Considering Jaspers’studies on the paradoxical nature of conflicts, I reflect on the capacity of communicative forms to provide an objective representation. In particular, my attention is devoted to the predicative intentionality of images, namely the set of modalities by which an image represents. The level of accuracy of images is relevant also for a specific meaning of the ethics of communication, regarding the truthfulness of what is represented in a photograph. After an historical reconstruction of the several ways in which (...) representation has been themed, I consider as a case study some pictures of allegedly hysterical patients, taken from the archive of the Salpêtrière Hospital in Paris. My thesis is that, for an adequate analysis of images, a pragmatic interpretation is necessary, able to integrate the hermeneutical approach. (shrink)

This chapter argues that the formal requirements on self-describing media shed light on two elusive questions in the philosophy of mind. The first is a question that Dretske raised in Naturalizing the Mind: why do we have conscious access to the intrinsic properties of experience? In his terms, the question is: what is experience for? The second is a question that has hounded philosophy of mind since Brentano: in what sense, if any, is thought intrinsically intentional? What is the property (...) that some states have of pointing, or purporting to point, beyond themselves? The chapter also addresses the question of why we self-represent, and what advantage self-representation gives us in the fight for survival. (shrink)

Descartes’ accounts of sensory perception have long troubled his interpreters, for their lack of clear and explicit statements on some fundamental issues. His readers have wondered whether he allows spatial sensory ideas (spatial qualia); whether sensory ideas such as color or pain are representations and, if so, what they represent; and what cognitive value Descartes attributed to sense perception. Recent discussions take differing stands on the questions just mentioned, and also disagree over Descartes’ account of the externalization of sensory (...) qualities, on the origin and correct analysis of the “material falsity” he attributes to some sensory ideas, and on the value of the “teachings of nature.” Such disagreement should not be surprising, for although sensory perception was an important topic for Descartes, his treatment of these particular issues is not systematic – or at least not apparently so. Generally, there are no proof texts that unequivocally settle questions about Descartes’ views on spatial qualia, the representationality of sensory ideas, their cognitive value, externalization, material falsity, and the status of the teachings of nature. Yet these questions and topics naturally arise from matters about which Descartes is explicit and (reasonably) consistent, regarding the role of the senses in philosophy and everyday life and concerning the nature of minds and ideas. It is, therefore, worthwhile to ask what his positions might have been. This chapter develops answers by considering Descartes’ systematic doctrines on the nature of the mind and its ideas and by combing his statements on sensation and perception for hints about how to apply such principles. The first section reviews some key texts. Succeeding sections develop positions on representationality, cognitive value, externalization, material falsity, and the teachings of nature. Ultimately, I favor an interpretation in which, for Descartes, all sensory ideas represent by resemblance, different kinds of sensory ideas vary in cognitive value, externalization arises through spatial localization, and, with sensory ideas of color and the like, as materially false they do not intrinsically misrepresent but afford occasion for false judgments, which arise as merely apparent, and so not actually legitimate, teachings of nature. (shrink)

ABSTRACTAssuming there are fictional objects, what sorts of properties do they have? Intuitively, most of their properties involve being represented—appearing in works of fiction, being depicted as clever, being portrayed by actors, being admired or feared, and so on. But several philosophers, including Saul Kripke, Peter van Inwagen, Kendall Walton, and Amie Thomasson, argue that even if there are fictional objects, they are not really represented in some or all of these cases. I reconstruct four kinds of arguments (...) for this unexpected conclusion; they concern the semantics of names, pragmatic force, creation, and representations’ qualitative content. But I find all the arguments flawed. I then argue for the contrary, employing a new perspective: representation of fictional objects begins with the works of fiction that originate them. A work of fiction represents its “native” objects because our culture bestows that property on it. I sketch conditions for such property bestowal and argue that they are satisfied in this case. (shrink)

