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Style and Civilization
Penguin Books (1971)
Abstract
Setting Realism in its social and historical context, the author discusses the crucial paradox posed by Realist works of art - notably in the revolutionary paintings of Courbet, the works of Manet, Degas and Monet, of the Pre-Raphaelites and other English, American, German and Italian Realists.Other Versions
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Citations of this work
The daguerreotype’s first frame: François Arago’s moral economy of instruments.John Tresch - 2007 - Studies in History and Philosophy of Science Part A 38 (2):445-476.
From Arbiter to Omnivore. The Bourgeois Transcendent Self and the Other in Disorganised Modernity.Tony Kearon - 2012 - Human Studies 35 (3):383-399.
Image/Images: A Debate Between Philosophy and Visual Studies.Alessandro Cavazzana & Francesco Ragazzi (eds.) - 2021 - Venice: Edizioni Ca' Foscari.
Urbanisation: Discourse class gender in mid-Victorian photographs of maids – reading the archive of Arthur J. Munby1.Sarah Edge - 2008 - Critical Discourse Studies 5 (4):303-317.
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