Tragedy as Philosophy in the Reformation World' examines how sixteenth- and seventeenth-century poets, theologians, and humanist critics turned to tragedy to understand providence and agencies human and divine in the crucible of the Reformation. Rejecting familiar assumptions about tragedy, vital figures like Philipp Melanchthon, David Pareus, Lodovico Castelvetro, John Rainolds, and Daniel Heinsius developed distinctly philosophical ideas of tragedy,irreducible to drama or performance, inextricable from rhetoric, dialectic, and metaphysics. In its proximity to philosophy, (...) class='Hi'>tragedy afforded careful readers crucial insight into causality, probability, necessity, and the terms of human affect and action. With these resources at hand, poets and critics produced aseries of daring and influential theses on tragedy between the 1550s and the 1630s, all directly related to pressing Reformation debates concerning providence, predestination, faith, and devotional practice. Under the influence of Aristotle's Poetics, they presented tragedy as an exacting forensic tool, enabling attentive readers to apprehend totality. And while some poets employed tragedy to render sacred history palpable with new energy and urgency, others marshalled a precise philosophicalnotion of tragedy directly against spectacle and stage-playing, endorsing anti-theatrical theses on tragedy inflected by the antique Poetics. In other words, this work illustrates the degree to which some of the influential poets and critics in the period, emphasized philosophical precision at the0expense of-even to the exclusion of-dramatic presentation. (shrink)

This book is a full survey of the philosophy of tragedy from antiquity to the present. From Aristotle to Žižek the focal question has been: why, in spite of its distressing content, do we value tragic drama? What is the nature of the 'tragic effect'? Some philosophers point to a certain kind of pleasure that results from tragedy. Others, while not excluding pleasure, emphasize the knowledge we gain from tragedy - of psychology, ethics, freedom or immortality. (...) Through a critical engagement with these and other philosophers, the book concludes by suggesting an answer to the question of what it is that constitutes tragedy 'in its highest vocation'. This book will be of equal interest to students of philosophy and of literature. (shrink)

A Philosophy of Tragedy explores the tragic condition of man in modernity. Nietzsche knew it, as have countless characters in literature, and the modern age places us squarely before it: the sheer contingency and instability of our existence, our homelssness, our unredeemed suffering, our fractured relation to morality. Christopher Hamilton draws as much on literature, including the tragic theatre, as on philosophy to offer a stirring account of our tragic state. In doing so he explores the nature (...) of philosophy itself, the ways it has been understood and its relationship to humanity. The book ranges from the debate over the 'death of tragedy' to a critique of modern virtue ethics, offers a new interpretation of the evil of Auschwitz and explores the work of thinkers who have seen our tragic being as inherently inconsolable. A Philosophy of Tragedy shows how tragedy has been and continues to be a crucial part of the modern human experience - one from which we should not avert our eyes. (shrink)

The article deals with Bulgakov’s critique of Hegel’s monistic system. For Bulgakov, Hegelian monism is an example of philosophical reductionism which aims at reducing the question of Being, the latter expressed by a proposition and constituted by the inseparable unity of three elements, to its second principle. Contrary to Hegel, Bulgakov claims that no philosophy can begin with and as itself—it has to be initiated with a datum. This is in fact where the tragedy of German philosophy, (...) and each monistic philosophy, starts. (shrink)

According to True Detective's creator, Nic Pizzolatto, season two aimed at tragedy, taking inspiration from the archetypical tragedy Oedipus Rex to focus on characters confronting a knowledge that has ultimately fated their path. But, where Aristotle identified the necessity of including "incidents arousing pity and fear" to bring about tragedy's famous katharsis, season two speaks more to Friedrich Nietzsche's views on tragedy—specifically, his views of the ancient Greek dramatist Euripides. Where tragedy once focused on only (...) the "grand and bold traits" of the human condition, Nietzsche says, Euripides focused on the moral concerns of the masses. Against season two's backdrop of civic corruption—land‐grabs and pork‐barrels—the tragedy takes up a modern form of morality for the masses that creates a barrier to tragic wisdom: namely, feminist morality. Rust's philosophical outlook establishes the Apollonian function of tragedy by providing a filter through which to confront the "difficulties of the human condition" expressed in the mysteries of Carcosa. (shrink)

This paper argues that Plato’s Apology can be read as a tragedy analogous to Oedipus Tyrannus. Jacob Howland has argued that the elements of tragedy laid out Aristotle’s Poetics are present, but the relation of the Apology to Oedipus Tyrannus and other aspects of Sophocles’ tragedy have not been noted. With this procedure, Plato means to argue that a philosopher should hide his refutations more than Socrates did.

