In the past couple of years, much has been said and written in the media about the notion of 'cancel culture' and the way in which various celebrities, journalists, politicians, ideas, and monuments have been cancelled. Yet, the conversations taking place on this issue have been largely uninformed, lacking intellectual rigor, and devoid of the historical and cultural context that could help make the contested debates more enlightening. The author investigates the phenomenon of cancelling historically as well as how (...) it became an issue recently. The book presents some compelling philosophical arguments against the practice of cancelling and highlights various educational dangers and risks that emerge from this practice and deserve our attention. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Cancel Culture and the Trope of the ScapegoatA Girardian Defense of the Importance of Contemplative ReadingJoakim Wrethed (bio)What unfolds in this article encompasses violence, language/reading, and ethics. René Girard addresses these topics primarily in terms of mimesis, its potential violence, and the trope of the scapegoat. Still, toward the end of his career and life, he relentlessly pointed out the dangers implicated in the dynamism of these forces. (...) He addressed it clearly in his "apocalyptic book" Battling to the End (2010):I have been accused of repeating myself too often, of turning my theory into a fetish, of using it to explain everything. Yet it has described mechanisms that recent discoveries in neuroscience confirm: imitation is the initial and essential means of learning; it is not something acquired later on. We can escape mimetism only by understanding the laws that govern it. Only by understanding the dangers of imitation can we conceive of authentic identification with the Other. However, we are becoming aware of the primacy of moral relationship at the very time when the atomization of humanity is being realized, and when violence has increased in intensity and unpredictability.1[End Page 15] It is this thin line between necessary/harmless imitation and its dangerous versions that will be the central theme in the analysis. As Girard states, a vast amount of established research confirms that the mimetic impulse is innate.2 We should pay specific attention to "the atomization of humanity," since it zooms in on our contemporary epoch's paradoxical "mass-individualism," evidently tremendously enhanced by information and communication technology (ICT). In order to contribute to Girard's lifework and to extend it beyond his own writing, we outline a few contemporary phenomena that clearly exhibit the primordial dangers of human violence that Girard draws attention to. These phenomena are initially only roughly sketched, but subsequent sections give them sharper relief. The central phenomena are cancel culture, speed, and the reading of literature. Just to be clear, the intended mode of reading should be construed in a broad sense, thus potentially including philosophy and theology, if one is inclined to emphasize the differences between these disciplines and the reading of literature.3Cancel culture in certain ways makes manifest a social welfare society version of escalating violence, indicating that "violence has increased in intensity and unpredictability."4 A succinct definition of cancel culture will initially suffice:Cancel culture refers to ending (or attempting to end) an individual's career or prominence to hold them accountable for immoral behavior. Driven primarily by young progressives, often through social media, cancel culture has attracted controversy since it swept into the national conversation.5This definition can easily be extended into larger historical patterns in which, for instance, colonial crimes are highlighted and demands are raised for contemporary acts of atonement. As Rob Henderson points out, the obvious flip side is that "the swift and decisive nature of cancel culture can stifle debate, and some believe that dialogue is a more productive way to foster change."6 The "swiftness" and the immediate collectable consequences are decisive in their functions as social punishment and exclusion; in other words, digitalized speed accomplishes verdict and punishment in a very short time span, which is a reflection of desire pure and simple. The rapidity from intention to anticipated effect rather resembles an instinctive and violent action more than the forwarding of a carefully thought through argument or statement. The present becomes an invincible ivory tower bristling with power to finally mete out the justice that the erroneous ethics of earlier times were incapable of conceiving and achieving. An always already accelerating modernity speeded up immensely through [End Page 16] the fast growth of information and communication technology (ICT). To be sure, the whole evolution of computer technology is defined primarily in terms of processing speed, together with the quantity of information that can be contained in as small a spatial entity as possible. The present-day reality of having almost everything only one or a few clicks away on a screen—as a modern day realization of the library in Alexandria—enhances the relevance of a phenomenon historians have referred to... (shrink)

What are the moral implications of cancel culture? If it is viewed as a means to achieve social justice, we might be more inclined to say that cancel culture is morally good. However, one could argue that cancel culture has too harsh consequences or involves immoral – even hateful – behaviour. We propose that cancel culture is used as an umbrella term for (at least) two different kinds of ‘cancelling’. Cancelling is often seen in public debate (...) as punishment. Following Radzik’s objections to social punishment we argue that this kind of cancelling is morally reprehensible. However, cancel culture as an umbrella term also includes other kinds of cancelling. Many also refer to cancel culture as a phenomenon when someone is being called out or held accountable for their supposedly problematic behaviour. Such cancelling does not need to be punishment, but is often rather an attempt to remove privileged access to the public sphere. In this way, cancelling is used as a tool for redistributing attention: it can (re)claim attention and recognition for marginalized perspectives, by a radical attempt to deny a privileged person access to the public sphere. We conclude that cancel culture as a whole cannot be seen as either morally good or bad, because ‘cancelling’ can be used as a tool for both punishment and redistribution. Each have their own moral implications: cancelling as punishment is reprehensible, but cancelling to redistribute attention might be less of a problem. (shrink)

This article argues that Slavoj Žižek’s provocative speech at the Frankfurt Book Fair was a political event of the first order. Described as a major scandal triggered by Žižek’s remarks on the Israel-Hamas war, the speech was much more than a deliberate provocation. It provides a window into a world that had become unhinged long before the conflict erupted anew. It offers an opportunity to observe the complex relationship between individuals, institutions, and society. It continues to be a cautionary tale (...) that illustrates the thin line between courage and hypocrisy; and how difficult it is to practise diversity in a world gripped by the dangerous logic of evil. Thus, Žižek’s opening address transcends its immediate context because it brings us up against one of today’s defining questions: what does it mean, and what does it take, to practise diversity when facing the most divisive topics of our time? (shrink)

The postmodern critique of modernity has focused on the construction of the modern subject and the self‐disciplining and self‐cancellation tendencies within it. This critique, however, fails to consider what happens during the early years of children’s development — the period during which the modern subject is made, and the one in which the paradoxes and ambiguities inherent in modern subjectivity are established. In this essay Guoping Zhao analyzes how children’s developmental process affects the definition and formation of the self (...) in the United States. She uses a cross‐cultural lens, comparing the dominant cultural ideas and practices associated with child development in the United States with those influenced and supported by Confucianism. Zhao argues that children’s paths of development are not natural but cultural ones guided by underlying ideologies, and ultimately concludes that this cultural process determines the shapes and forms of the modern subject and the nature of individual freedom and autonomy. (shrink)

In this article, I approach some phenomena seen predominantly on social-media sites that are grouped together as cancel culture with guidance from two major themes in Plato’s thought. In the first section, I argue that shame can play a constructive and valuable role in a person’s improvement, just as we see Socrates throughout Plato’s dialogues use shame to help his interlocutors improve. This insight can help us understand the value of shaming people online for, among other things, their morally (...) reprehensible views. In the second section, I argue that it is required for the proper functioning of democratic institutions that some views be excluded from the public sphere, which follows some Platonic ideas from the Laws. In neither case do I argue that this approach is good in an unqualified sense or even ultima facie good. However, I maintain that these important insights from Plato’s dialogues illuminate crucial aspects of how we should think about cancel culture. (shrink)