: Fodor argues that perceptual representations are a subset of iconic representations, which are distinguished from symbolic/discursive representations. Iconic representations are nonconceptual and they do not support the abilities afforded by concepts. Iconic representations, for example, cannot support object individuation. If someone thinks that perception or some of its parts has imagistic NCC, they face the following dilemma. Either they will have to accept that this NCC does not allow for object individuation, but it represents (...) instead conglomerations of properties and at some stage of visual processing it must interface with cognition and its conceptual capacities for the visual objects to be individuated. Or, they will have to hold that the imagistic, NCC of perception, allows for object individuation. I opt for the second thesis because I think there is strong empirical evidence that objects are individuated during early vision. I also think that early vision individuates objects by means of, what I had previously called nonconceptual perceptual demonstrative reference. I argue, first, why Fodor’s view that iconic NCC does not enable object individuation is false. I also argue, contra Fodor, that early vision allows the perception of the cardinality of sets of objects. Keywords : Early Vision; Analog Representations; Object Individuation; Arithmetic Cognition; Cardinality of Sets L'individuazione di oggetti mediante il contenuto iconico: come è rappresentata la numerosità nella rappresentazione iconica? Riassunto: Per Fodor le rappresentazioni percettive sono un sottoinsieme delle rappresentazioni iconiche, distinte dalle rappresentazioni simbolico/discorsive. Le rappresentazioni iconiche sono nonconcettuali e non supportano le abilità richieste dai concetti. Le rappresentazioni iconiche, per esempio, non supportano l'individuazione di oggetti. Se si pensa che la percezione o qualche sua parte abbia un contenuto nonconcettuale come immagine, si ci si imbatte nel seguente dilemma. O si accetta che il NCC non permetta di individuare oggetti, ma che rappresenti conglomerati di proprietà e che si interfacci con la cognizione e le sue capacità concettuali, per individuare gli oggetti visivi. O si dice che l'immagine, il NCC, della percezione consenta di individuare oggetti. Propendo per la seconda tesi, poiché penso che ci sia solida evidenza empirica per cui gli oggetti vengono individuati durante le prime fasi della visione, in cui l’individuazione avviene mediante quanto definito come riferimento dimostrativo del contenuto nonconcettuale percettivo. Chiarirò le ragioni per cui la concezione di Fodor, per cui il contenuto nonconcettuale iconico non supporta l’individuazione di oggetti, è falsa. Inoltre, contra Fodor, sosterrò che le prime fasi della visione permettono la percezione della cardinalità di insiemi di oggetti. Parole chiave: Prime fasi della visione; Rappresentazioni analogiche; Individuazione di oggetti; Cognizione aritmetica; Cardinalità degli insiemi. (shrink)

The claim that similarity plays a role in representation has been philosophically discredited. Psychologists, however, routinely analyse the success of mental representations for guiding behaviour in terms of a similarity between representation and the world. I provide a foundation for this practice by developing a philosophically responsible account of the relationship between similarity and representation in natural systems. I analyse similarity in terms of the existence of a suitable homomorphism between two structures. The key insight is that by restricting (...) attention to only those homomorphisms induced by causal processes, we can solve two philosophical problems with a single assumption. First, causal structure provides an adequate source for the bias required to ensure the similarity relation is non-trivial; second, it provides an adequate source for the directionality required to move from similarity to representation. I defend this account against objections by Goodman and van Fraassen and demonstrate that it is indeed the account of similarity’s role in representation assumed by psychological practice. (shrink)

This book develops and defends a new understanding of Kant's account of perceptual representation, showing that it underlies the main doctrines of the Critique of Pure Reason. Intuitions consist of formal unifications by the schematized categories that projectively represent both time and external objects and enable synthetic a priori knowledge.

According to the logical positivists, signs (words and pictures) of imaginary beings have no referent (Goodman). The semiotic theory behind this assumption is dualistic and Cartesian: signs vs. nonsigns as well as the mental vs. the material world are in fundamental opposition. Peirce’s semiotics is based on the premise of the sign as a mediator between such opposites: signs do not refer to referents, they represent objects to a mind, but the object of a sign can be existent or (...) nonexistent, a feeling or an idea, something merely imaginary or even something false. The paper examines the nature of imaginary, nonexistent, and nonfigurative objects, such as unicorns, phoenixes, or nonrepresentative paintings, and shows why verbal or visual representations of imaginary beings and even nonfigurative paintings, which seem to represent nothing, are fully developed signs with a variety of objects determining their representation. (shrink)

Representational accounts of painful experiences, which characterize contents of pain in indicative terms, face a serious problem known as the Messenger-Shooting Objection. This problem arises from the fact that indicative representational accounts do not seem to be able to accommodate the observation that painful experiences rationalize actions aimed towards their own removal. I present a novel representational account of painful experiences which can solve the Messenger-Shooting Objection while still being an indicative representational theory. I argue that the proposed account is (...) also coherent with the contemporary scientific paradigm concerning pains. (shrink)