The tragedy of European civilization is a protracted historical event spanning the twentieth century and in many ways is ongoing. During this time some of the greatest modern thinkers were active, producing works that both refl ected what was happening in history and contributed towards shaping it. This work is a critique of their ideas. Harry Redner establishes where and how they went wrong, in some cases with apocalyptic consequences for Europe and the world. The great intellectuals of the (...) age, at once philosophers, sociologists, political theorists, historians and much else besides, include Marx, Weber, Freud, Elias, Spengler, Wittgenstein, Heidegger, Arendt, Nietzsche, and Foucault. All of them had a historical impact, even if only in molding academic disciplines and shaping of public opinion, as was the case with the philosophers Wittgenstein and Arendt. This book explores the close links between anti-Semitism and cultural pessimism and the relation between psychology and sociology. Other themes range from the history and theory of the state, to the misconception of language and power. Suitable for students of sociology, philosophy, political theory, history, and cultural studies, this brilliant exploration of our civilization and its tragedies will also be of interest to intellectual general readers. (shrink)

The historical antecedents of Garrett Hardin’s “tragedy ofthe commons” are generally understood to lie in the common grazing lands of medieval and post-medieval England. The concept of the commons current in medieval England is significantly different from the modem concept; the English common was not available to the general public but rather only to certain individuals who inherited or were granted the right to use it, and use of the common even by these people was not unregulated. The types (...) and in some cases the numbers of animals each tenant could pasture were limited, based at least partly on a recognition of the limited carrying capacity of the land. The decline of the commons system was the result of a variety of actors having little to do with the system’s inherent worth. Among these factors were widespread abuse of the rules governing the commons, land “reforms” chiefly designed to increase the holdings of a few landowners, improved agricultural techniques, and the effects of the industrial revolution. Thus, the traditional commons system is not an example of an inherently flawed land-use policy, as is widely supposed, but of a policy which succeeded admirably in its time. (shrink)

Classic, influential study of Greek tragedy.

This article argues for the significance of Euripides’ Bacchae to what Socrates, in Book X of the Republic, refers to as the ‘ancient quarrel between philosophy and poetry’. I argue that the play’s presentation of Dionysus – the god of tragic theatre – amounts to a metapoetic treatment of tragic poetry; it is a tragedy about tragedy. The Bacchae can thus be read as a statement of tragic poetry’s self-understanding of its pedagogical and political goals as well (...) as of its possible limitations. I conclude by arguing that there is in fact a deep kinship between tragic poetry (as presented by Euripides) and Socratic political philosophy (as presented by Plato), especially with respect to their relation to, and understanding of, the polis. Ultimately, through analyzing the Bacchae’s presentation of Dionysus, I aim to allow tragic poetry to speak for itself as well as to clarify its relation to Platonic/Socratic political philosophy. (shrink)

In Tragedies of Spirit, Theodore D. George engages Hegel’s Phenomenology of Spirit to explore the philosophical significance of tragedy in post-Kantian continental thought. George follows lines of inquiry originally developed by Nietzsche, Heidegger, Gadamer, and Derrida, and takes as his point of departure the concern that Hegel’s speculative philosophy forms a summit of modernity that the present historical time is called to interrogate. Yet, George argues that Hegel’s larger speculative ambitions in the Phenomenology compel him to turn to (...) the resource of tragedy in order to give voice to issues of incommensurability, discontinuity, otherness, strife, and crisis. From this standpoint, Hegel’s interest in the tragic proves to be more pervasive and to run deeper than has previously been recognized. The author shows that Hegel’s reliance upon the tragic not only stretches and tests assumptions of speculative philosophy, but also illuminates original insights into human finitude. While situating Hegel’s approach to tragedy as part of a broader response to Kant, George also contextualizes Hegel’s interest in tragedy with reference to figures in German Idealism and Romanticism, such as Schelling, Hölderlin, and Schlegel. (shrink)

