In this paper, I consider the difficulty of distinguishing between science fiction and philosophy. The boundary between these genres is somewhat vague. There is a “neutral zone” separating the genres. But this neutral zone is often transgressed. One key distinction considered here is that between entertainment and edification. Another crucial element is found in the importance of the author’s apparent self-consciousness of these distinctions. Philosophy seeks to edify, and philosophers are often deliberately focused on thinking about the question of the (...) borders that distinguish genres. Science fiction is more interested in entertainment, and narrative authors tend to care less about policing the border. This distinction is a pragmatic one. And canonical authors often violate the boundary. I examine key authors to make this point, including Plato, Kant, and H.G. Wells. My discussion shows that these canonical authors wandered into the neutral zone in their own work, reminding us that the boundaries we draw around genres are arbitrary and subject to transgression. (shrink)

A timely volume that uses science fiction as a springboard to meaningful philosophical discussions, especially at points of contact between science fiction and new scientific developments. Raises questions and examines timely themes concerning the nature of the mind, time travel, artificial intelligence, neural enhancement, free will, the nature of persons, transhumanism, virtual reality, and neuroethics Draws on a broad range of books, films and television series, including _The Matrix, Star Trek, Blade Runner, Frankenstein, Brave New World, The Time Machine,_ and (...) _Back to the Future_ Considers the classic philosophical puzzles that appeal to the general reader, while also exploring new topics of interest to the more seasoned academic. (shrink)

Many writers who have discussed the Singularity have treated it not only as the inevitable outcome of advancements in cybernetic technology, but also as natural consequence of broader patterns in the development of human knowledge, or of human history itself. In this paper I examine these claims in light of Karl Popper’s famous philosophical critique of historicism. I argue that, because the Singularity is regarded as both a product of human ingenuity and a reflection of the permanent limitations of our (...) rational capacities, speculation about its likelihood occupies an interesting border zone between what Popper referred to as “technological prediction” and what he lambasted as “prophecy.” I go on to examine representations of a post-singularity world in the novels of Iain M. Banks, as well as in Bruce Sterling’s short story “The Beautiful and the Sublime.” These narratives demonstrate how trying to imagine what human life might be like in the presence of intellectually superior AIs requires a more aggressively skeptical attitude toward the human capacity to understand our own history than even Popper was prepared to allow for. (shrink)

Should the Christian community engage in Christian science – doing science starting from the standpoint of the Christian evidence base? Plantinga asks this question, and I argue that the answer is ‘yes’. Moreover, this is an answer that both Christians and atheists can agree upon. Scientific progress should not be shackled by methodological naturalism; instead we need an ecumenical approach to science, which will allow for various high-level research programmes to count as science (including Christian science). If one does science (...) by giving scientific arguments for or against such research programmes, one will fulfil the goal of having science be objective, open, and universal, not constrained by a methodology that favours the naturalistic worldview. (shrink)

Although many scientists view cloning as a useful procedure for scientific research into early embryo development—one that cannot currently be used to produce multiple copies of humans—the popular literature has led some individuals to view it as sinister. To address the concerns of the public, various conceptions of cloning are distinguished and their basis in fact analyzed. The possible uses, benefits, and detriments of both embryo splitting and nuclear transplantation are explained. Once the nature and purposes of cloning are understood, (...) and the distinctive ethical dilemmas created by embryo splitting and nuclear transplantation are sorted out, these procedures should be clinically implemented to assist in vitro fertilization treatment for those who are infertile and to further other therapeutic and investigational efforts in medicine. (shrink)

This is a comment on Peter Godfrey-Smith’s, “Models and Fictions in Science”. The comments explore problems he raises if we treat model systems as fictions in a naturalized and deflationary framework.

This book presents and engages the world building capacity of legal theory through cultural legal studies of science and speculative fictions. In these studies, the contributors take seriously the legal world building of science and speculative fiction to reveal, animate and critique legal wisdom: juris-prudence. Following a common approach in cultural legal studies, the contributors engage directly, and in detail, with specific cultural 'texts', novels, television, films, and video games in order to explore a range of possible legal futures. The (...) book is organized in three sections: first, the contextualisation of science and speculative fiction as jurisprudence; second, the temporality of law and legal theory; and third, the analysis of specific science and speculative fictions. Throughout, the contributors reveal the way in which law as nomos builds normative universes through the narration of a future. This book will appeal to scholars and students with interests in legal theory, cultural legal studies, law and the humanities, and law and literature. (shrink)

