Abstract

By means of a close reading of a single prayer on the Passion of Christ from the 14th century ‘Engelberg Prayerbook,’ this article analyzes three characteristic effects of reading medieval written prayers: first, the devotee assumes the role of the I constructed by the text. Secondly, this leads to an effect of immersion into a literarily constructed, imagined environment. Finally, these effects of reading aim at being surpassed by an immediacy of a divine answer that transcends the aesthetic and semantic effects of the literary medium.