The article is devoted to the decolonization of Ukrainian culture as an important factor of nation-building in the European perspective. At the same time, decolonization is a current trend in Western academic thought, which is embodied in social activism, in particular, in the wok movement and the culture of abolition. Postcolonial studies has become an intellectual battleground. These studies draw a new front line in the culture wars. Rethinking Western culture in light of its imperial expansionist (...) past defines the goal of decolonization. However, the tendency towards the politicization of vouk and the culture of cancellation. carries the risks of undermining the basic values of Western culture - freedom of thought and the rule of law, while the decolonization of Ukrainian culture has a different purpose. Unlike cultural decolonization in Western countries, cultural decolonization in Ukraine is aimed at legitimizing modern European values (Lisbon Agreement, 2007) by overcoming the «Russian-oriented» (Eurasian) tradition of thinking.Identifying the authentic contents of Ukrainian culture and refuting its imperial-Soviet interpretations is one of the main tasks of the decolonization of Ukrainian culture. The article offers a comparative analysis of Ukrainian and Western versions of cultural decolonization in order to avoid uncritical borrowings and ignoring the peculiarities of the Ukrainian context. The successful decolonization of Ukrainian culture requires the development of its 1) concept, 2) methods of theoretical substantiation, and 3) methods of practical implementation. The article states that the decolonization of Ukrainian culture becomes possible if its research strategies are deprived of colonial influences, which reveal indications of the imperial and Soviet scientific paradigm of social and humanitarian knowledge. The key concepts of the research are referring to the works of Nigel Giggar (2023), Douglas Murray (2022), Linda Martín Alcoff (2023), Jonh Darwin (2009), Kwasi Kwarteng (2013), Yaroslav Hrytsak (2022), Serhii Plokhii (2021, 2023), Timothy D. Snyder (2017, 2918) and others. (shrink)

The reception of Avicenna by medieval Jewish readers presents an underappreciated enigma. Despite the philosophical and scientific stature of Avicenna, his philosophical writings were relatively little studied in Jewish milieus, be it in Arabic or in Hebrew. In particular, Avicenna's philosophical writings are not among the “Hebräische Übersetzungen des Mittelalters” – only very few of them were translated into Hebrew. As an author associated with a definite corpus of writings, Avicenna hardly existed in Jewish philosophy in Hebrew. Paradoxically, however, some (...) of Avicenna's most distinctive ideas were widely known and embraced by Jewish philosophers. This is the phenomenon that we dub Avicennian knowledge without Avicenna. In contrast with the philosophical treatises, Avicenna's medical writings were widely and intensively studied by Jews, especially in Hebrew, and remained influential until at least the seventeenth century. The present article presents a comprehensive picture of Avicenna's reception within medieval Jewish cultures in both Arabic and Hebrew and tries to explain the Jews’ complex attitude to Avicenna.La réception d'Avicenne par les érudits juifs médiévaux présente une énigme dont on n'a pas encore pris toute la mesure. Malgré la grande stature scientifique et philosophique d'Avicenne, ses écrits philosophiques ont été peu connus des savants juifs, que ce soit en arabe ou en hébreu. Ils n'ont guère fait partie des “Hebräische Übersetzungen des Mittelalters” – peu seulement ont été traduits en hébreu. En tant qu’auteur associé à un corpus de textes, Avicenne n'existe presque pas dans la philosophie juive en hébreu. Paradoxalement cependant, certaines des idées les plus caractéristiques d'Avicenne étaient bien connues et acceptées par des philosophes juifs. Nous appelons ce phénomène savoir avicennien sans Avicenne. Contrairement aux écrits philosophiques, les ouvrages médicaux d'Avicenne, eux, étaient lus et utilisés par les juifs, notamment en traductions hébraïques, et ce jusqu'au xviie siècle. Cet article présente un tableau général de la réception d'Avicenne, en arabe et en hébreu, dans les différentes cultures juives et il tente d'expliquer l'attitude complexe des savants juifs vis-à-vis d'Avicenne.Send article to KindleTo send this article to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about sending to your Kindle. Find out more about sending to your Kindle. Note you can select to send to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be sent to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply. Find out more about the Kindle Personal Document Service.AVICENNA AMONG MEDIEVAL JEWS THE RECEPTION OF AVICENNA'S PHILOSOPHICAL, SCIENTIFIC AND MEDICAL WRITINGS IN JEWISH CULTURES, EAST AND WESTVolume 22, Issue 2Gad Freudenthal and Mauro Zonta DOI: https://doi.org/10.1017/S0957423912000033Your Kindle email address Please provide your Kindle [email protected]@kindle.com Available formats PDF Please select a format to send. By using this service, you agree that you will only keep articles for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services. Please confirm that you accept the terms of use. Cancel Send ×Send article to Dropbox To send this article to your Dropbox account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Dropbox. AVICENNA AMONG MEDIEVAL JEWS THE RECEPTION OF AVICENNA'S PHILOSOPHICAL, SCIENTIFIC AND MEDICAL WRITINGS IN JEWISH CULTURES, EAST AND WESTVolume 22, Issue 2Gad Freudenthal and Mauro Zonta DOI: https://doi.org/10.1017/S0957423912000033Available formats PDF Please select a format to send. By using this service, you agree that you will only keep articles for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services. Please confirm that you accept the terms of use. Cancel Send ×Send article to Google Drive To send this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Google Drive. AVICENNA AMONG MEDIEVAL JEWS THE RECEPTION OF AVICENNA'S PHILOSOPHICAL, SCIENTIFIC AND MEDICAL WRITINGS IN JEWISH CULTURES, EAST AND WESTVolume 22, Issue 2Gad Freudenthal and Mauro Zonta DOI: https://doi.org/10.1017/S0957423912000033Available formats PDF Please select a format to send. By using this service, you agree that you will only keep articles for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services. Please confirm that you accept the terms of use. Cancel Send ×Export citation Request permission. (shrink)

This paper advances a Marxist critique of the politics of cancellation and raises concerns about the possible development of a cancel culture. Rather than delving into debates on freedom of speech, crucial though they are, this paper focuses on the pragmatics of the political tool – its goals, mechanisms, effects, and the underlying reasoning. From a Marxist perspective, it is essential to analyse cancellation and cancel culture holistically, considering their rationale, the mechanism, the objectives, and the (...) impacts, along with their relationship to the material conditions of society. Such an analysis provides a comprehensive understanding of any historical development and argues that addressing political problems in the long term requires such a holistic approach, including the development of relevant productive forces. If cancellation evolves into a culture, it may give rise to a polity that reinforces market relations. Within the framework of historical materialism, this would be a case of the superstructure supporting the base, turning politics into a matter of private opinions, which is far from ideal. The paper concludes with some practical considerations. (shrink)

This paper advances a Marxist critique of the politics of cancellation and raises concerns about the possible development of a cancel culture. Rather than delving into debates on freedom of speech, crucial though they are, this paper focuses on the pragmatics of the political tool – its goals, mechanisms, effects, and the underlying reasoning. From a Marxist perspective, it is essential to analyse cancellation and cancel culture holistically, considering their rationale, the mechanism, the objectives, and the (...) impacts, along with their relationship to the material conditions of society. Such an analysis provides a comprehensive understanding of any historical development and argues that addressing political problems in the long term requires such a holistic approach, including the development of relevant productive forces. If cancellation evolves into a culture, it may give rise to a polity that reinforces market relations. Within the framework of historical materialism, this would be a case of the superstructure supporting the base, turning politics into a matter of private opinions, which is far from ideal. The paper concludes with some practical considerations. (shrink)