Complete collection of Schwarzschild’s essays on the neo-Kantian Jewish philosopher Hermann Cohen. Steven S. Schwarzschild (1924–1989) was arguably the leading expositor of German-Jewish philosopher Hermann Cohen (1842–1918), undertaking a lifelong effort to reintroduce Cohen’s thought into contemporary philosophical discourse. In The Tragedy of Optimism, George Y. Kohler brings together all of Schwarzschild’s work on Cohen for the first time. Schwarzschild’s readings of Cohen are unique and profound; he was conversant with both worlds that shaped Cohen’s thought, neo-Kantian German idealism (...) and Jewish theology. The collection covers a wide range of subjects, from ethics, socialism, the concept of human selfhood, and the mathematics of the infinite to more explicitly Jewish themes. This volume includes two of Schwarzschild’s previously unpublished manuscripts and a scholarly introduction by Kohler. Schwarzschild shows that despite its seeming defeat by events of the twentieth century, Cohen’s optimism about human progress is a rational, indeed necessary, path to peace. George Y. Kohler is Director of the Joseph Carlebach Institute and Senior Lecturer of Jewish Philosophy at Bar Ilan University, Israel. He is the author of Reading Maimonides’ Philosophy in 19th Century Germany: The Guide to Religious Reform. (shrink)

The paper criticizes John Caputo's formulation of "radical hermeneutics" and its understanding of both religion and tragedy, arguing that a "tragic theology" would be a truly radical hermeneutic.

Those who are risk averse with respect to money, and thus turn down some gambles with positive monetary expectations, are nevertheless often willing to accept bundles involving multiple such gambles. Therefore, it might seem that such people should become more willing to accept a risky but favourable gamble if they put it in context with the collection of gambles that they predict they will be faced with in the future. However, it turns out that when a risk averse person adopts (...) the long-term perspective, she faces a decision-problem that can be analysed as a noncooperative game between different “time-slices” of herself, where it is in the interest of each time-slice (given its prediction about other slices) to turn down the gamble with which it is faced. Hence, even if a risk averse but rational person manages to take the long-term perspective, she will, in the absence of what Hardin called “mutual coercion”, end up in a situation analogous to the “tragedy of the commons”. (shrink)

Le sens tragique de la vie de l'Esprit chez Hegel implique deux modalités de la vie : une vie sans tragique, qui n'est pas encore la vie spirituelle, et une vie tragique, qui implique la vie éthique. Le tragique est ce qui dissout la pseudo-unité de la nature et de la moralité chez la belle âme. Il s'incarne d'abord dans la tragédie et la tension entre les humains et les dieux, mais la comédie révèle que cette tragédie n'est pas la (...) tragédie absolue, laquelle appartient à la religion révélée, en tant que tragédie de Dieu même, la Passion du Christ étant la tragédie absolue. La forte insistance de Hegel sur l'opposition du Bien et du Mal justifie la mort volontaire du Dieu -homme, l'intériorisation dans la conscience de soi du Mal existant et naturel. C'est dans l'Esprit de la communauté que la mort du Médiateur devient la douleur de la conscience malheureuse. L'histoire de l'Absolu, en tant qu'elle est conçue, devient philosophie, mais, en tant qu'elle est vécue, elle est et reste une tragédie. The tragical meaning of Hegel's life of the Spirit implies two modalities of life : i.e. a life devoid of the tragic, which is not yet a spiritual life and a tragical life which implies ethical life. The tragic is what dissolves the pseudo-unity of nature and morality with the beautiful soul. It first embodies itself within tragedy and the tension between gods and human beings but comedy reveals that such a tragedy is no absolute tragedy, the latter belonging to revealed religion as being the very tragedy of God himself, Christ's passion being the absolute tragedy. The strong instance made by Hegel on the opposition between Good and Evil accounts and justifies the voluntary death of God-Man, the interiorization within self consciousness of existing and natural Evil. It is within the spirit of the community that the Mediator's death becomes the pain of unhappy conscience. The history of the Absolute, conceived as it is, becomes true philosophy, but so long as it becomes experienced, turns out to be and remains tragedy. (shrink)