Evidence from functional neuroimaging of the human brain indicates that information about salient properties of an object¿such as what it looks like, how it moves, and how it is used¿is stored in sensory and motor systems active when that information was acquired. As a result, object concepts belonging to different categories like animals and tools are represented in partially distinct, sensory- and motor property-based neural networks. This suggests that object concepts are not explicitly represented, but rather emerge from weighted activity (...) within property-based brain regions. However, some property-based regions seem to show a categorical organization, thus providing evidence consistent with category-based, domain-specific formulations as well.Acronyms and DefinitionsBiological motion: motion of animate agents characterized by highly flexible, fully articulated motion vectors, in contrast to the rigid, unarticulated motion vectors associated with most tools.Category-specific disorder: a relatively greater impairment in retrieving information about members of one superordinate object category (e.g., animals) as compared with other categories following brain injury or diseaseIPS: intraparietal sulcusLO: lateral occipital cortexObject concept: memory representations of a class or category of objects. Necessary for numerous cognitive functions including identifying an object as a member of a specific category and drawing inferences about object propertiespMTG: posterior middle temporal gyruspSTS: posterior superior temporal sulcusRepetition suppression: decreased neural response associated with repeated presentation of an identical, or a semantically/conceptually related, stimulusSD: semantic dementiaSemantic memory: a large division of long-term memory containing knowledge about the world including facts, ideas, beliefs, and conceptsSemantic priming: a short-lasting facilitation in processing a stimulus due to the prior presentation of a semantically related stimulusTMS: transcranial magnetic stimulationVPMC: ventral premotor cortex. (shrink)

What can we learn about the existence of non-physical entities from close inquiry into special kinds of experiences? Contemporary analytic philosophy has sometimes studied mystic experiences as evidence for the existence of such entities. The article is organized as follows: first, I discuss several distinctions that seem to me to play substantive roles in philosophizing about such experiences. I will then offer and criticize two arguments that support the significance of the experiences. The arguments do not show whether a non-physical (...) entity does or does not exist; they highlight a philosophical framework that can be beneficial to a variety of different approaches. Based on a heuristic strategy, the arguments will focus on the possibility/impossibility of objective representation of non-physical entities. They invite the reader to reflect on deeper philosophical grounds necessary for evaluating any positive or negative claims about the significance/insignificance of such experiences. The first argument rests on contemporary theories and assumptions. The second argument will use notions that drive from Classic Arabic-Persian Philosophy. (shrink)

This book is a study of the second-edition version of the 'Transcendental Deduction', which is one of the most important and obscure sections of Kant's Critique of Pure Reason. By way of a close analysis of the B-Deduction, Adam Dickerson makes the distinctive claim that the Deduction is crucially concerned with the problem of making intelligible the unity possessed by complex representations - a problem that is the representationalist parallel of the semantic problem of the unity of the proposition. (...) Along the way he discusses most of the key themes in Kant's theory of knowledge, including the nature of thought and representation, the notion of objectivity, and the way in which the mind structures our experience of the world. (shrink)

Jeremy Waldron objects to judicial review of legislation on the ground that it effectively accords the views of a few judges ‘superior voting weight’ to those of ordinary citizens. This objection overlooks that representative government does the same. This article explores the concept of political representation and argues that delegates may be institutionally bound to heed the convictions of their constituents, but they are not their proxies. Rather, they are best viewed as their trustees. They ought to decide according (...) to what they think is in their constituents’ interest. In this sense, a strong element of independent judgment is involved in their institutional role. So, if we have no problem with assigning their views superior voting weight, it should not be thought particularly objectionable to give judges the same power. What is more, once we acknowledge the independence they enjoy, the question arises whether and by what institutional means we ought to constrain and check their power. The judiciary is well suited effectively to carry out this supervisory function, because it is immune from political pressure by the legislature that would reduce it to its instrument. Hence, in some cases the institution of judicial review is morally justified. (shrink)