The subject of the study is the semantic content of cultural diplomacy. The relevance of addressing this topic is determined by the specifics of the current stage of development of international relations, when cultural diplomacy finds itself in a situation of sharply narrowed opportunities amid the intensification of counterproductive strategies of “cancel culture.” The purpose of the work is to trace the features of the disclosure of values and meanings of the period of recent sociocultural turbulence. The objectives of (...) the study are 1) to clarify the nature of the attitude of representatives of creative professions to the political and ideological realities of the time; 2) highlight the difference between the dichotomies “political / non-political” and “official / unofficial”; 3) establish the significance of each part of these dichotomies in solving the problems of cultural diplomacy; 4) to trace theoretical and practical approaches to the components of these dichotomies on the part of representatives of artistic culture in the light of the paradigm of meaning-making as a key value of culture; 5) determine the possibilities and boundaries of interaction between representatives of creative professions and the political context of their activities. The research methodology is based on an integrated approach based on data from cultural history, cultural anthropology, and political psychology within the framework of the theory of intercultural communication. The key method used is categorical analysis, as well as discourse analysis, which allows us to trace blocks of value preferences, taking into account the characteristics of current historical and cultural processes. The novelty of the study lies in identifying the possibilities and boundaries for the development of cultural contacts in an era of current turbulence (primarily political), when, against the backdrop of the intensification of “cancel culture,” the possibilities for such interactions are reduced. (shrink)

What is the role of researchers in society? Can research be political? A heated debate in Denmark about activist research and pseudoscience raised many philosophical issues about the role of the scientist in society. In this article, we distinguish between different strands of this debate about activist research and the limits of academic freedom from the perspective of ethics and the philosophy of science. We begin by presenting some topics from the debate. Then we discuss perspectives from the ethics of (...) science in relation to science and society, cancel culture, pseudoscience, demarcation, and academic freedom. Moreover, we analyze the ethical obligation of researchers to be public intellectuals as essential for ensuring the ethics and responsibility of science in democratic societies. Accordingly, we present the idea of the public intellectual proposed by Hannah Arendt as a justification for the protection of academic freedom and for the ethical responsibility of science in society. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Notes and Fragments THE GENEALOGY OF PRAGMATISM by Anthony J. Cascardi At SEVERAL POINTS in Philosophy and the Minor ofNature (1979) and in.the essays collected as Consequences of Pragmatism (1982), Richard Rorty mentions John Dewey as one of a group of "edifying" philosophers whose tutelary presence and audiority are invoked in the project which he elsewhere describes as die "circumvention" of Western metaphysics.1 Dewey joins the ranks of his (...) fellow American pragmatiste James and Peirce as well as those of two odier rather disparate groups: on die one hand, those philosophers like Davidson, Sellars, and Quine, who demonstrate from within diat analytical philosophy eventually transcends and cancels itself; and on the other, those "continental" philosophers like Foucault, Gadamer, and Derrida, who comfortably accept the image of philosophy as a subgenre of "literature" or "writing," a discourse with no privileged insights into the nature of rationality or claims to truth. Rorty's own project is a blend of all diree. Widi James he claims that truth is simply "what is good in die way of belief," not the proper or even fruitful object of theoretical speculation ("truth is not the sort of thing one should expect to have a philosophically interesting dieory about.... Pragmatiste think that the history of attempts to isolate the True or the Good, or to define die word 'true' or 'good,' supports their suspicion that there is no interesting work to be done in this area.... The history of attempts to do so, and of criticisms of such attempts, is roughly coextensive wim the history of that literary genre we call 'philosophy' — a genre founded by Plato," Consequences ofPragmatism, pp. xiii-xiv). Yet he shares widi Davidson, Sellars, and Quine the will to demonstrate the limits of analytical phdosophy while framing his own propositions in the language ofanalysis. 295 296Philosophy and Literature Foucault and Derrida in their turn complete the image of life in a "postphilosophical " culture, where the designation of "post" indicates a final refusal to regard pragmatism as yet another metanarrative ofthe history of philosophy. In this case, die historicist part of the Hegelian teaching, which is dieir common inheritance, the assimilation of logic to history, is accepted, while the assimilation of history to logic, which completes the Hegelian syndiesis, is rejected on account of its totalizing designs and its reliance on die notion of Absolute Spirit. So seen, the genealogy of pragmatism is of considerably broader scope than die initial intentions of Philosophy and the Mirror of Nature would suggest. In diat book, Rorty claimed to be marshalling the various forces named above not so much in response to Platonism as in reply to a single episode in the history of philosophy — viz., that which begins in Descartes and receives its fullest expression in Kant, and considers truth as a matter of the accurate correspondence of ideas held inforo intemo to objects in the external world, and accordingly regards die world as a representation of the mind. Heidegger articulated a similar complaint when he spoke of the Cartesian age as that in which die world was first determined as a "picture" ("Die Zeit des Weltbildes") and noted diat from this time forward epistemology was determined as "first philosophy": "a dieory ofknowledge had to be erected before a theory of the world."2 Pragmatism is on mis more limited view primarily a response to the conditions of a technological age and to the conception ofreason as mathematical representation which sustains modern science. Thus Rorty should well be surprised at Dewey's claim to have applied a scientific and empirical method in die study of metaphysics, whose proper objects consist, in Dewey's description, of"die large and constant features of human sufferings, enjoyments, trials, failures, and successes together with the institutions of art, science, technology, politics, and religion,"3 for to have done so would have been to have countered the Cartesian division between science on the one hand and qualities and values ("experience") on die other. Instead, Rorty imputes a different claim to Experience and Nature and sees it as a way-station on the pam toward that hypothetical book called Nature and Culture, in which die idea of an empirical method... (shrink)

In Le différend Lyotard evocatively describes what remains to be heard as “the silence of feeling.” Setting Lyotard’s différend among a differentiated set of incommensurable family resemblances, including Rancière’s mésentente and Derrida’s différance, this paper argues that le différend même, far from coinciding with itself, points to the re-marks and differs from itself, silencing itself by putting itself under a conditional. This is what gives its particular affective quality that is bound up with address and listening. From this perspective, it (...) also becomes possible to develop a new analysis of the silencing said to constitute “cancel culture,” demonstrating that the marketplace-of-ideas model falsely presupposes a fictional equality of audibility and originary purity of speech. What Lyotard teaches us is that free speech cannot but silence itself. (shrink)