In response to calls for a research and innovation system that is more open to public scrutiny, we have seen a growth of formal and informal public engagement activities in the past decades. Nevertheless, critiques of several persistent routines in public engagement continue to resurface, in particular the focus on expert knowledge, cognitive exchange, risk discourse, and understandings of public opinion as being static. In an attempt to break out of these routines, we experimented with an innovative engagement format that (...) employs situated speculative prototyping to support citizens in contextualizing and discussing developments regarding—in this case—nanotechnology. This format invites participants to imagine and critically reflect on technological futures through collaborative prototyping and story-writing. In this paper, we outline five reconstructed contextualization patterns in which participants engaged during the format’s exercises and use these to assess the value of the format in the current engagement landscape. We show that situated speculative prototyping has potential in the realm of informal public engagement initiatives, taking an explorative approach, but also warn of ‘the designer fallacy’ as a prominent pitfall of prototyping that could reproduce techno-scientific framings and obstruct critical reflection on technological directions and implications if not treated with caution. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Indian Science Fiction: Patterns, History and Hybridity by Suparno BanerjeeBarnita BagchiSuparno Banerjee. Indian Science Fiction: Patterns, History and Hybridity. Cardiff: University of Wales Press, 2020. xiii + 256 pp. E-book, ISBN 9781786836670.Suparno Banerjee’s monograph examines science fiction (henceforth SF) from India, a country that has a rich and fascinating tradition of SF. This is a book that will be of interest and value to scholars and students in (...) higher education of utopia, dystopia, and speculative fiction, and to readers across disciplines interested in SF as a mode. It is quite clear today that Darko Suvin’s canonical definition of SF as cognitive estrangement, an interplay between the familiar and the strange, and its emphasis on the novum that is created in SF, has been enriched with further attention to context, including postcolonial contexts. Whose familiarity in cognition are we speaking about, and what happens when contexts are not necessarily hegemonic Anglo-American or Western ones? Indeed, even in Western contexts, science is not a given, but an element that always has political, historical, and ideological overtones. The novum, too, as with the term utopia, is moored in the contexts of the text.Banerjee’s book is one among several excellent monographs on Indian SF that have been published in the 2020s: Sami Ahmad Khan’s Star Warriors of the Modern Raj: Materiality, Mythology and Technology of Indian Science Fiction (2021) and Upamanyu Pablo Mukherjee’s Final Frontiers: Science Fiction and Techno-Science in Non-Aligned India (2020) come to mind. Khan adopts a refreshing fan’s guide to Indian SF register in his monograph, discussing mythology, materiality, ideology, and technology, and he coins the abbreviation TransMIT to capture his approach. Mukherjee’s book examines how Indian SF syncs with or questions the technological and scientific paradigms of India under Nehru and the Non-Aligned Movement; arguing that Indian SF needs to be seen as semiperipheral, the book also applies concepts from energy humanities [End Page 586] to Indian SF in an arresting way. Suparno Banerjee’s monograph is a solidly grounded work in its clearly explained choice of corpus, and a methodology that elicits particularly generative insights in a number of areas, including the epistemological status of science in Indian SF, the importance of SF written in bhasha or non-English Indian languages, the interplay between past and future in Indian SF, analysis of how Indian SF imaginatively represents the Other, and attention to Indian women writers of SF.Banerjee offers a lucid and useful chronology of Indian SF in four historical periods: 1835–1905, 1905–47, 1947–95, and 1995–2019. The period from 1835 to 1905 offers the first specimens of Indian SF, primarily in the form of future histories that question colonialism, in the utopian mode, and adventure tales and stories with scientific and technological elements. The establishment of a British education system, starting in the 1820s, gave an impetus to the birth of Indian SF. Rokeya Sakhawat Hossain’s “Sultana’s Dream” was published in 1905, a year that heralds the second period lasting until Indian independence. In this period, SF starts appearing not just in the English, Bengali, and Hindi languages, as in the first period, but also in a number of other Indian languages, such as Assamese, Marathi, and Tamil. Children’s and youth magazines develop from the 1920s, spaces where science writing and SF both appear. Nationalist, anticolonial stances emerge, challenging western hegemony, in the 1940s. In the early post-Independence period, the nationalistic elements become even stronger, and SF interacts quite strongly with older forms of fantastic writing such as myths, fairytales, and ghost stories. This third period, Banerjee argues, is the golden age of bhasha SF. From the 1990s English-language SF again becomes very prominent in India and its diaspora, though SF in bhashas continues to flourish.Banerjee examines fiction not just from post-Independence India, but also from colonial British India, and diasporic Indian writing. SF written primarily in Bengali, English, Hindi, and Marathi is examined and, when possible, the book also brings into its ambit of analysis SF written in the languages Assamese, Tamil, Telugu, and Kannada. Reflexivity about the corpus of... (shrink)

The Belgian author J.-H. Rosny aîné is a relative unknown. A contemporary of Jules Verne and H. G. Wells, he wrote a number of science fiction stories, as well as naturalistic ones, all in French. Despite being something of a celebrity in his day, he has received scant attention from the anglophone world—a smattering of translations and a couple of Ph.D. dissertations that "tend to dismiss Rosny's 'scientific' novels and disparage SF". With this new volume, Chatelain and Slusser aim to (...) set a foundation for, and secure an interest in, Rosny as a subject of study and to argue for his import in the history of sf. The work contains a lengthy introduction, copious notes, and a useful... (shrink)

The notion of utopia in Quebec culture has been a formal and thematic constant since the origins of its literature and indeed French Canadian history. From the discovery and cartography of the so-called New World, as documented in the early colonial travel writings of the sixteenth and seventeenth centuries, to twenty-first-century science fiction, both reactionary and revolutionary texts have pervaded the ideological landscape of Quebec, markedly inspired by political and religious struggles.1 The texts that constitute this diverse science-fictional body of (...) work often create a hybrid genre through a simultaneously utopian and uchronian—or alternate historical—approach. While appearing on the surface to be limited... (shrink)

This work challenges both the widely accepted view thatThe Dispossessed represents a new kind of literary utopia and the place of Ursula K. Le Guin's novel in the histories of utopian/dystopian literature and science fiction.