While it has perhaps always accompanied philosophical thought – one immediately thinks of Plato’s Dialogues – the problem of the communication of that thought, and therefore of its capacity to be taught, has acquired a new insistence in the work of post-Kantian thinkers. As evidence of this one could cite Fichte’s repeated efforts to formulate a definitive version of his Wissenschaftslehre, the model of the Bildungsroman that Hegel adopts for his Phenomenology of Spirit, Kierkegaard’s pseudonymous works, Nietzsche’s Thus Spoke Zarathustra, (...) and Heidegger’s uncompleted Being and Time. Certainly each of these thinkers, as well as their projects, are quite distinct from the others, but their works are also signposts. It is not a question here of reducing the puzzles and difficulties of these works to some single element, some trace of a philosophical zeitgeist. Rather, it is enough to indicate this preoccupation with the problem of the communicability of thinking in order to raise the question of the modality of such a communication. How has thinking come to be so fundamentally troubled by its own expression? That Kant’s Critical philosophy has precipitated this preoccupation ought to come as no surprise, for it was Kant, most famously in the Critique of Pure Reason, who sought to definitively set the limits of philosophical thinking. In doing so, however, Kant is unable to remain utterly silent about what he himself sets outside the bounds of meaningful thought and speech: things-in-themselves. The mere fact that this meaningless element is an essential component of Kant’s philosophical exposition is an indication of the paradoxical logic of the limit: to postulate a limit is simultaneously to set out its obverse side. In Kant’s case, then, the demarcation of what can be thought carries with it the implicit thinking of what is ruled out of bounds for thought. Beginning with Fichte, the philosophical project of Kant’s successors and inheritors is then largely determined by an effort to incorporate or at least accommodate this alien element within thinking. The initial phase of this effort is marked by a tragic motif, a conjoining of thought with the experience of loss and suffering that is characteristic of Romanticism, that culminates in the dialectic of Hegel’s Absolute Knowing. In Absolute Knowing, thought has not vanquished its limitations, it has instead discovered the resources with which it can perpetually surmount them. This first phase is followed by a reaction or response to this seeming completion and overcoming of the Kantian limitation. Now, the tragic movement of thought comes to be understood as itself limited, and necessarily so according to the logic of the limit that imposes itself upon every gesture of closure. Tragedy thereby gives way to comedy insofar as the limitation that is incorporated as an obstacle to be overcome by tragic thought is shown to be the external condition of that very thought. Finally, if the comic is the fate of the limitations of tragedy, the thought of comedy itself demands a third mode of thinking, one capable of something more than the mere reiteration of the limit between comedy and tragedy that troubles them both. This third form of expression is parody, an expression appropriate to a thinking that repeats and completes the threefold movement of tragic thought while, in this very repetition, creating a limitless domain of thoughtful expression. (shrink)

In healthcare practice, care providers are confronted with tragic situations, in which they are expected to make choices and decisions that can have far-reaching consequences. This article investigates the role of moral case deliberation in dealing with tragic situations. It focuses on experiences of care givers involved in the treatment of a pregnant woman with a brain tumour, and their evaluation of a series of MCD meetings in which the dilemmas around care were discussed. The study was qualitative, focusing on (...) the views and experiences of the participants. A case study design is used by conducting semi-structured interviews with health care professionals who both played a role in the treatment of the patient and attended the MCD. The results show that MCD helps people to deal with tragic situations. An important element of MCD in this respect is making explicit the dilemma and the damage, demonstrating that there is no simple solution. MCD prompts participants to formulate and share personal experiences with one another and thus helps to create a shared perception of the situation as tragic. The article concludes that MCD contributes to the sharing of tragic experiences, and fosters mutual interaction during a tragedy. Its value could be increased through explicit reflection on the aspect of contingency that characterises tragedy. (shrink)

This article attempts to illustrate our confrontation with tragedy in contemporary situation, That is why we are discussing this here in seven issues (Feeding the Ancients with Our Own Blood/ Philosophy’s Tragedy and the Dangerous Perhaps/Knowing and Not Knowing: How Oedipus Brings Down Fate/ Rage, Grief, and War/ Gorgias: Tragedy Is a Deception That Leaves the Deceived Wiser/Than the Nondeceived/Justice as Conflict (for Polytheism)/Tragedy as a Dialectical Mode of Experience). Finally, this article seeks to show (...) that tragedy is a way of experience in our life today. Key words: tragedy, philosophy, Greek. (shrink)