Zygmunt Bauman said of 1968 that he could not empathize with the enthusiasm of the Western Left, that this was some kind of party. In Eastern Europe 1968 stood for an end, not a hope. Soon Bauman would be forced into exile, opening a new and brilliant phase of his intellectual trajectory. Sketches in the Theory of Culture was his last Polish book. It was suppressed in 1968, the contract cancelled in retaliation against his support for reforming politics. Now (...) it has been rediscovered, originally in galley proofs, and translated by Dariusz Brzezinski for Polity Press. Like much of Bauman’s work, it is sprawling and inclusive, taking in anthropology, sociology of culture, ethnology and semiotics. It anticipates his life-long enthusiasm for Lévi-Strauss; and it also foreshadows some of the themes much later to be identified as liquid modern, though it may be the case that the theme of continuity is rather social turbulence from postwar reconstruction to the travails of socialist Poland. In this paper I review some of its themes and its status in the body of his work, and offer some introductory remarks on its importance to the study of culture. (shrink)

continent. 1.2 (2011): 129-135. Introduction Vincent W.J. van Gerven Oei Successions of words are so agreeable. It is about this. —Gertrude Stein Nachoem Wijnberg (1961) is a Dutch poet and novelist. He also a professor of cultural entrepreneurship and management at the Business School of the University of Amsterdam. Since 1989, he has published thirteen volumes of poetry and four novels, which, in my opinion mark a high point in Dutch contemporary literature. His novels even more than his poetry are (...) criticized for being inaccessible, which I generally take to be a compliment. It would be like saying that Fernando Pessoa is inaccessible, which he is not. Neither is Wijnberg. When we think of the combination economist-poet we are immediately reminded of the American poet Wallace Stevens, who, as the story goes, had two stacks of paper on his desk, one for contracts, one for poems. We also know that Stevens wrote on the economy and that questions of economy and insurance surface at multiple points in his poems. The following text is a very preliminary attempt to point at the intersections between poems, novels, business, and poetry in Wijnberg’s work. On the back cover of his novel De opvolging ( The Succession , 2005), Wijnberg states the following: “[This is] a novel for whomever is interested in the workings of a company as much as in the workings of a poem.” Wijnberg thus claims that the way in which a company “works” may be similar to the way in which a poem “works.” The question is the obvious one, what does this similarity consist in? De opvolging tells the story of company in which bosses and company doctors, secretaries, children, clowns, and beggars have tons of meetings, recite poems, perform plays, tell jokes, and succeed each other, climbing up and down in the company’s hierarchy. De opvolging is a novel in which the career of people follows the career of words. It resonates with Gertrude Stein's sentences, "Grammar. What is it. Who was it" (1975, 50). The words in Wijnberg's poems are like he characters in his novel. And if we keep in mind this allegorical reading of De opvolging , which is obviously only one of the possible readings, we may be able to understand some aspects of Wijnberg’s poetry. A repetition is already a pun. Look, that word is trying it again, as if it is afraid that by not doing it it would give up the hope that it will ever be able to do something. A pun is the opposite of the first word coming to the mind of someone who shouts it when he suddenly discovers something. (104) The repetition, the succession of the same word, is already a pun, a joke. The succession of the father by the son after the revolution is a joke. "Look he's trying it again!" The essence of a joke is a repetition. Archimedes’ “Eureka!” is its opposite. Poems can easily become jokes, depending on the way the words follow and repeat each other. In De opvolging , the careers of the bosses, good and bad secretaries, and company doctors easily become jokes, as they are “afraid that by not doing it [they] would give up the hope that [they] will ever be able to do something.” Not only the repetition, but also the distance and difference between the words in a poem, their cause and effect relations can be read as company relations. This becomes clear when we, for example, read the first lines of the poem “Cause, sign” from Het leven van ( The Life Of , 2009). A sign lets know what is going to happen, a cause lets it happen. If the sign also lets happen there is no reason to isolate it, because then I would isolate some- thing only because it’s different for me. If I didn’t have to write this myself, but would have secretaries to whom I could dictate it, I would be able to say more about it. (49) Upon reading the first two lines we can already conclude that any word may be cause or sign or both. If a sign is also a cause there is no reason to discriminate it, yet to the poet they are still different. This difference only becomes expressible the moment he would have a secretary. Just like in De opvolging , the secretary introduces a distance; not in a company but in a poem. Hence the difference between “good” and “bad” secretaries in a company, where the good secretary of one boss may be the bad secretary of another one. The more we can say about the bosses of the company, or signifiers of the poem, the greater the distance we introduce between them and us. We should take serious the relation between Wijnberg’s novels and poems. Although they operate on different scales, they explain and converse with each other. Another example may be the novel Politiek en liefde ( Politics and Love , 2002), which deals with the relation, precisely, between politics and love. In the novel, Nicolai, a lieutenant in the Dutch army, is sent to Africa on a military mission. Upon leaving a receives a letter from his father. Dear son, Don’t do anything stupid before your father has advised you to do so. Your mother asked me to write a wise letter. I have been looking for wisdom for half a day and haven’t found much. If you borrow a small amount from a bank you become the bank’s slave, but if you borrow a couple of millions and spend them as quickly as possible the bank becomes your slave. What I want to say is that you have to return from Africa in good health, and before you know it the world will be your slave [....] Signed with a kiss from your father. (88) The line, “If you borrow a small amount from a bank you become the bank’s slave, but if you borrow a couple of millions and spend them as quickly as possible the bank becomes your slave,” returns as the title of poem in Het leven van: “If I borrow enough money the bank becomes my slave” (12-3), which elaborates this theme. So both in the way that these poems are structured and in their subject matter, they refer to the structures of our economy, to the ever-continuing line of CEOs succeeding each other like words, to the distance between them introduced by bureaucracy, and giving and receiving as economical and poetical acts. Poem and economy map onto each other, as in another episode from De opvolging : Edward reads two of the beggar’s poems about presents. Of a holiday nothing remains, except for memories, and if some of them are bad I’d rather forget them all; if I get a present I’d rather get something that’s useful to me for a long time. If I may choose, I choose what I can use longest, long enough to partially forget that this was the present, because it feels bad when nothing is left of it. […] Giving away becomes destruction in the stock destruction economy [ voorraadvernie -tigings-economie ], that is a gift economy [ geschenkeneconomie ], encountering for the first time an economy in which there’s selling and buying on markets. Instead of destroying supplies someone can also quickly say that they aren’t worth anything anymore; if someone wants to take them I’d gladly give him something extra. In a stock destruction economy he is someone who each day wants to work more hours than his colleagues. If around a company there is a gift economy in which someone’s rank is determined and made visible by the gifts someone can give someone else, a company will be more often character- ized by an invisible or unclear system of ranks. (152) Two poems about gifts present two different economical models, described by Wijnberg with the terms “stock destruction economy” and “gift economy.” Here we immediately recall the opposition introduced by George Bataille’s work on the concept of expenditure in The Accursed Share , where a “general economy” would surpass the stock destruction economy based on scarcity (capitalism) and become a gift economy (potlatch) and an egalitarian (communist) society. These claims are made both on the level of the poems and in their discursive explanation. They follow each other and on each other. I would like to finish this introduction to Wijnberg’s writing with a translation from his novel De joden ( The Jews , 1999), which develops the story of Hitler abdicating as chancellor of the Third Reich, appointing philosopher Martin Heidegger as his successor. In a conversation with two Russian actor-spies, sent by Stalin to figure out the situation, philosopher Walter Benjamin describes the abdication scene. Maimon: You were there when Hitler resigned? Benjamin: In the room we’re right now. The desk and the chairs are new. After his resignation Hitler would like to take his furniture to his new house. Martin naturally agrees. It is a sunny day. Martin is very nervous and complains about the heat. Martin is wearing his best dark blue suit, not his professor’s robe. Hitler is wearing his uniform. We enter the room and Hitler gets up and embraces Martin. Martin is not very good at embracing. Hitler shakes his hand. Hitler’s cap is on the desk. The cap has a metal lining. Hitler has strong neck muscles. Hitler says: A man is unclean. He takes a bath. Does he make the bath water unclean? I say: a man is unclean. He steps into a river. A little further a man steps into the river; does he become unclean? Hitler nods. I say: a man is standing in music. Another man hears the music but also sees the first man moving on the beat of the music in a way that he is certain that the music would excite different feelings in him if he wouldn’t to see the first man. Hitler says: a man is clean, listens to music, is suddenly touched and he doesn’t know by what. The conversation ends in the way you know it ends. Hitler picks up his cap from the desk and puts it on Martin’s head. (73-4) Aware of the never ending debate on the question of Heidegger’s involvement in the Nazi regime, Wijnberg has the audacity to present the arguments of complicity in the religious terminology of cleanliness and uncleanliness, while at the same time recalling overtones of Hitler’s supposed love for Wagner, suggesting a relation between Benjamin and Hitler, and so on. The space of this introduction is to small to treat a novel like De joden , a reading of which together with passages from Philippe Lacoue-Labarthe's Heidegger, Art, and Politics: The Fiction of the Political , Jacques Derrida's Of Spirit , Christopher Fynsk's Heidegger: Thought and Historicity , and Avital Ronell's The Telephone Book would be extremely elucidating and potentially open new avenues in thinking Heidegger's emphasis on poetry after the fall of the Nazi empire. But at this point we will have to curb our curiosity and follow the poet himself. The themes of the relation between business and poetry, but also Chinese landscape painting, love, Indian and Japanese poetry, and Western philosophy are analyzed and assimilated in Wijnberg’s work without ever losing the clarity of expression. It may be that, according to Alain Badiou, the “Age of the Poets” is over, but its end (Paul Celan) has exactly brought a new balance between philosophy and poetry, and it is this playful, but nonetheless serious balance that makes one hope that one day Wijnberg’s complete oeuvre might become available to readers across the planet. Tiranë, Albania February 15, 2011 English translations (all of them translated by David Colmer, who is preparing an English collection of Wijnberg’s poems entitled Advanced Payment ): Poetry International Words Without Borders Green Integer Review from Het leven van ( The Life of ) THE LIFE OF KANT, OF HEGEL As if every day he takes a decision that is as good as when he’d been able to think about it all his life. The life of Kant, of Hegel, the days of the life of, select three or four of them. Tell what he has discovered during those days as if he were the last one who knew so little. Give me something that I can cancel against then I can prepare myself for it. The reward is that I may continue with what I’m doing, it doesn’t matter how long it takes. This has nothing to do with everything remaining the same if I say that I no longer want anything else. I wouldn’t be able to say in which one and the other occur in a way that I if I knew something to cancel that one against it wouldn’t be possible now. The stars above my head and being able to say what belongs to what if I’ve let them in. FOLLOWING MY HEART WITHOUT BREAKING THE RULES Observing the rules without observing the rules by going where the rules no longer apply. I could also observe the rules there by applying them to what at great distance may resemble what the rules are about. But why would I do that, not to confuse someone who is seeing me from a great distance? Behind this morning the morning prepares itself when the rules are everything I have. IF I BORROW ENOUGH MONEY THE BANK BECOMES MY SLAVE A bank lends me money, if I don’t pay it back they tell my boss that he has to pay them my salary. But they have to leave me enough to eat and sleep and an umbrella when it’s raining. They can also empty my house, the furniture isn’t worth a lot, but every little helps. Each morning I leave for work, if I don’t start early they’ll soon get someone else, no bank will lend me money when the sun is shining. My boss has given me a cat to raise as a dog. Of course I know that it won’t work out, but I’ve asked for a week—maybe the cat gets lucky, maybe I get lucky. My hands around a cup of coffee, before I leave for work, warm-empty, cold-empty, as if hidden in the mist over a lawn. What I make when there’s no work left for me, I’m ashamed to say how little it is. Once I’m outside I check it, if they watch out of the window they can see me doing it. Suppose it is so much that I’d stay counting for hours, it’s getting dark and I’m still there. They stay watching for a while once they’ve finished their work, but have to go home, I get that, sure, I could also go home and continue counting there. If it’s too little running back immediately won’t help, because nobody’s there anymore, and if I come back tomorrow I may have spent what’s missing tonight. Going somewhere where it’s warm enough to walk around without clothes during daytime, it helps me to know that something’s more there than here. For someone like me there’s work anywhere, it shouldn’t take a week to find work for me there. Three times work and a home close to work, I may choose one and try for a week whether I want to stay there. If at the end of the week I don’t want to stay I’m back on the next day, then it was a week’s holiday. RULES If that’s against a rule, it’s yet another one that I cannot observe, or only so briefly that I cannot re- member it later. Anyways the rules are only there to help me remember what I need in order to do better what I do. In that respect there’s no difference between the rules that I find in a book and the rules that I think of early in the morning. I know that because I’ve made a rule just now nothing has yet to observe it. CAUSE, SIGN A sign lets know what is going to happen, a cause lets it happen. If the sign also lets happen there is no reason to isolate it, because then I would isolate something only because it’s different for me. If I didn’t have to write this down myself, but would have secretaries to whom I could dictate it, I could to say more about it. If something is taken away from me I consider how it would be if the opposite had been taken from me. That is what causes or signifies what is farthest away from what is caused or signified by what has been taken away from me. note: For the translations of “The life of Kant, of Hegel” and “If I borrow enough money the bank becomes my slave” I was able to consult David Colmer’s wonderful translations. (shrink)