Production and comprehension have long been viewed as inseparable components of language. The study of vision, by contrast, has centered almost exclusively on comprehension. Here we investigate drawing—the most basic form of visual production. How do we convey concepts in visual form, and how does refining this skill, in turn, affect recognition? We developed an online platform for collecting large amounts of drawing and recognition data, and applied a deep convolutional neural network model of visual cortex trained only on natural (...) images to explore the hypothesis that drawing recruits the same abstract feature representations that support natural visual object recognition. Consistent with this hypothesis, higher layers of this model captured the abstract features of both drawings and natural images most important for recognition, and people learning to produce more recognizable drawings of objects exhibited enhanced recognition of those objects. These findings could explain why drawing is so effective for communicating visual concepts, they suggest novel approaches for evaluating and refining conceptual knowledge, and they highlight the potential of deep networks for understanding human learning. (shrink)

It is generally agreed that there is a distinction between two kinds of representations of space and time. Perspectival or egocentric representations are viewpoint-dependent in the sense that the way spatial and temporal positions and relations are represented is relative to one's own position in space or time. In contrast, objective representations are independent of one's position in space or time and thus viewpoint-invariant. For instance, I may represent event A as past or as more past than (...) event B (perspectival representations of temporal position and temporal relation, respectively) or I may represent event A as occurring on September 11, 2001 and as earlier then event B (objective representations of temporal location and temporal relation, respectively). And similarly for spatial positions and relations. One contentious issue, however, is whether perspectival and objective representations are independent or whether representations of one kind are constructed, at least in part, from representations of the other kind. One further issue is whether the analogy between space and time is strong enough that the answer given to the previous question in the case of space, say, should also hold for time, or vice-versa. The notion of dependence can be understood in several ways and the dependence or independence claims can be given stronger and weaker readings. I try to disentangle these various readings and to sketch their relations. I also offer detailed characterizations of the distinction between egocentric and objective representations, first in the case of space and then in the case of time. I examine how the different versions of the dependence/independence claims fare with respect to time and to space. I argue that for two of these claims the analogy between space and time breaks down. I propose that the reasons why the analogy is disrupted have to do with certain fundamental differences in the way we egocentrically apprehend temporal and spatial properties. (shrink)

The objectivity of representation Content Type Journal Article DOI 10.1007/s11016-010-9505-1 Authors Alfredo Paternoster, University of Bergamo, Via Pignolo 123, 24121 Bergamo, Italy Journal Metascience Online ISSN 1467-9981 Print ISSN 0815-0796.

Microphotography was one of the earliest applications of photography in science: The first monograph on tissue organization illustrated with microphotographs was published in 1845. In the 1860s, a large number of introductions to scientific microphotography were published by anatomists. They argued that microphotography was a means of documenting the results of microscopic analysis, uncontaminated by the subjectivity of the observer. In the early decades of the 19th century, before the general acceptance of cell theory, such a technique was of special (...) importance, as no criteria were available to distinguish between important and superficial characters in the description of tissue microstructures. Microphotography was praised as the method of choice for documenting the scientific observations of microscopic material. Some of the microphotographic practices described in these early manuals, however, did not conform with the idea of a purely mechanical process of documentation. The authors of these manuals saw photography not as a technique which produced artifacts, but as a complete and reliable substitute for the original preparations. Thus, according to these authors, the artificial world of photography was seen as the actual representation of the microworld. Consequently, they tried to understand the microcosm by analyzing photographs instead of the microscopic preparation themselves. Such attitudes discredited the use of microphotography in the sciences. Consequently, the definitive breakthrough of scientific microphotography was delayed until the 1880s and was largely due to the efforts of Robert Koch, who made microphotography a central tool of bacteriology. (shrink)

I distinguish four questions within Kant's "problem of reality": (1) What constitutes propositional content? (2) What constitutes truth? (3) What constitutes referential content? (4) What constitutes successful singular reference? I argue that Kant's transcendental idealism applies primarily to (3) - understood as: What makes some mental or linguistic items would-be referential representations - and secondly to (1). But with regard to (4) and (2), we do not create the objects and states of affairs in the world (there are (...) human artifacts, of course, but most of them continue to exist quite independently of our representing activities). However the contents of our representations in (3) and (1) do depend crucially on our conventions and rules, which are almost always socially learned. (shrink)

Many philosophical issues concern questions of objectivity and subjectivity. Of these questions, there are two kinds. The first considers whether something is objective or subjective; the second what it _means_ for something to be objective or subjective.