This article identifies ‘the tragedy of the commons’ as an essentially aggregative harm and considers what agents in such a scenario owe to one another. It proposes that the duty to take reasonable precautions requires that agents make efforts to establish collective solutions to any essentially aggregative harm to which they would otherwise contribute. Baylor Johnson has argued that the general obligation to promote the common good requires that agents make efforts to establish a collective agreement to avert a (...) potential tragedy of the commons. This article agrees with Johnson's analysis but argues that there are also negative duties, which give commons users additional moral reason to take collective action to prevent the destruction of the utility of the commons. These duties link commons users to resolving this particular problem and provide grounds to demand that they make greater efforts to prevent the destruction of the commons compared to bystanders. The article suggests that fulfilling negative duties can require establishing collective institutions with the power to regulate human action and interaction. This analysis could be applied to a range of social problems which result from the aggregation of actions and practices. (shrink)

One of the founders of modern hermeneutics, German philosopher Wilhelm Dilthey (1833-1911) confronted the question of how modern, postmetaphysical human beings can cope with the ambivalence, contingency, and finitude that fundamentally characterize their lives. This book offers a reevaluation and fresh analysis of Dilthey's hermeneutics of life against the background of the development of philosophy during the past two centuries. Jos de Mul relates Dilthey's work to other philosophers who influenced or were influenced by him, including Kant, Schleiermacher, Hegel, (...) Comte, Mill, Nietzsche, Husserl, Heidegger, Gadamer, and Derrida. Weaving together systematic analysis and historical investigation, de Mul begins the book with an account of the horizon on which Dilthey developed his unfinished masterwork, Critique of Historical Reason. The author then elaborates a systematic reconstruction of Dilthey's ontology of life, relates the ontology to the work of other twentieth-century philosophers, and positions Dilthey's thought within current philosophical debate. (shrink)

The Tragedy of the Commons is often associated with an n-person Prisoner’s Dilemma. But it can also have the structure of an n-person Game of Chicken, an Assurance Game, or of a Voting Games (or a Three-in-a-Boat Game). I present three historical stories that document tragedies of the commons, as presented in Aristotle, Mahanarayan and Hume and argue that the descriptions of these historical cases align better with Voting Games than with any other games.

The author examines Herzen's political outlook as reflected in his journal Kolokol and discusses his relationships with other revolutionary and reformist Russian thinkers of his time.

This paper interrogates Hölderlin's effort to deconstruct the speculative matrix of tragedy, with a particular focus on his "Remarks on Antigone," which are appended to his translation of the Sophoclean tragedy. In focus are, firstly, the separative force of the caesura, which stems tragic transport and is here analyzed, in terms of Hölderlin's understanding of Greece in relation to "Hesperia," as an incipiently Hesperian poetic gesture. Secondly, Hölderlin's key thought of the mutual "unfaithfulness" of God and man is (...) at issue: the god here is revealed as sheer time, while man is thrown back upon the bare moment. This "unfaithfulness" must be tempered by a striving that turns back from the quest for transcendence to the measures of fmitude and to this world. By attentiveness to the singular (which is not the particular), the tragic poet, unlike the speculative philosopher, reveals time's agonal spacing. (shrink)

Wandering Beyond Tragedy Content Type Journal Article Pages - Authors Franklin Thomas Perkins, Department of Philosophy, DePaul University Journal Comparative and Continental Philosophy Online ISSN 1757-0646 Print ISSN 1757-0638 Journal Volume Volume 3 Journal Issue Volume 3, Number 1 / 2011.