Il y a une convergence obligée entre SF et féminisme. D'abord la SF a 'pour ancêtre l'utopie, et imagine donc des modèles de société autres, tout comme le féminisme est obligé de le faire; ensuite, la SF permet d'aborder les problèmes des femmes d'un point de vue créatif et non réactif comme la littérature normative; enfin la distance mythique retrouvée dans la SF permet aux auteures et lectrices d'accéder pleinement au registre héroïque, qui leur est souvent dénié par la littérature (...) normative.There is a necessary convergence between science fiction and feminism. On one hand, SF has utopia for an ancestor and therefore invents other societal models, as feminism itself must do. On the other hand, SF deals creatively with women's problems, not just reactively like mainstream literature does. And finally, due to the mythic perspective that permeates SF, writers and readers can fully participate in the heroic, which is often denied to by mainstream literature. (shrink)

The ArgumentIdealizations and approximations are an indispensable tool for the scientist. This paper argues that idealizations and approximations are equally indispensable for the philosopher of science. In particular, it is shown that the deductive model of scientific theories is an idealization in precisely the same sense that frictionless motion is an idealization in mechanics. By its very nature, an idealization cannot be criticized as not being absolutely true to the facts, for it need not be. Thus, the usual type of (...) criticism levelled against the deductive model is shown to be irrelevant. The main step in the argument consists in using a logic of approximation to clarify the notions of approximate implication and approximate entailment, which are usually rejected as hopelessly vague. More generally, the conception underlying the paper is that the desiderata of science should be formulated in such a way that complying with them could be a matter of degree, and that pragmatic considerations could be taken into account. This conception is motivated by the wish to introduce some quantitative concepts in the philosophy of science, thereby bringing the philosopher's perspective closer to that of the scientist. (shrink)

This book explores what science fiction can tell us about the human condition in a technological world, with the ethical dilemmas and consequences that this entails. This book is the result of the joint efforts of scholars and scientists from various disciplines. This interdisciplinary approach sets an example for those who, like us, have been busy assessing the ways in which fictional attempts to fathom the possibilities of science and technology speak to central concerns about what it means to be (...) human in a contemporary world of technology and which ethical dilemmas it brings along. One of the aims of this book is to demonstrate what can be achieved in approaching science fiction as a kind of imaginary laboratory for experimentation, where visions of human (or even post-human) life under various scientific, technological or natural conditions that differ from our own situation can be thought through and commented upon. Although a scholarly work, this book is also designed to be accessible to a general audience that has an interest in science fiction, as well as to a broader academic audience interested in ethical questions. (shrink)

This book explores contemporary existential science fiction media and their influence on society's conceptions of humanity. These media texts manifest abstract concepts in a genre that has historically focused on exploring new ideas and frontiers, creating powerful media that helps audiences contemplate their existence as human beings.

While belief in gods was almost universal in the ancient world, Thales of Miletus introduced the notion that observed phenomena could be explained in natural terms without invoking imagined spirits. Leucippus and Democritus, and later Epicurus and Lucretius, proposed that everything was composed of particulate atoms in an otherwise empty void. Any gods that existed played no role in the human world. The universe was infinite, eternal, uncreated, and included many worlds besides our own. These ideas conflicted with the other (...) philosophical schools of the time and were suppressed by the Church during the Dark Ages. Atomism reappeared during the Renaissance and became a crucial ingredient in the scientific revolution that followed. The atomic picture of matter has now been solidly confirmed. Furthermore, the notion of an infinite, eternal, and uncreated ‘multiverse’ is strongly suggested by modern cosmology. (shrink)

Some experimental philosophers imply that philosophers should endorse folk intuitions and even use them to advance philosophical theses. In this paper I will try to contrast experimental appeals to intuition with J. L. Austin’s, whom some experimentalists cite as a precursor of their method. I will suggest that Austin evokes ordinary intuitions in order to dismantle philosophical quests. He even suggests (a) that the appeal to ordinary intuitions of the folk can hardly prescribe answers to extraordinary circumstances and (b) that (...) philosophical quests themselves are extraordinary. Therefore, the appeal to folk intuitions cannot prescribe answers to philosophical problems. It can only dissolve philosophical quests; yet, the dismantling of philosophy hardly accords with the experimentalists’ agenda. (shrink)

The Philosophy of Science Fiction: Henri Bergson and the Fabulations of Philip K. Dick explores the deep affinity between two seemingly quite different thinkers, in their attempts to address the need for salvation in (and from) an era of accelerated mechanization, in which humans' capacity for destroying or subjugating the living has attained a planetary scale. The philosopher and the science fiction writer come together to meet the contradictory imperatives of a realist outlook-a task which, arguably, philosophy and science fiction (...) could only ever adequately undertake in collaboration. Their respective approaches meet in a focus on the ambiguous status of fictionalizing, or fabulation, as simultaneously one of mechanization's most devastating tools, and the possibility of its undoing. When they are read together, the complexities and paradoxes thrown up by this ambiguity, with which both Bergson and Dick struggle on their own, open up new ways to navigate ideas of mechanism and mysticism, immanence and transcendence, and the possibility and meaning of salvation. The result is at once an original reading of both thinkers, a new critical theory of the socio–cultural, political and ethical function of fictionalizing, and a case study in the strange affinity, at times the uncanny similarity, between philosophy and science fiction. (shrink)

