regna," Aeneid VI.269). This "other" world shows up as even more vivid than the world of ordinary sense-perception by virtue of a strikingly realistic, indeed surrealistic imagery. Dante heightens the [End Page 252] mythological topos of the visit to the underworld that he inherited from Virgil and Homer to a level where it represents the true essence of life on this earth transposed into a transcendent dimension. The world of the dead is not just one in a series of episodes befalling the protagonist but rather the final and definitive experience that reveals the true meaning of all possible experiences and thereby the meaning of the world as a whole. This is perhaps implicit and incipient in Homer and Virgil, since the journey to the underworld in each case encloses a revelation that illuminates the meaning of everything else and orients the protagonist's subsequent life in the world up to his death. But Dante's other world is more than the place for a miraculous glimpse into the true meaning of life: it is itself the vera vita, the "true life."Of course, Virgil had interpreted the whole of Roman history through the optics of prophecy, but his prophetic history was directly disclosed only in privileged moments within his poem. Dante's entire poetic narrative transpires in an eschatological dimension of existence; it thereby aspires to reveal beyond the limits of history a full-blown vision of eternity—that is, history as projected into the eternal worlds that it prefigures. While at the level of content Dante expands the theme of a visit to the underworld into an entire poem of epic proportions, more deeply, at the level of genre and in terms of its mode, Dante's whole poem is prophetic in character. History and narrative become in themselves prophetic rather than only forming a background for prophecy and framing it.The descent to the world of the dead—a symbol for the place of revelation of the meaning of life—is a thematic issue that runs as a thread through each of the epic works that have been mentioned so far. But in Dante it becomes the central axis of a poem that emerges in its entirety as religious revelation, and Dante greatly intensifies the self-conscious grasp of this function of poetry. His work represents an unprecedentedly powerful reflection on poetry as revelation in the mode of prophecy, for the customary literary means of poetic expression are now revealed in their intrinsically prophetic potency. From the Aeneid Dante could learn... (shrink)

The historical origins of the Kyoto School of Philosophy of modern Japan, represented by Kitaro Nishida and Hajime Tanabe, may be derived from both the ancient Chinese idea of Change and the ancient Indian Upanishadic idea of the mutual identity of Brahman and Atman. The ancient Chinese idea of Change signifies change as well as non-change, and even their dialectical unification. Both origins are structured by the self-identity of the opposed in logic, and these historical prototypes have been developed (...) into the various forms of Confucian, Taoist, and Buddhist philosophy. The notion of Nothingness or Emptiness rather than Being has been set up as the fundamental principle. The principle of Nothingness as ultimate reality has been connected with the logic of self-identity of theopposed, and this is evident in Nishida’s concept of the self-identity in absolute contradistinction that is equivalent to the Place of Absolute Nothingness. Even though Nishida’s idea of Place is directly and explicitly influenced by the ancient Greek idea of Topos, it has indirectly and implicitly been affected by the traditional agricultural society as well, in which the land is regarded as the self-identical substratum despite the cyclic time of the four-seasons change. The ancient Chinese idea of Change also reflects the agricultural society in which the cyclic time plays an important role on the basis of the unchanging self-identical land as the underlying substratum. Nishida succeeds in establishing the new logical expression of Eastern traditional thought, deeply hidden in consciousness, in relation toWestern philosophy. The uniqueness of Nishida’s idea of Place may have its main source in the traditional agricultural background, and in this sense his way of thinking may be rural in character. On the other hand, Tanabe, though following Nishida at first, turns to making criticism of the mentor with the establishment of the triadic logic of species as the dialectic, which is characterized by the perpetual self-negating conversion in action. In contrast to Nishida, Tanabe represents the urban type of thinking, which is in pursuit of transforming in life. While Nishida’s idea of Absolute Nothingness has an affinity with the ancient Chinese philosopher Laotzu’s idea of Nothingness from and into which every entity comes and goes, Tanabe’s concept of Absolute Nothingness as the principle ofconversion is more closed to the Buddhist idea of sunyata, i.e., Emptiness, which is devoid of any substance in itself. As regards evil, the difference between them is obvious in that for Nishida evil and time or history disappear into the ultimate horizon or place of Nothingness with the tendency toward a kind of monism of goodness, whereas for Tanabe evil copes with goodness and retains its own status throughout, never being reduced to the opposed. Even if so, both of them, however, fail to construct a philosophy of history from the epochal or durational viewpoint, compared to Heidegger and Jaspers. (shrink)