Cancel culture necessitates a thorough examination for optimizing the efficacy of reputation management and societal influence. It’s essential to assess its effectiveness in driving social change, recognize ethical nuances, and pinpoint potential issues. Originally a value-driven phenomenon, it has evolved into a manipulative tool, amplifying societal emotions. Despite attempts at crisis communication, it often fails to alleviate the consequences for individuals or businesses subjected to «cancellation». The purpose of the study. The article explores cancel culture as a (...) mechanism for social influence and activity, presenting it as an ambiguous phenomenon without clear positive or negative connotations. Methods. The study employed interdisciplinary and logical methods, incorporating systemic and functional approaches, to comprehensively analyze cancel culture. The logical-contradictory method characterized cancel culture as a neutral phenomenon. Content analysis of mass media, social networks, and other platforms was conducted to determine its impact on the public sphere. Results.The article delves into cancel culture within an instrumental context, scrutinizing its effects on influencers and the broader audience. It highlights trends in cancel culture and its significance in the media landscape. Examining its origins across historical contexts, from ancient Greece to Soviet denunciations, reveals cancel culture’s rise in popularity through internet influence. Its core aim is to attribute «violations» to individuals or their communicators, employing mechanics like mass negative reactions and imposing consequences such as boycotts, dismissals, and even death threats. Cancel culture introduces contradictions, resembling a «witch hunt» with the potential for unfair cancellations due to the presumption of innocence and challenges in proving guilt. It denies the right to make mistakes and impacts individuals differently across cultures. While effective on social media, cancel culture often shifts from broad campaigns to personal-level cancellations, capturing societal attention and influencing perceptions of canceled entities.Despite initial destructiveness, it can stimulate constructive discussion and shape public opinion, but risks include excessive sensitivity and the potential for aggression and psychological self-assertion. Cancel culture poses the danger of low personal responsibility, fostering manipulation and abuse. Sociocultural aspects involve the tolerance paradox and the influence of egocentrism on participants.Cancelling may become a tool for personal aggression rather than a quest for justice. Distinguishing real violations from exaggerated or outdated statements is crucial to avoid unjust sanctions. Despite its justice-seeking appearance, cancel culture often relies on emotions and subjective factors, emphasizing the need for careful case analysis. Conclusions. Cancel culture provides a space for discussion as it can serve as a tool for advocating social change and raises questions about the responsibility of influential individuals. However, it is manipulative and selective, and the examination of each cancellation case should consider potential bias and subjectivity. Another danger lies in the increasing sensitivity of audiences to content, which may lead to the perception of offensive material without considering the real context of events. (shrink)