This paper addresses the gap between familiar popular narratives describing Artificial Intelligence (AI), such as the trope of the killer robot, and the realistic near-future implications of machine intelligence and automation for technology policy and society. The authors conducted a series of interviews with technologists, science fiction writers, and other experts, as well as a workshop, to identify a set of key themes relevant to the near future of AI. In parallel, they led the analysis of almost 100 recent works (...) of science fiction stories with AI themes to develop a preliminary taxonomy of AI in science fiction. These activities informed the commissioning of six original works of science fiction and non-fiction response essays on the themes of “intelligence” and “justice” that were published as part of the Slate Future Tense Fiction series in 2019 and 2020. Our findings indicate that artificial intelligence remains deeply ambiguous both in the policy and cultural contexts: we struggle to define the boundaries and the agency of machine intelligence, and consequently find it difficult to govern or interact with such systems. However, our findings also suggest more productive avenues of inquiry and framing that could foster both better policy and better narratives around AI. (shrink)

Science fiction is often used as a tool with which to think about actual science. While often this is depicted in terms of imaginary future potential, science fiction has also shown itself to be a poignant critique of existing science and a means of exploring our collective anxieties regarding the continued logic of current scientific development. This article explores the science fiction of organ transplantation, as mapped against scientific and medicolegal developments in actual organ transplantation. Explored through the lens of (...) Adorno’s work on cultural criticism, it is argued that science fiction serves as a tool with which we address (and critique) the ethical boundaries (and fears, often colonial in nature) of actual organ transplantation. Science fiction works such as Larry Niven’s Known Space Universe and Repo! The Genetic Opera are examined, demonstrating that in critiquing the science of organ transplantation, fictionists ultimately come to examine changing cultural understandings of selfhood and embodiment. (shrink)

The boundaries of the ethical have traditionally coincided with the boundaries of humanity. This, however, is no longer the case. Scientific developments, such as genetic engineering, stem-cell research, cloning, the Human Genome Project, new paleontological evidence, and the rise of neuropsychology call into question the very notion of human being and thus require a new conceptual map for ethical judgment. The contours of this map may be seen to emerge in works of science fiction (SF), which not only vividly dramatize (...) the implications and consequences of new technologies and discoveries, but also exert a powerful influence on culture, creating a feedback loop of images and ideas. This essay focuses on three SF topoi: the human/animal evolutionary boundary; non-biological subjectivity (AI); and the human/alien interaction. It explores each of these topoi in a selection of SF texts, including novels by H. G. Wells, Olaf Stapledon, Stephen Baxter, William Gibson, Stanislaw Lem and others, showing how the boundaries of humanity are expanded and then exploded through the radical subversion of the tenets of liberal humanism. (shrink)

Chinese Science Fiction during the Post-Mao Cultural Thaw focuses on the years after Mao Zedong's demise, from 1976 to 1983, during which China's politics and culture underwent unusual changes. Li's book is a laudable scholarly endeavor that provides readers with a new interpretation of science fiction (SF) during the post-Mao era. Li connects the production of Chinese SF to a wider context, including mainstream literary perspectives, domestic political demands and predicaments, changing international relations, and Western SF traditions. From my point (...) of view, this book contributes to existing scholarship in four different ways.First, Li offers an explanation for the launching of the "Anti-Spiritual Pollution... Read More. (shrink)

In an earlier study, De la féerie à la science-fiction, I tried to show the internal consistency and the chronological succession of fairy tales, fantastic stories and works of scientific anticipation or extrapolation. They represent three styles of the imaginary, and illustrate, each in its own way (“like hollow molds,” I said), the chief epochs of man's changing situation on his planet, as he himself saw it, more or less naively, in each case. First he depicted himself as powerless and (...) wonderstruck; then confident in science and technology, he considered himself the fortunate conqueror of the planet; and finally he saw himself as isolated and marginal in the immensity of space—just at the very time when he was learning to move about in it. (shrink)

H. G. Wells’s The Rights of Man (1940)—which provided the groundwork for the 1948 UN Declaration of Human Rights—has been re-released with a new Introduction by novelist Ali Smith, who reminds us of Wells’s political prophetic call for “a real federation of mankind,” and of the fact that we have still failed to meet the future he envisioned. If we are to catch up with Wells, we must, however, examine the foundations of Wells’s “cosmopolitan” vision, which requires examining both his (...) scientific non-fiction and his scientific romances. Looking to Wells’s The Island of Dr. Moreau in particular, and the influence of Wells’s early scientific essays on Moreau’s narrative, we get a picture of Wells as a writer and a man who is anxious about the identity and future of the human species, but who nevertheless puts his faith in the “apparatuses” of “education and moral suggestion,” which are held together by “common faith.” Much like Charles Taylor and Simon Critchley, Wells calls for more than a political reconstitution, or institution, of right: he calls for a new cosmic imaginary, or supreme fiction, that has the potential to redeem and preserve the human species. (shrink)

