Abstract

“ Tripping through ” is an invitation to plunge into the invisible relationships of hard and soft computer matter through sensuous mediation. The projects outlined are designed to provoke and capture the specific behavior of individual computer components through the use of appropriate software fragments. If one approaches a digital apparatus with a transducer that transforms electromagnetic fields into acoustic waves, the analytical sphere is changed into concrete acoustical phenomena and enters the world of sensation (electromagnetic emissions can be picked using induction microphones and output as acoustic signals. A suitable example is a Monacor telephone adapter AC-71/3,5MM). In choreographies for software and computer parts, these become actors in noise pieces for and in computers. Machine noises can be mediated for the public. They reveal the activity of computer programs in the widest sense and the activity of the computers or computer parts they are running on. The time and space of computer processes and memory span different levels of reality during “ runtime. ” Software being processed within this system of coordinates creates its own temporal and spatial dimensions, which are staged for an audience to provide a sensual experience: that of logic encountering the physical world