How do we punish others socially, and should we do so? In her 2018 Descartes Lectures for Tilburg University, Linda Radzik explores the informal methods ordinary people use to enforce moral norms, such as telling people off, boycotting businesses, and publicly shaming wrongdoers on social media. Over three lectures, Radzik develops an account of what social punishment is, why it is sometimes permissible, and when it must be withheld. She argues that the proper aim of social punishment is to put (...) moral pressure on wrongdoers to make amends. Yet the permissibility of applying such pressure turns on the tension between individual desert and social good, as well as the possession of an authority to punish. Responses from Christopher Bennett, George Sher and Glen Pettigrove challenge Radzik's account of social punishment while also offering alternative perspectives on the possible meanings of our responses to wrongdoing. Radzik replies in the closing essay. (shrink)

In a world undergoing rapid, large-scale technological change, the phenomenon of technosocial disruption is receiving increasing scholarly and societal attention. While the phenomenon is most actively delineated in philosophy of technology, it is also receiving growing attention within a different area of philosophy, namely the so-called “4E Cognition” approach to philosophy of mind. Despite this shared interest in technosocial disruption, there is relatively little exchange between the theorizing going on in these two different areas of philosophy. One of our paper's (...) two main aims is programmatic: to motivate the fruitfulness of such an exchange. We do this by turning to a specific case of technosocial disruption, namely Teenage Cancel Culture [TCC]. TCC cannot be disentangled from the introduction of social media platforms [SMPs] into modern day social life. Hence, we will speak of SMP-Afforded TCC. SPM-afforded TCC is a phenomenon fretted over by societal actors but strikingly ignored in academic research. In our effort to narrow this knowledge gap, we analyze SMP-afforded TCC from a perspective of technosocial disruption enriched by insights from 4E-Cognition. This brings out a specific worry about the role of SMPs in the social lives of teenagers. We argue that SMP-afforded TCC disrupts the social relational domains within which teenagers develop, maintain, and express their precarious social identities, by creating social affordances that are hostile to healthy risky interpersonal identity-exploration. As such, SMP-afforded TCC not only cancels particular individuals for particular acts; it may also pre-emptively cancel a certain way of being a social self, namely a healthy social risk-taker. We conclude the paper by proposing several potential routes for mitigating the perniciously disruptive effects of SMP-afforded TCC and identifying future areas for research. (shrink)

Science is critical and thrives on discourse. However, new challenges for science and academic freedom have arisen from an often-discussed cancel culture and an increasing demand for safe spaces, which are justified by their assumed protection against microaggressions. These phenomena can impede scientific progress and innovation by prohibiting certain thought processes and heterodox ideas that eventually result in new ideas, publications, statements, etc. In this paper, we use the approach of property rights ethics to shed light on these phenomena, (...) especially in academia. First, we argue that microaggressions must be generally tolerated according to property rights ethics as the starting point for discussion. Then, we analyze cancel culture and safe spaces in academia. To this end, we distinguish between two basic cases in the educational system. We show that cancel culture and safe spaces seem justifiable in a private education system but have no place in public, tax-funded universities from the perspective of property ethics. Our essay contributes, on the one hand, to the economic analysis of science and, on the other hand, to the ethical study of new phenomena in modern societies. (shrink)

The primary aim of this chapter is to outline the consensuses that have emerged in recent philosophical works tackling normative questions about responding to immoral artist’s art. While disagreement amongst philosophers is unavoidable, there is actually much agreement on the ethics of media consumption. How should we evaluate immoral artist’s art? Philosophers generally agree that we should not always separate the artist from the art. How should we engage with immoral artist’s art? Philosophers generally agree that we should not always (...) reflexively turn away from them. In turn, these responses reveal that moral value is not autonomous from aesthetic value, and neither dominates the other. The secondary aim of this chapter is to explore the ramifications of this revelation. I argue that, in addition to an ethics of media consumption, we need an aesthetics of media consumption that is fundamentally social rather than solitary. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Embodying Contagion: The Viropolitics of Horror and Desire in Contemporary Discourse ed. by Sandra Becker, Megen de Bruin-Molé, and Sara PolakLars SchmeinkSandra Becker, Megen de Bruin-Molé, and Sara Polak, editors. Embodying Contagion: The Viropolitics of Horror and Desire in Contemporary Discourse. Bangor, Wales: The University of Wales Press, 2021. PB, p. 288, ISBN 978-1-78683-690-8, GBP 45,-There is a trend in current humanities writing to point out its relation (...) to the ongoing COVID-19 pandemic, curious on the one hand as we normally do not address the day-to-day of our contemporary moment in time quite as immediately, reasonably needing a few years to position our thinking against the fickleness of the Zeitgeist. But, on the other hand, the pandemic has had such a profound impact on all the work we have been doing that it seems impossible not to mention—from projects cancelled or changed due to travel restrictions and lockdowns or to issues becoming so much more (or sometime less) important as our academic as well as social priorities shift. Embodying Contagion, a volume of collected essays, was already in the process of editorial work when the pandemic struck; in fact, it was already in the final round of edits (xiii). But how would you edit a collection on contagion narratives and not address the big one unfolding right then and there? So, in a way this volume is made even more timely because of its peculiar moment of publication, as the ongoing health crisis of COVID-19 is entering its next stage, and somehow the essays needed to position themselves against this historical backdrop—this, the experience of living through a contagion narrative, is then interwoven into the volume like a thread. [End Page 515]In terms of its original premise, the volume has not lost its pertinence; if anything, it is heightened. In a nutshell, the volume takes up the mantle from Priscilla Wald, who had coined the term "outbreak narrative" and expands it to the idea of "contagion" (1–2), discussing the "viropolitics of horror and desire" (2) linked to these contagions as metaphors and images to cope with social realities. As the editors attest, the fascination with contagion in our culture is omnipresent—more so after COVID-19—and can be read to determine our bodies as posthuman, existing "as shifting and sharing ecosystems rather than isolated and inviolate objects, contemporary culture unveils a seemingly endless series of new ways to be, to behave and to belong alongside other bodies" (3). Contagion narratives reveal our relational existence—through them, "we negotiate the boundaries between bodies that are welcome, bodies that must be confined or silenced, and bodies that must be eradicated" (4). It is this negotiation that is framed as key cultural work in the volume and that the ten essays interrogate—why do we use contagion to explore our relational selves, to each other and to our surroundings?In terms of structure, the essays are divided into two main parts with five essays each, framed by a preface from the inspirational Priscilla Wald, an introduction laying out the idea of the volume, and a centrally important epilogue that addresses the current pandemic and its impacts as a contagion narrative specifically. In her preface, Wald is adamant in sounding the alarm, or better yet sounding out a profound "I told you so" as she discusses how "woefully underprepared" (xvii) we were for the pandemic and how ignored contagions are politically—making clear in the process that the cultural work of these narratives is more pressing to recognize: "As these stories titillate us, they shape experience: who, what and where a culture locates its threats, its definitions of 'us' and 'them,' its response to other cultures and to the planet" (xvii).The first part of the volume, then, addresses "the role of epidemic fantasies in theory and reality" (4), meaning that news reporting, policy measures, or social media take up metaphors and imagery of contagion, generating meaning around these narratives. Consequently, in terms of its interdisciplinary approach, the chapters in this part of the volume are closely related to sociology and communication studies, as... (shrink)