Charles Bernheimer described decadence as a "stimulant that bends thought out of shape, deforming traditional conceptual molds." In this posthumously published work, Bernheimer succeeds in making a critical concept out of this perennially fashionable, rarely understood term. Decadent Subjects is a coherent and moving picture of fin de siècle decadence. Mature, ironic, iconoclastic, and thoughtful, this remarkable collection of essays shows the contradictions of the phenomenon, which is both a condition and a state of mind. In seeking to show why (...) people have failed to give a satisfactory account of the term decadence, Bernheimer argues that we often mistakenly take decadence to represent something concrete, that we see as some sort of agent. His salutary response is to return to those authors and artists whose work constitutes the topos of decadence, rereading key late nineteenth-century authors such as Nietzsche, Zola, Hardy, Wilde, Moreau, and Freud to rediscover the very dynamics of the decadent. Through careful analysis of the literature, art, and music of the fin de siècle including a riveting discussion of the many faces of Salome, Bernheimer leaves us with a fascinating and multidimensional look at decadence, all the more important as we emerge from our own fin de siècle. (shrink)

The aim of this article is to discuss the idea that the notion of topos could become the future mathematics of AI, by giving more emphasis to geometric forms, compared to the currently mainstream approach, which favors numbers through statistical procedures. AI engineers are looking for theories that can formalize the basic elements that shape their daily work, as well as the basic operations that structure how the human brain works. The notion of topos could contribute largely to (...) satisfying these two main aspirations of AI engineering. The article is a part of a questioning on the nature of intelligence and supposedly intelligent machines. In this respect, it would be useful to enrich the approach that assimilates the topos as a kind of bridge that removes all the inessential aspects of things to be connected to keep an common essence that associates mathematical things. One of the most promising avenues from the archeology of the discourse on the topos is the reading by meaning. This art of reading well gives rise to the notion of conceptual strata which shows that the things to be connected have a layered configuration. What seems insignificant –in view of a supposed essence– through one conceptual stratum, might seem important through another, even capital. Rather than calling something ‘insignificant’, a consistent relativism of ‘insignificant for’ would be more appropriate, according to the conceptual stratum considered. (shrink)

Foundations of Relational Realism presents an intuitive interpretation of quantum mechanics, based on a revised decoherent histories interpretation, structured within a category theoretic topological formalism. -/- If there is a central conceptual framework that has reliably borne the weight of modern physics as it ascends into the twenty-first century, it is the framework of quantum mechanics. Because of its enduring stability in experimental application, physics has today reached heights that not only inspire wonder, but arguably exceed the limits of intuitive (...) vision, if not intuitive comprehension. For many physicists and philosophers, however, the currently fashionable tendency toward exotic interpretation of the theoretical formalism is recognized not as a mark of ascent for the tower of physics, but rather an indicator of sway—one that must be dampened rather than encouraged if practical progress is to continue. -/- In this unique two-part volume, designed to be comprehensible to both specialists and non-specialists, the authors chart out a pathway forward by identifying the central deficiency in most interpretations of quantum mechanics: That in its conventional, metrical depiction of extension, inherited from the Enlightenment, objects are characterized as fundamental to relations—i.e., such that relations presuppose objects but objects do not presuppose relations. The authors, by contrast, argue that quantum mechanics exemplifies the fact that physical extensiveness is fundamentally topological rather than metrical, with its proper logico-mathematical framework being category theoretic rather than set theoretic. -/- By this thesis, extensiveness fundamentally entails not only relations of objects, but also relations of relations. Thus, the fundamental quanta of quantum physics are properly defined as units of logico-physical relation rather than merely units of physical relata as is the current convention. Objects are always understood as relata, and likewise relations are always understood objectively. In this way, objects and relations are coherently defined as mutually implicative. The conventional notion of a history as “a story about fundamental objects” is thereby reversed, such that the classical “objects” become the story by which we understand physical systems that are fundamentally histories of quantum events. -/- These are just a few of the novel critical claims explored in this volume—claims whose exemplification in quantum mechanics will, the authors argue, serve more broadly as foundational principles for the philosophy of nature as it evolves through the twenty-first century and beyond. (shrink)