After a brief presentation of what I believe to be the main features of the modelling démarche in science, I will focus on the basic following question: how can an abstract entity - a model - possibly represent an existing observable entity, which is phenomenally accessible to us, but which is not abstract? This is what Bas van Fraassen calls the loss of reality objection. Instead of proposing a pragmatic dissolution of this objection as van Fraassen does, I will argue (...) that scientific representing necessarily involves a homomorphism between structures and thus that, in a strict technical sense of representation, phenomena are not represented by our models but only as having some specific properties belonging to the domains of our representing structures. Yet, our contact with phenomenal entities is secured by propositions that are true in a correspondence sense. The truth of these - ontic - propositions which state that phenomenal entities possess some precise properties is the soil on which the informative content of our successful representations rest. (shrink)

The present “visual world” eye-tracking study examined the time-course of how native and non-native speakers keep track of implied object-state representations during real-time language processing. Fifty-two native speakers of English and 46 non-native speakers with advanced English proficiency joined this study. They heard short stories describing a target object either having undergone a substantial change-of-state or a minimal change-of-state while their eye movements toward competing object-states and two unrelated distractors were tracked. We found that both groups successfully directed their (...) visual attention toward the end-state of the target object that was implied in the linguistic context. However, neither group showed anticipatory eye movements toward the implied object-state when hearing the critical verb. Only native English speakers but not non-native speakers showed a bias in visual attention during the determiner before the noun. Our results suggested that although native and non-native speakers of English largely overlapped in their time-courses of keeping track of object-state representations during real-time language comprehension, non-native speakers showed a short delay in updating the implied object-state representations. (shrink)

This book defends a novel view of mental representation—of how, as thinkers, we represent the world as being. The book serves as a response to two problems in the philosophy of mind. One is the problem of first-personal, or egocentric, belief: how can we have truly first personal beliefs—beliefs in which we think about ourselves as ourselves—given that beliefs are supposed to be attitudes towards propositions and that propositions are supposed to have their truth values independent of a perspective? The (...) other problem is how we can think about nonexistents given the widespread view that thought essentially involves a relation between a thinker and whatever is being thought about. The standard responses to this puzzle are either to deny that thought is essentially relational or to insist that it is possible to stand in relations to nonexistents. This book offers an error theory to the problem. The responses from this book arise from the same commitment: a commitment to treating talk of propositions—as the things towards which our beliefs are attitudes—as talk of entities that actually exist and that play a constitutive and explanatory role in the activity of thought. (shrink)

The representation of history continues to evolve in the domain of museum exhibitions. This evolution is informed in part by the creation of new display methods—many of which depart from the traditional conventions used to achieve the “museum effect”—in part by an increased attention to the museum–visitor relationship. In this context the ethical force of bearing witness, at times a crucial aspect of the museum experience, has emerged as a particularly compelling issue. In seeking to represent and address atrocity, injustice, (...) and the abrogation of human rights, museums have the potential to become “sites of conscience” and to encourage “historical consciousness.” Through a series of three exhibitions devoted to slavery, the New-York Historical Society demonstrated how such sites can be constructed and how objects can be deployed to represent extreme or “limit cases.” In this review/essay I investigate and interrogate these exhibitions, looking closely at the use of objects as a source of “indirect testimony” and at the “dialogical situation” that might arise in an encounter among objects, exhibit narratives, and visitors. Thinking in terms of point of view, I look at the variety of rhetorical platforms from which objects speak in these exhibitions; thinking in terms of syntax, I look at the effects of ordering and of the radical juxtaposition of objects; thinking in terms of irony, I look at the provocations of double-voiced narratives and at how objects are used to support those historical sentences. (shrink)

In biosemiotics, life and living phenomena are described by means of originally anthropomorphic semiotic concepts. This can be justified if we can show that living systems as self-maintaining far from equilibrium systems create and update some kind of representation about the conditions of their self-maintenance. The point of view is the one of semiotic realism where signs and representations are considered as real and objective natural phenomena without any reference to the specifically human interpreter. It is argued that the (...) most basic concept of representation must be forward looking and that both C. Peirce’s and J. v. Uexküll’s concepts of sign assume an unnecessarily complex semiotic agent. The simplest representative systems do not have phenomenal objects or Umwelten at all. Instead, the minimal concept of representation and the source of normativity that is needed in its interpretation can be based on M. Bickhard’s interactivism. The initial normativity or natural self-interest is based on the ‘utility-concept’ of function: anything that contributes to the maintenance of a far from equilibrium system is functional to that system — every self-maintaining far from equilibrium system has a minimal natural self-interest to serve that function, it is its existential precondition. Minimal interactive representation emerges when such systems become able to switch appropriately between two or more means ofmaintaining themselves. At the level of such representations, a potentiality to detect an error may develop although no objects of representation for the system are provided. Phenomenal objects emerge in systems that are more complex. If a system creates a set of ongoingly updated ’situation images’ and can detect temporal invariances in the updating process, these invariances constitute objects for the system itself. Within them, a representative system gets an Umwelt and becomes capable of experiencing triadic signs. The relation between representation and its object is either iconic or indexical at this level. Correspondingly as in Peirce’s semeiotic, symbolic signs appear as more developed — for the symbolic signs, a more complex system is needed. (shrink)