The late Emanuele Severino (1929–2020) was an Italian philosopher whose work on Aeschylus has not yet been made available in English. In Il giogo: alle origini della ragione: Eschilo (The Yoke: At the Origins of Reason: Aeschylus, 1989), Severino seeks to demonstrate that Aeschylus belongs amongst the founders of philosophy, i.e., that Aeschylus was the first to set down some of philosophy’s most fundamental principles, including that ontological becoming produces unbearable suffering and that the only remedy to suffering (...) is knowledge of the truth. Thus, by introducing readers to Severino’s interpretation, and by translating various passages of his work, this article aims to enlarge Severino’s readership and spread his argument for the philosophical stature of Aeschylus. (shrink)

Tragedy plays a central role in Hegel's early writings on theology and politics. Hegel’s overarching aim in these texts is to determine the kind of mythology that would best complement religious and political freedom in modernity. Peter Wake claims that, for Hegel at this early stage, ancient Greek tragedy provided the model for such a mythology and suggested a way to oppose the rigid hierarchies and authoritarianism that characterized Europe of his day. Wake follows Hegel as he develops (...) his idea of the essence of Christianity and its relation to the distinctly tragic expression of beauty found in Greek mythology. (shrink)

Climate change mitigation has become a paradigm case both for externalities in general and for the game-theoretic model of the Tragedy of the Commons (ToC) in particular. This situation is worrying, as we have reasons to suspect that some models in the social sciences are apt to be performative to the extent that they can become self-fulfilling prophecies. Framing climate change mitigation as a hardly solvable coordination problem may force us into a worse situation, by changing real-world behaviour to (...) fit our model, rather than the other way around. But while this problem of the performativity of the ToC has been noted in a recent paper in this journal by Matthew Kopec, his proposed strategies for dealing with their self-fulfilling nature fall short of providing an adequate solution. Instead of relying on the idea that modelling assumptions are always strictly speaking false, this paper shows that the problem may be better framed as a problem of underdetermination between competing explanations. Our goal here is to provide a framework for choosing between this set of competing models that allows us to avoid a ‘Russian Roulette’-like situation in which we gamble with existential risk. (shrink)

Conditional pacifism is the view that war is morally justified if and only if it satisfies the condition of not causing serious harm or death to innocent persons. Modern war cannot satisfy this condition, and is thus always unjustified. The main response to this position is that the moral presumption against harming or killing innocents is overridden in certain cases by the moral presumption against allowing innocents to be harmed or killed. That is, as harmful as modern war is, it (...) can be morally justified as a lesser evil when it alone can prevent great harm to innocents. This paper proposes that extreme cases in which only war can prevent great harm to innocents may be morally tragic. In some cases it may be both wrong to wage war to prevent great harm and wrong to fail to prevent that great harm. (shrink)

Focusing on Greece, this essay aims to contribute to a philosophical understanding of Europe’s current financial crisis and, more generally, of the aporetic implications of the modern determination of freedom as such. One the one hand, I draw on Hegel’s Philosophy of Right in order to argue that modernity entails a potential conflict between a market economy and a state that is supposed to further the interests of the society as a whole. On the other hand, I draw on (...) Sophocles’ Oedipus the King as well as on Hegel’s account of tragedy in the Phenomenology of Spirit to reinterpret the conflict between the spheres of civil society and the state as a tragic conflict. Modernity threatens to undermine itself from within, I maintain, because the simultaneous development of capitalism and democracy makes it very hard to prevent the sphere of particular interests from encroaching upon the sphere of politics. (shrink)

The cinema of Martin Scorsese has been analysed in connection with a wide range of themes and issues. In this paper, through a film-philosophical analysis, we aim to demonstrate how his filmography produces storyworlds pervaded by a tension similar to the one Søren Kierkegaard expressed in his existentialist writings. Indeed, one of the tenets of film-philosophy is that audio-visual media generate, in an affective and experiential manner, complex moral and ethical systems and existential viewpoints with which viewers interact in (...) a direct and creative way. Empathising with the self-sacrifice of the unlikely martyr played by Jake LaMotta or feeling the collapsing certainties of a missionary in seventeenth-century Japan are thus occasions to encounter particular conceptual personae. These characters embody specific iterations of Kierkegaardian knights of faith: existentialist figures whose doom takes in ambiguous film ecologies where the desire for wholesomeness constantly clashes with mortality and finitude. (shrink)

This work makes a case for the Platonic idea of logos as an option for interpreting the role of reason in our lives, as opposed to the roles assigned to reason by Descartes and the Cartesians.