Often called the first of its kind, Frankenstein paved the way for science fiction writing. Its depiction of a then impossible scientific feat has in our time become possible and is essentially recognizable in what we now refer to as bioengineering, biomedicine, or biotechnology. The fiction of Frankenstein has as it were given way to scientific fact. Of more importance, however, is the challenge Mary Shelley’s novel presents to the ostensibly high-minded and well-intentioned hopes and promises of the scientist/technologist. Finally, (...) the fictional character, Victor Frankenstein, has come to serve as the poster child and whipping boy for all scientific and technological irresponsibility, so much so that thanks to him we are able to free ourselves and our scientists from any real responsibility, since none of us ever would or could be as monstrous as Frankenstein. (shrink)

In this paper Marx’s concept of fetishism is used in order to analyze contemporary representations of technology in the science-fiction genre (concretely Terminator, The Jetsons and Dune will be used as examples) and discuss their correspondence to two major ideological perceptions of technology (the luddite and the productivist) and to one of the best attempts to grasp technology in a non-fetishized form (Marx’s analysis in Capital).

The following paper examines the cyberpunk transhumanist graphic novel Transmetropolitan through the theoretical lens of disability studies to demonstrate how science fiction, and in particular this series, illustrate and can influence how we think about disability, impairment and difference. While Transmetropolitan is most often read as a scathing political and social satire about abuse of power and the danger of political apathy, the comic series also provides readers with representations of impairment and the source of disability as understood by the (...) Social Model of Disability (SMD). Focusing on the setting and fictional world in which Transmetropolitan takes place, as well as key events and illustration styling, this paper demonstrates that the narrative in this work encompasses many of the same theoretical underpinnings and criticisms of society’s ignorance of the cause of disability as the SMD does. This paper aims, by demonstrating how Transmetropolitan can be read as an allegory for the disabling potential of society as experienced by individuals with impairments, to prompt readers into thinking more creatively about how narratives, seemingly unconcerned with disability, are informed and can be understood via disability theory. (shrink)

In this highly original book, Russell Blackford discusses the intersection of science fiction and humanity’s moral imagination. With the rise of science and technology in the 19th century, and our continually improving understanding of the cosmos, writers and thinkers soon began to imagine futures greatly different from the present. Science fiction was born out of the realization that future technoscientific advances could dramatically change the world. Along with the developments described in modern science fiction - space societies, conscious machines, and (...) upgraded human bodies, to name but a few - come a new set of ethical challenges and new forms of ethics. Blackford identifies these issues and their reflection in science fiction. His fascinating book will appeal to anyone with an interest in philosophy or science fiction, or in how they interact. (shrink)

While admiring the breadth and interest of Clark's discussion of a persistent theme in science fiction, I worry about its capacity to reveal fundamental features of the genre. I also try to make explicit some of Clark's unstated assumptions.

The dictionary tells us that metalinguistics is simply "the study of the interrelationship between language and other cultural behavioral phenomena."1 However, because most studies are in fact expressed in language, the study itself becomes a candidate for metalinguistic inquiry. In other words, language is not only capable of interrelationships with kinship systems or economic systems or rituals but it is capable of intrarelationships. . . . Language often becomes a subject in science fiction because science fiction writers realize that they (...) must account for the communication between characters from different planets or different epochs. Wells' Time Traveller, when he first encounters the effete and childlike Eloi, notices that they speak "a strange and very sweet and liquid tongue" which he never does come to understand. This failure of understanding is realistic and leads to some lovely pathos as the Time Traveller tries to apprehend a world solely by means of observation and exchanges of facial expression and gesture. Although language conveniently drops from consideration once it is established that there won't be any significant talking, that it is considered at all adds plausibility to this fantastic tale. · 1. American Heritage Dictionary, New College Edition, 1976. Eric S. Rabkin, professor of English and director of the Collegiate Institute for Values and Science at the University of Michigan, is the author of Narrative Suspense, The Fantastic in Literature, Arthur C. Clarke and the editor of Fantastic Worlds: Myths, Tales, and Stories. His previous contribution to Critical Inquiry, "Spatial Form and Plot," appeared in the Winter 1977 issue. See also: "The Shape of the Signifier" by Walter Benn Michaels in Vol. 27, No. 2. (shrink)