Cancel culture is a form of societal self-defense that becomes prominent particularly during periods of substantial moral upheaval. It can lead to the polarization of incompatible viewpoints if it is indiscriminately demonized. In this brief editorial letter, I consider framing cancel culture as an essentially contested concept (ECC), according to the theory of Walter B. Gallie, with the aim of establishing a groundwork for a more productive discourse on it. In particular, I propose that intermediate agreements and principles (...) of reasonableness can help refocus the debate on cancel culture towards democratic discourse, without blanket justification for every instance. In this context, asserting that cancel culture is an ECC does not dismiss the potential of achieving consensus on its shared core meaning or societal role. Like other similar ECCs, such as democracy or rule of law, it highlights the importance of contestations in shaping our collective understanding of the concept. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Editor’s Introduction: The State of Movement—or, Unassuming TheoryErik DoxtaderMotion [kinēsin], then, is both the same and not the same; we must admit that without boggling at it.—Xenos (the stranger), Plato’s SophistThe only answer is that we trace a path.—Walter Benjamin, “The Metaphysics of Youth”Are we there yet? Are we there yet? Are we there yet?—Lisa and Bart (from the backseat)The state of movement is a question—of movement, in theory.What (...) is movement, a movement, perhaps not least as the condition of arrival, an “original” beginning? Where does it come from? How does it work, in better and worse ways? To what does it lead—and why? If these standing questions remain open, there is also a chance that they are not questions at all, that they remain in some basic way beyond inquiry, precisely as they beg the question, as Giorgio Agamben has contended, of how “movement” remains “our unthought,” of the way in which “movement” presents us with the puzzle of an unconceived concept, the tension of a word whose work demands forgetting the “defeats and failures” of its use in the name and at the edges of democracy, and getting around the aporia of its necessary power without end (2005, 1). Perhaps we can only boggle—and perhaps we should. To inquire into the “state of movement” may be less a struggle for answers than the condition of question-ability itself, a movement of movement that appears in theory.Inspiring gesture. Endless stasis. Myriad advances. Countless retreats. Emerging hopes. Multiplying panics. Forced dislocation. Involuntary relocation. Indefinite incarceration. Sovereign and disciplinary borders crossed, closed, and blurred. Speech acts—in action. Moving words—gone [End Page 54] sideways. Gathering judgments. Calling out and compounding injustice. Cancelling the show. Incursions, attacks, invasions. History’s (always) incoming storm. Recalling, extending, and setting aside law’s precedent. Blown away, in a gust and a measure of time. Rising sea levels, receding forests, spiraling temperatures. Rustling aspen trees at altitude. Getting back on the bike. Staying put for the planet. Finding, instilling, and following desire. Unbounded discovery. Undue appropriation. Undoing what’s been done. Bodies at work, play, and ecstasy—and in decay, duress, and internment. Swept off the streets—and the quad. Vectors of transmission and expression. Breaking quarantine—and cliché. Soft landings and winding supply chains. Streaming words. Tropes turning into (intelligent) algorithms—and back again. Bullets flying... in homes, hospitals, classrooms. Struck by the light of a nebula and a sky full of kinetic kill vehicles. Populist uprising—progressive overreach. Equal and opposite reactions. Runway culture. Throwaway sociality. Publicity’s collapse. Privatization’s disclosure. Hopes for stillness and repose. Travel bans... for life. Packing the U-Haul for a better life. Generations letting go—and digging in. Rounds of chants. Days of marches. Cycles of emergency. Revolutionary aspirations in the avenues. Circling the leader, demanding commands. Running resistance. Caught out. Making way—and away.Asking after the state of movement may be less about the pause of cataloguing than the open that appears with being still, making a way of moving without movement, for a moment—to reflect on our understanding of the modes, manners, grammars, and vocabularies of movement and to speculate on the experience and so, in some basic sense, the assumption of movement, the line between those movements that remain in the background, out of view and taken for granted, often in the name of being able to simply get on with things, and those that provoke, invite, and disturb inquiry. If, for instance, the sort of movement named a “journey” is a long-standing and basic feature of the human condition (one can think variously, of better and much worse instantiations, from the Odyssey to the bloody quests for “salvation” that might have but mostly didn’t hinge on the air speed velocity of an unladen swallow to the Trail of Tears and Middle Passage to the moon shots), what’s happening in an American culture currently besotted with the idea of “being on a journey”—of discovery, fitness, creativity, acceptance, recovery, parenthood, leadership, home ownership, and so on and so forth. One wonders... (shrink)

The book addresses the constitution of the high culture of modernity as an uneasy unity of the sciences, including philosophy, and the arts. Their internal dynamism and strain is established through, on the one hand, the relationship of the author - work - recipient, and, on the other, the respective roles of experts and the market.

Semantic analysis of contemporary philosophical inquiry is the core problem, and Quine is undoubtedly in the twentieth century conducted to explore the semantic engineering裡arduous, the most influential of modern thinkers. However, although the impact of Quine's great, he semantics regardless of the stance taken by the natural person has not yet been fully satisfied instruction understanding. On the one hand, the based on Quine's controversial idea of the uncertainty, scholars widely believe that regardless Quine's stance is a natural suspicion regardless (...) of extreme stance: the meaning of the word does not exist. On the other hand, Quine in the construction regardless of its license, but to take a natural tendency to analyze the nature of the so-called "stimulus word meaning" future language sentences as the core foundation of semantics. Thus, Quine's semantic natural stance regardless what is a semantic canceled regardless, have a language or meaning regardless of the orientation of some, not very clear. This paper has two purposes: First, the author regardless above, Quine's natural regardless stance in a number of philosophers to cancel regardless positioning, is the station does not live foot stance; Second, in the text, based on Quine's natural regardless stance can be is portrayed as some kind of weaker version of about regardless, and this stance is more feasible. The investigation of linguistic meaning has been central in contemporary analytic philosophy. Quine is undoubtedly one of the most influential thinkers in the 20 century in this daunting inquiry. Despite his enormous influence, however, Quine's naturalistic perspective on meaning has not been properly understood. On the one hand, Quine's view, presented in the controversial indeterminacy thesis, is widely taken as a radical form of skepticism, namely, meaning does not exist. On the other hand, Quine invokes and heavily relies on the notion of disposition to analyze the idea of ​​stimulus meaning, which lies at the heart of Quine's discussion of linguistic meaning. It does not seem entirely clear whether Quine attempts to eliminate meaning, or to naturalize meaning by reducing it to dispositions. The aim of this paper is argue for two points. First, construing Quine's position as semantic eliminativism, as many do, Quine's position would be in deep trouble. Second, based on a textual basis, Quine's position can be alternatively construed as a modest form of dispositional reductionism, which is more tenable. (shrink)