The notions of mental representation and intentionality are thought to have originated with Descartes in the seventeenth century. The authors in this book challenge this assumption and show that the history of these ideas can be traced back to the medieval period. They conclude that there is no clear dividing line between western late medieval and early modern philosophy.

Conscious states as objects of awareness: on Uriah Kriegel, Subjective consciousness: a self - representational theory Content Type Journal Article Pages 1-9 DOI 10.1007/s11098-011-9763-9 Authors Brie Gertler, Corcoran Department of Philosophy, University of Virginia, Charlottesville, VA 22904, USA Journal Philosophical Studies Online ISSN 1573-0883 Print ISSN 0031-8116.

In this paper, a lesson is drawn from the way class definitions are provided in object-oriented programming. The distinction is introduced between the visible structure given in a class definition and the hidden structure, and then possible connections are indicated between these two structures and the structure of an entity modeled by the class definition.

This article takes as a starting point the current popular anti realist position, Fictionalism, with the intent to compare it with actual mathematical practice. Fictionalism claims that mathematical statements do purport to be about mathematical objects, and that mathematical statements are not true. Considering these claims in the light of mathematical practice leads to questions about how mathematical objects are handled, and how we prove that certain statements hold. Based on a case study on Riemann’s work on complex (...) functions, I propose that mathematicians deal with systems of representations and that truth—or what we can prove—depends on available representations in some context where the problem can be solved. (shrink)

What is a concept? Philosophers have given many different answers to this question, reflecting a wide variety of approaches to the study of mind and language. Nonetheless, at the most general level, there are two dominant frameworks in contemporary philosophy. One proposes that concepts are mental representations, while the other proposes that they are abstract objects. This paper looks at the differences between these two approaches, the prospects for combining them, and the issues that are involved in the (...) dispute. We argue that powerful motivations have been offered in support of both frameworks. This suggests the possibility of combining the two. Unlike Frege, we hold that the resulting position is perfectly coherent and well worth considering. Nonetheless, we argue that it should be rejected along with the view that concepts are abstract objects. (shrink)

From an object-oriented perspective, this paper investigates the interdisciplinary aspects of problem representation as well the differences between representation of problems in the mind and that in the machine. By defining an object as a combination of a symbol-structure and its associated operations, it shows how the representation of problems can become related to control, which conducts the search in finding a solution. Different types of representation of problems in the machine are classified into four categories, and in a similar (...) way four distinct models are distinguished for the representation of problems in the mind. The concept of layered hierarchies, as the main theme of the object-oriented paradigm, is used to examine the implications of problem representation in the mind for improving the representation of problems in the machine. (shrink)

This article explores a distinctive representational strategy used in stop-motion animation: the object substitution. Using as its central example a children’s TV episode in which brushes stand in for dogs, it explains how this strategy produces a complex relationship between depiction and representation. The analysis highlights the pragmatic underpinnings of various theories of pictorial and cinematic representation, arguing that, in a substitution, depicted elements constitute explicatures and represented ones implicatures. Connecting this strategy to humans’ capacity for pareidolia (seeing things in (...) other things), it contends that an object substitution achieves its effects—and reconciles its marked incongruities—by prompting viewers to pleasurably reverse-engineer the far-fetched projective imagining that motivated its use. This process, which is a form of conceptual blending, is based on relations that are neither straightforwardly iconic nor purely arbitrary. (shrink)

Jairo Moreno adapts the methodologies and nomenclature of Foucault’s "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions—musical, philosophical, and historical—that "make a certain form of thought about music necessary and possible at the time it emerges." Musical Meaning and Interpretation—Robert S. Hatten, editor.