It is an established Hellenistic topos that philosophy is the ‘medicine’ of the soul, in charge of ‘healing’ the soul in the same way as medicine is in charge of healing the body. The ‘diseases’ of the soul deemed to be in need of healing are its passions, that is, its fears and desires, and the moral ‘health’ that philosophers pledge to grant their followers is freedom from passions and hence peace of mind.

This paper explores the notion of cosmotechnics in the context of the history of Latin American philosophy. Since the nineteenth century, Latin American philosophy has developed through an ongoing confrontation between conceptions of “civilization and barbarism.” This tension in turn has impacted the relationship between Latin American philosophy and technology. Consequently, a certain “absence of technique” is visible as a recurring topos in Latin American philosophies. To overcome this apparent absence, this paper criticizes the notion of (...) mestizaje using Silvia Rivera Cusicanqui’s concept of ch’ixi (‘motley’) as an alternative framework. From this perspective, Guaman Poma de Ayala’s description of colonial violence reveals some hints for deconstructing the idea of “Latin Americanness”, while retaining the notion of cosmotechnics. Thus, this paper goes beyond geocultures and metatechnology by formulating a theory of cosmotechnics that is able to articulate politically antagonistic narratives in terms of technical materiality. (shrink)

In this paper, I will try to look at Leibniz from the topos of Indian philosophy. François Jullien called such a strategy “dépayser la pensée” – to withdraw an idea from its familiar environment and to see it through the lens of a different culture. “Read Confucius to better understand Plato.” I am referring to Indian philosophy, especially to some Buddhist systems, in order to highlight certain aspects of Leibniz’s mode of thinking, that I define as “atomistic (...) approach”. (shrink)

Nishida Kitarô’s is generally depicted as a philosopher of nothingness. In the present paper, I would like to discuss this suggestive but ambiguous characterization, starting the enquiry with the seminal essay he wrote in order to answer to the critique of his celebrated topological logic, by Sôda Kiichirô. Firstly, I focus on the last sections of Nishida’s essay, to make clear in what sense we can still speak of “being” within the frame of such an unfathomable logic of nothingness. In (...) other words, Nishida is a philosopher of nothingness to the extent that he meditates being. Secondly, I demonstrate that the very notions of nothingness and being can be logically articulated through a topo-logy that yields new insights into the idea of “predication”, according to what I call a “second sketch of topo-logization”. Now, what is the ultimate meaning of such a topology for Nishida? Finally, I establish how a painstaking reading of his late 1944 correspondence with Mutai Risaku reveals his unsuspected project of reapprehending metaphysics under the form of “topological logic”, rather than “logic of place” or “place-logic”. -/- 摘要 西田幾多郎通常被描述為「無」的哲學家。左右田喜一郎曾經批評他 著名的拓樸學邏輯，在本文中，筆者先談西田回應左右田的批評，據此討 論「無」這種暗示性但又曖昧不明的描繪。 首先，筆者把重點放在西田這篇文章的最後幾個部分，以便釐清在 「無」這種深不可測的邏輯架構下，如何能繼續討論「存有」。換言之， 西田只在「存有」的思考方面，才稱得上是一位「無」的哲學家。其次， 筆者將具體說明，依照所謂「拓樸化的第二概略」，即可透過一種對「述 詞」的觀念提出新見解的拓樸學，在邏輯上清楚說明「無」與「存有」的 概念。對西田而言，這樣一種拓樸學的終極意義為何？最後，筆者將證 明，只要費心閱讀西田與霧臺理作在一九四四年末期的書信往來，即可理 解他如何在「拓樸學邏輯」，而非「場所邏輯」的形式下，重新理解形上 學。. (shrink)