The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists. In Why It's OK to Enjoy the Work of Immoral Artists, Mary Beth Willard argues for a more nuanced view. Enjoying art is part of a well-lived life, so we need good reasons to give it up. And it turns out good reasons (...) are hard to find. Willard show that it's reasonable to believe that most boycotts of artists won't succeed, so most of the time there's no ethical reason to join in. Someone who manages to separate the art from the artist isn't making an ethical mistake by buying and enjoying their art. She then considers the ethical dimensions of canceling artists and so-called "cancel culture," arguing that canceling is ethically risky because it encourages moral grandstanding. Willard concludes by arguing that the popular debate has overlooked the power of art to change our lives for the good. It's of course OK to decide to give up the artwork of immoral artists, but--as Willard shows in this provocative little volume--it's OK to continue to enjoy their art, as well. Key Features Offers accessible discussions of complicated philosophical topics like aesthetic value, collective action problems, and epistemic justice Provides a unique perspective and underexplored argument on the popular issue of cancellation Explores the role of aesthetic value in our lives, including its relation to our ethical decisions and our well being. (shrink)

In this article, readers are presented with an analysis of some of the problems that became the center of discussion at the XXI International Likhachev Scientific Readings held in May 2023 at the St. Petersburg Humanitarian University of Trade Unions. The readings were held under the general title "Dialogues and conflicts of cultures in a changing world", combining the traditional theme of dialogue with the problems of conflict that have arisen in recent years. This review focuses on two significant issues, (...) one of which determined the course of the plenary discussion, and the other became the main one for the breakout session devoted to the values and trends of the modern world. The main issue of the plenary session was the consideration of the conflict between the unipolar and multipolar world. Both domestic and foreign participants actively spoke out on this issue. The speakers who spoke at the Readings adhered to the idea of prioritizing the values of a multipolar world, pointing to the undemocratic nature of unipolarity. Analyzing this aspect of the discussion, the author of the review notes that in modern society the same value attitudes develop to the limits where they lead to opposite conclusions. The idea of unipolarity implies the uniqueness of the democratic model. From the idea of multipolarity, there are many different development scenarios, which looks like a more democratic position. It can be concluded that the value attitude coincides, but the basis of the ideological conflict is a political conflict. Nevertheless, the final value discrepancy is very acute. The philosophical and cultural section of the conference was devoted to this. Noting the sharpness of the criticism expressed by the speakers to the "new ethics" and the "culture of cancellation", the author of the review points out that in this criticism there is a desire to "cancel" the criticized, which again unites both positions, but does not provide grounds for a constructive dialogue. To overcome the contradiction, a rational analysis of the ideological and historical foundations, as well as the dynamics of the development of opposing value positions, is necessary. (shrink)

Many view cancellation as a method for holding influential personalities accountable for bad behavior, while others think cancelling amounts to censorship and bullying. I hold that neither of these accounts are worth pursuing, especially if the aim is social progress. In this paper, I offer a situated account of cancellation and cancel culture, locating the phenomenon in our exclusionary history while examining the social dynamics of belief. When we situate cancel culture, we can see how problematic (...) instances of cancelling are embedded in ignorance. While combatting ignorance appears to call for a remedy rooted in feminist standpoint epistemology, there are risks in adopting naive practices of deference. Applying criticisms of epistemic injustice and adopting Táíwò’s elite capture framework, I explain how well-intentioned cancelling can work against social movements. Since epistemic trust mechanisms discourage self-reflection and belief revision, the relevant tactics for enacting social change—coalition politics and education—seem out of reach. I conclude by sketching cancel culture as a diagnostic tool: cancellation can be used appropriately in marginalized communities, but when it comes to combatting ignorance among privileged folks, we should view cancel culture as a method for determining where our social institutions are failing us. (shrink)

_Religion and the Rise of Modern Culture_ describes and analyzes changing attitudes toward religion during three stages of modern European culture: the Renaissance, the Enlightenment, and the Romantic period. Louis Dupré is an expert guide to the complex historical and intellectual relation between religion and modern culture. Dupré begins by tracing the weakening of the Christian synthesis. At the end of the Middle Ages intellectual attitudes toward religion began to change. Theology, once the dominant science that had integrated (...) all others, lost its commanding position. After the French Revolution, religion once again played a role in intellectual life, but not as the dominant force. Religion became transformed by intellectual and moral principles conceived independently of faith. Dupré explores this new situation in three areas: the literature of Romanticism ; idealist philosophy ; and theology itself. Dupré argues that contemporary religion has not yet met the challenge presented by Romantic thought. “This beautifully crafted essay by Louis Dupré makes an original contribution to our understanding of the emergence and development of modernity, which dispensing with religion as a governing discourse and form of life, nonetheless attempts to find a place for it in a world sufficiently depleted of meaning and value as to require reenchantment. It supplements Dupré’s two magisterial texts on the topic of the modernity covering the Renaissance and Enlightenment periods, and whets the appetite for the forthcoming volume on Romanticism. Deep learning is worn lightly in this marvelously readable book.” —_Cyril O'Regan, University of Notre Dame_ “A stunning synthesis of Dupré's magisterial intellectual history of modernity and his distinctive and important philosophy of religion.” —_David Tracy, emeritus, The University of Chicago Divinity School_ “Louis Dupre's literate and sweeping review of the fate of religious faith in modern culture will help contemporary readers, who share his closing yearning for ways in which ‘transcendence can be recognized again,’ to appreciate why many of us find a postmodern climate—for better or worse—more conducive to fulfilling that desire. For his dramatic depictions of modernity teach us how different is the culture in which we now live.” —_David Burrell, CSC, Hesburgh Professor Emeritus in Philosophy and Theology, University of Notre Dame_. (shrink)

Visionary quests to return to the Garden of Eden have shaped Western culture from Columbus' voyages to today's tropical island retreats. Few narratives are so powerful - and, as Carolyn Merchant shows, so misguided and destructive - as the dream of recapturing a lost paradise. A sweeping account of these quixotic endeavors by one of America's leading environmentalists, Reinventing Eden traces the idea of rebuilding the primeval garden from its origins to its latest incarnations in shopping malls, theme parks (...) and gated communities. With eloquence and insight, Merchant shows how the drive to conquer nature and to explore and settle the globe, springs from this utopian pastoral impulse throughout Western history. Time and again, human manipulation of the environment is our downfall: Eden is achieved by fencing off pristine beauty in national parks and wildlife preserves, while leaving the majority of the earth in ruins. Challenging both narratives, Merchant argues that the green veneer of city-park conservation has become a cover for the corruption of the earth and the neglect of its environment. Reinventing Eden is a bold new way to think about the earth that includes green political parties, sustainable development and a partnership between humans and earth that is nothing short of an ecological revolution. (shrink)

In this paper I consider whether traditional behaviors of animals, like traditions of humans, are transmitted by imitation learning. Review of the literature on problem solving by captive primates, and detailed consideration of two widely cited instances of purported learning by imitation and of culture in free-living primates (sweet-potato washing by Japanese macaques and termite fishing by chimpanzees), suggests that nonhuman primates do not learn to solve problems by imitation. It may, therefore, be misleading to treat animal traditions and (...) human culture as homologous (rather than analogous) and to refer to animal traditions as cultural. (shrink)