The Prisoner's Dilemma (PD) exhibits a tragedy in this sense: if the players are fully informed and rational, they are condemned to a jointly dispreferred outcome. In this essay I address the following question: What feature of the PD's payoff structure is necessary and sufficient to produce the tragedy? In answering it I use the notion of a trembling-hand equilibrium. In the final section I discuss an implication of my argument, an implication which bears on the persistence of (...) the problem posed by the PD. (shrink)

In two celebrated and widely-anthologized articles, as well as several books, the biologist Garrett Hardin claims (a) that the world population problem has a certain structure – it is a tragedy of the commons - and, (b) that, given this structure, the only tenable solutions involve either coercion or immense human suffering. In this paper, I shall argue for two claims. First, Hardin’s arguments are deeply flawed. The population problem as he conceives it does not have the structure of (...) a commons; and even if it did, this would not necessitate the extreme responses he canvasses. Second, nevertheless, much of Hardin’s pessimism is justified. Some environmental problems associated with population do have tragic structures, though these are of a different form than Hardin envisions. For example, the problem of global climate change has an intergenerational aspect that makes it importantly worse than Hardin’s commons, and for this reason (as opposed to Hardin’s) extreme responses may be needed to avert environmental catastrophe. (shrink)

Because tragedy offers a total interpretation of life, the tragic view may be considered as an alternative to the mythical, philosophical or religious interpretation. In Greece, tragedy superseded ritual as a form of communal cultic expression. Plato defined the philosopher's task in opposition to that of the tragic poet and recognized a rival philosophy in the tragic view. The awareness of the incompatibility of tragic and pious attitudes is acute in religious thought where a tragic interpretation of (...) theological doctrines is branded as heresy. (shrink)

Philosophy and religion keep close connection by the intermediary belief of philosophers. The Greek philosophers criticized the object of masses’ and themselves religion depending on their rationality, finally gave up the masses’ belief and its object (religion). The Christian thinkers defended the masses’ religion and its object based upon philosophy and rationality. Modern philosophers appeared, going on with tradition of Greek philosophers, they reflected and criticized belief and its object, finally break away from masses ’ belief and its (...) object and found themselves system of philosophy, and defended their belief and its object.In this way, philosophy broke away from traditional religion (Christianity). After the ancient philosophy of German, the philosophy is on the way of religion criticism; this phenomenon is related to the science directly. The philosophy which is not restricted by the religion could not help itself in the scientific world view. The philosophers who are swayed in the room between religion and science have not found their fairyland concerning the belief; as a result, their belief is thespian. The philosophy which could overcome the belief tragedy could be the other kind of philosophy. The western philosophy was searching for this new kind perpetually. This new kind of philosophy will emerge and boost in culture field. (shrink)

This is the first English translation of Leon Chwistek’s “Tragedia werbalnej metafizyki,” Kwartalnik Filozoficzny, Vol. X, 1932, 46–76. Chwistek offers a scathing critique of Roman Ingarden’s Das literarische Kunstwerk and of the entire Phenomenology movement. The text also contains many hints at Chwistek’s own philosophical and formal ideas. The book that Chwistek reviews attracted wide attention and was instrumental in winning Ingarden a position as Professor of Philosophy at the University of Lwów in 1933. Chwistek’s alienation from his fellow (...) logicians of the Lvov-Warsaw school is clear from his ridicule of Leśniewski’s project. (shrink)

The following paper analyzes the effect of the Shakespearean text—and Hamlet in particular—on Levinas’s thought. I argue that Levinas’s reading of Shakespeare’s Hamlet played a decisive role in one of the most crucial phenomenological debates to be found in the Levinasian text, namely, the debate with Heidegger on the meaning of death and on the object of Angst (anguish). Analyzing Levinas’s remarks on Hamlet in his philosophical text, this article demonstrates how Shakespeare inspires Levinas’s anti-Heideggerian thesis about anguish being anguish (...) before eternity (and not anguish before death). Moreover, this article analyzes the Hecuba scene from the perspective of Levinas’s philosophy of substitution (where again Shakespeare occupies a central role), and tries to understand the situation of Shakespeare’s tragedy as being “beyond tragedy.”. (shrink)

Before he joined the Communist Party, the young György Lukács published an outstanding history of the modern drama in which he combined sociological analysis with aesthetic judgment. By doing so he called his countrymen's attention to a new and insightful approach to the study of literature. At the same time, he made a strong case for the superiority of neoclassical tragedy—largely inspired by personal experience.