It is hardly a novel claim that the work of Ursula K. Le Guin (1929–2018) contains influences from philosophical Daoism, but I argue that this influence has yet to be fully understood. Several scholars criticize Le Guin for misrepresenting Daoist ideas as they appear in ancient Chinese philosophical texts, particularly the Dao De Jing and the Zhuangzi. While I have sympathy for this charge, especially as it relates to Le Guin’s translation of the Dao De Jing, I argue that it (...) fails to understand the extent to which her fiction contains her own philosophical development of Daoist ideas. Looking at some of her most influential works (e.g., The Left Hand of Darkness, The Dispossessed, The Lathe of Heaven, A Wizard of Earthsea, etc.), I suggest that Le Guin’s fiction is better seen as a refocusing of Daoist concepts such as complementary contrasts and non-action (wu wei) in the contexts of modern feminism, modern anarchism, science fiction, and fantasy. Le Guin was not trying to represent ancient Daoism as a scholar. Rather, she was trying to reimagine Daoism as a creative artist and philosopher in her own right. This way of viewing Le Guin’s work does not fully exorcise the specter of the possibility of Orientalist cultural appropriation, but it does make the issue more complex in a way that can deepen further conversations. To what extent can an artist be guilty of misrepresentation if representation was not, strictly speaking, her goal? I end with a brief reflection on what is perhaps the deepest philosophical lesson of Le Guin’s work: everything is more complicated than it first appears. On that note, the present article is an attempt not just to do philosophy about Le Guin, but to do philosophy in a Le Guinian fashion, which requires rethinking the metaphor of combat that guides much academic philosophy today. (shrink)

The future is not a new idea. The philosophers of the Enlightenment freed it of the historic wrappings of Christian eschatology and the notion of Providence itself by rationalising the idea of progress, the possible improvement of Mankind and the terrestrial city that stemmed from it. Making use of the Renaissance, the utopian authors transformed spiritual preparation for the end of time into a view of material, earthly delight made possible by science and scientific research. This ideal was certainly embodied (...) in Francis Bacon’s New Atlantis, although Thomas More was the first of all. In passing from work on consciousness to that of the spirit, the utopians of the eighteenth century espoused Reason and soon turned the future into something much more than critical discourse: It became social opportunity, a new political framework. Audaciously shifting the utopia of “elsewhere” to “the future” in the manner of Louis-Sébastien Mercier or Marquis de Condorcet, the utopians pursued a programme relying on scientific promise: Identify the technological processes of the transformation of reality and spread the word, an aim which would give birth to a new, less discursive, more popular genre—science fiction. (shrink)

While most scholarship in religious studies focuses on the past and present, the study of what the future may hold in store for religion deserves attention. Studying the treatment of religious themes and characters in science fiction provides one way of accomplishing this objective. From the possibility of time travel to key events in the history of religion, to the possibility of acquiring godlike attributes by technological or other futuristic means, science fiction regularly touches on topics such as the nature (...) and universality of truth or the nature of personhood and of divinity in ways that can be deeply theological, even if the authors of the tales are not theologians or even religiously inclined. In stories about contact with extraterrestrial sentient life forms, sci-fi tales can explore questions about diversity in the values and ideas we hold, but on a much larger scale than that provided by our own planet. Yet these stories reflect the convictions and concerns human beings currently have about our ability to understand one another and our sometimes seemingly incommensurable commitments. Such stories provide natural conversation partners for present-day religious communities. The study of such literature and film provides insight into how major conceptual and ethical questions are being explored and wrestled with even today. (shrink)

The first section of this article focuses on the treatment of “time travel” in science-fiction literature and film as presented in the secondary literature in that field. The first anthology I will consider has a metaphysical focus, including (a) relating the time travel of science fiction to the banal time travel of all living beings, as we move inexorably toward the future; and (b) arguing for the filmstrip as the ultimate metaphor for time. The second anthology I will consider has (...) a more political focus, arguing that the “special effects” form of science-fiction films, rather than the visual or narrative content of science-fiction-films, is truly imaginative and futural. The second section of this article ties together a variety of concepts and insights between time-travel cinema and Deleuze’s Cinema 1, suggesting (among other things) that (c) time-traveling characters in cinema function as a redoubled phenomenon of the “mobile sections” of Bergsonian duration (in reference to Henri Bergson), and (d) time-travel cinema vividly illustrates the imagistic nature of the entire world. (shrink)

This piece explores the origins of science fiction in philosophical speculation about the size of the universe, the existence of other solar systems and other galaxies, and the possibility of alien life. Science fiction helps us to grapple with the dizzying possibilities that a vast universe affords, by allowing our imagination to fill in the details.

Primarily a thought experiment, this essay explores how cinematic cyborgs and anthropological approaches to personhood and subjectivity might be theorized together. The 1980s and 1990s showed considerable investment by media producers, and strong reception by audiences and culture critics, to science fiction (SF) film and television franchises that brought new attention to the imagined cyborg subject in the popular imagination of the time. Outside of Hollywood, this same period was marked by biomedical and technological advancements that raised profound implications for (...) Western conceptions of personhood. While SF has enjoyed a long-standing position in the social sciences, primarily with sociologists and feminist theorists, SF’s preoccupation with what it means to be human calls for anthropological engagement as well. Yet if Donna Haraway envisioned cyborgs as celebrated sites of gender de/reconstruction and open possibility, why is it that cinematic cyborgs desire so strongly to become subjects of mothers, lovers, government, and God? While primary attention is given here to film texts and academic articles that drove discussions of science and technology in popular culture during the decades preceding the millennium, with remakes, reboots, and sequels to popular franchises underway, a renewed interest in the anthropological questions these films and series provoke is evident. (shrink)