The logic of media usage is determined by the self-blinding of the materiality of the medium in the act of its transmitting function. According to the traditional topos of the ‘dying messenger’, a messenger-oriented model of mediality is developed. Contrary to the appearance of the ‘vanishing’ medium, a critical media philosophy has to depict that and how media always shape and constitute what they represent. One phenomenon mostly being invisible in our normal use of texts and pictures is (...) the medium of ‘artificial flatness’ within the framework of a ‘cultural technique of flattening’: scientific, technical and artistic creativity is inconceivable without two-dimensional inscriptions in the form of writings, graphs, diagrams and maps. But how can this imprinting power of inscribed and illustrated surfaces be grasped if at the same time the role of media is understood in terms of transmission, connection, intermediation? Our suggestion is to describe the shaping power of media by the concept of ‘transfiguration’: From a transfigurative perspective, the medium only reveals itself as a trace on its content. Traces are visible transformations in the mode of latency. To manifest this latency, to make the implicit explicit, is then a task of media philosophy. As examples of such a critical-epistemological reflection, the relationship between writing and language, as well as between map and territory, is discussed. (shrink)

The idea of philosophical topology, or topography as I call it outside of the Heideggerian context, has become increasingly central to my work over the last twenty years. While the idea is not indebted only to Heidegger’s thinking, it is probably Heidegger to whom I owe the most. Moreover, one of my claims, central to _Heidegger’s Topology_, is that Heidegger’s own work cannot adequately be understood except as topological in character, and so as centrally concerned with place – _topos, Ort, (...) Ortschaft_ (which, I should emphasize, is not the same as a concern with space nor with time taken apart from one another, but I shall say more on this below). I do not regard myself as the only person to make this claim, or something like it. In the 1980s, both Joseph Fell and Reiner Schürmann, from very different perspectives, advanced topological readings of Heidegger, or elements of such readings. My own work aims to provide a definitive case for the topological reading of Heidegger’s thinking in its entirety, as well as to articulate an account of topology or topography as itself central to philosophical inquiry. On my account, the attempt to think place, and to think in accord with place, is at the heart of philosophy as such. (shrink)

ABSTRACT Anthony Fauci, an infectious disease expert in the White House's coronavirus task force, is challenged to offer responsible public communication of science despite working under a habitual liar who has no tolerance for criticism or dissent. Fauci manages this rhetorical exigence by using strategic ambiguity, the topos of the honest broker, dissociation, and a narrative that constrains executive decision making.

Study in context of Indian religions, philosophers and thinkers.

The idea of place--topos--runs through Martin Heidegger's thinking almost from the very start. It can be seen not only in his attachment to the famous hut in Todtnauberg but in his constant deployment of topological terms and images and in the situated, "placed" character of his thought and of its major themes and motifs. Heidegger's work, argues Jeff Malpas, exemplifies the practice of "philosophical topology." In Heidegger and the Thinking of Place, Malpas examines the topological aspects of Heidegger's thought (...) and offers a broader elaboration of the philosophical significance of place. Doing so, he provides a distinct and productive approach to Heidegger as well as a new reading of other key figures--notably Kant, Aristotle, Gadamer, and Davidson, but also Benjamin, Arendt, and Camus. Malpas, expanding arguments he made in his earlier book _Heidegger's Topology_, discusses such topics as the role of place in philosophical thinking, the topological character of the transcendental, the convergence of Heideggerian topology with Davidsonian triangulation, the necessity of mortality in the possibility of human life, the role of materiality in the working of art, the significance of nostalgia, and the nature of philosophy as beginning in wonder. Philosophy, Malpas argues, begins in wonder and begins in place and the experience of place. The place of wonder, of philosophy, of questioning, he writes, is the very topos of thinking. (shrink)