What a refreshing read in the sociology of literature! Literary works are not just products of social forces, symbolic struggles and accumulated capitals. They have a power of their own – the power to capture and convey the essence and meaning of changing eras. Literature expresses the paradoxes of modern humanity differently than other textual accounts, moving and inspiring readers through its aesthetic form. This book is for social sciences and humanities scholars whose interest in literature goes beyond analysis to (...) an appreciation of its artistry. (shrink)

The paper is an examination and critique of the philosophy of science fiction horror of seminal American horror, science fiction and fantasy writer H.P. Lovecraft (1890-1937). Lovecraft never directly offers a philosophy of science fiction horror. However, at different points in his essays and letters, he addresses genres he labels “interplanetary fiction”, “horror”, “supernatural horror”, and “weird fiction”, the last being a broad heading covering both supernatural fiction and science fiction. Taken together, a philosophy of science fiction horror emerges. Central (...) to this philosophy is the juxtaposition of the mysterious, unnatural and alien against a realistic background, in order to produce the emotion that Lovecraft calls “cosmic fear”. This background must not only be scientifically accurate, but must accurately portray human psychology, particularly when humans are faced with the weird and alien. It will be argued that Lovecraft’s prescriptions are overly restrictive and would rule out many legitimate works of science fiction horror art. However, he provides useful insights into the genre. (shrink)

Bringing together literary scholars, computer scientists, ethicists, philosophers of mind, and scholars from affiliated disciplines, this collection of essays offers important and timely insights into the pasts, presents, and, above all, possible futures of Artificial Intelligence. This book covers topics such as ethics and morality, identity and selfhood, and broader issues about AI, addressing questions about the individual, social, and existential impacts of such technologies. Through the works of science fiction authors such as Isaac Asimov, Stanislaw Lem, Ann Leckie, Iain (...) M. Banks, and Martha Wells, alongside key visual productions such as Ex Machina, Westworld, and Her, contributions illustrate how science fiction might inform potential futures as well as acting as a springboard to bring disciplinary knowledge to bear on significant developments of Artificial Intelligence. Addressing a broad, interdisciplinary audience, both expert and non-expert readers gain an in-depth understanding of the wide range of pressing issues to which Artificial Intelligence gives rise, and the ways in which science fiction narratives have been used to represent them. Using science fiction in this manner enables readers to see how even fictional worlds and imagined futures have very real impacts on how we understand these technologies. As such, readers are introduced to theoretical positions on Artificial Intelligence through fictional works as well as encouraged to reflect on the diverse aspects of Artificial Intelligence through its many philosophical, social, legal, scientific, and cultural ramifications. (shrink)

Through the epistemic potential of speculative science fiction, this article offers a reflection on the impacts of technologies on the human body. More precisely, this article illuminates how literary texts anticipate the challenges which will arise in relation with the body of the future from our most awaited and fantasized technologies. Olga Ravn’s novel, The employees (2018), will be the basis of this article’s inquiry into how the augmented body, extraterrestrial life and artificial intelligence impact the body and, by the (...) same token, upset our own understanding of ourselves and the world which surrounds us. As a whole, this article illustrates that a future where technical advancement takes precedence on social progress can lead not only to a disembodied reality, but more importantly to an alienated humanity. (shrink)

Facing the accumulation of data that suggest near‐future dramatic changes in our way of life, current visions of transition are anchored in an incremental paradigm that excludes radical change. Using science fiction literature and cinema, this article aims to build such drastic change hypotheses and explore the political–ecological features of future societies emerging from a rupture phenomenon. These post‐ecological societies need to be imagined and analyzed in order to better prepare for eventual dramatic changes and to engage in prospective exercises (...) that contemplate the possibility of flourishing for all in the future. Our work builds on the idea that other forms of knowledge, such as artistic and creative insights produced by science fiction literature and cinema, are promising sources of imagination and must be engaged in a dialog with sociology and other social sciences in order to develop hypotheses of possible futures. The paper introduces six such hypotheses called “scenarios” that were induced from the systematic study of a body of work in classical science fiction production. (shrink)

Immortality is a subject which has long been explored and imagined by science fiction writers. In his intriguing new study, Stephen R.L.Clark argues that the genre of science fiction writing allows investigation of philosophical questions about immortality without the constraints of academic philosophy. He reveals how fantasy accounts of issues such as resurrection, disembodied survival, reincarnation and devices or drugs for preserving life can be used as an important resource for philosophical inquiry and examines how a society of immortals might (...) function through a reading of the vampire myth. _How to Live Forever_ is a compelling study which introduces students and professional philosophers to the possibilities of using science fiction in their work. It includes extensive suggestions for further reading, both fictional and philosophical, and examines the work of such major science fiction authors as _Arthur C. Clarke, Frank Herbert, Larry Niven, William Gibson_, and _Colin Wilson_. (shrink)

Animals and Science Fiction is the first edited collection to be published focusing on the intersection of animal studies and science fiction studies. It offers a broad range of theoretical approaches and primary source texts—including novels, short stories, poetry, film and TV, photography, erotica, video games, and urban planning documents—that explore the ways works of science fiction can transform how we see and interact with nonhuman others. With an eye toward more just multispecies futures, it argues that speculative imaginaries can (...) be pivotal in changing attitudes toward and understandings of nonhuman animals in our world today. Chapters appeal to those interested in biopolitics, posthumanism, new materialism, ecocriticism and the environmental humanities, ocean humanities, postcolonial studies, critical race studies, Indigenous studies, global sf studies, film studies, and food studies. Taken together, the collection works to showcase a diverse and growing field of scholarly inquiry into animals and science fiction. (shrink)

The distinguished theologian, David Ray Griffin, has advanced a set of thirteen theses intended to characterize (what he calls) "Neo-Darwinism" and which he contrasts with "Intelligent Design". Griffin maintains that Neo-Darwinism is "atheistic" in forgoing a creator but suggests that, by adopting a more modest scientific naturalism and embracing a more naturalistic theology, it is possible to find "a third way" that reconciles religion and science. The considerations adduced here suggest that Griffin has promised more than he can deliver. On (...) his account, God is in laws of nature; therefore, any influence He exerts is natural rather than supernatural. But if the differences God makes are not empirically detectable, then Griffin's account is just as objectionable as a theory of supernatural intervention. And Griffin has not shown that evolution as distinct from his idiosyncratic sense of Neo-Darwinism is incompatible with theism. (shrink)

Facing the accumulation of data that suggest near-future dramatic changes in our way of life, current visions of transition are anchored in an incremental paradigm that excludes radical change. Using science fiction literature and cinema, this article aims to build such drastic change hypotheses and explore the political–ecological features of future societies emerging from a rupture phenomenon. These post-ecological societies need to be imagined and analyzed in order to better prepare for eventual dramatic changes and to engage in prospective exercises (...) that contemplate the possibility of flourishing for all in the future. Our work builds on the idea that other forms of knowledge, such as artistic and creative insights produced by science fiction literature and cinema, are promising sources of imagination and must be engaged in a dialog with sociology and other social sciences in order to develop hypotheses of possible futures. The paper introduces six such hypotheses called “scenarios” that were induced from the systematic study of a body of work in classical science fiction production. (shrink)

Robert E. Myers has assembled a collection of essays which explore aspects of the relationship between science fiction and philosophy. Contributing authors focus on significant issues, questions, and ideas that penetrate to the center of our individual and social conceptions of human existence, and affect the ways in which we attempt to comprehend our world, ourselves, and others. The authors bring to this study the insights of diverse disciplines: philosophy, social science, poetry, linguistics, future studies, medical humanities, and literature. Dealing (...) exclusively with topics relating to science fiction and philosophy they offer an initial exploration of the philosophical problems within science fiction and their implications. (shrink)

This accessible and provocative collection of science fiction acquaints readers with cutting-edge gender controversies in moral and political philosophy. By imagining future worlds that defy our most basic assumptions about sex and gender, freedom and equality, and ethical values, the anthology’s authors not only challenge traditional standards of morality and justice, but create bold experiments for testing feminist hypotheses. Selections are grouped under four main themes. Part 1, "Human Nature and Reality," concentrates on whether there is an intrinsic difference between (...) males and females. Here the authors inspect opposing views on five related questions: What does it mean to be human? What are women and men really like? How significant is the reproductive difference? How do we define the concepts of "woman" and "nature"? Why is language important? Part 2, "Dystopias: The Worst of All Possible Worlds," first portrays misogynistic societies uncomfortably familiar to the early 21st-century reader. Chilling stories of future possibilities follow, including worlds where women and men separate into armies to fight a literal war of the sexes. Part 3, "Separatist Utopias: Worlds of Difference," assembles stories that scrutinize both the virtues and vices of separatism, in order to address the questions Why should women want to separate from men? and What would and should these all-female worlds be like? In Part 4, "Androgynous Utopias: Worlds of Equality," the authors create intriguing worlds that anticipate the consequences, good and bad, of perfect sexual equality in education, intelligence, capability, and reproduction. With selections from such noted writers as Octavia Butler, Marion Zimmer Bradley, James Tiptree Jr., and many others, plus chapter introductions, discussion questions, and recommended reading list, this stimulating collection offers fresh insights on troubling issues by weaving controversial utopian and dystopian designs from the separate threads of opposing positions. (shrink)

Over the last two decades, many philosophers have been increasingly inclined to consider science fiction films as philosophical exercises that center on the nature of human consciousness and existence. Albert Camus' philosophy of the absurd, however, has almost never been employed as a constructive perspective that can illumine unexplored aspects of these films. This is surprising, since science fiction films seem to be packed with visions and dialogues that echo the Sisyphean universe. Cosmos and Camus endeavors to set foot on (...) this uncharted terrain. Its first part aims to introduce the main components of Camus' absurdity in such a way that it can be easily applied to the analysis of the films later. Equipped with these Camusean essentials, it delves into an in-depth analysis of two first-encounter films (Contact and Arrival) and two AI films (A.I. and Her). These analyses yield more than an insightful reflection of the absurd contents in science-fiction film. Indeed, imaginative collisions with nonhumans seem to tell us a lot about the nature of the absurd in the human condition, as well as raising the question of whether absurdity is exclusively a human matter. Ultimately, the interpretation of the films illuminates the films themselves just as much as it illuminates, challenges, and expands Camus' concept of absurdity, thus contributing to our current understanding of what the absurd reality is and how we can either live with it or transcend it. (shrink)